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308:, "Sluggsy" Morant and the steel-toothed Sol "Horror" Horowitz, both of whom work for Sanguinetti, arrive and say they are there to look over the motel for insurance purposes. The two have been hired by Sanguinetti to burn down the motel so that he can make a fraudulent insurance claim. The blame for the fire would fall on Viv, who was to perish in the incident. The men immediately start harassing Viv, making crude passes and aggressively asking her to dance; when she says she does not want to, they attack her, intending to rape her, when the door buzzer interrupts them.
210:, and contains themes of power, and the moral ambiguity between those acting with good and evil intent. As the narrator who tells her own backstory and expresses her emotions and motives, Viv has been described as the best realised and most rounded female character in the Bond canon. The reviewers were largely negative, with some expressing a desire for a return to the structure and form of the previous Bond novels. In a letter to his editor after the reviews had been published, Fleming reflected that "the experiment has obviously gone very much awry".
49:
751:, which sold 808,000 copies. Since its initial publication the book has been issued in numerous hardback and paperback editions, translated into several languages and, as at 2024, has never been out of print. In 2023 Ian Fleming Publications—the company that administers Fleming's literary works—had the Bond series edited as part of a sensitivity review to remove or reword some racial or ethnic descriptors. The phrase "sweet tang of rape" from
292:, where he was studying, saying he was forcibly engaged to someone else by his parents. Viv's second love affair was with her German employer, Kurt Rainer, by whom she eventually became pregnant. She informed Rainer and he paid for her to go to Switzerland to have an abortion, telling her that their affair was over. After the procedure, Viv returned to her native Canada and started on a journey through North America. She stopped in the
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statement, the officer in charge of the detail reiterates Bond's advice, but also warns Viv that all men involved in violent crime and espionage, regardless of which side they are on—including Bond himself—are dangerous and that Viv should avoid them. Viv reflects on this as she drives off at the end of the book, continuing her tour of
America; despite the officer's warning, she still devotes her thoughts to Bond.
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the misuse of power by those with dark motives in the novel, and the vulnerable being challenged and trapped by manipulative and powerful forces. Before the police officer's conversation with Viv, Bond also discusses with her the question of good and evil and says there was little value in his job and his way of life, concluding:
872:, "Surprisingly Ian Fleming's new book is a romantic one and, except for some early sex in England (rather well done, this) only just as nasty as is needed to show how absolutely thrilling it is for ... the narrator to be rescued from both death and worse – than by a he-man like James Bond. Myself, I like the
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is raised in the novel, with the police captain warning Viv that there is no practical difference between good and bad in the murky world in which both Bond and organised crime operate. Benson notes that when Viv first saw Bond, she thought he was another of the gangsters. Black agrees, and also sees
635:
Apart from the excitement of his looks, his authority, his maleness, he had come from nowhere, like the prince in the fairy tales, and he had saved me from the dragon. But for him, I would now be dead, after suffering God knows what before. He could have changed the wheel on his car and gone off, or,
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with the first third of the novel dedicated to her biography. Benson notes that while Viv has been a victim of life in the past, she is wilful and tough too. Viv is not a fashionable stylish woman of the 1950s, but one who likes camping, fishing and other outdoor activities; Chancellor states that in
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and had been detailed to protect a
Russian nuclear expert who defected to the West. That night Sluggsy and Horror set fire to the motel and attempt to kill Bond and Viv. A gun battle ensues and, during their escape, Horror and Sluggsy's car crashes into a lake. Bond and Viv retire to bed, but Sluggsy
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whose secret service exploits I myself have written from time to time. With the manuscript was a note signed "Vivienne Michel" assuring me that what she had written was "purest truth and from the depths of her heart". I was interested in this view of James Bond, through the wrong end of the telescope
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was not dismissive of Bond, describing him as "less a person than a cult" who is "ruthlessly, fashionably efficient in both love and war". Rather, the critic dismisses the experiment, writing that "the novel lacks Mr. Fleming's usual careful construction and must be written off as a disappointment."
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described the tale as "a new and regrettable if not altogether unreadable variation", going on to hope that "this doesn't spell the total eclipse of Bond in a blaze of cornography". Richardson ended his piece by berating
Fleming, asking "why can't this cunning author write up a bit instead of down?"
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are the High-Stake
Gambling Scene, the Meal-Ordering Scene, the Torture Scene, the battleship-grey Bentley and Blades Club". The critic also bemoaned the fact that "among the shocks and disappointments 1962 still has in store ... is the discovery that the cruel, handsome, scarred face of James
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describes how Viv's second lover, Kurt, is a caricature of a German—a cruel racist with little capacity for love or affection—who forces her to have an abortion before ending their affair. According to Black, the two thugs, Sluggsy and Horror, are "comic-book villains with comic-book names". Their
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The academic
Christine Bold considers that Viv demonstrates a naĂŻve view of life, and that the character reinforces Fleming's misogynistic view of women as they had been portrayed in the earlier Bond stories. Bold sees that Viv "underwrites Bond's sexual dominance over women" by sleeping with him
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It was impossible to do this in my usual narrative style and I therefore invented the fiction of a heroine through whom I could examine Bond from the other end of the gun barrel, so to speak. This I did by telling the story in her own words of her upbringing and love life, which consisted of two
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I had become increasingly surprised to find that my thrillers, which were designed for an adult audience, were being read in schools, and that young people were making a hero out of James Bond ... So it crossed my mind to write a cautionary tale about Bond, to put the record straight in the
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agent James Bond appears at the door asking for a room, having had a flat tyre while passing. Bond soon realises that Horror and
Sluggsy are mobsters and that Viv is in danger. Bond pressures the gangsters into providing him a room. Bond tells Viv that he is in America in the wake of Operation
328:
Viv wakes to find Bond gone, leaving a note in which he promises to send her police assistance and which he concludes by telling her not to dwell too much on the ugly events through which she has just lived. As Viv finishes reading the note, a large police detachment arrives. After taking her
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I found what follows lying on my desk one morning. As you will see, it appears to be the first-person story of a young woman, evidently beautiful and not unskilled in the arts of love. According to her story, she appears to have been involved, both perilously and romantically, with the same
48:
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magazine: "I write for about three hours in the morning ... and I do another hour's work between six and seven in the evening. I never correct anything and I never go back to see what I have written ... By following my formula, you write 2,000 words a day." He found writing
457:, Fleming borrowed from his surroundings and experiences, as he had done with all his writing up to that point. The Dreamy Pines Motel in the Adirondacks was based on one Fleming would drive past on the way to a friend's Black Hole Hollow Farm in Vermont; Viv is seduced by Derek, a
486:, gave his name to a printer in the story while another minor character, Frank Donaldson, was named after Jack Donaldson, a friend of Ann Fleming. One of Fleming's neighbours in Jamaica was Vivienne Stuart, whose first name Fleming used for the novel's central character.
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as Bond. Although
Fleming had insisted that no film should contain anything of the plot of the novel—and the rights for the use of the name were granted on the basis that only the title was used—the steel-toothed character of Horror was included, renamed for the film as
827:". The review noted that once Bond arrives on the scene to find Viv threatened by the two thugs, he "solves in his usual way. A great quantity of ammunition is expended, the zip-fastener is kept busy and the customary sexual consummation is associated with the kill."
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is that "Fleming was not seriously defending rape, or even semi-rape, but trying to shock by reinforcing the idea of Bond's essential cruelty. If so, he shocked far more than he intended, and he still does". Despite her rescue from near-rape and death, the author
520:... at the end there is very little resolution for Vivienne, and next to no catharsis. The reader is left with the sense that she will only add the scars of her 'night of screaming terror' at the hands of the villains to those inflicted from her past.
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thought
Fleming's writing career was over: "His ability to invent a plot has deserted him almost entirely and he has had to substitute for a fast-moving story the sorry misadventures of an upper-class tramp, told in dreary detail." Writing in
367:
Fleming returned to London in March that year with a 113-page typescript, the shortest of any of the Bond books. Few alterations were made to the story before publication. After the book was published he wrote to
Michael Howard, his editor at
392:
as
Fleming's "most sleazy and violent story ever". This, writes Lycett, may have been a reflection of Fleming's state of mind at the time, particularly his ongoing marital difficulties: he was having an affair with his neighbour on Jamaica,
649:
It's nothing but a complicated game, really. But then so's international politics, diplomacy—all the trappings of nationalism and the power complex that goes on between countries. Nobody will stop playing the game. It's like the hunting
548:
is distinct from the other Bond novels in not being a spy story, and without that aspect "the full panoply of a Bond novel, animated by his presence, is absent", according to Black. Black sees the closest equivalent in the Bond canon is
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after he saves her. It is at this point in the novel that Fleming (as Viv) writes "All women love semi-rape. They love to be taken." The claim was one for which Fleming was criticised. The opinion of the journalist
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was originally a gold coin whose value was fixed at twenty-one shillings (ÂŁ1.05). By this date the coin was obsolete and the term simply functioned as a label for that sum. According to calculations based on the
279:
Vivienne "Viv" Michel, a young Canadian woman, narrates her own story, detailing her past love affairs. The first was with Derek Mallaby: the couple had sex in a field after being thrown out of a cinema in
303:
At the end of the vacation season, the Phanceys entrust Viv with looking after the motel for the night before the owner, Mr. Sanguinetti, can arrive to take inventory and close it up for the winter. Two
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published a copy in May 1967, after Fleming's death in 1964. This sold 517,000 copies before the end of the year, the best first-year sales of any of Fleming's works, with the exception of
213:
Following the negative reactions of critics, Fleming attempted to suppress elements of the novel: he blocked a paperback edition in the United Kingdom and, when he sold the film rights to
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The reception to the novel was so bad that Fleming requested there should be no reprints or paperback version of the book. For the British market no paperback version appeared until
636:
when danger came, he could have saved his own skin. But he had fought for my life as if it had been his own. And then, when the dragon was dead, he had taken me as his reward.
