1580:, their third movie together, is a key work in the history of film: thorny, alienated and alienating, it inaugurated the exquisite unease of the sixties art film (much to Rossellini's later dismay). ... Roberto's brother Renzo composed the scores for most of his films, and Renzo's work adds subtle, but extreme emotion to the often pitiless intellectual rigor of his brother's movies. His ominous music follows Katherine as she tours many a museum and is assailed again and again by the taunting sensuality of the past. Heat and leisure strip this couple of every defense mechanism they had, and their sudden uncertainty leads them to question everything, ...
317:
592:. It is ranked 71st in an overall aggregation of several "greatest films" surveys. On Rotten Tomatoes, the average score from 26 critics is 8.6 out of 10 with an approval rating of 96%. On Metacritic, based on an average of 4 reviews from critics, the film received a perfect score of 100, meaning "universal acclaim."
773:
A magical love story that is beautifully told without one false note. It makes the best of its dead time, more so than any other film of this high quality has ever done before. Its passionate conclusion is still moving even at this date some fifty years after its release. This is
Roberto Rossellini's
573:
notes
Rossellini's "way of dissolving narrative into atmosphere, of locating drama in the unspoken inner lives of his characters"; because Alex and Katherine are not developed through a conventional plot but instead spend lengthy amounts of time in boredom and dejection, the film frequently is cited
1560:
One of the most quietly revolutionary works in the history of cinema, Roberto
Rossellini's third feature starring Ingrid Bergman (his wife at the time), from 1953, turns romantic melodrama into intellectual adventure. ... From Rossellini's example, the young French New Wave critics learned to fuse
347:
Within days of their arrival, the couple's relationship becomes strained amid mutual misunderstandings, buried anger that rises to the surface and a degree of jealousy on both sides. The two begin to spend their days separately. Alex takes a side trip to the island of Capri. His attempts to have a
343:
The film begins with
Katherine and Alex Joyce conversing as they drive through the Italian countryside. They arrive in Naples and run into Judy, an old friend, and her party. They join and have drinks and dinner. The next day they are given a lengthy room-by-room tour of Uncle Homer's villa by its
875:
it was dismissed on release, with only a few critics understanding that it was carefully constructed to undermine conventions of event-driven narrative and open out space and time for thought. The places included in the film were carefully chosen for their resonances and associations, from which
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in Naples. Katherine is swept away in the crowd, and Alex goes after her and retrieves her. They embrace, and
Katherine says, "Tell me that you love me!" He responds, "Well, if I do, will you promise not to take advantage of me?" The film concludes with a crane shot showing the couple embracing
339:
that they have recently inherited from Alex's deceased Uncle Homer. The trip is intended as a vacation for Alex, who is a workaholic businessman given to brusqueness and sarcasm. Katherine is more sensitive, and the journey has evoked poignant memories of a poet friend, Charles
Lewington, now
479:, with a running time of 105 minutes. The receipts and critical reception were poor. The film had been dubbed into Italian, and now is used as an example of "monstrous" difficulties with dubbing. In April 1955, an 88-minute version of the film, in English, was released in France as
451:, which described the argumentative relationship of an English couple touring Naples in a Jaguar automobile. The film's storyline about Charles Lewington, the deceased poet who'd been in love with Katherine Joyce, is considered to be an allusion to the short story "
483:. There was little interest in the film in the U.S. and Britain despite the fact that the film had been made in English with noted actors in the leads. An American version, with an 80-minute running time, had a limited release in 1955 with the title
47:
443:; Rossellini was, however, unable to get the rights to the novel and so was forced to draft a screenplay that differed sufficiently from the novel. Rossellini and his co-author, Vitaliano Brancati, also apparently drew on a script entitled
462:
Rossellini's directorial style was very unusual. The actors did not receive their lines until shortly before filming of a particular scene, which left them little if any chance to prepare or rehearse. George
Sanders' autobiography
273:
play
Katherine and Alex Joyce, a childless English married couple on a trip to Italy whose marriage is on the point of collapse until they are miraculously reconciled. The film was written by Rossellini and
418:
Leslie
Daniels as Tony Burton (billed as Anthony La Penna). Burton is an Englishman living in Italy and married to Natalie. The Burtons are acting as caretakers for Uncle Homer's villa.
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888:
Giuseppe
Forelli discovered that one could make plaster castings of the cavities left by the bodies of victims; the castings preserve the form of the body and its bones. See
657:
630:. An earlier DVD version was released in 2003 as a region 2 DVD by the British Film Institute. It was reviewed then by Gary Tooze. A VHS tape version was released in 1992.
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is thus one wellspring of the French New Wave. A film convulsed by themes of sterility, petrification, pregnancy and eternity, it finds its echo in such death-haunted
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Rossellini creates an implicit, idiosyncratic, commentary on the cinema, its reality, its indexical quality, as well as its uncanny ability to preserve light.
