974:, a state artist in the clothing of a faux rebel, an obedient yet astute servant of many powerful individuals" while describing him as "a man who could have been and had to have been something more, but instead turned into a sad symptom of a sad time we all live in". Arsenijević then turns to Kusturica's physical characteristics, pointing out the director is "large, strong, big-headed with a long head of hair" while describing him as "having a blast during the apocalyptic 1990s in Serbia" and wondering if "perhaps that explains Kusturica's abundance of megalomania that manifests itself through being stricken with a
31:
995:, seeing this omission as "Kusturica's true legacy and his only lasting pyramid that's going to remain long after his vainly erected 'towns' have been wiped off the face of the earth". Arsenijević closes by ironically wondering how would Ivo Andrić have reacted to Kusturica's town. And answers that Andrić "has for the umpteenth time been hijacked, misused, maltreated, humiliated, and brutally raped" before imagining Andrić "a slight, physically feeble, and restrained man without a shred of Ottoman or Balkan
809:, but from a sociopathic one". The rest of the program centered around Serbo-Croatian relations from the 1990s onward and Arsenijević used it to express personal dissatisfaction with things ranging from Serbian government's official policy towards the country's breakaway province of Kosovo to the overall atmosphere in the capital Belgrade by saying "if Europe were a pub or a
767:. Thirty-year-old Arsenijević was there working as a tourist guide while 58-year-old Kapor was on vacation with his wife. Arsenijević recounts certain details of their quick conversation (the two had just been introduced to one another) pertaining to Arsenijević's then budding writing career and his recent award-winning novel
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clique" while considering the latter to be a "land of perpetual economic ruin ruled by an unscrupulous and insatiable political class", but on the other hand also noticing many similarities in what he sees as "both countries' desperate search for a new, modern identity that's in parallel accompanied
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as a guest column. In it, Arsenijević compares
Azerbaijan to Serbia, on one hand finding differences "in their respective cultural, political and economic concepts" by describing the former as a "country getting richer by the day while being muzzled by a family dynasty in the making along with its
402:
In parallel to his literary engagement, Arsenijević got involved in publishing, forming a publishing company named Rende, where he performed the editor-in-chief duties from its foundation until 2007. Since
February 2007, he's been employed as an editor at VBZ Beograd, the Croatian publishing house
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engaged
Arsenijević in a lengthy recounting of the writer's encounter with Kapor. Arsenijević recounted their conversation and once again concluded by labeling Kapor "a sociopath who was a fan of blood and death". He also revealed a personal realization that "Kapor's political views in the years
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cannibalistic refugee in the US, a Kosovo punk rocker, a
Bosnian junkie, an Irish priest, Belgrade yobs, Berlin anarchists...). Coming from troubled areas of the world, they pursue their own piece of happiness, but the circumstances of their particular realities distort the picture heavily. What
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From the mid-2000s onward, Arsenijević made a name for himself in Serbia and also in the rest of the ex-Yugoslav countries, as an outspoken columnist and sociopolitical commentator. As in his novels, his columns and public appearances are dominated by recent Balkan history and politics from the
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complex and possessing a screaming compulsion for leaving large traces behind such as endowments, ethno-villages, pseudo-towns, etc. — Kusturica's pyramids of sorts". Arsenijević eventually gets to
Kamengrad also known as Andrićgrad, blasting it as "a kitschy shopping mall in the form of an
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project as "a monument to his own self and his own worldview with his own financial interest and personality cult installed in it, all made possible through mutual cooperation of several politicians in Serbia who couldn't agree on anything else, but nevertheless found minimum consensus over
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is a crossover between a novel and a book of stories set in different parts of the world. Consisted of several, at first sight, completely different stories, it is a carefully netted, rhizomatically structured story of almost a dozen protagonists who have one thing in common - they are all
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ethno-town founded on bad taste and lies, all erected by a kitschy director in a deadly-kitsch pseudo-state, the so-called
Republika Srpska, represented by the man of sizable head, manly chin, cross-eyed gaze, as well as tiring and ineloquent narrative—the (in)famous
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might seem as a puzzle of shattered human destinies slowly takes over the reader and carries him through an unimaginable and horrific journey to the raw consequences of the global warfare that every individual, once involved in it, never seizes to fight.