568:
Benson analyses Fleming's writing style and identifies what he describes as the "Fleming Sweep": a stylistic point that sweeps the reader from one chapter to another using
498:—who later wrote a series of Bond novels—sees Vivienne Michel as the best-realised female characterisation undertaken by Fleming, partly because the story is told in the
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is a love story; in this, the novel "simply codifies a number of tendencies present in all ... fiction". Panek argues that there are strong elements of romance in
257:
Fleming structured the novel in three sections—"Me", "Them" and "Him"—to describe the phases of the story. In the prologue he described the origin of the manuscript:
603:. When analysed from the romantic viewpoint, the threat of Viv's rape from the two gangsters is held in counterpoint to the consensual sex between her and Bond.
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that "the experiment has obviously gone very much awry". Because of the sexual content in the novel, it was banned in a number of countries, including in the
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that Viv had given the script to Fleming, she was listed as a co-author of the work. As he had with all of the previous first editions, the artist
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to save Viv from being raped and murdered by two criminals. Fleming wrote a prologue to the novel giving the character Viv credit as a co-author.
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199:. Its narrator is a young Canadian woman, Viv Michel. Bond himself does not appear until two-thirds of the way through the book, arriving at
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measure of inflation, 200 guineas in 1962 is approximately ÂŁ5,660 in 2023, while 250 guineas is ÂŁ7,070, according to calculations based on
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newspaper in daily comic strip format between 1967 and 1968; a British paperback edition of the novel was published after Fleming's death.
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Bold, Christine (2009). "'Under the Very Skirts of Britannia': Re-reading Women in the James Bond Novels". In Lindner, Christoph (ed.).
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characters are not given the same status as other villains in Bond stories, but are second-rate professional killers which, the writer
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This article is about the original 1962 Ian Fleming novel. For the novelisation of the otherwise-unrelated plot of the 1977 film, see
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to be "as silly as it is unpleasant". What aggrieved him most, however, was that it was "so unremittingly, so grindingly boring".
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on 16 April 1962. It is the shortest and most sexually explicit of Fleming's novels, as well as the only Bond novel told in the
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was the last of Fleming's works to be adapted as a comic strip for the newspaper. The comic strip was reprinted in 2011 by
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Fleming found writing the Bond novels increasingly arduous and had thoughts of finishing the series by killing Bond in
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had published eight books in the preceding eight years: seven novels and a collection of short stories. A ninth book,
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345:, was being edited and prepared for production; it was released at the end of March 1961. Fleming travelled to his
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As he had done in his previous novels, Fleming borrowed names from his friends and associates to use in his book:
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at the end of chapters to heighten tension and pull the reader into the next: Benson considers that the Sweep in
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465:—seduced a woman and lost his virginity in the same establishment. Her time with Derek in the area around
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Critics did not welcome Fleming's experiment with the Bond formula and the historian Black notes that
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thinks, makes them more believable in the story. Chancellor considers the novel's absence of a
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boy, in the Royalty Kinema, Windsor, in the same way Fleming—while at the nearby public school
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in the Bond canon, as well as being the most sexually explicit of all of Fleming's novels.
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is still alive and makes a further attempt to kill them, before Bond shoots and kills him.
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to work at the Dreamy Pines motel, in the employ of the managers Jed and Mildred Phancey.
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221:, they were permitted to use the title but none of the plot of the book. In the 1977 film
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2835:(Spring 1983). "Knight Meets Dragon in the James Bond Saga: Realism and Reality-Models".
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when he appears in the novel. As with several other Bond stories, the concept of Bond as
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in April 1962; it was 211 pages long. In the US the story was also later published in
409:. Fleming also had a strained professional relationship with the writer and director,
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Ian Fleming's James Bond: Annotations and Chronologies for Ian Fleming's Bond Stories
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The other characters in the novel are given less attention by Fleming. The historian
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as the story was too unlike the normal Bond books. The novel was adapted as a daily
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Bond does not turn up until more than halfway through Ian Fleming's latest book".
707:; Fleming borrowed one owned by his editor, Michael Howard at Jonathan Cape, as a
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so to speak, and after obtaining clearance for certain minor infringements of the
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tried to hold the UK and US to ransom by threatening them with two nuclear bombs.
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was released in the UK on 16 April 1962 as a hardcover edition by the publishers
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Although Fleming did not date the events within his novels, John Griswold and
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matter was likely one of the causes of Fleming's heart attack in April 1961.
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in 1960; Griswold considers the story to have taken place in October 1961.
2843:(2). University Park, Pennsylvania: Penn State University Press: 142–180.
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from 18 December 1967 to 3 October 1968 and syndicated around the world.
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was still present, although the manuscript is ostensibly written by Viv.
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this respect, she is, like Bond, an ideal from Fleming's imagination.
432:—identified different timelines based on events and situations within
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The Man with the Golden Typewriter: Ian Fleming's James Bond Letters
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The Politics of James Bond: From Fleming's Novel to the Big Screen
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series, only the title and the character of one of the villains,
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557:, a writer he greatly admired. The absence of the spy element in
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2695:. Bowling Green, Ohio: Bowling Green University Popular Press.
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Kiss Kiss Bang! Bang!: the Unofficial James Bond Film Companion
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considered the novel's plot to be "a morbid version of that of
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touch and prefer it this way but I doubt his real fans will."
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incidents, both of which were of a strongly cautionary nature.
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Licence to Thrill: A Cultural History of the James Bond Films
2401:. Manchester: Manchester University Press. pp. 205–219.
353:. He followed his usual practice, which he later outlined in
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235:, is taken from in the book. The film was the third to star
2315:. Manchester: Manchester University Press. pp. 13–33.
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1267:"Ian Fleming's James Bond Titles". Ian Fleming Publications
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1104:(published in 1961) in which the terrorist organisation
4308:(2004; never openly identified due to copyright issues)
4228:(1981; never openly identified due to copyright issues)
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Stead, Philip John (20 April 1962). "Bond's New Girl".
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Howard, Esther (1 June 1962). "The Spy Who Loved Me".
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Not all reviews were negative. Esther Howard wrote in
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The reviewer John Fletcher thought that it was "as if
2937:"James Bond Books Edited to Remove Racist References"
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Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica
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Other novels in the series to use the same motif are
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The Special Branch: The British Spy Novel, 1890–1980
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was retained in the new release. The release of the
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The World Is Not Enough: A Biography of Ian Fleming
2382:. Lincoln, Nebraska: University of Nebraska Press.
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I have much pleasure in sponsoring its publication.
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579:The literary analyst LeRoy L. Panek observes that
2893:"Fleming's Reflection on the Limitations of Love"
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850:lamented the fact that "unaccountably lacking in
703:to 250 guineas (ÂŁ262.50). The artwork included a
2355:Loose Change: A Guide to Common Coins and Medals
417:which eventually Fleming published as the novel
775:had the worst reception of all the Bond books.
53:First edition cover, published by Jonathan Cape
3017:(2017). "Fleming, Ian Lancaster (1908–1964)".
2739:The Life of Ian Fleming: Creator of James Bond
2422:. Lanham, Maryland: Rowman & Littlefield.
372:, to explain why he had changed his approach:
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859:—a critic described by Fleming's biographer,
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3023:(online ed.). Oxford University Press.
2399:The James Bond Phenomenon: A Critical Reader
2313:The James Bond Phenomenon: a Critical Reader
41:
3674:James Bond: The Authorized Biography of 007
2239:
1000:List of James Bond novels and short stories
894:The previous Bond works were serialised in
612:
4394:
4380:
4372:
3986:
3972:
3964:
3693:
3639:
3597:
3162:
3124:
3110:
3102:
2997:. Ian Fleming Publications. Archived from
2878:"James Bond Book is Banned in Australia".
2134:
2055:"James Bond Book is Banned in Australia".
1749:
1737:
1708:
1645:
1581:
1530:
1506:
1494:
1470:
1453:
1441:
1289:
537:makes this one of Fleming's weaker works.
47:
40:
1854:
683:; it was 221 pages long. To continue the
436:as a whole. Chancellor put the events of
4633:Spymaker: The Secret Life of Ian Fleming
3653:The Adventures of James Bond Junior 003½
2948:"South Africa Bans 'Spy Who Loved Me'".
