339:, piano. Recorded 6 January 1936. A Victor Musical Masterpiece. 78 rpm recording, 3 sound discs: analog, 78 rpm, monaural, 12 in. Victor DM 318 (set: automatic sequence); Victor 16892; 16893; 16894; Victor AM 318 (set: automatic sequence). Camden, N.J.: Victor, 1940. Reissued together with other material. CD recording, 1 sound disc: digital, monaural, 4¾ in. EMI Classics 7243 5 65962 2. EMI Références series. : EMI Classics, 1996.
960:
984:
396:; George Enescu: Sonata No. 3 in A minor for Violin and Piano, Op. 25. Yehudi Menuhin, violin (1st, 3rd, and 4th works); Ravi Shankar, sitar (2nd and 3rd works); Alla Rakha, tabla (1st work); Hephzibah Menuhin, piano (4th work). LP recording, 1 sound disc: analogue, stereo, 33⅓ rpm, 12 in. Angel S 36418. London: Angel, 1967.
39:
426:
George Enescu: Violin Sonata No. 2, Op. 6; Violin Sonata "Torso"; Violin Sonata No. 3, Op. 25. Adelina Oprean, violin; Justin Oprean, piano. CD recording, 1 disc: digital, stereo, 4¾ in. Hyperion CDA66484. London: Hyperion
Records Ltd,
317:
form using a refrain whose melody is reminiscent of a bear dance from northern
Moldavia. Despite the sectional form, the thematic material is subjected to continuous variation—a process made particularly clear in the C section, which is structured as a miniature
309:
in three parts: a long opening section filled with introspection and poetic facets, where the violin plays almost entirely in harmonics, followed by a contrasting central section in folk style, and a return of the opening material with a concluding, gentle coda.
219:
The sonata prompted enthusiasm immediately at the time of its premiere, and has ever since been the composition by Enescu that has received the greatest amount of attention in the musicological and critical literature, with the possible exception of his opera,
287:
is confined almost entirely to material from the first thematic group, but after the recapitulation there is an extended coda that brings together motivic fragments from both groups. The transformation of the material from the lyrical, songlike style of the
373:
George Enuscu: Sonata No. 3 in A Minor for Violin and Piano, Op. 26 (dans le style populaire roumaine). Christian Ferras, violin; Pierre
Barbizet, piano. LP recording, 1 sound disc: analog, 33⅓ rpm, stereo, 12 in. Odeon S 80749. : Odeon,
282:
bătrînească" (old men's dance). The second thematic group brings a contrasting atmosphere of sobriety and intensified differentiation of colour, a characteristic that will return for further development in the second movement. The
370:: Sonata No. 2 for Violin and Piano, Op. 40. Diane Andersen, violin; André Gertler, piano. LP recording, 1 disc: analogue, 33⅓ rpm, stereo, 12 in. Supraphon 50483, Czechoslovakia: Supraphon, 1962.
236:
Without ever quoting actual folk tunes, the material possesses the authenticity of a sort of "super folklore". The violin is cast in the role of a gypsy fiddle, and the writing for the piano imitates the
356:, piano (1st work); Alexandru Radulescu, viola; George Enescu, piano (2nd work). LP recording, 1 sound disc: analog, 33⅓ rpm, monaural, 10 in. Electrecord ECD 95. : Electrecord, 1950s.
196:, in January 1927 by the composer and the pianist Nicolae Caravia, who repeated it shortly afterward in Bucharest. Enescu and Caravia also gave the Paris premiere in March 1927, in the
363:: Sonata for Violin and Piano. Rafael Druian, violin; John Simms, piano. LP recording, 1 sound disc: 33⅓ rpm, monaural, 12 in. Mercury MG 80001. : Mercury Records, 1956.
216:
and again a few years later with Céliny
Chaillez-Richez. A performance took place in May 1946 with Yehudi Menuhin playing the violin part, accompanied on the piano by the composer.
