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Vintage Photo Festival

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photographs entitled "Family Stories" asks the following question: "Is it possible to reconstruct your story based on watching family photos and speaking with family members?" Third place went to Malwina Adaszek and her instant camera photos entitles "Dreamland". The artist wanted to capture the lost atmosphere of her youngest years, when her interests revolved around feeling harmony with nature, longing for a simple life devoid of worries. Honorary awards were also given to Paweł Biedrzycki, Mindaugas Gabrenas and Agnieszka Piasecka.
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artist's grandfather, inspired by the notes of tango found among the mementoes of Mr. Władysław. Third place in the competition was awarded to Igor Tereshkov. His project "Ropa i Mech" presents the ecological catastrophe in Russia. The project consists of photographs taken on a 35 mm plate, which the artist developed with the addition of oil from the KhMAO spills to materialize the
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exhibition entitled “Associated Nostalgia”. Many of her childhood memories are related to kitsch, sometimes hard to digest, but for many also unpretentious and tasteful. The artist considers her work to be a kind of antidote to typical stories about the Bulgarian region in which she grew up. The theme of corporeality was also strongly highlighted in the exhibition
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pioneering event dedicated to traditional photography with a modern education and animation platform as its strong suit. The aim of the festival it to promote traditional photography and current trends in this field. Each edition of the festival abounds in several exhibitions, meetings with authors, workshops, film screenings, concerts and undercards.
301:. The most important element in his project was the color itself, colliding with the landscape. The color of the landscape, obtained with his own technique, was also the main theme of Teresa Gierzyńska's exhibition "Nastroje" , which was curated by Katarzyna Gębarowska. The artist presented unpublished color photographs taken in 1984. 246:
from different years, from the late 1950s to the second half of the 1980s. The starting point for Amy Friend's exhibition entitled “Dare Alla Luce” were anonymous vintage photographs. By manipulating light, the artist gave a metaphorical meaning to these old photos. Archival photographs were also the starting point for the project by
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technique. Third place went to Arianna Ancona. The project "Czwarte Wybrzeże" shows the tragedy of thousands of Libyans deported in 1911, during the Italian-Turkish war, to the island of Tremiti. It contains scans of archival materials, printed and dyed green to commemorate and pay respect to Libyan
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In the second edition of the festival the theme of returning to the roots and related melancholy was visible. The exhibitions included, among others, the works by photography master Tadeusz Rolke. The exhibition titled "Baryty" presented photographs which constituted an overview of the artist's works
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The Vintage Grand Prix is an important element of the festival. Its aim is to select the most interesting projects sent annually from all around the world. The competition is open. The foundation invites professional photographers as well as art school students and graduates, amateurs and freelancers
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Rie Yamada is a Japanese photographer who settled in Berlin. In her project "Familie Werden" she reconstructs family photographs in a funny and absurd way, personating each family member. Teresa Anniuk-Gulak found another way to interpret the family album by processing a series of photographs of her
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First prize in the Vintage Grand Prix 2020 competition went to Chilean photographer Marcelo Aragonese. The project "Threads and Light" combines analog photography with embroidery. Second place was granted to Katarzyna Kryńska. Third place went to Paz Olivares Droguett, who created a daily record of
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magazine, the visual material of the Soviet government which was used by them to build their "ceremonial" image. The artist creates photomontages by hand, deliberately giving up digital technologies, thus evoking the metaphor of the history fabric. Masha literally cuts the "fabric" - she officially
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were also present in the exhibition entitled "Eros i Tanatos. Bydgoskie pionierki fotografii zawodowej 1888-1945" , which was curated by Katarzyna Gębarowska. In turn, Marcela Paniak carried out workshops for everyone interested in archival family photography and such aspects as its history, memory
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The exhibition of old photographs of the Foton plant was accompanied by the release of the book entitled "Kobiety Fotonu" by Małgorzata Czyńska and Katarzyna Gębarowska. The reportage includes oral stories completed with photographs taken from the book author's private archives. The book describes
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First place in the Vintage Grand Prix 2017 competition went to Tomasz Kowalczyk and his project entitled “Deserted land”. Second place was awarded to Tomasz Lewandowski and his series of black and white photos "Auschwitz – ultima ratio ery modernizmu" . Third place went to Agata Jarczyńska and her
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In the first edition of the festival the organizers focused on human corporeality. Anna Grzelewska held and exhibition entitled “Julia Wannabe” which presented childhood, its hardships and the period of becoming a young adult. Eugenia Maximova also decided to take a closer look at childhood in her