891:" and views them both as being "well-known for widespread corruption that's deeply embedded in every pore of their societies". He further sees a similarity in how both countries handle their territorial disputes by "'defending' their disputed areas,
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in him, 'tender and white with a painfully-thin fragrant soul'" yielding to "Kusturica's brutal appearance featuring greasy hair, withered highland never quite cleanshaven face, neurotic wrinkle in the base of the nose, and a suspicious gaze".
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933:, Arsenijević goes after the director, labeling him "a pompous man who, thanks to his bizarre Serbian nationalism, was able to cajolingly ingratiate himself to every ruling Serbian political figure from the 1990s onward - starting with
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by each country's respective unwillingness, or maybe even inability, to let go of old ways, creative misuses of power, and historical and territorial obsessions". He considers
Azerbaijan and Serbia to both have "bad reputations in the
775:. Based on their conversation, Arsenijević labels Kapor "the king of all sociopaths" while quoting him as having supposedly said: "You've got no reason to feel sorry for that city. It was the simplest form of provincial
210:(U potpalublju), thus at the age of 29 becoming the youngest ever recipient of the prestigious award. This was the first time the Award went to an author's debut novel. The anti-war novel, which takes place during the
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scene in former
Yugoslavia formed with the radical conceptual art and performance scene of the late 60's and early 70's as well as the negative influence that the politics of former socialist Yugoslavia had on both.
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and was soon translated into 20 languages, placing
Arsenijević almost instantly among the most translated Serbian writers. Translated into English by Celia Hawkesworth, the novel received positive reviews by
848:. The topics Arsenijević covers mostly deal with events and individuals from public life in Serbia. Besides writing columns he occasionally interviews various public figures, artists and thinkers such as
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who illustrated and designed the book. It consists of 25 fragments/stories set within one single minute of time (January 20, 2010, from 12:00 to 12:01 GMT) at 25 different spots on planet Earth such as
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312:, mostly making a living through a series of menial jobs and on the side playing in a band called Los Armstrings. Upon returning to Belgrade in September 2000, he published his third book
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then further developed "during his brutal tyranny into a collective
Serbian paranoia of Shiptars as Serbs shuddered in disgust of Albanian uncontrollable virility and high birth rates".
733:, Arsenijević wrote a piece in support of the move while urging Serbia to recognize its secessionist province as an independent state all of which got a lot of reaction in Serbia.
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218:, although from the perspective of those who lived in Belgrade at the time. The slim 128-page novel got some attention internationally such as affirmative write-up by
316:, which revolves around Arsenijević's two-month stay in Belgrade under NATO bombing missions, his sudden trip to Mexico, and his friendship with Kosovo Albanian poet
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and, although it was one of the best-selling novels of the year in Serbia, it failed to meet the expectations formed after the success of Arsenijević's debut novel.
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columns, the one that garnered most attention and reaction was Arsenijević's intricately long, stinging July 2012 denouncement and condemnation of film director
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who had died a year and a half earlier. In it Arsenijević writes about a July 1995 encounter with the famous author that took place on the Greek island of
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World Report Profile: Vladimir Arsenijevic: HOT YOUNG NOVELIST: At 29, he earns Yugoslavia's top literary prize for a chronicle of his lost generation.
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In late summer 2007, Arsenijević wrote a piece titled "Unsere Neger, unsere Gegner" (Our Negros, Our Enemies) for German daily broadsheet
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began in March 1999, Arsenijević was in Belgrade, but got out some two months later in May through an invitation from the France-based
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Since then, Arsenijević has published three other novels, two graphic novels and a book of essays. The long-awaited follow-up to
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Emir Kusturica kidnapirao Ivu Andrića: U najskorijoj budućnosti čeka ga i topli muški zagrljaj s Tomislavom Nikolićem
327:. This entertaining graphic novel set in 1979 is a result of the writer's collaborative work with Serbian cartoonist
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In the early 2000s, Arsenijević started translating English language novels into Serbian. So far, he's translated
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was met with mixed criticism after it came out in Serbia in 1997. It was generally considered a weaker novel than
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Simultaneous to writing, Arsenijević supplemented his income by working as a guide in the Kontiki tourist agency.
