247:
20:
305:
168:
956:
117:
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132:. Hynais was not considered to be suitably representative of the national spirit by Czech art critics because he lived in, and had absorbed too much influence from, Vienna. Still, he created nationalist images for the Royal Lounge, including allegorical, historico-mythic scenes and landscapes of Bohemia.
135:
On 12 August 1881, one month before the
National Theatre's scheduled opening, a fire completely destroyed the building. Hynais designed the new curtain; again, he used historical allegory to create a nationalist impression, and also to tell the story of the National Theatre.
296:. He was described as "a delicate poet depicting the beauty of the female body." Hynais also bound together religious and aesthetic considerations. He did, however, maintain some distance between his decorative-poetic work and his political-nationalist work.
140:, the national embodiment, is shown receiving gifts from the nation; workers rebuild the theatre, while artists decorate it; national flags and symbols are shown all around. Hynais had made the first sketches for the curtain while living in
1029:
914:
314:
66:
Hynais's father was a Czech tailor who had moved to Vienna, and did not want his children to receive a German education, so Hynais was taught at home. He began studying at the
546:
Hugh LeCaine Agnew (2007). "The
Flyspecks on Palivec's Portrait: Franz Joseph, the Symbols of Monarchy, and Czech Popular Loyalty". In Laurence Cole; Daniel L Unowsky (eds.).
277:. Hynais was part of a broader axis of connection between Paris and Prague at the turn of the century: other Czech artists living in the city in the period included
904:
1024:
1014:
179:
1044:
1019:
148:. Hynais's work for the National Theatre is what he is mostly remembered for; he was part of the "Generation of the National Theatre" together with
1049:
227:; Hynais's parts in particular were described as being "the best of what was created in the whole vast building and perhaps in all of Prague".
888:
828:
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780:
735:
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1004:
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960:
320:
246:
1034:
1009:
161:
994:
202:
67:
948:
187:
94:
548:
The Limits of
Loyalty: Imperial Symbolism, Popular Allegiances, and State Patriotism in the Late Habsburg Monarchy
224:
98:
19:
999:
82:'s school in spring 1873; he was considered to be one of his most promising students. He visited Italy and saw
191:
339:"Die Kunst in Wien under der Regierung seiner kaiserlich und königlich apostolischen Majestät Franz Joseph I"
182:
of 1891, using distinctively Czech symbols prominently in the design; the poster would earn him recognition.
989:
129:
121:
47:
231:
153:
55:
773:
Tausend und ein
Zeichen: Else Lasker-Schülers Orient und die Berliner Alltags- und Populärkultur um 1900
645:
149:
955:
984:
979:
524:
110:
798:
Kunst und
Identitätspolitik: Architektur und Bildkünste im Prozess der tschechischen Nationsbildung
262:
838:
821:
When
Buildings Speak: Architecture as Language in the Habsburg Empire and Its Aftermath, 1867-1933
261:
During his
Italian period, he painted mainly religious and mythological images, including for the
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In 1900, together with two of his students, Hynais painted the ceiling of the
Pantheon in the
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106:
842:
689:
304:
209:
79:
51:
254:
167:
145:
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201:
porcelain firm between 1889 and 1892 as a graphics artist, and became a professor at the
50:, decorated a number of buildings in Prague and Vienna, and was a founding member of the
711:
Ilona Sármány-Parsons (2001). "The Image of Women in
Painting". In Steven Beller (ed.).
571:
424:
292:
Hynais was interested in integrating the human and the natural, and particularly female
751:
442:
71:
24:
640:
338:
116:
973:
274:
190:, sat for him ninety-four times. In 1894, his work won a medal, first class, at the
46:) was a Czech painter, designer and graphics artist. He designed the curtain of the
278:
113:. He married his wife, Augusta Voirinová, in Paris, with whom he had two children.
102:
858:
F Žákavec (March 1926). "Two Losses to Czech Art. Jan Štursa and
Voytech Hynais".
266:
109:
from the 1885 Universal Exhibition of Fine Arts, and a first-class medal at the
964:
293:
213:
141:
270:
128:
During the 1870s, art was being produced to decorate the under-construction
198:
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164:, among others. The work's style was likened to his teacher Feurbach's.