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called "lejkarz" in Polish. As Małgorzata Czyńska writes in the festival program intro: "Instead of photos posed in an atelier, studied and static, there is naturalness, life itself. Photographers took to the streets of cities and captured the inhabitants on the move, on the run, in a hurry. The
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First place in the Vintage Grand Prix 2019 competition went to Agnieszka Grymowicz. The project "Poza czas" consists of portraits close to the artist made using a technique called "luxography". Second place went to Karol Szymkowiak. His project "C'è semper un tango" depicts the memories of the
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First place in the Vintage Grand Prix 2016 competition went to Izabela Poniatowska. Her project "Poczet" made in the camera-less photography technique is a contemporary interpretation of the traditional congregations of saints. Second place went to Marcela Paniak. Her series of archival family
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The theme of the fourth edition of the festival was "A woman behind and in front of the camera" with reference to the Women's Year established by the Sejm of the Republic of Poland in 2018. Referring to the theme, the Vintage Photo Festival was the first in the world to exhibit black and white
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which were taken during several of the photographer's trips to Birma. In photography, she tries to reach deeper and more personally into the spirit of this place and create a universal story about people, landscape and objects. Second place was given to Marzena Kolarz "ALL". The award-winning
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The idea of the festival is based on rich photographic traditions in Bydgoszcz, where until the 1990s, Foton, the second biggest in Poland factory producing photographic materials, was located. On the basis of this cultural heritage, the initiator of the event, Katarzyna Gębarowska, created a
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happened. For this reason, the exhibitions presented within the sixth edition of the festival raised the topic of freedom in various contexts, as liberation from slavery, personal freedom, as well as freedom related to isolation and physical closure caused by the pandemic.
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The fifth edition of the Vintage Photo Festival included exhibitions of international and local artists revolving around the theme of the photography archive. This theme referred to the current trend for photo archives. As Marianna Otmianowska, contemporary director of the
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the transformation of her grandparents' house into her own on a color plate, asking about the meaning of intimate space during the quarantine. Honorable mentions in this edition were awarded to: Iwona Germanek, Ciro Battiloro, Camila Alvarez and Filippo Bardazzi
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traditions. Honorable mentions went to Łukasz Szamałka, Maciek Iwaniszewski. Marek Noniewicz won a special award for his outstanding achievements. He presented his project “This is not Still Life” – a series of photographs made in 2013–2016.
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The exhibition entitled "Dawna, nowoczesna, pośmiertna" from the Madelski photograph collection, curated by Adam Mazur and Ariana Hekmat, was an opportunity to see classic darkroom prints made by masters of Polish photography.
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A different context of freedom could be seen in the works of Iranian photographer Parisa Aminolahi, which are a photographic record of life in two extremely different places both geographically and socially -
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Yet another approach to color was presented by Pszemek Dzienis who, in his project entitled "Pureview", recreated the definition of photography as light painting, which was promoted by one of its pioneers –
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In turn, Dutch artist Sanne de Wilde presented the project titled "The Island of the Colorblind" carried out in 2015 on two islands in the Micronesian state of Pohnpei inhabited by people who have inherited
433:. The final image, i.e. a positive, is visible after recreating the colors in the mobile application. The mural presents Jadwiga Szopieraj, one of the pioneers of professional photography in 250:
entitled “Negative Book”. The artist took a series of photographs of her body using the analog technique. She painted them black to get negative photos – a light reversal self-portrait.
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The theme of the pandemic and quarantine could be found in the "Quarantine collection" by Han Cao, which included hand-embroidered masks attached to old photographs from 1900 to 1940.
429:. An artist with the pseudonym Sepc who creates murals was invited to cooperate. This Columbian creator came up with an unusual street game based on photography by creating murals in 368:. Second place went to Piotr Rosiński. His project "Entropia, inercja, pustka" is a series of photographs presenting the author's aesthetic vision of the world made using the dyed 102:
who in recent years has got back to manufacturing several types of negative film which were taken off the market in the past. As a result, younger and younger creators are using
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What is more, the exhibition "Miłosz.Tutejszy" by Wojciech Prażmowski could have been viewed during the festival. It presented places related to the life and works of
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the photochemical industry suitable for women. At the "Foton" Photochemical Plant in Bydgoszcz most of the crew were women. They built the post-war legend of Polish
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The invited artists conducted numerous workshops and open-air photography events in the city space, which made it possible to show the landscape values of
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and so on. The jury is composed of the director of the festival Katarzyna Gębarowska, Adam Mazur, Maria Teresa Salvati and Paweł Żak.