2164:
2040:"South Africa Bans 'Spy Who Loved Me'".
1429:
810:had tried to gatecrash his way into the
3020:Oxford Dictionary of National Biography
2263:
2176:
2117:
1878:
1761:
1611:
1390:
1301:
1254:
1021:
3930:Danger Society: The Young Bond Dossier
2251:
2200:
2188:
2081:
2069:
2012:
1997:
1949:
1913:
1842:
1827:
1785:
1773:
1696:
1569:
1557:
1545:
1518:
1482:
1417:
1405:
1378:
1366:
1354:
1325:
1313:
759:series was on the 70th anniversary of
377:minds particularly of younger readers.
239:as Bond. A heavily adapted version of
4313:James Bond 007: From Russia with Love
2590:. Bloomington, Indiana: AuthorHouse.
2149:
1937:
1925:
1866:
1812:
1800:
1725:
1681:
1669:
1657:
1630:
183:is the ninth novel and tenth book in
7:
3948:James Bond uncollected short stories
3890:Double O Seven, James Bond, A Report
2216:Fleming, Gammidge & McLusky 1988
1596:
738:Federation of Rhodesia and Nyasaland
725:magazine, with the title changed to
364:easier than any of his other books.
206:The story uses a recurring motif of
3953:Bibliography of works on James Bond
2935:Simpson, Craig (25 February 2023).
4734:CWA Ian Fleming Steel Dagger award
4665:Fleming: The Man Who Would Be Bond
4535:Octopussy and The Living Daylights
4252:(2008; Spectre's Quantum division)
4244:(2006; Spectre's Quantum division)
3280:Octopussy and The Living Daylights
2358:. Cardiff: National Museum Wales.
1182:—who also worked on the treatment—
407:Leader of the British Labour Party
25:
4739:Ian Fleming International Airport
2995:"Ian Fleming's James Bond Titles"
2926:(15 April 1962). "Crime Ration".
2634:. London: Bloomsbury Publishing.
2442:James Bond: The Man and His World
965:series. It was the third to star
695:. He raised his fee from the 200
471:Royal Military College, Sandhurst
3914:The James Bond Bedside Companion
3611:James Bond, The Spy Who Loved Me
2977:. MeasuringWorth. Archived from
2914:"Rhodesians Ban Fleming Novel".
2335:The James Bond Bedside Companion
2106:"The Spy Who Loved Me". WorldCat
2025:"Rhodesians Ban Fleming Novel".
984:
413:, with whom he was working on a
138:Print (hardback & paperback)
32:James Bond, The Spy Who Loved Me
4492:On Her Majesty's Secret Service
4209:On Her Majesty's Secret Service
4127:On Her Majesty's Secret Service
4035:On Her Majesty's Secret Service
3256:On Her Majesty's Secret Service
2803:. 13 April 1962. Archived from
812:Romantic Novelists' Association
621:Saint George against the dragon
349:in Jamaica in January to write
208:Saint George against the dragon
169:On Her Majesty's Secret Service
27:James Bond novel by Ian Fleming
4795:Novels set in New York (state)
3046:"Spy Who Loved Me, The (1977)"
2520:. New York: The Viking Press.
1190:, London. The stress from the
932:; the anthology also includes
740:, South Africa and Australia.
705:Fairbairn–Sykes commando knife
670:Fairbairn–Sykes fighting knife
428:—both of whom wrote books for
333:Background and writing history
1:
4775:First-person narrative novels
4649:Ian Fleming: Where Bond Began
4143:" (1967–1968; mentioned only)
2959:The Times Literary Supplement
2882:. 19 August 1965. p. 14.
2670:The James Bond Omnibus Vol. 2
2094:Bennett & Woollacott 2009
1178:McClory and the screenwriter
820:The Times Literary Supplement
4805:Works subject to expurgation
3037:UK public library membership
2952:. 7 August 1965. p. 21.
2909:. 19 April 1962. p. 15.
2870:. 29 March 1962. p. 30.
2823:(3 May 1962). "New Novels".
4800:The Spy Who Loved Me (film)
4508:The Man with the Golden Gun
4236:(1983; non-Eon Productions)
3487:The Man with the Red Tattoo
3272:The Man with the Golden Gun
2918:. 14 April 1962. p. 9.
1983:"Books: Of Human Bondage".
935:The Man with the Golden Gun
890:The Spy Who Loved Me (film)
715:was published in the US by
623:underlies the storyline to
401:was in a relationship with
337:By January 1961 the author
191:series, first published by
4821:
4606:The Poppy Is Also a Flower
3086:of James Bond 1st Editions
2880:Coventry Evening Telegraph
2293:. London: Batsford Books.
2057:Coventry Evening Telegraph
883:
699:(ÂŁ210) he had charged for
201:precisely the right moment
29:
4180:(1962; Dr. No's division)
4122:(1962; Dr. No's division)
3145:
3052:. British Film Institute.
2797:"Books: Of Human Bondage"
2765:. London: Penguin Books.
2496:. London: Penguin Books.
2468:. New York: I.B. Tauris.
1338:Faulks & Fleming 2009
1098:continues the story from
817:Philip Stead, writing in
655:Publication and reception
46:
4689:Evelyn St. Croix Fleming
3619:James Bond and Moonraker
3084:Ian Fleming Bibliography
2569:. New York: Bloomsbury.
2563:Fleming, Fergus (2015).
2416:Buckton, Oliver (2021).
2289:; Hearn, Marcus (2001).
1086:, was published in 1960.
928:in the second volume of
763:, the first Bond novel.
430:Ian Fleming Publications
4554:Chitty-Chitty-Bang-Bang
4519:Short story collections
3394:The Man from Barbarossa
2973:Clark, Gregory (2023).
2873:(subscription required)
2672:. London: Titan Books.
2584:Griswold, John (2006).
2548:. London: Titan Books.
2444:. London: John Murray.
2337:. London: Boxtree Ltd.
2240:Barnes & Hearn 2001
886:James Bond comic strips
4770:Fiction about abortion
4641:Ian Fleming: Bondmaker
4452:From Russia, with Love
4305:GoldenEye: Rogue Agent
4287:(1991–1992; as "SCUM")
4030:(1962; mentioned only)
3898:The James Bond Dossier
3785:The Moneypenny Diaries
3208:From Russia, with Love
3058:"The Spy Who Loved Me"
3029:10.1093/ref:odnb/33168
2791:. London. p. 728.
2781:Journals and magazines
2757:(2006). Introduction.
2719:. London: Hutchinson.
2352:Besly, Edward (1997).
1209:From Russia, with Love
1186:for plagiarism in the
1144:From Russia, with Love
1055:From Russia, with Love
930:The James Bond Omnibus
916:. It was published in
732:Fleming later said of
673:
652:
638:
613:
522:
500:first-person narrative
382:
317:British secret service
273:
4790:Novels by Ian Fleming
4652:(2008 TV documentary)
4644:(2005 TV documentary)
4573:The Diamond Smugglers
4233:Never Say Never Again
4185:From Russia with Love
4067:Nobody Lives for Ever
3354:Nobody Lives for Ever
3044:Sutton, Mike (2014).
2741:. London: Pan Books.
2687:Panek, LeRoy (1981).
1241:measure of inflation.
1005:Outline of James Bond
667:
647:
633:
518:
374:
259:
42:The Spy Who Loved Me
4484:The Spy Who Loved Me
4444:Diamonds Are Forever
4331:Ernst Stavro Blofeld
4316:(2005; as "OCTOPUS")
4268:(2021; as "Spectre")
4260:(2015; as "Spectre")
4217:Diamonds Are Forever
4141:The Spy Who Loved Me
4051:For Special Services
4027:The Spy Who Loved Me
3479:Never Dream of Dying
3330:For Special Services
3248:The Spy Who Loved Me
3200:Diamonds Are Forever
3091:The Spy Who Loved Me
2941:The Sunday Telegraph
2890:(25 January 2008b).
2759:The Spy Who Loved Me
2517:The Spy Who Loved Me
1239:Consumer Price Index
1235:Consumer Price Index
1138:Diamonds Are Forever
1096:The Spy Who Loved Me
1049:Diamonds Are Forever
1011:Notes and references
955:The Spy Who Loved Me
922:The Spy Who Loved Me
902:The Spy Who Loved Me
852:The Spy Who Loved Me
839:The Spy Who Loved Me
825:Beauty and the Beast
778:The Sunday Telegraph
773:The Spy Who Loved Me
753:The Spy Who Loved Me
734:The Spy Who Loved Me
713:The Spy Who Loved Me
677:The Spy Who Loved Me
625:The Spy Who Loved Me
611:Bold sees Bond as a
589:Diamonds are Forever
581:The Spy Who Loved Me
574:The Spy Who Loved Me
563:kitchen sink realism
559:The Spy Who Loved Me
546:The Spy Who Loved Me
455:The Spy Who Loved Me
438:The Spy Who Loved Me
386:The Spy Who Loved Me
362:The Spy Who Loved Me
351:The Spy Who Loved Me
294:Adirondack Mountains
269:Official Secrets Act
241:The Spy Who Loved Me
224:The Spy Who Loved Me
180:The Spy Who Loved Me
4785:Jonathan Cape books
4760:1962 British novels
4719:Operation Goldeneye
4500:You Only Live Twice
4201:You Only Live Twice
4134:You Only Live Twice
4088:Blast from the Past
4043:You Only Live Twice
3922:The Battle for Bond
3264:You Only Live Twice
2924:Richardson, Maurice
2916:The Daily Telegraph
2807:on 19 February 2011
2612:. London: Phoenix.