871:
595:
Battle for the Castle: The Myth of Czechoslovakia in Europe, 1914-1948
43:
39:
303:
245:
166:
137:
115:
18:
269:
artists into contact with foreign influences; he, himself, was a
923:
Sayer, Derek (2014). "Modernism, Seen from Prague, March 1937".
83:
666:
Die Wiener Moderne in slawischen Periodika der Jahrhundertwende
501:
Prague, Capital of the Twentieth Century: A Surrealist History
93:
Hynais lived in Paris from 1878 to 1893, where he learnt from
208:
While living in Prague, Hynais was a founding member of the
847:
Die Kunst für Alle: Malerei, Plastik, Graphik, Architektur
694:
Die Kunst für Alle: Malerei, Plastik, Graphik, Architektur
576:
Mitteilungen der Gesellschaft für Vervielfältigende Kunst
728:
Modern Architecture in Czechoslovakia and Other Writings
664:
Alois Woldman (2006). "Życie". In Stefan Simonek (ed.).
482:
480:
368:
Art Nouveau: International and National Styles in Europe
623:
Kunstchronik: Wochenschrift für Kunst und Kunstgewerbe
1030:Academic staff of the Academy of Fine Arts, Prague
273:influence, and also a point of contact with proto-
915:Österreichisches Biographisches Lexikon 1815–1950
756:. University of California Press. 1949. p.
220:were other important Secessionists in the city.
310:1895 Czech-Slav ethnographic exhibition, Paris
360:
358:
356:
8:
394:
392:
429:Journal des Beaux-arts et de la Littérature
403:. Princeton University Press. p. 148.
257:as a harbinger of both vitality and danger.
903:: CS1 maint: location missing publisher (
503:. Princeton University Press. p. 75.
265:in Rome. From Paris, he brought the Czech
253:(1892), which features a nude, red-haired
447:La Chronique des Arts et de la Curiosité
178:Hynais created the first poster for the
471:
459:
371:. Manchester University Press. p.
326:
230:In 1923, he was made an Officer of the
896:
401:The Coasts of Bohemia: A Czech History
486:
7:
918:. Vol. 3. 1965. pp. 22–23.
144:; the winged figure is modelled on
1025:Academy of Fine Arts Vienna alumni
730:. Getty Publications. p. 73.
690:"Von Ausstellungen und Sammlungen"
180:General Land Centennial Exhibition
14:
1015:Officers of the Legion of Honour
954:
942:
54:. He was made an Officer of the
1020:Members of the Vienna Secession
823:. University of Chicago Press.
525:"Zur Wiener Dekorationsmalerei"
90:and again 1877 with Feuerbach.
912:"Hynais, Voytěch (Adalbert)".
619:"Sammlungen und Ausstellungen"
1:
1050:Painters from Austria-Hungary
234:, and in 1924 was granted an
1045:Burials at Vyšehrad Cemetery
643:[Ordinary Members].
203:Academy of Fine Arts, Prague
124:, painted by Hynais in 1883.
68:Academy of Fine Arts, Vienna
597:. Oxford University Press.
425:"Exposition des Beaux-Arts"
188:President of Czechoslovakia
1066:
319:published as Poster 56 in
225:Royal State Museum, Prague
105:. In 1885, he received an
819:Alofsin, Anthony (2006).
771:Sylke Kirschnick (2007).
16:Czech painter (1854–1925)
641:"Ordentliche Mitglieder"
443:"Exposition Universelle"
321:Les Maîtres de l'Affiche
95:Paul-Jacques-Aimé Baudry
1005:Czech graphic designers
796:Michaela Marek (2004).
572:"Mucha als Illustrator"
238:at the Prague Academy.
130:Prague National Theatre
122:Prague National Theatre
48:Prague National Theatre
32:Vojtěch Adalbert Hynais
879:Marie Mžyková (1990).
713:Rethinking Vienna 1900
593:Andrea Orzoff (2009).
365:Jeremy Howard (1996).
343:Die Graphischen Künste
323:
258:
236:honorary professorship
197:Hynais worked for the
175:
125:
28:
1040:Art Nouveau designers
307:
251:The Judgment of Paris
249:
170:
119:
22:
1035:Art Nouveau painters
1010:Painters from Vienna
951:at Wikimedia Commons
726:Karel Teige (2000).