1024:
578:
Cosma, Viorel. 1981. "Patriotische
Bedeutungen einer absoluten Uraufführung: Warum ließ Enescu die Sonate 'in rumänischem Volkscharakter' erstmals in Oradea ertönen?". In
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The Third Violin Sonata was written in a span of about four months in 1926 at a time when Enescu was also occupied with the late stages of work on the opera
911:
645:
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942:
672:
613:
Rădelescu, Speranța. 1981a. "Caractère spécific roumain dans le langage harmonique de la 'III Sonate pour piano et violon' de
Georges Enesco". In
423:, piano. LP recording, 1 sound disc: analog, 33⅓ rpm, stereo, 12 in. CBS Masterworks M 39114. New York: CBS Masterworks, 1983.
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and development into the persistent dance rhythms of the recapitulation bestows upon the movement the overall impression of a two-part
607:
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571:
Ciortea, Tudor. 1968. "Sonata a III-a pentru pian și vioară și unele principii ale creației muzicii de cameră la George Enescu".
550:
2 vols, edited by Mircea
Voicana, 1: 459–586 (part 3, chapters 7–8). Bucharest: Editura Academiei Republicii Socialiste România.
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presented in continuous and supple lines in the piano and more hesitantly in the violin. When this material returns in the
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Rădelescu, Speranța. 1981b. "La connotation 'populaire' dans la 'III Sonate pour piano et violon' de
Georges Enesco". In
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200:. A particularly notable early performance took place in Paris in June 1930, when the composer was partnered by
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George Enescu: Sonata No. 3 in A minor for Violin and Piano, Op. 25 ("in the popular
Roumanian style").
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627:
Rațiu, Adrian. 1981. "Modalismul
Sonatei a III-a pentru pian și viorară 'în caracter popular românesc'". In
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Hoffman, Alfred, and Myriam Marbe. 1971. "Maturitatea: Limpeziri (1919–1926); Mari turnee (1927–1930)". In
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178:. It is one of the composer's most popular and at the same time most critically respected works.
582:, edited by Mircea Voicana, 103–114. Bucharest: Editura Academiei Republicii Socialiste România.
624:, edited by Mircea Voicana, 95–101. Bucharest: Editura Academiei Republicii Socialiste România.
617:, edited by Mircea Voicana, 75–94. Bucharest: Editura Academiei Republicii Socialiste România.
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on piano, and the composer himself recorded the work twice as a violinist, in 1943 with
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162:"dans le caractère populaire roumain" (in Romanian Folk Style) for violin and piano,
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George Enescu: Sonata No. 3 in A minor for violin and piano, Op. 25;
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George Enescu: Sonata No. 3 for Violin and Piano in A minor, Op. 25.
267:
163:
59:
322:. This procedure results in an effect described as Enescu's "rhapsodic style".
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773:
411:: Intermezzo and Allegro (second and third movements of the F.A.E. Sonata);
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298:
174:. The score, published in 1933, is dedicated to the memory of the violinist
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George Enescu: Sonata No. 3 for Violin and Piano in A Minor, Op. 25 (
238:
159:
52:
470:
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224:. It has also become the most popular of Enescu's works after the two
631:, edited by Speranța Rădelescu, 121–169. Bucharest: Editura Muzicală.
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George Enescu: Sonata No. 3 in A minor for Violin and Piano, Op. 25;
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193:
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564:. 1955. "Sonata a III-a pentru vioară și pian de George Enescu".
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602:, with a preface by Sir Yehudi Menuhin. London: Toccata Press.
525:, translated by Lory Wallfisch. Lanham, MD: Scarecrow Press.
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composition written in 1926 by the Romanian composer
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Enesciana II–III: Georges Enesco, musicien complexe
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Enesciana II–III: Georges Enesco, musicien complexe
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Enesciana II–III: Georges Enesco, musicien complexe
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68:
58:
48:
18:
523:Masterworks of George Enescu: A Detailed Analysis
501:
474:
43:George Enescu (right) and Alfred Cortot in 1930
415:: Sonatensatz (Scherzo of the F.A.E. Sonata).