2228:McLusky et al. 2011
2027:The Daily Telegraph
1962:"Books – Authors".
1952:, pp. 390–391.
1857:, pp. 174–175.
1572:, pp. 129–130.
1560:, pp. 128–129.
1456:, pp. 112–113.
1328:, pp. 383–384.
1217:You Only Live Twice
941:You Only Live Twice
912:and illustrated by
660:Publication history
555:W. Somerset Maugham
227:, the tenth in the
43:
4724:Operation Ruthless
4668:(2014 mini-series)
4609:(story idea, 1966)
4601:(attributed, 1939)
4527:For Your Eyes Only
4225:For Your Eyes Only
3455:The Facts of Death
3410:Never Send Flowers
3362:No Deals, Mr. Bond
3232:For Your Eyes Only
2950:Omaha World-Herald
2868:The New York Times
2632:For Your Eyes Only
2042:Omaha World-Herald
1964:The New York Times
1166:For Your Eyes Only
1083:For Your Eyes Only
796:Maurice Richardson
784:The Glasgow Herald
767:Critical reception
674:
219:Albert R. Broccoli
4747:
4746:
4707:Amaryllis Fleming
4695:Valentine Fleming
4411:James Bond novels
4369:
4368:
4276:Television series
4249:Quantum of Solace
3961:
3960:
3825:
3824:
3790:Samantha Weinberg
3778:
3777:
3629:
3628:
3589:
3588:
3579:Forever and a Day
3463:High Time to Kill
3035:(Subscription or
3001:on 10 August 2015
2864:"Books – Authors"
2772:978-0-141-02822-4
2726:978-0-0919-5410-9
2702:978-0-87972-178-7
2679:978-1-84856-432-9
2641:978-0-7475-9527-4
2619:978-1-85799-783-5
2597:978-1-4259-3100-1
2576:978-1-6328-6489-5
2503:978-0-14-103545-1
2484:Faulks, Sebastian
2475:978-1-8451-1515-9
2451:978-0-7195-6815-2
2438:Chancellor, Henry
2429:978-1-5381-3858-8
2408:978-0-7190-6541-5
2389:978-0-8032-6240-9
2365:978-0-7200-0444-1
2344:978-1-85283-233-9
2322:978-0-7190-6541-5
2300:978-0-7134-8182-2
2266:, pp. 51–52.
1869:, pp. 74–75.
953:In 1977 the name
918:The Daily Express
897:The Daily Express
874:Daphne du Maurier
551:Quantum of Solace
480:, a colleague at
449:Plot inspirations
395:Blanche Blackwell
356:Books and Bookmen
290:Oxford University
286:indecent exposure
246:The Daily Express
176:
175:
127:Publication place
69:Cover artist
16:(Redirected from
4812:
4780:James Bond books
4581:Thrilling Cities
4428:Live and Let Die
4396:
4389:
4382:
4373:
3988:
3981:
3974:
3965:
3906:The Book of Bond
3848:The Killing Zone
3739:By Royal Command
3694:
3640:
3602:Christopher Wood
3598:
3562:Anthony Horowitz
3499:Sebastian Faulks
3402:Death Is Forever
3378:Win, Lose or Die
3184:Live and Let Die
3163:
3126:
3119:
3112:
3103:
3072:
3070:
3068:
3053:
3050:BFI Screenonline
3040:
3032:
3010:
3008:
3006:
2990:
2988:
2986:
2962:
2953:
2944:
2931:
2919:
2910:
2901:
2895:
2883:
2874:
2871:
2852:
2828:
2821:Scannell, Vernon
2816:
2814:
2812:
2792:
2776:
2750:
2730:
2706:
2694:
2683:
2645:
2623:
2601:
2580:
2559:
2529:
2507:
2479:
2455:
2433:
2412:
2393:
2369:
2348:
2326:
2304:
2267:
2261:
2255:
2249:
2243:
2237:
2231:
2225:
2219:
2213:
2204:
2198:
2192:
2186:
2180:
2174:
2168:
2162:
2153:
2147:
2138:
2132:
2121:
2115:
2109:
2103:
2097:
2091:
2085:
2079:
2073:
2067:
2061:
2052:
2046:
2037:
2031:
2022:
2016:
2010:
2001:
1995:
1989:
1980:
1969:
1959:
1953:
1947:
1941:
1935:
1929:
1923:
1917:
1911:
1905:
1895:
1882:
1876:
1870:
1864:
1858:
1852:
1846:
1840:
1831:
1825:
1816:
1810:
1804:
1798:
1789:
1783:
1777:
1771:
1765:
1759:
1753:
1747:
1741:
1735:
1729:
1723:
1712:
1706:
1700:
1694:
1685:
1679:
1673:
1667:
1661:
1655:
1649:
1643:
1634:
1628:
1615:
1609:
1600:
1594:
1585:
1579:
1573:
1567:
1561:
1555:
1549:
1543:
1534:
1528:
1522:
1516:
1510:
1504:
1498:
1492:
1486:
1480:
1474:
1468:
1457:
1451:
1445:
1439:
1433:
1427:
1421:
1415:
1409:
1403:
1394:
1388:
1382:
1376:
1370:
1364:
1358:
1352:
1341:
1335:
1329:
1323:
1317:
1311:
1305:
1299:
1293:
1287:
1270:
1264:
1242:
1226:
1220:
1201:
1195:
1180:Jack Whittingham
1176:
1170:
1126:Live and Let Die
1115:
1109:
1093:
1087:
1037:Live and Let Die
1028:The novels are:
1026:
994:
989:
988:
831:, as critic for
689:Richard Chopping
640:The question of
618:
483:The Sunday Times
434:the novel series
426:Henry Chancellor
397:, and his wife,
347:Goldeneye estate
164:Followed by
151:Preceded by
118:Publication date
73:Richard Chopping
51:
44:
21:
4820:
4819:
4815:
4814:
4813:
4811:
4810:
4809:
4750:
4749:
4748:
4743:
4729:No. 30 Commando
4671:
4612:
4587:
4560:
4541:
4514:
4405:
4400:
4370:
4365:
4324:SPECTRE Members
4319:
4290:
4271:
4162:
4093:
4073:
4004:
3992:
3962:
3957:
3936:
3881:
3875:
3860:
3854:
3831:
3821:
3788:
3774:
3745:
3680:
3659:
3635:
3625:
3585:
3556:
3535:
3514:
3493:
3432:
3322:Licence Renewed
3307:
3286:
3158:
3150:
3141:
3130:
3080:
3075:
3066:
3064:
3056:
3043:
3034:
3013:
3004:
3002:
2993:
2984:
2982:
2981:on 1 April 2023
2972:
2969:
2956:
2947:
2934:
2922:
2913:
2905:"New Fiction".
2904:
2886:
2877:
2872:
2862:
2859:
2833:Sternberg, Meir
2831:
2819:
2810:
2808:
2795:
2786:
2783:
2773:
2753:
2733:
2727:
2711:Parker, Matthew
2709:
2703:
2686:
2680:
2666:Horak, Yaroslav
2654:Gammidge, Henry
2648:
2642:
2626:
2620:
2604:
2598:
2583:
2577:
2562:
2556:
2538:Gammidge, Henry
2532:
2510:
2504:
2482:
2476:
2458:
2452:
2436:
2430:
2415:
2409:
2396:
2390:
2372:
2366:
2351:
2345:
2331:Benson, Raymond
2329:
2323:
2307:
2301:
2285:
2282:
2276:
2271:
2270:
2262:
2258:
2250:
2246:
2238:
2234:
2226:
2222:
2214:
2207:
2199:
2195:
2187:
2183:
2175:
2171:
2163:
2156:
2148:
2141:
2135:Richardson 1962
2133:
2124:
2116:
2112:
2104:
2100:
2092:
2088:
2080:
2076:
2068:
2064:
2053:
2049:
2038:
2034:
2023:
2019:
2011:
2004:
1996:
1992:
1981:
1972:
1960:
1956:
1948:
1944:
1936:
1932:
1924:
1920:
1912:
1908:
1898:"New Fiction".
