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exhibitions in 1926 and 1929. In 1927, he married Anita
Bernardi, a sculptor. He began teaching at the Accademia di Belle Arti in Venice. In 1933, he visited Paris for the first time. He had his first solo exhibition in Florence in 1932, followed by solo shows in Milan in 1933 and 1936. In 1935, he
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He was born in Rome into an artistic family. His father was a sculptor. Guidi received his early training at the Scuola Libera di
Pittura in Rome and in 1908 began working as a restorer and decorator. He continued his studies at the Accademia di Belle Arti in Rome, where
77:, according to Jennifer Mundy, and "marks the end of Guidi's exploration of museum styles and is a confident statement of a new Renaissance-inspired realism in his art." Critical success eluded Guidi until 1924 when he exhibited
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influenced him. He had few opportunities to view contemporary French art, and instead immersed himself in the study of artists of the
Italian Renaissance such as
73:(1922), which he exhibited at the Venice Biennale of 1922, is one of his many depictions of two women meeting. The composition is reminiscent of a traditional
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69:. He gave his figures a timeless appearance by simplifying clothing details and emphasizing volumes. His painting
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Castello di Mesola (Mesola, Italy); Laura
Gavioli; Vittorio Sgarbi; Fabio Benzi; Toni Toniato (1987).
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During the decade after the war, Guidi painted modern subject matter in a tonality influenced by the
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81:(1923) at the Venice Biennale. The painting brought Guidi recognition as a leading artist of the "
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After World War II, his work was increasingly abstract. In 1950, he became associated with
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Nach
Expressionismus: Magischer Realismus: Probleme der neuesten europäischen Malerei
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movement. From the 1950s onward, he produced thematic cycles of paintings, such as
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On
Classic Ground: Picasso, LĂ©ger, de Chirico and the New Classicism 1910-1930
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62:. In 1915, he participated in the third exhibition of the Rome Secession.
34:(April 4, 1891 – January 7, 1984) was an Italian artist and writer.
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141:In 1959, he published a collection of poetry,
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227:Cowling, Elizabeth; Jennifer Mundy (1990).
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257:Rivosecchi, Valerio. "Guidi, Virgilio."
100:Guidi exhibited in the first and second
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507:"900", Cahiers d'Italie et d'Europe
259:Grove Art Online. Oxford Art Online
58:. In 1913, he studied the work of
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574:20th-century Italian male artists
172:Cowling & Mundy 1990, p. 124.
214:Castello di Mesola 1987, p. 103.
186:Castello di Mesola 1987, p. 102.
23:Virgilio Guidi photographed by
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554:20th-century Italian painters
54:, and later masters such as
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261:. Oxford University Press.
89:termed him one of the new
16:Italian artist (1891–1984)
244:Virgilio Guidi, 1912-1948
231:. London: Tate Gallery.
564:Italian modern painters
138:("Agitated Figures").
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569:Magic realist artists
559:Italian male painters
400:Arrigo Renato Marzola
48:Piero della Francesca
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246:. Milano: Mazzotta.
143:Spazi dell’esistenza
518:Margherita Sarfatti
395:Gian Emilio Malerba
365:Leonardo Dudreville
549:Painters from Rome
430:Giuseppe Montanari
340:Giorgio de Chirico
296:Novecento Italiano
107:moved to Bologna.
103:Novecento Italiano
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420:Francesco Messina
345:Raffaele De Grada
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445:Roberto Narducci
425:Giuseppe Migneco
350:Fortunato Depero
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513:Return to order
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435:Giorgio Morandi
415:Pietro Marussig
335:Felice Casorati
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136:Figure agitate
130:("Big Eyes"),
126:("Prisoner"),
91:magic realists
32:Virgilio Guidi
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134:("Sky"), and
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490:Adolfo Wildt
475:Mario Sironi
455:René Paresce
385:Achille Lega
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375:Achille Funi
370:Guido Farina
320:Pompeo Borra
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128:Grandi Occhi
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93:in his book
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75:Annunciation
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31:
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544:1984 deaths
539:1891 births
485:Mario Tozzi
480:Arturo Tosi
450:Ubaldo Oppi
390:Betto Lotti
360:Ercole Drei
330:Carlo CarrĂ
124:Prigioniera
122:("Riots"),
116:Spazialismo
85:". In 1925
25:Paolo Monti
533:Categories
460:Ugo Piatti
325:Aldo Carpi
222:References
202:Rivosecchi
56:Caravaggio
465:Gio Ponti
87:Franz Roh
71:The Visit
67:Venetians
52:Correggio
114:and the
79:The Tram
499:Related
303:Artists
120:Tumulti
60:CĂ©zanne
250:
235:
50:, and
44:Giotto
27:, 1952
149:Notes
132:Cielo
248:ISBN
233:ISBN
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207:^
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46:,
288:e
281:t
274:v
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239:.
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