127:, born 1965) is a Serbian novelist, columnist, translator, editor, musician, and publisher. He lives and works in
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407:'s Belgrade arm. Arsenijević is also a co-owner and editor at Reflektor, a Serbian publishing company releasing
1276:[A Declaration on the Common Language of Croats, Serbs, Bosniaks and Montenegrins is About to Appear].
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362:, a collection of essays, columns and speeches contains around thirty texts written by Arsenijević since 2005.
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In late May 2012, Arsenijević got another columnist engagement in Croatia, writing for web portal tportal.hr.
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due to "financial crisis", though many speculated that the real reason for his dismissal were his comments on
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nature' over what he sees to be the director's failure to clearly acknowledge and properly commemorate the
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In this period, Arsenijević also wrote for other publications: his April 2012 commentary inspired by the
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In mid-November 2011, two months after the column was published, Arsenijević appeared on
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Arsenijević got hired to write a regular Saturday column in the Serbian daily newspaper
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offshoot "Berliner Strasse". After graduating high school and completing the mandatory
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in autumn 1991, was one of the first works published in Serbia to discuss the violent
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From March 2012, Arsenijević started writing a monthly column for the Croatian daily
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411:. Among other works by various authors, the company has released Arsenijević's novel
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Proslavljeni Arsenijević, nakon nastupa kod Stankovića, dobio otkaz u srpskom Pressu
304:, staying there until September 2000. In Mexico City he resided in neighborhoods of
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663:, this "Serbian casual cultural racism soon grew into violent, murderous hatred of
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literary festival held annually in Belgrade since 2009. In 2017, he has signed the
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1274:"Donosi se Deklaracija o zajedničkom jeziku Hrvata, Srba, Bošnjaka i Crnogoraca"
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1020:"Neorealism in Serbian Prose of the 1990s:Its Development and Transformations"
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The entry that garnered most reaction was his September 2011 piece about late
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369:("One Minute - Around the World in 60 seconds") in artistic cooperation with
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surely awaits him in the near future" while describing Kusturica's previous
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In March 2008, weeks after Albanians from the Serbian southern province of
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daily whose ownership at the time was divided between German media concern
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600:, Serbia's relations with other states in the region, Serbian role in the
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813:, Belgrade would be that small smelly hallway that leads to the toilet".
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269:, and the second part of the envisioned tetralogy "Cloaca Maxima", novel
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Arsenijević: Srbijom vladaju beskrupulozni bogataši, kao u Azerbejdžanu
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16:
Serbian novelist, columnist, translator, editor, musician and publisher
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From January 2008, Arsenijević began an irregular columnist stint in
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383:
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92:
1173:"The book : ONE MINUTE – AROUND THE WORLD IN 60 SEC on Behance"
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at the age of 20. He returned to Belgrade four years later in 1989.
703:, Arsenijević continued on at the paper when she got replaced with
816:
Couple of days after the show was aired, Arsenijević got fired by
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391:
375:
247:, respectively, upon its 1996 release in the United States by the
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962:: ethno-nationalist with a severe identity crisis, declared
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at a young age. In his early youth, Arsenijević (nicknamed
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VLADIMIR ARSENIJEVIĆ, PISAC: I dalje ništa nije kako treba
1088:
A Surreal Portrait of the Casualties of a Balkan Civil War
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owns a large stake. Starting under the editorial stint of
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Kusturica". Arsenijević goes on to proclaim Kusturica "a
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Serbian perspective. He's generally very critical of the
135:
for the Yugoslavian novel of the year 1994 for his novel
251:
publishing house. It was also staged as a play in the
2067:
Signatories of the Declaration on the Common Language
1152:"Nova knjiga: Vladimir Arsenijević: Jugolaboratorija"
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970:sensibility, ruthless landowner who's also a fiery
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796:. Before even introducing his guest by name, host
913:. Dissatisfied with Kusturica's latest project —
779:. Practically nothing. Yes, Vukovar is nothing".
805:were not so much delivered from the platform of
655:. Arsenijević continues that after the death of
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8:
1282:(in Serbo-Croatian). Zagreb. pp. 6–7.