1896:
1885:
1877:
1873:
1865:
1861:
1853:
1849:
1841:
1834:
1826:
1819:
1811:
1807:
1799:
1792:
1784:
1780:
1772:
1768:
1760:
1756:
1750:Macintyre 2008b
1748:
1744:
1738:Chancellor 2005
1736:
1732:
1724:
1715:
1709:Chancellor 2005
1707:
1703:
1695:
1688:
1680:
1676:
1668:
1664:
1656:
1652:
1646:Macintyre 2008a
1644:
1637:
1629:
1618:
1610:
1603:
1595:
1588:
1582:Chancellor 2005
1580:
1576:
1568:
1564:
1556:
1552:
1544:
1537:
1531:Chancellor 2005
1529:
1525:
1517:
1513:
1507:Chancellor 2005
1505:
1501:
1495:Macintyre 2008a
1493:
1489:
1481:
1477:
1471:Chancellor 2005
1469:
1460:
1454:Chancellor 2005
1452:
1448:
1442:Chancellor 2005
1440:
1436:
1428:
1424:
1416:
1412:
1404:
1397:
1389:
1385:
1377:
1373:
1365:
1361:
1353:
1344:
1336:
1332:
1324:
1320:
1312:
1308:
1300:
1296:
1290:Chancellor 2005
1288:
1273:
1265:
1256:
1251:
1246:
1245:
1227:
1223:
1202:
1198:
1177:
1173:
1159:(1959) and the
1117:The books were
1116:
1112:
1094:
1090:
1027:
1023:
1018:
1013:
990:
983:
980:
963:Eon Productions
892:
884:Main articles:
882:
857:Anthony Boucher
844:The critic for
829:Vernon Scannell
808:Mickey Spillane
799:The critic for
769:
662:
657:
615:deus ex machina
609:
570:narrative hooks
543:
492:
451:
446:
378:
335:
314:
302:
278:
255:
229:Eon Productions
135:Media type
119:
54:
35:
28:
23:
22:
18:Vivienne Michel
15:
12:
11:
5:
4818:
4816:
4808:
4807:
4802:
4797:
4792:
4787:
4782:
4777:
4772:
4767:
4765:Censored books
4762:
4752:
4751:
4745:
4744:
4742:
4741:
4736:
4731:
4726:
4721:
4716:
4710:
4704:
4698:
4692:
4686:
4679:
4677:
4673:
4672:
4670:
4669:
4661:
4653:
4645:
4637:
4629:
4620:
4618:
4614:
4613:
4611:
4610:
4602:
4595:
4593:
4589:
4588:
4586:
4585:
4577:
4568:
4566:
4562:
4561:
4559:
4558:
4549:
4547:
4543:
4542:
4540:
4539:
4531:
4522:
4520:
4516:
4515:
4513:
4512:
4504:
4496:
4488:
4480:
4472:
4464:
4456:
4448:
4440:
4432:
4424:
4415:
4413:
4407:
4406:
4401:
4399:
4398:
4391:
4384:
4376:
4367:
4366:
4364:
4363:
4358:
4353:
4348:
4343:
4338:
4333:
4327:
4325:
4321:
4320:
4318:
4317:
4309:
4300:
4298:
4292:
4291:
4289:
4288:
4284:James Bond Jr.
4279:
4277:
4273:
4272:
4270:
4269:
4265:No Time to Die
4261:
4253:
4245:
4237:
4229:
4221:
4213:
4205:
4197:
4189:
4181:
4172:
4170:
4164:
4163:
4161:
4160:
4152:
4144:
4137:
4130:
4123:
4115:
4107:
4105:
4095:
4094:
4092:
4091:
4083:
4081:
4075:
4074:
4072:
4071:
4063:
4059:Role of Honour
4055:
4047:
4039:
4031:
4023:
4014:
4012:
4006:
4005:
3993:
3991:
3990:
3983:
3976:
3968:
3959:
3958:
3956:
3955:
3950:
3944:
3942:
3938:
3937:
3935:
3934:
3926:
3918:
3910:
3902:
3894:
3885:
3883:
3877:
3876:
3874:
3873:
3869:Per Fine Ounce
3864:
3862:
3856:
3855:
3853:
3852:
3844:
3835:
3833:
3827:
3826:
3823:
3822:
3820:
3819:
3811:
3807:Secret Servant
3803:
3799:Guardian Angel
3794:
3792:
3780:
3779:
3776:
3775:
3773:
3772:
3764:
3755:
3753:
3747:
3746:
3744:
3743:
3735:
3731:Hurricane Gold
3727:
3719:
3711:
3702:
3700:
3698:Charlie Higson
3691:
3682:
3681:
3679:
3678:
3669:
3667:
3661:
3660:
3658:
3657:
3648:
3646:
3637:
3631:
3630:
3627:
3626:
3624:
3623:
3615:
3606:
3604:
3595:
3591:
3590:
3587:
3586:
3584:
3583:
3575:
3571:Trigger Mortis
3566:
3564:
3558:
3557:
3555:
3554:
3545:
3543:
3537:
3536:
3534:
3533:
3524:
3522:
3520:Jeffery Deaver
3516:
3515:
3513:
3512:
3508:Devil May Care
3503:
3501:
3495:
3494:
3492:
3491:
3483:
3475:
3467:
3459:
3451:
3447:Zero Minus Ten
3442:
3440:
3438:Raymond Benson
3434:
3433:
3431:
3430:
3422:
3414:
3406:
3398:
3390:
3382:
3374:
3366:
3358:
3350:
3346:Role of Honour
3342:
3334:
3326:
3317:
3315:
3309:
3308:
3306:
3305:
3296:
3294:
3288:
3287:
3285:
3284:
3276:
3268:
3260:
3252:
3244:
3236:
3228:
3220:
3212:
3204:
3196:
3188:
3180:
3171:
3169:
3160:
3152:
3151:
3146:
3143:
3142:
3131:
3129:
3128:
3121:
3114:
3106:
3100:
3099:
3087:
3079:
3078:External links
3076:
3074:
3073:
3054:
3041:
3015:Lycett, Andrew
3011:
2991:
2968:
2965:
2964:
2963:
2961:. p. 261.
2954:
2945:
2932:
2920:
2911:
2902:
2888:Macintyre, Ben
2884:
2875:
2858:
2855:
2854:
2853:
2829:
2817:
2793:
2782:
2779:
2778:
2777:
2771:
2751:
2731:
2725:
2707:
2701:
2684:
2678:
2646:
2640:
2628:Macintyre, Ben
2624:
2618:
2606:Lycett, Andrew
2602:
2596:
2581:
2575:
2560:
2554:
2530:
2508:
2502:
2493:Devil May Care
2480:
2474:
2460:Chapman, James
2456:
2450:
2434:
2428:
2413:
2407:
2394:
2388:
2370:
2364:
2349:
2343:
2327:
2321:
2305:
2299:
2281:
2278:
2277:
2275:
2272:
2269:
2268:
2256:
2244:
2242:, p. 121.
2232:
2230:, p. 285.
2220:
2205:
2203:, p. 400.
2193:
2191:, p. 728.
2181:
2169:
2154:
2152:, p. 261.
2139:
2122:
2110:
2098:
2086:
2084:, p. 446.
2074:
2072:, p. 402.
2062:
2047:
2032:
2017:
2002:
1990:
1970:
1954:
1942:
1930:
1918:
1916:, p. 390.
1906:
1883:
1881:, p. 144.
1871:
1859:
1855:Sternberg 1983
1847:
1845:, p. 231.
1832:
1830:, p. 129.
1817:
1815:, p. 211.
1805:
1803:, p. 210.
1790:
1788:, p. 128.
1778:
1766:
1764:, p. 271.
1754:
1742:
1740:, p. 148.
1730:
1713:
1711:, p. 115.
1701:
1699:, p. 267.
1686:
1674:
1662:
1650:
1648:, p. 148.
1635:
1616:
1614:, p. 188.
1601:
1599:, p. 213.
1586:
1584:, p. 132.
1574:
1562:
1550:
1548:, p. 382.
1535:
1533:, p. 113.
1523:
1511:
1499:
1487:
1485:, p. 207.
1475:
1473:, p. 186.
1458:
1446:
1434:
1422:
1420:, p. 384.
1410:
1395:
1393:, p. 262.
1383:
1381:, p. 385.
1371:
1359:
1357:, p. 381.
1342:
1340:, p. 320.
1330:
1318:
1316:, p. 130.
1306:
1294:
1292:, p. 187.
1271:
1253:
1252:
1250:
1247:
1244:
1243:
1221:
1196:
1171:
1110:
1088:
1020:
1019:
1017:
1014:
1012:
1009:
1008:
1007:
1002:
996:
995:
979:
976:
959:the tenth film
914:Yaroslav Horak
881:
878:
768:
765:
711:for Chopping.