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One of the festival exhibitions was "Lajkarze". From the 1920s, a new type of photographer appeared on the streets of Bydgoszcz - a
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series of color film photographs called “Saudade”. Honorable mentions were given to Katarzyna Michalska and Joanna Borowiec.
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The aim of Eric Schuett's project entitled “Wiejskie królowe” was to depict portraits of elderly women in their traditional
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and the belief that old techniques in photography were experiencing a renaissance. Despite great revolution and evolution in
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First place in the Vintage Grand Prix competition went to Anita Andrzejewska. "Niespiesznie" is a series of several dozen
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First prize in the Vintage Grand Prix 2018 competition went to Paulina Ząbek. "Próżnia" is a series of photographs about
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Eugenia Maximova Associated Nostalgia ARTBOOK | D.A.P. 2015 Catalog La Fábrica Books Exhibition Catalogues 9788416248155
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in the region. Honorable mention in this edition was awarded to: Celeste Ortiz, Wojciech Sternak and Adam Juszkiewicz.
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series of photos entitled “Proof”, which consists of photographs originally considered to be by-products of the actual
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The exhibition by Masha Svyatogor “Everybody dance!” gathered works focused on the artist's reflections on the
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Katarzyna Kryńska and Katarzyna Gębarowska exhibition of Katarzyna Kryńska "Cichość serca" (Meekness of heart)
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highlighted "The pursuit of the traces of the past is in progress". Hence, the emphasis of this edition on
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to submit their works. Photos submitted to the competition should be made using traditional techniques:
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Exhibition of Maxim Dondyuk "Projekt bez nazwy z Czarnobyl" (Project without a name from Chernobyl)
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by Tadeusz Rząca, photographer and entrepreneur from Kraków, taken around 1910–1920 was presented.
247: 95: 86:– International Festival of Analog Photography Enthusiasts is an annual cultural even organized in 1361: 1144: 2672: 2331: 1603: 1216: 466: 350: 115: 103: 91: 75: 2308:""Vintage, Modern, Posthumous" Photographs from the Collection of Joanna and Krzysztof Madelski" 1387: 3180: 598: 187:"Autoportret" by Katarzyna Gębarowska. The author claims that each photograph is as kind of a 1531: 365: 354: 270: 214: 131: 353:
and contributed to the success of the largest manufacturers of paper for black and white and
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and the notion of "Soviet". The works were based on photographs found in many issues of the
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technique. The classic black and white photo essay by Piotr Cieśla was given third place.
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In her series of photos called "Interior/Exterior", artist Marja Pirilä presented the
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The Vintage Photo Festival – International Festival of Analog Photography Enthusiasts
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disassembles images and uses them to create her own surreal, decorative depictions.
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and its inhabitants looked like on the day on which Poland regained independence.
