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organization by organizing, preserving, and creating access to a variety of media art and primary materials recording political moments and depicting the Asian
Pacific American heritage for staff use, as well as by scholars who are interested in Visual Communications’ role in the Asian American communities and history. The Media Resource Library contains nearly all films presented at the past Los Angeles Asian Pacific Film Festivals, and are available for viewing.
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Project
Catalyst is an annual filmmaker initiative held during the Los Angeles Asian Pacific Film Festival. A select group of filmmakers of Asian descent are invited to showcase television and/or film projects to Financiers, Producers, Production Companies, Agents, Managers and Industry Executives.
382:
Established in 2002, the Armed With A Camera (AWC) Fellowship for
Emerging Media Artists is awarded to a select group of Filmmakers annually. Visual Communications works with the Fellows for seven months and provides special training, mentoring and networking opportunities, access to facilities and
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Film, video and radio producers may apply to Visual
Communications for non-profit sponsorship of their project. Foundations, corporate, and government funding generally require applicants to have non-profit status to receive grants. As the fiscal agent, VC takes legal and fiduciary responsibility
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The
Conference for Creative Content (C3) focuses on new media technologies and online platforms as it pertains to the creation and distribution of Asian American media. C3 invites professionals from entertainment, academic, media and technology sectors for a series of discussions, panels and work
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VC provides community workshops and activities that provide opportunities for community’s storytellers and media artists to learn skills. Workshops include Camera & Lighting, Final Cut Pro
Editing, Sound and Audio Mixing, Screenwriting, Table Readings and Directing in addition to archives and
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Founded in 2003, Digital
Histories is a film making mentorship program geared towards primarily ethnic minority senior participants to learn how to use digital film making applications and technologies to produce personal, community and cultural data in the forms of digital narratives, personal
312:
Mabalot became the executive director of VC in 1985, and under her leadership, in the 1990s, VC transitioned from a film production collective to a media arts center. The organization provided support services like workshops and training's for Asian
American artists, filmmakers, and community
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and Nancy Araki, to save VC from bankruptcy. Mabalot and Araki worked to restructure the organization and pull VC out of debt by requiring the monetization of the organization's resources, such as using the photographic dark room, and focusing on smaller scale, more manageable projects. The
679:"Visual Communications, the Asian American independent media arts center and collective based in the Little Tokyo area of Los Angeles is sponsoring two ongoing screening programs, 'The Monthly Screen' and 'Monday Nite VC' in addition to its annual Los Angeles Asian Pacific Film Festival."
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VC’s holdings include over 300,000 photographic images, 1,500 titles in the Media
Resource Library, 100 films and videos produced by Visual Communications, and over 1,000 hours of oral histories of pan-Asian Pacific American content. The Archives’ purpose is to document the history of the
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At the 2012 Los
Angeles Asian Pacific Film Festival, VC announced the selectees of the VC Film Development Fund, a program which provides Asian Pacific American filmmakers with up to $ 100,000 towards the development of a micro-budget narrative feature-length film.
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VC offers a multimedia learning center and workshops in video and multimedia production, aimed towards Asian Pacific media artists, community members and educators, to develop skills and create stories from the Asian Pacific community.
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Visual Communications works to achieve this mission by creating learning kits, photographing community events, recording oral histories, and collecting historical images of Asian American life. Additionally, it has created
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In the 1980s, VC faced financial issues and a significant loss of staff. The production of a feature length film about the Los Angeles Japanese American community left the organization in debt. Additionally, in the 1980s,
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Grantees work with VC to develop professional relationships and that include one-on-one meetings, panels and other events that take place during the Los Angeles Asian Pacific Film Festival.
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houses the Visual Communications Collection, which consists of over 800 items. The archive, in conjunction with Visual Communications, has preserved two films from the collection,
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members, as well as presentation opportunities for independent media. VC currently offers production and training in film making, video and photography for
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organization additionally shifted to sponsoring, supporting, and advocating for other Asian American filmmakers in addition to producing its own films.
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201:. The mission of VC is to "promote intercultural understanding through the creation, presentation, preservation and support of media works by and about
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began cutting back on funding for arts, culture, education, including funding made available through the ESAA. It fell to two women VC staff members,
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stories, and community histories. Visual Communications premieres their films at the Los Angeles Asian Pacific Film Festival.
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VC's productions have screened in national and international film festivals, and its programs have earned the support of the
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for projects and ensures that the funds are used for charitable activities. VC served as fiscal sponsor for the
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http://www.vconline.org/alpha/cms/index.cfm/programs/artist-services/armed-with-a-camera-fellowship/awc-alumni/
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productions, screening activities, and photographic exhibits and publications. VC also annually presents the
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Jun Okada (2009). ""Noble and Uplifting and Boring as Hell": Asian American Film and Video, 1971–1982".
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http://www.vconline.org/alpha/cms/index.cfm/programs/artist-services/armed-with-a-camera-fellowship/
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http://www.vconline.org/alpha/cms//default/index.cfm/store/all-products/available-now-awc-2012-dvd/
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preservation workshops like personal archives, digital photo asset management, and deterioration.
