125:(Welcoming Spring) took place in 1978. The playful atmosphere, the launching of paper boats down a river and a simple ritual in which a group of the artist's friends sat in a circle and used little mirrors to reflect the sun's rays onto the seeds planted in a flowerpot, is essentially an ingenious happening. It was actually about nothing more than being together for a while and being aware of the sprouting and budding that happens each year around us, whether we notice it or not. Another of Havlík's actions took place a year later, entitled
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Vladimír Havlík of
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129:(Tree Warming—Welcoming Spring). The ground was covered with snow, and it did not seem like the first spring day, which is probably why none of Havlík's friends came. Nevertheless, he went through with the action in a park where he warmed the trunk of one small tree with his bare hands.
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Perceiving nature and establishing bodily contact with it appears in the 1980s in a number of actions by Vladimír Havlík. A longing for people to be together on the first day of spring led to the organization of several actions to welcome spring. The first
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Akční umění po roce 2000, brněnský okruh: Klímová, Šedá, Fryčová, Olivová
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