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in
Haarlem in 1604, most young Haarlem painters wanted to see the Italian paintings in real life, and it became a common rite of passage, but not without dangers. Van der Vinne endured many hardships on his journey, including being kidnapped for a short period. He even stopped making sketches of the
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By the time he became a widower, Van der Vinne was an established painter in
Haarlem and had served on the board of the St Luke's guild in 1661 and 1662. In their archives is a list in his hand of 173 painters he considered competent. This list was edited by his son Laurens in 1702 with 157 'd's to
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He finally returned to
Haarlem in 1655 and married Anneke Jansdr de Gaver in 1656, a widow with two small children. It was at this time that his portrait was painted by Frans Hals, probably as half of a pair of wedding portraits. When she died in 1668, he was left with four young children;
321:. What survives today from his hand are mostly still lifes and genre scenes, often with a similar arrangement of a vanitas items, and many include a trompe l'oeil portrait sketch on a paper hanging off a desk. In one of these, he has copied a crumpled drawing of himself by
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Gierstraat 50, Haarlem. A commemorative plaque reads that
Vincent van der Vinne lived in this house with his first wife in 1663 and this is where their son Isaac was born in 1665. Another Vincent van der Vinne, a flower bulb merchant, lived here in
242:. This experience clearly cut off any plans of crossing the alps in the ways normally suggested by Van Mander's book, and Van der Vinne thus records an unusual journey that goes much farther west than his contemporaries from the
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were accustomed to travelling. Cornelis Bega, who spoke no French at all, returned home, but Van der Vinne and Boelen stayed in Geneva for 15 months. The next spring they traveled further south to Lyon and spent some months in
251:. On the way back to Geneva, Boelen was molested by soldiers, having departed a few weeks before Van der Vinne. The borders were still very unsafe for travelers. Van der Vinne returned to Geneva on 12 April.
411:. The Vincent van der Vinne diaries, accompanied by modern commentary were published in Dutch in 1979. When Van der Vinne died he left a will of 20 pages, and among several properties, he owned paintings by
378:, where he lived until he died. In 1689 he became deacon of the Haarlem Mennonite community known as "de Blok". On 9 September 1693 he celebrated his 25th wedding anniversary, which was highly unusual.
460:
Helmer J. Helmers. The
Royalist Republic: Literature, Politics and Religion in the Anglo-Dutch Public Sphere, 1639-1660. Cambridge: Cambridge University Press, 2015: pp 142-147
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Van der Vinne's diaries, which he embellished on his return, were never published in his lifetime, but were used by
Houbraken for his great work on Dutch painters, the
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industry, van der Vinne quickly took to painting, and would take on any painting job no matter how small. According to
Houbraken, this led to an oft-quoted comment by
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337:. Helmer J. Helmers devotes some pages to discussion of Van de Vinne's vanitas still-life paintings incorporating images of the executed Charles I of England
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In 1668 he remarried, to
Catalijntje Boeckaert, with whom he had four more children who died in infancy. In 1676 he became a member of the fire department (
399:(1736–1811), himself a painter, used this list again to compare the names with the dates of painters who had joined the Guild of St. Luke in Haarlem.
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he sent an army and on 24 April, at 4 a.m., the signal was given for a general massacre so brutal, that it aroused indignation throughout Europe.
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countryside at one point, because he feared to be mistaken for a military surveyor. Judging from a map of his travels, he seemed daunted by the
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to attend Mass or remove to the upper valleys, giving them twenty days in which to sell their lands. In the name of his father, the
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206:. He nevertheless makes no mention of this in his diaries, and seems to feel that his sole purpose all along was to explore
179:. This trip was recorded in Vincent van der Vinne's diaries and form an important archival record for the city of Haarlem.
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Dagelijckse aantekeninge, by
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The purpose of a grand tour in those days was Italy, but van der Vinne never made it there. Since
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indicate which of these artists had died before his father, and added to his
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and were taken prisoner by a group of farmers. The leader of these farmers,
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Van der Vinne was born, lived and worked in
Haarlem and was a student of
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De groote schouburgh der Nederlantsche konstschilders en schilderessen
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Though he started as a weaver working in Haarlem's famous white linen
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476:(editor Carol Togneri), Getty Trust Publications, Los Angeles, 2001
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De archiefbescheiden van het St. Lukasgilde te Haarlem 1497-1798
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Vincent van der Vinne's Grand Tour through Europe shown in red.
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167:. For part of the trip he was accompanied by fellow painters
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for nine months in 1647. In 1649 he became a member of the
367:(1665–1740). His sons all became successful painters.
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542:Global Anabaptist Mennonite Encyclopedia Online
470:Collections of Paintings in Haarlem: 1572-1745
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485:The list has been published in the book
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374:). In 1677 he moved to a house in the
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523:Digital library for Dutch literature
446:Vincent Laurensz. van der Vinne (I)
279:wrote his famous poem about this, "
261:Thomas Francis, Prince of Carignano
135:painter, linen-weaver, and writer.
359:(1658–1729), Maeijke (1659–1689),
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281:On the Late Massacre in Piedmont
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511:Vincent vander Vinne biography
238:side of the troubles, through
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49:Vincent Laurensz van der Vinne
37:Portrait by Frans Hals ca 1655
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403:Source for Arnold Houbraken
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325:. His style was copied by
309:, who claimed that he was
296:Vanitas with a Royal Crown
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244:Haarlem Guild of St. Luke
216:Swiss peasant war of 1653
149:Haarlem Guild of St. Luke
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212:Switzerland
161:Switzerland
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517:(1718) by
508:(in Dutch)
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183:Grand tour
153:Grand Tour
145:Frans Hals
55:1628-10-11
409:Schouburg
139:Biography
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86:Nederland
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