2939: 1435: 1097:"Interior/Exterior, Camera Obscura Dreams - Photographs and text by Marja Pirilä" 667: 2792: 499: 437:. The grand opening of the mural took place as part of the festival's prologue. 2721:""Eros and Thanatos. Bydgoszcz pioneers of professional photography 1888-1945"" 1751:"Visiting "The Island of the Colorblind" - Video interview with Sanne De Wilde" 3109:"Fashionable 20s, 30s. Street fashion through the lens of Leica photographers" 862: 327: 198:. The exhibition was an imaginative journey following the tracks of places in 2477: 1288: 983: 90:
by the Fotografistka Foundation... It was created in 2015 out of passion for
2112:"The Secret Photographer Who Captured Four Decades of Life in St Petersburg" 475: 434: 426: 369: 226: 203: 154: 139: 87: 53: 2185: 206:, which were important for the Master and where the cultures transcendent. 1725: 1411: 2817:"Introducing Colombian Artist SEPC and His Alluring Street Art Portraits" 1338:"Dare alla Luce: Bring to the Light - Photographs and text by Amy Friend" 764: 158: 135: 1024:"Self Portrait with Masks, New York, 1983 | Yale University Art Gallery" 2842:"Ta ściana czekała na Sebastiana! W Bydgoszczy powstał niezwykły mural" 454: 474:." (Source: paper festival program intro) Thanks to them we know what 2846:
Ta ściana czekała na Sebastiana! W Bydgoszczy powstał niezwykły mural
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The theme of the third edition of the Vintage Photo Festival were
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The theme of the sixth edition of the Vintage Photo Festival was
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https://www.vintagephotofestival.com/vintage-photo-festival-en
2161:"Villa Argentina - Photographs and text by Arunà Canevascini" 1801:"A Photographic Immersion in "The Island of the Colorblind"" 574: 3465:"Filippo Bardazzi "Se ne sono andati tutti. Tuscany Blues"" 1312: 1072:"Miłosz. Native Realm - Photographs by Wojciech Prażmowski" 648:"Museum of Photography – Association of University Museums" 414:
are a part of his photographic archive (1953-2019). So are
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negative photos of Masha Ivashintsova – hailed as Russian
2258: 1677:"Beautiful Poland: The Kraków Region – Tadeusz Rząca" 936:"Photography | Emaxphotography | Vienna | portfolio" 623:"Why Millennials are crazy about analog photography" 2526:"Łukasz Szamałek "The deepest rivers flow quietly"" 599:"This Is Why Film Photography Is Making a Comeback" 71: 63: 49: 41: 36: 3393:"Iwona Germanek "Reminiscences. Blue Chlorophyll"" 402:deceased mother in her own way. Family albums and 470:revolution took place thanks the 35 mm film from 2697:"Teresa Anniuk-Gulak "Conversation with mother"" 2453:"Piotr Rosiński "Entropy, synergy, emptiness"" 1362:"Aneta Grzeszykowska, "Negative Book" (2013)" 213:technique. In turn, Hanna Zamelska presented 8: 1990:"Katarzyna Michalska "Explorations/ Taming"" 2062:"Rok 2018 ma być Rokiem Praw Kobiet !" 3345:"Katarzyna Kryńska "Silence of the Heart"" 2574:"Marek Noniewicz "This is not Still Life"" 273:techniques of the past and today. In 1907 3133:"Małgorzata Czyńska - Wydawnictwo Czarne" 960:"Eugenia Maximova "Associated Nostalgia"" 151:Ministry of Culture and National Heritage 3060:"Program 6. Vintage Photo Festival 2020" 2940:"Karol Szymkowiak - C'E SEMPRE UN TANGO" 3321:"Marcelo Aragonese "Threads and light"" 2235:"Folk Costumes of Europe | GG Archives" 1392:The Stanford Encyclopedia of Philosophy 790:"Maria Teresa Salvati | Visual Stories" 518: 1799:Papathanasiou, Katerina (2019-01-11). 443:degradation of the natural environment 398:, private archives and family albums. 178:Vintage Photo Festival press materials 33: 3369:"Paz Olivares Droguett "Volver/Nest"" 1048:"Wojciech Prażmowski "Miłosz. Local"" 149:. The festival is co-financed by the 145:The main partner of the event is the 7: 3205:"Masha Svyatogor — Everybody Dance!" 2988:"Celeste Ortiz "Petals on the skin"" 2890:LensCulture, Agnieszka Grymowicz |. 2550:"Maciek Iwaniszewski "Transit zone"" 2360:www.polskie-aparaty-fotograficzne.pl 1000:"Museum of Contemporary Photography" 191:and this is what her works present. 3441:"Camila Alvarez "The jungle in me"" 2916:"Agnieszka Grymowicz "Beyond Time"" 2769:"REVIEW: Proof by Tomasz Gudzowaty" 2502:"Arianna Ancona "La Quarta Sponda"" 1604:"Agnieszka Piasecka "Post-punctum"" 1193:"Anita Andrzejewska "Deliberately"" 2159:LensCulture, Arunà Canevascini |. 