691:undertook the
661:
658:
656:
653:
608:
605:
542:
539:
531:Matthew Parker
496:Raymond Benson
491:
488:
478:Robert Harling
450:
447:
445:
442:
415:film treatment
403:Hugh Gaitskell
334:
331:
254:
251:
215:Harry Saltzman
174:
173:
165:
161:
160:
152:
148:
147:
144:
140:
139:
136:
132:
131:
130:United Kingdom
128:
124:
123:
120:
117:
114:
113:
108:
104:
103:
98:
94:
93:
88:
84:
83:
80:
76:
75:
70:
66:
65:
60:
56:
55:
52:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4817:
4806:
4803:
4801:
4798:
4796:
4793:
4791:
4788:
4786:
4783:
4781:
4778:
4776:
4773:
4771:
4768:
4766:
4763:
4761:
4758:
4757:
4755:
4740:
4737:
4735:
4732:
4730:
4727:
4725:
4722:
4720:
4717:
4714:
4711:
4708:
4705:
4702:
4701:Peter Fleming
4699:
4696:
4693:
4690:
4687:
4684:
4681:
4680:
4678:
4674:
4667:
4666:
4662:
4659:
4658:
4657:Age of Heroes
4654:
4651:
4650:
4646:
4643:
4642:
4638:
4635:
4634:
4630:
4627:
4626:
4622:
4621:
4619:
4615:
4608:
4607:
4603:
4600:
4597:
4596:
4594:
4590:
4583:
4582:
4578:
4575:
4574:
4570:
4569:
4567:
4563:
4556:
4555:
4551:
4550:
4548:
4544:
4537:
4536:
4532:
4529:
4528:
4524:
4523:
4521:
4517:
4510:
4509:
4505:
4502:
4501:
4497:
4494:
4493:
4489:
4486:
4485:
4481:
4478:
4477:
4473:
4470:
4469:
4465:
4462:
4461:
4457:
4454:
4453:
4449:
4446:
4445:
4441:
4438:
4437:
4433:
4430:
4429:
4425:
4422:
4421:
4420:Casino Royale
4417:
4416:
4414:
4412:
4408:
4404:
4397:
4392:
4390:
4385:
4383:
4378:
4377:
4374:
4362:
4359:
4357:
4354:
4352:
4351:Dr. Julius No
4349:
4347:
4346:Tov Kronsteen
4344:
4342:
4339:
4337:
4334:
4332:
4329:
4328:
4326:
4322:
4315:
4314:
4310:
4307:
4306:
4302:
4301:
4299:
4297:
4293:
4286:
4285:
4281:
4280:
4278:
4274:
4267:
4266:
4262:
4259:
4258:
4254:
4251:
4250:
4246:
4243:
4242:
4241:Casino Royale
4238:
4235:
4234:
4230:
4227:
4226:
4222:
4219:
4218:
4214:
4211:
4210:
4206:
4203:
4202:
4198:
4195:
4194:
4190:
4187:
4186:
4182:
4179:
4178:
4174:
4173:
4171:
4169:
4165:
4158:
4157:
4153:
4150:
4149:
4145:
4142:
4138:
4136:" (1965–1966)
4135:
4131:
4129:" (1964–1965)
4128:
4124:
4121:
4120:
4116:
4114:" (1961–1962)
4113:
4109:
4108:
4106:
4104:
4100:
4096:
4089:
4085:
4084:
4082:
4080:
4079:Short stories
4076:
4069:
4068:
4064:
4061:
4060:
4056:
4053:
4052:
4048:
4045:
4044:
4040:
4037:
4036:
4032:
4029:
4028:
4024:
4021:
4020:
4016:
4015:
4013:
4011:
4007:
4002:
3998:
3997:
3989:
3984:
3982:
3977:
3975:
3970:
3969:
3966:
3954:
3951:
3949:
3946:
3945:
3943:
3939:
3932:
3931:
3927:
3924:
3923:
3919:
3916:
3915:
3911:
3908:
3907:
3903:
3900:
3899:
3895:
3892:
3891:
3887:
3886:
3884:
3878:
3871:
3870:
3866:
3865:
3863:
3857:
3850:
3849:
3845:
3842:
3841:
3837:
3836:
3834:
3828:
3817:
3816:
3812:
3809:
3808:
3804:
3801:
3800:
3796:
3795:
3793:
3791:
3787:
3786:
3781:
3770:
3769:
3768:Heads You Die
3765:
3762:
3761:
3760:Shoot to Kill
3757:
3756:
3754:
3752:
3748:
3741:
3740:
3736:
3733:
3732:
3728:
3725:
3724:
3723:Double or Die
3720:
3717:
3716:
3712:
3709:
3708:
3704:
3703:
3701:
3699:
3695:
3692:
3690:
3688:
3683:
3676:
3675:
3671:
3670:
3668:
3666:
3662:
3655:
3654:
3650:
3649:
3647:
3645:
3644:R. D. Mascott
3641:
3638:
3632:
3621:
3620:
3616:
3613:
3612:
3608:
3607:
3605:
3603:
3599:
3596:
3594:Novelizations
3592:
3581:
3580:
3576:
3573:
3572:
3568:
3567:
3565:
3563:
3559:
3552:
3551:
3547:
3546:
3544:
3542:
3538:
3531:
3530:
3529:Carte Blanche
3526:
3525:
3523:
3521:
3517:
3510:
3509:
3505:
3504:
3502:
3500:
3496:
3489:
3488:
3484:
3481:
3480:
3476:
3473:
3472:
3468:
3465:
3464:
3460:
3457:
3456:
3452:
3449:
3448:
3444:
3443:
3441:
3439:
3435:
3428:
3427:
3423:
3420:
3419:
3415:
3412:
3411:
3407:
3404:
3403:
3399:
3396:
3395:
3391:
3388:
3387:
3383:
3380:
3379:
3375:
3372:
3371:
3367:
3364:
3363:
3359:
3356:
3355:
3351:
3348:
3347:
3343:
3340:
3339:
3335:
3332:
3331:
3327:
3324:
3323:
3319:
3318:
3316:
3314:
3310:
3303:
3302:
3298:
3297:
3295:
3293:
3292:Kingsley Amis
3289:
3282:
3281:
3277:
3274:
3273:
3269:
3266:
3265:
3261:
3258:
3257:
3253:
3250:
3249:
3245:
3242:
3241:
3237:
3234:
3233:
3229:
3226:
3225:
3221:
3218:
3217:
3213:
3210:
3209:
3205:
3202:
3201:
3197:
3194:
3193:
3189:
3186:
3185:
3181:
3178:
3177:
3176:Casino Royale
3173:
3172:
3170:
3168:
3164:
3161:
3157:
3153:
3149:
3144:
3140:
3136:
3135:
3127:
3122:
3120:
3115:
3113:
3108:
3107:
3104:
3097:
3093:
3092:
3088:
3085:
3082:
3081:
3077:
3063:
3059:
3055:
3051:
3047:
3042:
3038:
3030:
3026:
3022:
3021:
3016:
3012:
3000:
2996:
2992:
2980:
2976:
2971:
2970:
2966:
2960:
2955:
2951:
2946:
2942:
2938:
2933:
2930:. p. 28.
2929:
2925:
2921:
2917:
2912:
2908:
2903:
2900:. p. 13.
2899:
2894:
2889:
2885:
2881:
2876:
2869:
2865:
2861:
2860:
2856:
2850:
2846:
2842:
2838:
2834:
2830:
2826:
2822:
2818:
2806:
2802:
2798:
2794:
2790:
2789:The Spectator
2785:
2784:
2780:
2774:
2768:
2764:
2760:
2756:
2752:
2748:
2744:
2740:
2736:
2735:Pearson, John
2732:
2728:
2722:
2718:
2717:
2712:
2708:
2704:
2698:
2693:
2692:
2685:
2681:
2675:
2671:
2667:
2663:
2659:
2658:Lawrence, Jim
2655:
2651:
2650:McLusky, John
2647:
2643:
2637:
2633:
2629:
2625:
2621:
2615:
2611:
2607:
2603:
2599:
2593:
2589:
2588:
2582:
2578:
2572:
2568:
2567:
2561:
2557:
2555:1-85286-040-5
2551:
2547:
2543:
2542:McLusky, John
2539:
2535:
2531:
2527:
2523:
2519:
2518:
2513:
2509:
2505:
2499:
2495:
2494:
2489:
2485:
2481:
2477:
2471:
2467:
2466:
2461:
2457:
2453:
2447:
2443:
2439:
2435:
2431:
2425:
2421:
2420:
2414:
2410:
2404:
2400:
2395:
2391:
2385:
2381:
2380:
2375:
2374:Black, Jeremy
2371:
2367:
2361:
2357:
2356:
2350:
2346:
2340:
2336:
2332:
2328:
2324:
2318:
2314:
2310:
2309:Bennett, Tony
2306:
2302:
2296:
2292:
2288:
2284:
2283:
2279:
2273:
2265:
2260:
2257:
2253:
2248:
2245:
2241:
2236:
2233:
2229:
2224:
2221:
2217:
2212:
2210:
2206:
2202:
2197:
2194:
2190:
2185:
2182:
2179:, p. 99.
2178:
2173:
2170:
2166:
2165:Scannell 1962
2161:
2159:
2155:
2151:
2146:
2144:
2140:
2137:, p. 28.
2136:
2131:
2129:
2127:
2123:
2119:
2114:
2111:
2107:
2102:
2099:
2096:, p. 17.