499:Derek Sayer (2013).
399:Derek Sayer (2000).
192:Antwerp World's Fair
995:Czech male painters
860:The Slavonic Review
120:The curtain of the
38:; 14 January 1854,
959:Works by or about
324:
259:
176:
126:
76:August Eisenmenger
42:– 22 August 1925,
29:
947:Media related to
529:Kunstgewerbeblatt
474:, pp. 40–42.
218:Maximilian Pirner
162:František Ženíšek
111:1889 World's Fair
107:honorable mention
23:1881 portrait by
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958:
946:
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908:
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700:: 282–283. 1900.
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515:
514:
496:
490:
489:, p. 22-23.
484:
475:
469:
463:
457:
451:
450:
449:(25): 196. 1889.
439:
433:
432:
431:(16): 123. 1885.
421:
415:
414:
396:
387:
386:
362:
351:
350:
331:
318:
289:, among others.
232:Légion d'honneur
210:Vienna Secession
99:Jean-Léon Gérôme
80:Anselm Feuerbach
56:Légion d'honneur
52:Vienna Secession
1065:
1064:
1060:
1059:
1058:
1056:
1055:
1054:
1000:Czech designers
970:
969:
939:
925:Artl@s Bulletin
922:
911:
895:
891:
878:
866:(12): 695–703.
857:
843:"Albert Hynais"
837:
831:
818:
815:
808:
800:. p. 276.
795:
794:
790:
783:
775:. p. 201.
770:
769:
765:
750:
749:
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738:
725:
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720:
710:
709:
705:
688:
687:
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676:
668:. p. 138.
663:
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335:Carl von Lützow
333:
332:
328:
312:
308:Poster for the
302:
283:František Kupka
244:
146:Suzanne Valadon
70:in 1870, under
64:
17:
12:
11:
5:
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1007:
1002:
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990:Czech painters
987:
982:
972:
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968:
967:
961:Vojtěch Hynais
952:
949:Vojtěch Hynais
938:
937:External links
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934:
933:
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890:978-8020700070
889:
881:Vojtěch Hynais
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813:
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788:
781:
763:
753:Czechoslovakia
743:
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715:. p. 240.
703:
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550:. p. 99.
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275:Impressionism
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263:Czech Hospice
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184:Tomáš Masaryk
181:
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154:Václav Brožík
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86:in 1874 with
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629:: 524. 1894.
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547:
541:
535:: 183. 1896.
532:
528:
519:
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472:Alofsin 2006
467:
460:Alofsin 2006
455:
446:
437:
428:
419:
400:
367:
346:
342:
329:
291:
287:Luděk Marold
279:Alfons Mucha
260:
250:
229:
222:
207:
196:
177:
171:
158:Julius Mařák
150:Mikoláš Aleš
134:
127:
103:Alfons Mucha
92:
65:
35:
31:
30:
985:1925 deaths
980:1854 births
653:: 28. 1898.
582:: 33. 1897.
313: [
267:Art Nouveau
101:, and knew
88:Janez Šubic
25:Jan Vilímek
974:Categories
965:Wikisource
883:. Prague.
853:: 113–120.
646:Ver Sacrum
487:Sayer 2014
300:References
214:Emil Orlik
174:(c. 1890).
142:Montmartre
78:, then at
899:cite book
271:Symbolist
205:in 1894.
58:in 1924.
841:(1891).
337:(1889).
872:4202008
887:
870:
827:
804:
779:
734:
672:
601:
554:
507:
407:
379:
199:Sèvres
186:, the
172:Winter
138:Slavia
44:Prague
40:Vienna
36:Albert
34:(also
868:JSTOR
349:: 18.
317:]
294:nudes
255:Venus
931:(1).
905:link
885:ISBN
825:ISBN
802:ISBN
777:ISBN
732:ISBN
670:ISBN
599:ISBN
552:ISBN
505:ISBN
405:ISBN
377:ISBN
285:and
242:Work
216:and
160:and
97:and
84:Rome
74:and
62:Life
963:at
758:335
976::
927:.
901:}}
897:{{
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849:.
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