343:
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270:, beginning with a suave and nostalgic first
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352:for Viola and Piano. George Enescu, violin;
1025:Music dedicated to ensembles or performers
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659:
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305:The second movement can be described as a
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912:George Enescu National University of Arts
646:International Music Score Library Project
208:made a recording in 1936 with his sister
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943:George Enescu International Competition
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278:it will be transformed into a kind of "
731:Orchestral Suite No. 3 ("Villageoise")
262:Allegro con brio, ma non troppo mosso
7:
1030:Music dedicated to family or friends
907:George Enescu Philharmonic Orchestra
192:. The sonata was first performed in
938:George Enescu International Airport
902:George Enescu International Airport
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600:George Enescu: His Life and Music
266:The first movement is in a loose
248:The sonata is divided into three
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959:
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590:Les souvenirs de Georges Enesco
1010:Chamber music by George Enescu
259:Andante sostenuto e misterioso
1:
345:în caracter populare românesc
820:Octet for Strings in C major
642:Violin Sonata No. 3, Op. 25
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801:Decet for Winds in D major
548:George Enescu: Monografie.
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688:
36:
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629:Centenarul George Enescu
1020:Compositions in A minor
897:George Enescu, Botoșani
741:Romanian Rhapsody No. 2
736:Romanian Rhapsody No. 1
933:George Enescu Festival
502:Hoffman and Marbe 1971
475:Hoffman and Marbe 1971
344:
807:Impressions d'enfance
573:Studii de muzicologie
845:String Quartet No. 2
840:String Quartet No. 1
691:List of compositions
592:. Paris: Flammarion.
450:, pp. 287, 305.
320:theme and variations
256:Moderato malinconico
855:Violin Sonata No. 3
850:Violin Sonata No. 2
830:Piano Quartet No. 2
825:Piano Quartet No. 1
568:5, no. 5 (May): 37.
504:, pp. 552–553.
477:, pp. 549–550.
296:in the traditional
268:sonata-allegro form
226:Romanian Rhapsodies
19:Violin Sonata No. 3
876:Piano Sonata No. 3
871:Piano Sonata No. 1
791:Cello Sonata No. 2
390:Raga puriya kalyan
1005:1926 compositions
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881:Piano Suite No. 2
539:978-0-8108-7690-3
531:978-0-8108-7665-1
337:Hephzibah Menuhin
313:The finale is in
210:Hephzibah Menuhin
204:. Enescu's pupil
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97:January 1927
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921:Related articles
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796:Chamber Symphony
717:Orchestral works
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644:: Scores at the
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198:Salle Gaveau
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156:Sonata No. 3
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864:Piano music
417:Isaac Stern
326:Discography
299:lassú–friss
285:development
999:Categories
432:References
419:, violin;
407:, Op. 75;
335:, violin;
290:exposition
84:Dedication
774:Vox maris
307:song form
302:pattern.
250:movements
166:25, is a
128:Movements
113:Published
94:Performed
964:Category
598:. 1990.
588:. 1955.
575:4:49–58.
541:(ebook).
533:(cloth)
521:. 2010.
386:Prabhati
294:rhapsody
239:cimbalom
232:Analysis
69:Composed
948:Luminiș
814:Légende
182:History
160:A minor
136:Scoring
118: (
101:1927-01
99: (
74: (
53:A minor
975:Portal
709:(1936)
606:
566:Muzica
537:
529:
374:1960s.
194:Oradea
142:violin
107:Oradea
706:Œdipe
698:Opera
427:1992.
315:rondo
243:kobza
222:Œdipe
189:Œdipe
145:piano
604:ISBN
535:ISBN
527:ISBN
280:horă
241:and
154:The
120:1933
116:1933
76:1926
72:1926
60:Opus
348:);
164:Op.
158:in
49:Key
27:by
1001::
482:^
467:^
440:^
403::
392:,
388:,
384::
380:.
252::
245:.
228:.
105:,
64:25
977::
674:e
667:t
660:v
610:.
131:3
122:)
103:)
78:)
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