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From 1952 to 1956 Nemukhin worked as an interior designer. In 1956 he met Oskar Rabin, with whom he met with a group of like-minded artists and poets whose primary meeting place was Rabin’s apartment. Since Rabin lived in the barracks in a small village, Lianozovo, the group is commonly known as the
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Works by
Nemukhin can be found in the collections of major museums: the State Tretyakov Gallery (Moscow), the Moscow Museum of Modern Art, the Stedelijk Museum (Amsterdam), and the Museum of Modern Art (MoMA) in New York, the Ludwig Museum (Cologne), amidst others. About 100 pieces are included in
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that was the only approved artistic form allowed in the Soviet Union at the time, 'unofficial' artists like
Nemukhin formed their own ways of portraying the world around them. Their art tended to be concerned with universal values and was highly individual in nature, leading to a constant battles
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In the late 1990s, Nemukhin moved to Düsseldorf, Germany, but he recently has returned to Moscow. His latest work has taken the form of sculptural homages to artists like Cézanne, Vladimir
Veisberg, and Dmitry Krasnopevtsev, with reference to geometric abstraction and
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with censorship authorities. Nemukhin played an important role in these confrontations as, being a significant personality in the Moscow art world of the 1960s and 1970s, he served as a negotiator between the artists and the state.
93:. Sokolov introduced Nemukhin to the avant-garde movements of the time, launching him on a more experimental artistic path. Nemukhin joined the Studio School of the House of Unions (VTsSPS), from which he graduated in 1946.
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Since 1959, Nemukhin participated in over a hundred group exhibitions in museums and galleries around the world, including the first show of nonconformist art, the first autumnal review "In the Open Air"
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Born and raised in village, Nemukhin began his career working at a plant that produced technical instruments during World War II. In 1943, he met Petr
Yefimovich Sokolov, assistant to
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In addition to creating art, Nemukhin also collected works by artists of his generation. Refusing to sell the collection, which he claimed began when artist
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the Norton and Nancy Dodge
Collection of Soviet Nonconformist Art (Jane Voorhees Zimmerli Art Museum, New Brunswick, New Jersey).
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Nemukhin's work is predominantly abstract and very personal. According to Julia
Tulovsky, Assistant Curator at the
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Hurricane of Time: 1960-2000, Selection from the
Kolodzei Collection of Russian and Eastern European Art.
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in 1974. His works are in major public collections in Russia, Europe, and the United States.
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235:"Vladimir Nemukhin and Boris Sveshinkov Featured in Exhibitions at the Zimmerli Art Museum"
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In 1958, Nemukhin attended the 1958 exhibit of
American art in Moscow, which featured the
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painted a still life during a visit to his apartment, he instead donated it to the
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Kolodzei
Collection of Russian and Eastern European Art, Kolodzei Art Foundation
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Thames and Hudson/The Jane
Voorhees Zimmerli Art Museum, Rutgers, 1995.
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From Gulag to Glasnost : Nonconformist Art from the Soviet Union.
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Mimi Ferzt Gallery, New York, 2001. Exhibition catalogue.
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on its 150th anniversary in recognition of his friends.
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Soviet Dissident Artists: Interviews After Perestroika
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Rosenfeld, Alla (editor); Dodge, Norton T. (editor).
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309:. Galerie BarGera. (in German, English, Russian).
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325:Baigell, Renee and Matthew Baigell.
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