2095:
2090:
2087:
2083:
2078:
2075:
2071:
2066:
2063:
2059:
2058:
2051:
2048:
2044:
2043:
2036:
2033:
2029:
2028:
2021:
2018:
2015:, p. 23.
2014:
2009:
2007:
2003:
2000:, p. 24.
1999:
1994:
1991:
1987:
1986:
1979:
1977:
1975:
1971:
1967:
1965:
1958:
1955:
1951:
1946:
1943:
1939:
1934:
1931:
1928:, p. 25.
1927:
1922:
1919:
1915:
1910:
1907:
1903:
1901:
1894:
1892:
1890:
1888:
1884:
1880:
1875:
1872:
1868:
1863:
1860:
1856:
1851:
1848:
1844:
1839:
1837:
1833:
1829:
1824:
1822:
1818:
1814:
1809:
1806:
1802:
1797:
1795:
1791:
1787:
1782:
1779:
1776:, p. 85.
1775:
1770:
1767:
1763:
1758:
1755:
1752:, p. 13.
1751:
1746:
1743:
1739:
1734:
1731:
1728:, p. 71.
1727:
1722:
1720:
1718:
1714:
1710:
1705:
1702:
1698:
1693:
1691:
1687:
1684:, p. 74.
1683:
1678:
1675:
1672:, p. 73.
1671:
1666:
1663:
1660:, p. vi.
1659:
1654:
1651:
1647:
1642:
1640:
1636:
1633:, p. 72.
1632:
1627:
1625:
1623:
1621:
1617:
1613:
1608:
1606:
1602:
1598:
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1591:
1587:
1583:
1578:
1575:
1571:
1566:
1563:
1559:
1554:
1551:
1547:
1542:
1540:
1536:
1532:
1527:
1524:
1521:, p. 17.
1520:
1515:
1512:
1509:, p. 11.
1508:
1503:
1500:
1497:, p. 31.
1496:
1491:
1488:
1484:
1479:
1476:
1472:
1467:
1465:
1463:
1459:
1455:
1450:
1447:
1444:, p. 99.
1443:
1438:
1435:
1432:, p. 10.
1431:
1430:Griswold 2006
1426:
1423:
1419:
1414:
1411:
1407:
1402:
1400:
1396:
1392:
1387:
1384:
1380:
1375:
1372:
1369:, p. 21.
1368:
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1343:
1339:
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1263:
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1197:
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1189:
1185:
1181:
1175:
1172:
1168:
1167:
1162:
1158:
1157:
1152:
1151:
1146:
1145:
1140:
1139:
1134:
1133:
1128:
1127:
1122:
1121:
1120:Casino Royale
1114:
1111:
1107:
1103:
1102:
1097:
1092:
1089:
1085:
1084:
1079:
1075:
1074:
1069:
1068:
1063:
1062:
1057:
1056:
1051:
1050:
1045:
1044:
1039:
1038:
1033:
1032:
1031:Casino Royale
1025:
1022:
1015:
1010:
1006:
1003:
1001:
998:
997:
993:
992:Novels portal
987:
982:
977:
975:
973:
968:
964:
960:
957:was used for
956:
951:
949:
948:
943:
942:
937:
936:
931:
927:
923:
919:
915:
911:
908:, written by
907:
903:
899:
898:
891:
887:
879:
877:
875:
871:
870:
869:The Spectator
864:
862:
858:
853:
849:
848:
842:
840:
837:, considered
836:
835:
830:
826:
822:
821:
815:
813:
809:
804:
803:
797:
793:
792:
786:
785:
780:
779:
774:
766:
764:
762:
761:Casino Royale
758:
754:
750:
746:
741:
739:
735:
730:
728:
724:
723:
718:
714:
710:
706:
702:
698:
694:
690:
686:
682:
681:Jonathan Cape
678:
671:
666:
659:
654:
651:
646:
643:
642:good and evil
637:
632:
630:
626:
622:
617:
616:
606:
604:
602:
598:
594:
590:
586:
585:Casino Royale
582:
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571:
566:
564:
560:
556:
552:
547:
540:
538:
536:
532:
527:
521:
517:
516:thinks that:
515:
510:
509:Ben Macintyre
504:
501:
497:
494:The novelist
489:
487:
485:
484:
479:
474:
472:
468:
464:
460:
459:public school
456:
448:
443:
441:
439:
435:
431:
427:
422:
420:
416:
412:
411:Kevin McClory
408:
404:
400:
396:
391:
390:Andrew Lycett
387:
381:
373:
371:
370:Jonathan Cape
365:
363:
358:
357:
352:
348:
344:
340:
332:
330:
326:
323:
318:
313:
309:
307:
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230:
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198:
194:
193:Jonathan Cape
190:
186:
182:
181:
172:
170:
166:
162:
159:
157:
153:
149:
145:
141:
137:
133:
129:
125:
122:16 April 1962
121:
115:
112:
111:Jonathan Cape
109:
105:
102:
99:
95:
92:
89:
85:
81:
77:
74:
71:
67:
64:
61:
57:
50:
45:
39:
37:
33:
19:
4663:
4655:
4647:
4639:
4631:
4623:
4604:
4579:
4571:
4552:
4546:Other novels
4533:
4525:
4506:
4498:
4490:
4483:
4482:
4474:
4466:
4458:
4450:
4442:
4434:
4426:
4418:
4336:Emilio Largo
4311:
4303:
4282:
4263:
4255:
4247:
4239:
4231:
4223:
4215:
4207:
4199:
4191:
4183:
4175:
4156:Felix Leiter
4155:
4146:
4117:
4099:Comic strips
4065:
4057:
4049:
4041:
4033:
4026:
4025:
4017:
3994:
3928:
3920:
3912:
3904:
3896:
3888:
3867:
3846:
3838:
3813:
3805:
3797:
3783:
3766:
3758:
3737:
3729:
3721:
3713:
3705:
3686:
3672:
3665:John Pearson
3651:
3617:
3609:
3577:
3569:
3548:
3541:William Boyd
3527:
3506:
3485:
3477:
3469:
3461:
3453:
3445:
3424:
3416:
3408:
3400:
3392:
3384:
3376:
3368:
3360:
3352:
3344:
3336:
3328:
3320:
3313:John Gardner
3299:
3278:
3270:
3262:
3254:
3247:
3246:
3238:
3230:
3222:
3214:
3206:
3198:
3190:
3182:
3174:
3155:
3132:
3090:
3065:. Retrieved
3061:
3049:
3018:
3003:. Retrieved
2999:the original
2983:. Retrieved
2979:the original
2958:
2949:
2940:
2928:The Observer
2927:
2915:
2906:
2897:
2879:
2867:
2840:
2836:
2825:The Listener
2824:
2809:. Retrieved
2805:the original
2800:
2788:
2763:Fleming, Ian
2758:
2738:
2715:
2690:
2669:
2662:Fleming, Ian
2631:
2609:
2586:
2565:
2545:
2534:Fleming, Ian
2516:
2512:Fleming, Ian
2492:
2488:Fleming, Ian
2464:
2441:
2418:
2398:
2378:
2354:
2334:
2312:
2290:
2287:Barnes, Alan
2264:Chapman 2007
2259:
2247:
2235:
2223:
2218:, p. 6.
2196:
2184:
2177:Pearson 1967
2172:
2118:Simpson 2023
2113:
2101:
2089:
2077:
2065:
2056:
2050:
2041:
2035:
2026:
2020:
1993:
1984:
1963:
1957:
1945:
1933:
1921:
1909:
1899:
1879:Fleming 1962
1874:
1862:
1850:
1808:
1781:
1769:
1762:Buckton 2021
1757:
1745:
1733:
1704:
1677:
1665:
1653:
1612:Fleming 1962
1577:
1565:
1553:
1526:
1514:
1502:
1490:
1478:
1449:
1437:
1425:
1413:
1391:Fleming 2015
1386:
1374:
1362:
1333:
1321:
1309:
1304:, p. 7.