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Throughout the 1970s and 80s, VC helped create over fifty independent film productions including
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as VC's first project. In 1971, VC became an independent non-profit organization, which
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AWC Alumni & Projects, Armed With A Camera Fellowship, Visual Communications,
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equipment plus a stipend to create their digital short films that premiere at the
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community in Los Angeles and the role of the Chinatown Drum and Bugle Corps;
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In 1970, Nakamura, Ohashi, Wong, and Kubo, who were influenced by the
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Moving the image : independent Asian Pacific American media arts
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Communications and media organizations based in the United States
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193:, Alan Ohashi, Eddie Wong, and Duane Kubo, who were students of
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Moving the Image: Independent Asian Pacific American Media Arts
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Armed With A Camera 2012, 10th Anniversary Class Edition DVD,
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For the article about communication through a visual aid, see
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and numerous small businesses and community organizations.
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463:. As of 2013, 100 AWC Fellows have completed the program.
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In Movement: A Pictorial History of Asian Pacific America
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Visual Communications, About Us, Mission & History,
349:, Weingart Foundation, and corporate sponsorship's from
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Armed With A Camera Fellowship, Visual Communications,
807:"Linda Mabalot, 49; Nurtured Asian American Filmmakers"
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189:. It was founded in 1970 by independent filmmakers
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361:, Screenplay.com, Transamerica Occidental Life,
251:Comprehensive Employment and Training Act (CETA)
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284:immigrant pioneers. VC published three books,
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387:and other venues nationwide. Alumni include
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339:Academy of Motion Picture Arts and Sciences
290:Little Tokyo: One Hundred Years in Pictures
264:, a documentary on the sub urbanization of
253:, Emergency School Aid Act (ESAA), and the
842:Visual Communications, About Us, Funders,
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77:Learn how and when to remove this message
564:(1975), in 2007 and 2011, respectively.
476:The Conference for Creative Content (C3)
302:President Ronald Reagan's administration
1138:VC's archives blog, "From the VC Vault"
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385:Los Angeles Asian Pacific Film Festival
219:Los Angeles Asian Pacific Film Festival
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920:"Conference for Creative Content (C3)"
333:, Los Angeles County Arts Commission,
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785:Et Al.: New Voices in Arts Management
255:National Endowment for the Arts (NEA)
241:, produced a photographic exhibit on
199:University of California, Los Angeles
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1188:Asian-American culture in California
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1073:"Visual Communications Collection"
787:. Illinois Open Publishing Network
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1213:Organizations based in California
1173:1970 establishments in California
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517:Community Workshops and Education
185:media arts organization based in
759:"Visual Communications' Profile"
197:, an alternative film school at
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574:Center for Asian American Media
343:California Community Foundation
327:National Endowment for the Arts
378:Armed With A Camera Fellowship
357:, Atlantic Richfield Company,
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249:for its programs through the
247:allowed it to receive funding
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526:Digital Access and Equipment
331:Los Angeles Cultural Affairs
243:Japanese American internment
427:that premiered at the 2013
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1005:"VC Academy and Workshops"
993:Visual Communications site
833:Retrieved August 30, 2008.
805:Woo, Elaine (2003-05-29).
181:) –– is a community-based
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280:, a documentary on early
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781:"The Womxn Who Saved VC"
691:. Accessed 24 Nov. 2019.
641:Leong, Russell. (1991).
1143:VC's Historypin Channel
1007:. Visual Communications
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943:. Visual Communications
941:"Film Development Fund"
922:. Visual Communications
901:. Visual Communications
704:. Visual Communications
335:California Arts Council
203:Asian Pacific Americans
155:Los Angeles, California
1198:Culture of Los Angeles
429:Sundance Film Festival
142:Asian Pacific American
1178:Asian-American cinema
831:Grants awarded 05/06.
702:"Mission and History"
685:Gale Academic Onefile
503:-winning short film,
485:Film Development Fund
213:, video productions,
175:Visual Communications
90:Visual Communications
59:neutral point of view
1095:Academy Film Archive
1091:"Preserved Projects"
1077:Academy Film Archive
962:"Fiscal Sponsorship"
554:Academy Film Archive
459:), Lisa Nguyen, and
405:(director/writer of
394:Better Luck Tomorrow
18:Visual communication
1052:"From the VC Vault"
1026:"Digital Histories"
397:and Co-Director of
353:, AsianAvenue.com,
347:Getty Grant Program
223:Southern California
195:EthnoCommunications
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51:promotional content
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899:"Project Catalyst"
873:2012-06-04 at the
829:Getty Foundation.
494:Fiscal Sponsorship
413:Evan Jackson Leong
239:anti-war movements
116:Robert A. Nakamura
53:and inappropriate
811:Los Angeles Times
779:Ferrer, Abraham.
607:10.1353/cj.0.0156
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560:(1938) and
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403:Daniel Hsia
391:(writer of
187:Los Angeles
124:Alan Ohashi
1162:Categories
1058:2013-10-21
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1011:2013-10-21
968:2013-10-21
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816:2022-07-14
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580:References
481:sessions.
421:Jeremy Lin
278:Wataridori
183:non-profit
133:Media Arts
120:Duane Kubo
67:March 2014
47:improve it
1133:Instagram
623:144379786
615:1527-2087
425:Linsanity
144:community
1127:Facebook
1031:Facebook
985:Archived
871:Archived
667:24843652
568:See also
419:and the
373:Programs
355:AT&T
149:Location
449:Erin Li
321:Profile
229:History
163:Website
112:Founder
104:Founded
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270:Manong
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