422:He is one of the founders and directors of
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29:
18:
616:, etc. Arsenijević is a regular guest on
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840:that's owned by Croatian media magnate
709:May 2008 Serbian parliamentary election
639:, criticizing Serbian attitude towards
1294:from the original on 20 September 2017
331:. It explores secret connections that
183:service in 1985, Arsenijević moved to
1118:Irodov zakon: Il' te jebe il' te kara
792:for the twentieth anniversary of the
7:
1388:O dve bečke adrese #1 - Špitalgase 2
323:In 2004, Arsenijević came back with
204:in January 1995 for his first novel
1420:Nedjeljom u 2: Vladimir Arsenijević
771:whose story takes place during the
630:, as well as other B92 programmes.
415:in audiobook form as read by actor
367:Minut - Put oko sveta za 60 sekundi
286:International Parliament of Writers
731:unilaterally declared independence
548:Minut, put oko sveta za 60 sekundi
428:Declaration on the Common Language
171:) played with a punk band called "
131:. Arsenijević won the prestigious
14:
661:1981 Albanian protests in Kosovo
991:victims in the city during the
707:in November 2008 following the
550:(with Valentina Broštean, 2011)
949:, as a warm male embrace with
875:was published in German daily
365:In 2011 Arsenijević published
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1:
1861:Maksimilijan Erenrajh Ostojić
1272:Derk, Denis (28 March 2017).
282:NATO bombing of FR Yugoslavia
44:
1493:;e-novine.com, 24 April 2012
1404:O Vukovaru (S Momom Kaporom)
216:disintegration of Yugoslavia
74:novelist, short story writer
2032:Serbian non-fiction writers
1540:Zidovi na temeljima zločina
1434:;index.hr, 18 November 2011
1324:Unsere Neger, unsere Gegner
481:Jonathan Livingston Seagull
54:1965 (age 58–59)
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1120:;e-novine.com, 15 May 2012
491:A Good Man Is Hard to Find
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1254:. Krokodil.rs. 2012-06-14
1175:. Behance.net. 2010-01-20
583:Columnist and commentator
200:Arsenijević won the 1994
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1837:Svetlana Velmar-Janković
1313:Our negroes, our enemies
590:Serbian political system
292:. He reached Mexico via
151:Arsenijević was born in
35:Arsenijević in June 2017
2047:Serbian rock guitarists
1542:;e-novine, 16 July 2012
1133:. Booksa.hr. 2009-02-19
889:international community
865:Eurovision Song Contest
520:Meksiko - ratni dnevnik
394:, Australia or Russia.
314:Meksiko - ratni dnevnik
1807:Miroslav Josić Višnjić
1711:Jure Franičević Pločar
1627:Radomir Konstantinović
1459:Galaxie des Eurokitsch
1422:;HRT, 13 November 2011
740:column in March 2009.
253:Yugoslav Drama Theatre
2057:Writers from Belgrade
1491:Godzila vs. King Kong
1154:. Bibliotekaxxvek.com
596:, various aspects of
560:Ovo nije veselo mesto
1831:Vladimir Arsenijević
1765:Dragoslav Mihailović
1356:Kosovo (ni)je Srbija
867:about to be held in
844:through his company
798:Aleksandar Stanković
691:and Serbian company
382:, Brazil, Portugal,
255:by theater director
125:Владимир Арсенијевић
117:Vladimir Arsenijević
45:Владимир Арсенијевић
23:Vladimir Arsenijević
1939:Aleksandar Gatalica
1729:Petko Vojnić Purčar
1444:Arsenievic@Jutarnji
1330:, 19 September 2007
1252:"Krokodil Festival"
1104:Glas iz potpalublja
1094:, 25 September 1996
1078:, 22 September 1996
1042:, 22 September 1996
846:Europapress Holding
807:Serbian nationalism
594:Serbian nationalism
1975:Vladimir Tabašević
1783:Vidosav Stevanović
1076:The New York Times
1040:The New York Times
931:Bosnia-Herzegovina
701:Ljiljana Smajlović
697:Serbian government
669:Slobodan Milošević
651:treated their own
471:The Sheltering Sky
371:Valentina Broštean
257:Nikita Milivojević
2027:Serbian novelists
2014:
2013:
1969:Dejan Atanacković
1825:Radoslav Petković
1759:Antonije Isaković
1717:Miodrag Bulatović
1410:17 September 2011
1346:, 11 January 2008
1220:, 3 February 2012
1092:Los Angeles Times
1056:Los Angeles Times
1016:Slobodan Vladušić
773:Battle of Vukovar
756:from April 2011.