1302:Fleming 1962
1297:
1224:
1216:
1212:
1208:
1204:
1199:
1191:
1184:sued Fleming
1174:
1164:
1154:
1148:
1142:
1136:
1130:
1124:
1118:
1113:
1099:
1095:
1091:
1081:
1080:collection,
1071:
1065:
1059:
1053:
1047:
1041:
1035:
1029:
1024:
954:
952:
945:
939:
933:
929:
921:
917:
910:Jim Lawrence
901:
895:
893:
867:
865:
861:John Pearson
851:
845:
843:
838:
834:The Listener
832:
818:
816:
800:
791:The Observer
789:
782:
776:
772:
770:
760:
752:
748:
742:
733:
731:
726:
720:
717:Viking Books
712:
700:
676:
675:
648:
639:
634:
624:
610:
600:
596:
592:
588:
584:
580:
578:
573:
567:
558:
545:
544:
535:supervillain
526:Jeremy Black
523:
519:
505:
493:
481:
475:
454:
452:
437:
423:
418:
385:
383:
375:
366:
361:
354:
350:
342:
336:
327:
311:
310:
299:
298:
275:
274:
260:
256:
253:Plot summary
244:
243:appeared in
240:
222:
212:
205:
197:first person
179:
178:
177:
167:
154:
38:
36:
4683:Ann Fleming
4660:(2011 film)
4636:(1990 film)
4628:(1989 film)
4592:Other works
4565:Non-fiction
4476:Thunderball
4403:Ian Fleming
4361:Raoul Silva
4296:Video games
4193:Thunderball
4112:Thunderball
4019:Thunderball
3859:Unpublished
3815:Final Fling
3715:Blood Fever
3301:Colonel Sun
3240:Thunderball
3167:Ian Fleming
3067:31 December
2985:22 February
2755:Stone, Nick
2610:Ian Fleming
2252:Sutton 2014
2201:Lycett 1996
2189:Howard 1962
2082:Lycett 1996
2070:Lycett 1996
2013:Benson 1988
1998:Benson 1988
1950:Lycett 1996
1914:Lycett 1996
1843:Benson 1988
1828:Benson 1988
1786:Benson 1988
1774:Benson 1988
1697:Parker 2014
1570:Benson 1988
1558:Benson 1988
1546:Lycett 1996
1519:Lycett 1996
1483:Lycett 1996
1418:Lycett 1996
1406:Lycett 2017
1379:Lycett 1996
1367:Benson 1988
1355:Lycett 1996
1326:Lycett 1996
1314:Benson 1988
1192:Thunderball
1163:collection
1161:short story
1101:Thunderball
1078:short story
1073:Thunderball
1070:(1959) and
967:Roger Moore
926:Titan Books
906:comic strip
880:Adaptations
757:bowdlerised
749:Thunderball
727:Motel Nymph
701:Thunderball
597:Thunderball
444:Development
419:Thunderball
343:Thunderball
339:Ian Fleming
322:Thunderball
237:Roger Moore
185:Ian Fleming
156:Thunderball
101:Spy fiction
63:Ian Fleming
4754:Categories
4617:Portrayals
4599:Trout memo
4468:Goldfinger
4356:Le Chiffre
4341:Rosa Klebb
3996:James Bond
3830:Unofficial
3751:Steve Cole
3687:Young Bond
3471:DoubleShot
3386:Brokenclaw
3338:Icebreaker
3224:Goldfinger
3156:James Bond
3148:James Bond
3139:literature
3134:James Bond
3096:Faded Page
3039:required.)
2811:19 October
2150:Stead 1962
1938:Clark 2023
1926:Besly 1997
1867:Black 2005
1813:Panek 1981
1801:Panek 1981
1726:Black 2005
1682:Black 2005
1670:Black 2005
1658:Stone 2006
1631:Black 2005
1249:References
1213:Goldfinger
1188:High Court
1156:Goldfinger
1076:(1961); a
1067:Goldfinger
593:Goldfinger
514:Nick Stone
490:Characters
264:James Bond
189:James Bond
91:James Bond
4713:Goldeneye
4703:(brother)
4625:Goldeneye
4436:Moonraker
3840:Take Over
3707:SilverFin
3192:Moonraker
2907:The Times
2898:The Times
2630:(2008a).
2546:Octopussy
1900:The Times
1597:Bold 2009
1205:Moonraker
1132:Moonraker
1043:Moonraker
947:Octopussy
802:The Times
745:Pan Books
693:cover art
650:instinct.
107:Publisher
4709:(sister)
4697:(father)
4691:(mother)
4090:" (1997)
3634:Spin-off
3370:Scorpius
3098:(Canada)
3062:WorldCat
3005:7 August
2967:Websites
2849:42945465
2747:60318176
2737:(1967).
2713:(2014).
2668:(2011).
2608:(1996).
2544:(1988).
2514:(1962).
2490:(2009).
2462:(2007).
2440:(2005).
2376:(2005).
2333:(1988).
1153:(1958),
1147:(1957),
1141:(1956),
1135:(1955),
1129:(1954),
1123:(1953),
1064:(1958),
1058:(1957),
1052:(1956),
1046:(1955),
1040:(1954),
1034:(1953),
978:See also
631:legend:
629:medieval
306:mobsters
79:Language
4676:Related
4257:Spectre
4148:Eidolon
4003:stories
4001:SPECTRE
3941:Related
3880:Related
3418:SeaFire
2526:6630093
2274:Sources
1966:. p. 30
1902:. p. 15
1169:(1960).
1106:SPECTRE
961:in the
697:guineas
685:conceit
467:Cookham
282:Windsor
82:English
4715:(home)
4685:(wife)
4584:(1963)
4576:(1957)
4557:(1964)
4538:(1966)
4530:(1960)
4511:(1965)
4503:(1964)
4495:(1963)
4487:(1962)
4479:(1961)
4471:(1959)
4463:(1958)
4460:Dr. No
4455:(1957)
4447:(1956)
4439:(1955)
4431:(1954)
4423:(1953)
4220:(1971)
4212:(1969)
4204:(1967)
4196:(1965)
4188:(1963)
4177:Dr. No
4159:(2017)
4151:(2015)
4119:Dr. No
4070:(1986)
4062:(1984)
4054:(1982)
4046:(1964)
4038:(1963)
4022:(1961)
4010:Novels
3933:(2009)
3925:(2007)
3917:(1984)
3909:(1965)
3901:(1965)
3893:(1964)
3872:(1966)
3851:(1985)
3843:(1970)
3818:(2008)
3810:(2006)
3802:(2005)
3771:(2016)
3763:(2014)
3742:(2008)
3734:(2007)
3726:(2007)
3718:(2006)
3710:(2005)
3689:series
3677:(1973)
3656:(1967)
3622:(1979)
3614:(1977)
3582:(2018)
3574:(2015)
3553:(2013)
3532:(2011)
3511:(2008)
3490:(2002)
3482:(2001)
3474:(2000)
3466:(1999)
3458:(1998)
3450:(1997)
3429:(1996)
3421:(1994)
3413:(1993)
3405:(1992)
3397:(1991)
3389:(1990)
3381:(1989)
3373:(1988)
3365:(1987)
3357:(1986)
3349:(1984)
3341:(1983)
3333:(1982)
3325:(1981)
3304:(1968)
3283:(1966)
3275:(1965)
3267:(1964)
3259:(1963)
3251:(1962)
3243:(1961)
3235:(1960)
3227:(1959)
3219:(1958)
3216:Dr. No
3211:(1957)
3203:(1956)
3195:(1955)
3187:(1954)
3179:(1953)
3159:series
3033:
2847:
2769:
2745:
2723:
2699:
2676:
2638:
2616:
2594:
2573:
2552:
2524:
2500:
2472:
2448:
2426:
2405:
2386:
2362:
2341:
2319:
2297:
1230:guinea
1150:Dr. No
1061:Dr. No
607:Themes
601:Dr. No
405:, the
171:
158:
87:Series
59:Author
4168:Films
4103:books
3882:works
3861:works
3832:works
3636:works
2845:JSTOR
2837:Style
2761:. By
2280:Books
1016:Notes
709:model
541:Style
143:Pages
97:Genre
4101:and
3550:Solo
3426:Cold
3069:2023
3007:2015
2987:2023
2857:News
2813:2011
2801:Time
2767:ISBN
2743:OCLC
2721:ISBN
2697:ISBN
2674:ISBN
2636:ISBN
2614:ISBN
2592:ISBN
2571:ISBN
2550:ISBN
2522:OCLC
2498:ISBN
2470:ISBN
2446:ISBN
2424:ISBN
2403:ISBN
2384:ISBN
2360:ISBN
2339:ISBN
2317:ISBN
2295:ISBN
1985:Time
1215:and
972:Jaws
944:and
888:and
847:Time
722:Stag
599:and
463:Eton
453:For
315:The
300:Them
284:for
233:Jaws
217:and
3137:in
3094:at
3025:doi
814:".
399:Ann
312:Him
187:'s
146:221
4756::
3999::
3060:.
3048:.
2939:.
2896:.
2866:.
2841:17
2839:.
2799:.
2664:;
2660:;
2656:;
2652:;
2540:;
2536:;
2486:;
2208:^
2157:^
2142:^
2125:^
2005:^
1973:^
1886:^
1835:^
1820:^
1793:^
1716:^
1689:^
1638:^
1619:^
1604:^
1589:^
1538:^
1461:^
1398:^
1345:^
1274:^
1257:^
1228:A
1211:,
1207:,
974:.
950:.
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729:.
668:A
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591:,
587:,
473:.
421:.
276:Me
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4132:"
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3125:e
3118:t
3111:v
3071:.
3031:.
3027::
3009:.
2989:.
2943:.
2851:.
2827:.
2815:.
2775:.
2749:.
2729:.
2705:.
2682:.
2644:.
2622:.
2600:.
2579:.
2558:.
2528:.
2506:.
2478:.
2454:.
2432:.
2411:.
2392:.
2368:.
2347:.
2325:.
2303:.
2254:.
2167:.
2120:.
2108:.
2060:.
2045:.
2030:.
1988:.
1968:.
1940:.
1904:.
1408:.
1269:.
549:"
34:.
20:)
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