1918:"Tomasz Kowalczyk "Deserted land"" 1580:"Mindaugas Gabrenas "Dreamscapes"" 814:"A Close Acquaintance – Paweł Żak" 14: 3297:"Vintage Grand Prix 2020 winners" 3253:"Parisa Aminolahi "Tehran Diary"" 3229:"Parisa Aminolahi "Tehran Diary"" 2867:"Vintage Grand Prix 2019 winners" 2840:PiK, Polskie Radio (2019-10-11). 2405:"Vintage Grand Prix 2018 winners" 2356:"Bydgoskie Zakłady Fotochemiczne" 2038:"4th Vintage Photo Festival 2018" 1894:"Vintage Grand Prix 2017 winners" 1628:"3rd Vintage Photo Festival 2017" 1508:"Marcela Paniak "Family Stories"" 1460:"Vintage Grand Prix 2014 winners" 1265:"2nd Vintage Photo Festival 2016" 1169:"Vintage Grand Prix 2015 winners" 838:"1st Vintage Photo Festival 2015" 2110:Goukassian, Elena (2018-05-14). 2087:"Masha Ivashintsova Photography" 861:LensCulture, Anna Grzelewska |. 392:Polish National Digital Archives 2745:"Archival photo "Family album"" 2476:LensCulture, Arianna Ancona |. 1749:LensCulture, Sanne De Wilde |. 668:"Muzeum Fotografii | Bydgoszcz" 147:Kuyavian-Pomeranian Voivodeship 106:as their medium of expression. 2964:"Oil and Moss. Igor Tereshkov" 1484:"Izabela Poniatowska "Saints"" 741:"Contest terms and conditions" 1: 3012:"Wojciech Sternak "Lappland"" 2209:LensCulture, Eric Schuett |. 2184:LensCulture, Eric Schuett |. 1701:"Tadeusz Rząca "Autochromes"" 1532:"Malwina Adaszek "Dreamland"" 1390:, in Zalta, Edward N. (ed.), 1121:"Marja Pirilä - Photographer" 1095:LensCulture, Marja Pirilä |. 410:The photographs presented by 225:photographs were made in the 3469:www.vintagephotofestival.com 3445:www.vintagephotofestival.com 3421:www.vintagephotofestival.com 3397:www.vintagephotofestival.com 3373:www.vintagephotofestival.com 3349:www.vintagephotofestival.com 3325:www.vintagephotofestival.com 3301:www.vintagephotofestival.com 3257:www.vintagephotofestival.com 3233:www.vintagephotofestival.com 3113:www.vintagephotofestival.com 3064:www.vintagephotofestival.com 3040:www.vintagephotofestival.com 3016:www.vintagephotofestival.com 2992:www.vintagephotofestival.com 2920:www.vintagephotofestival.com 2871:www.vintagephotofestival.com 2749:www.vintagephotofestival.com 2725:www.vintagephotofestival.com 2701:www.vintagephotofestival.com 2578:www.vintagephotofestival.com 2554:www.vintagephotofestival.com 2530:www.vintagephotofestival.com 2506:www.vintagephotofestival.com 2457:www.vintagephotofestival.com 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362:Alzheimer's disease 248:Aneta Grzeszykowska 132:collodion wet plate 96:digital photography 3181:"Everybody dance!" 3088:www.premier.gov.pl 2239:www.ggarchives.com 2211:"Village Queens -" 1388:"Emmanuel Levinas" 387: 351:analog photography 319: 243: 180: 104:analog photography 92:analog photography 2968:igortereshkov.com 1805:The Vale Magazine 1724:Wilde, Sanne De. 863:"Anna Grzelewska" 459:COVID-19 pandemic 364:, made using the 355:color photography 271:color photography 81: 80: 3507: 3479: 3478: 3476: 3475: 3461: 3455: 3454: 3452: 3451: 3437: 3431: 3430: 3428: 3427: 3413: 3407: 3406: 3404: 3403: 3389: 3383: 3382: 3380: 3379: 3365: 3359: 3358: 3356: 3355: 3341: 3335: 3334: 3332: 3331: 3317: 3311: 3310: 3308: 3307: 3293: 3287: 3286: 3284: 3283: 3273: 3267: 3266: 3264: 3263: 3249: 3243: 3242: 3240: 3239: 3225: 3219: 3218: 3216: 3215: 3201: 3195: 3194: 3192: 3191: 3177: 3171: 3170: 3168: 3167: 3157:"mashasvyatogor" 3153: 3147: 3146: 3144: 3143: 3129: 3123: 3122: 3120: 3119: 3105: 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Index

template
Infobox recurring event
considered for merging
Bydgoszcz
Poland
https://www.vintagephotofestival.com/vintage-photo-festival-en
Bydgoszcz
analog photography
digital photography
Kodak
analog photography
film photography
instant camera
camera obscura
daguerreotype
collodion wet plate
calotype
cyanotype
Kuyavian-Pomeranian Voivodeship
Ministry of Culture and National Heritage
Bydgoszcz
Toruń

Eva Rubinstein
self-portrait
Czesław Miłosz
Poland
Lithuania
camera obscura
the collodion process

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