715:coalition led by
530:Aleksandar Zograf
496:Flannery O'Connor
329:Aleksandar Zograf
245:Los Angeles Times
225:Los Angeles Times
212:Battle of Vukovar
175:" as well as its
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2062:Serbs of Croatia
2052:People from Pula
1999:Danica Vukićević
1987:Svetislav Basara
1927:Gordana Ćirjanić
1915:Vladimir Pištalo
1903:Svetislav Basara
1885:Vladan Matijević
1849:Milovan Danojlić
1819:Živojin Pavlović
1801:Vojislav Lubarda
1795:Dubravka Ugrešić
1777:Živojin Pavlović
1747:Slobodan Selenić
1723:Aleksandar Tišma
1657:Ranko Marinković
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1036:"Balkan Sorrows"
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960:two-headed beast
951:Tomislav Nikolić
927:Republika Srpska
893:Nagorno-Karabakh
878:die Tageszeitung
721:Democratic Party
705:Dragan Bujošević
689:WAZ-Mediengruppe
542:Jugolaboratorija
360:Jugolaboratorija
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121:Serbian Cyrillic
33:
19:
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2017:
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2015:
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1993:Milena Marković
1921:Grozdana Olujić
1897:Miro Vuksanović
1693:Miloš Crnjanski
1639:Miroslav Krleža
1612:Aleksandar Vučo
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1584:winning authors
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854:Gilbert Shelton
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794:fall of Vukovar
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649:American whites
598:Serbian culture
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568:(the remake of
566:Ti i ja, Anđela
504:
502:Published works
452:
400:
310:Colonia Condesa
249:Alfred A. Knopf
198:
193:
163:, and moved to
149:
110:
105:
55:
46:
36:
24:
17:
12:
11:
5:
2080:
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2029:
2019:
2018:
2012:
2011:
2009:
2008:
2005:Stevo Grabovac
2002:
1996:
1990:
1984:
1978:
1972:
1966:
1960:
1957:Dragan Velikić
1954:
1948:
1942:
1936:
1933:Slobodan Tišma
1930:
1924:
1918:
1912:
1909:Dragan Velikić
1906:
1900:
1894:
1891:Vladimir Tasić
1888:
1882:
1876:
1870:
1867:Goran Petrović
1864:
1858:
1855:Danilo Nikolić
1852:
1846:
1843:David Albahari
1840:
1834:
1828:
1822:
1816:
1810:
1804:
1798:
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1789:Voja Čolanović
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1753:Pavao Pavličić
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1696:
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1687:Borislav Pekić
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1675:Slobodan Novak
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1663:Meša Selimović
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1530:, 14 July 2012
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1394:, 9 April 2011
1380:
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1096:
1080:
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1058:, 4 April 1995
1044:
1024:
1007:
1005:
1002:
989:Bosnian Muslim
945:, and finally
911:Emir Kusturica
842:Ninoslav Pavić
831:
826:
747:
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678:
673:
623:Utisak nedelje
610:Emir Kusturica
584:
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539:
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500:
451:
448:
417:Nikola Đuričko
399:
396:
318:Xhevdet Bajraj
240:New York Times
197:
194:
192:
191:Writing career
189:
161:SFR Yugoslavia
148:
145:
112:
111:
100:
99:Notable awards
96:
95:
90:
86:
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72:
68:
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65:SFR Yugoslavia
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2037:Living people
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2006:
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1988:
1985:
1982:
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1879:Mladen Markov
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1813:Milisav Savić
1811:
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1771:Milorad Pavić
1769:
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1741:Pavle Ugrinov
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1705:Mihailo Lalić
1703:
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1633:Dobrica Ćosić
1631:
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1619:
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1613:
1610:
1607:
1604:
1601:
1598:
1595:
1594:Dobrica Ćosić
1592:
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1581:
1573:
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1487:
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1455:
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1449:
1448:Jutarnji list
1445:
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1279:Večernji list
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1223:
1219:
1215:
1210:
1207:
1195:
1194:"VBZ beograd"
1189:
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1123:
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986:
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981:Milorad Dodik
977:
973:
969:
965:
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952:
948:
944:
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936:
932:
928:
924:
920:
916:
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908:
903:
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898:
894:
890:
885:
884:nouveau riche
882:own personal
880:
879:
874:
870:
866:
861:
859:
855:
851:
847:
843:
839:
838:
837:Jutarnji list
830:
829:Jutarnji list
827:
825:
823:
822:Nedjeljom u 2
819:
814:
812:
808:
804:
803:Yugoslav Wars
799:
795:
791:
790:
789:Nedjeljom u 2
786:'s talk show
785:
780:
778:
774:
770:
769:U potpalublju
766:
762:
757:
755:
754:
746:
743:
741:
739:
736:He ended his
734:
732:
729:
724:
722:
718:
714:
710:
706:
702:
698:
695:in which the
694:
690:
686:
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670:
666:
662:
658:
654:
650:
646:
642:
638:
637:
631:
629:
625:
624:
620:'s talk-show
619:
618:Olja Bećković
615:
614:Dobrica Ćosić
611:
607:
603:
602:Yugoslav Wars
599:
595:
591:
582:
577:
574:
571:
567:
564:
561:
558:
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552:
549:
546:
543:
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534:
531:
527:
524:
521:
518:
515:
512:
509:
508:U potpalublju
506:
505:
501:
499:
497:
493:
492:
487:
483:
482:
477:
473:
472:
468:by Brad Fox,
467:
463:
459:
458:
449:
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437:
433:
429:
425:
420:
418:
414:
413:U potpalublju
410:
406:
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389:
385:
381:
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372:
368:
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361:
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353:Iraqi Kurdish
350:
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338:
334:
330:
326:
321:
319:
315:
311:
307:
303:
299:
295:
291:
287:
283:
278:
276:
275:U potpalublju
272:
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263:
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236:
232:
227:
226:
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182:
178:
174:
173:Urbana Gerila
170:
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146:
144:
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141:U potpalublju
138:
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32:
27:
20:
1830:
1651:Oskar Davičo
1645:Oskar Davičo
1618:Branko Ćopić
1606:Oskar Davičo
1579:
1535:
1528:Jutarni list
1527:
1519:
1508:. Retrieved
1506:. Tportal.hr
1498:
1486:
1478:
1470:
1462:
1454:
1447:
1439:
1427:
1415:
1407:
1399:
1391:
1383:
1375:
1367:
1359:
1351:
1343:
1335:
1327:
1319:
1308:
1296:. Retrieved
1277:
1267:
1256:. Retrieved
1246:
1235:. Retrieved
1225:
1217:
1209:
1198:. Retrieved
1188:
1177:. Retrieved
1167:
1156:. Retrieved
1146:
1135:. Retrieved
1125:
1113:
1107:(in Serbian)
1099:
1091:
1083:
1075:
1063:
1055:
1047:
1039:
1027:
1011:
906:
904:
901:
876:
862:
850:Robert Crumb
835:
833:
828:
821:
817:
815:
787:
781:
768:
758:
751:
749:
744:
737:
735:
725:
682:
680:
675:
634:
632:
621:
586:
575:
569:
565:
559:
553:
547:
541:
535:
525:
519:
513:
507:
489:
486:Richard Bach
479:
469:
465:
455:
453:
444:Montenegrins
421:
412:
401:
366:
364:
359:
358:
343:
342:
324:
322:
313:
279:
274:
270:
266:
264:
261:
244:
238:
235:Richard Eder
223:
220:Laura Silber
205:
199:
168:
150:
140:
136:
116:
115:
107:
2042:1965 births
1963:Ivana Dimić
1951:Filip David
1945:Goran Gocić
1873:Zoran Ćirić
1735:Mirko Kovač
1600:Mirko Božić
1233:. Rflekt.me
1231:"Reflektor"
993:Bosnian War
985:multiethnic
717:Boris Tadić
711:win by the
693:Politika AD
476:Paul Bowles
462:Pat Califia
457:Macho Sluts
349:expatriates
290:Mexico City
267:In the Hold
207:In the Hold
137:In the Hold
108:In the Hold
89:Nationality
41:Native name
2021:Categories
1699:Danilo Kiš
1681:Bora Ćosić
1623:N/A (1959)
1510:2012-11-02
1258:2012-11-02
1237:2012-11-02
1200:2012-11-02
1179:2012-11-02
1158:2012-11-02
1137:2012-11-02
1068:Ken Kalfus
1032:Ken Kalfus
1004:References
937:, over to
917:-inspired
915:Ivo Andrić
873:Azerbaijan
801:since the
761:Momo Kapor
643:living in
606:Momo Kapor
576:Ka granici
466:God's Boot
450:Translator
409:audiobooks
231:Ken Kalfus
157:SR Croatia
147:Early life
139:(Serbian:
71:Occupation
61:SR Croatia
1981:Saša Ilić
1288:0350-5006
976:pharaonic
968:far right
955:Drvengrad
943:Koštunica
935:Milošević
919:Kamengrad
858:Tim Judah
667:", which
641:Albanians
388:Kurdistan
302:Frankfurt
298:Ljubljana
288:to visit
202:NIN Award
177:post-punk
133:NIN Award
103:NIN Award
1669:Erih Koš
1376:Politika
1372:На мосту
1360:Politika
1344:Politika
1328:Die Zeit
1292:Archived
1196:. Vbz.hr
923:Višegrad
907:Jutarnji
738:Politika
684:Politika
676:Politika
665:Shiptars
636:Die Zeit
536:Predator
440:Bosniaks
424:KROKODIL
344:Predator
337:new wave
306:Coyoacán
294:Sarajevo
196:Novelist
181:military
165:Belgrade
129:Belgrade
79:Language
1218:Monitor
997:atavism
966:with a
964:leftist
905:Of his
860:, etc.
777:baroque
765:Thassos
572:, 2016)
532:, 2004)
430:of the
280:As the
237:in the
222:in the
93:Serbian
83:Serbian
2007:(2023)
2001:(2022)
1995:(2021)
1989:(2020)
1983:(2019)
1977:(2018)
1971:(2017)
1965:(2016)
1959:(2015)
1953:(2014)
1947:(2013)
1941:(2012)
1935:(2011)
1929:(2010)
1923:(2009)
1917:(2008)
1911:(2007)
1905:(2006)
1899:(2005)
1893:(2004)
1887:(2003)
1881:(2002)
1875:(2001)
1869:(2000)
1863:(1999)
1857:(1998)
1851:(1997)
1845:(1996)
1839:(1995)
1833:(1994)
1827:(1993)
1821:(1992)
1815:(1991)
1809:(1990)
1803:(1989)
1797:(1988)
1791:(1987)
1785:(1986)
1779:(1985)
1773:(1984)
1767:(1983)
1761:(1982)
1755:(1981)
1749:(1980)
1743:(1979)
1737:(1978)
1731:(1977)
1725:(1976)
1719:(1975)
1713:(1974)
1707:(1973)
1701:(1972)
1695:(1971)
1689:(1970)
1683:(1969)
1677:(1968)
1671:(1967)
1665:(1966)
1659:(1965)
1653:(1964)
1647:(1963)
1641:(1962)
1635:(1961)
1629:(1960)
1620:(1958)
1614:(1957)
1608:(1956)
1602:(1955)
1596:(1954)
1298:5 June
1286:
1022:, 2006
939:Đinđić
897:Kosovo
811:kafana
728:Kosovo
723:(DS).
653:negros
645:Kosovo
578:(2018)
570:Anđela
562:(2014)
556:(2013)
544:(2009)
538:(2008)
528:(with
526:Išmail
522:(2000)
516:(1997)
514:Anđela
510:(1994)
488:, and
432:Croats
398:Editor
384:Kosovo
380:Hawaii
325:Išmail
300:, and
271:Anđela
185:London
169:Vlajsa
1582:Award
1408:Press
1392:Press
947:Tadić
818:Press
753:Press
745:Press
436:Serbs
392:Burma
376:Samoa
106:1994
1479:Blic
1300:2017
1284:ISSN
941:and
895:and
869:Baku
659:and
657:Tito
442:and
351:(an
335:and
333:punk
308:and
243:and
233:and
153:Pula
57:Pula
51:Born
1580:NIN
921:in
784:HRT
719:'s
713:ZES
628:B92
626:on
554:Let
494:by
484:by
474:by
460:by
405:VBZ
143:).
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1074:,
1070:,
1038:,
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1018:,
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612:,
608:,
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446:.
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434:,
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155:,
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1302:.
1261:.
1240:.
1216:;
1203:.
1182:.
1161:.
1140:.
1090:;
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