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generally is regarded as a landmark film. Critic Geoff Andrew referred to it as "a key stepping stone on the path to modern cinema" in its shift away from
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for an extraordinary opportunity. There, the three of them witness the discovery of another couple who had been buried in ashes during the eruption of
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for home video. In 2013, the Criterion Collection released a newly restored version as a region 1 DVD. This version is based on restoration work at
2016:
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The film was completed in 1953, but it took 18 months to arrange for distribution of the film in Italy. It was released in 1954 with the title
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2011:
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nearly 2000 years earlier. Katherine is profoundly disturbed, and she and Alex leave Pompeii only to be caught up in the procession for
288:. Although the film was an Italian production, its dialogue was in English. The first theatrical release was in Italy under the title
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Rossellini's film uses "The Dead" as a point of departure for a creative contemplation of the ideas encountered in the short story.
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On the last day of the film, they impetuously agree to divorce. Tony Burton suddenly appears, insisting that they go with him to
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filmmakers working in the 1950s and 1960s. As described six decades later by film critic John Patterson: "French critics at the
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caretakers, Tony and Natalia Burton. Tony is a former British soldier, Natalia is the Italian wife he married after the war.
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In its time, this film represented the arrival of something new, and even now it can feel like a bulletin from the future.
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467:(1960) tellingly describes Rossellini's methods of direction and their effects on the actors and production team.
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performed badly at the box office and was largely a critical failure. It had a profound influence, however, on
1983:
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1402:"From Stanley Kubrick to Martin Scorsese: Akira Kurosawa once named his top 100 favourite films of all time"
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Roberto Rossellini's finest fiction film (1953), and unmistakably one of the great achievements of the art.
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Natalia Ray as Natalie Burton (credited as Natalia Rai). Natalie is an Italian woman married to Tony.
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Katherine tours Naples. On the third day of her visit, she tours the large, ancient statues at the
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nice evening all fail, one with a woman who misses her husband, and one with a morose prostitute.
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1051:. Peter Morris (translation and editing). University of California Press. p. 402.
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with their volcanic curiosities. On another day, she accompanies Natalie Burton to the
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is considered by many to be Rossellini's masterpiece, as well as a seminal work of
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1569:"You Must Change Your Life: The Films of Roberto Rossellini & Ingrid Bergman"
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studio style with documentary methods, to make high-relief drama on a low budget.
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1461:"3 Films By Roberto Rossellini starring Ingrid Bergman - Savant Blu-ray Review"
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Mulvey identifies several of the locales near Naples that were used in filming.
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487:. In Britain, a cut version (70 minutes) was released in 1958 under the title
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1241:"Journey To Italy: the Italian film that kickstarted the French New Wave"
971:"The Gaze of Tiresias: Joyce, Rossellini and the Iconology of "The Dead""
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The film originally was intended as an adaptation of the French writer
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Brunette's chapter incorporates a lengthy, close reading of the film.
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and later works about modern malaise. The film is ranked 41st in the
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The feature film runs 85 minutes. Also released as a Blu-ray disk.
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Alex and Katherine Joyce (Sanders and Bergman) are a couple from
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finest film (his others with Ingrid Bergman as his wife include
304:
cinema due to its loose storytelling. In 2012, it was listed by
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talks about the film and his impressions of it in his own film
1591:"Revisiting a Rossellini Classic to Find Resonances of Today"
1283:"Revisiting a Rossellini Classic to Find Resonances of Today"
30:"Viaggio in Italia" redirects here. For the Alice album, see
1481:(DVD (region 2)). The British Film Institute (BFI). 2003.
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as Alexander 'Alex' Joyce (credited as Georges Sanders).
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passionately amid the continuing religious procession.
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magazine as one of the fifty greatest films ever made.
668:. University of California Press. pp. 155–176.
599:cited this movie as one of his 100 favorite films.
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1429:(DVD (region 1)). The Criterion Collection. 2013.
853:Death 24X a second: Stillness and the Moving Image
700:Close Viewings: An Anthology of New Film Criticism
1173:Los Angeles release August 31, 1955 (80 minutes).
1523:(VHS tape (NTSC)). Connoisseur/Meridian. 1992.
1162:"Index to Motion Picture Credits - 'Strangers'"
651:
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1164:. Academy of Motion Picture Arts and Sciences
294:; the dialogue had been dubbed into Italian.
8:
948:See also a synopsis of Gallagher's chapter:
1004:: CS1 maint: DOI inactive as of May 2024 (
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890:Nappo, Salvatore Ciro (February 17, 2011).
702:. University Press of Florida. p. 39.
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1189:World Cinema's 'Dialogues' With Hollywood
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892:"Pompeii: Its Discovery and Preservation"
278:, but is loosely based on the 1934 novel
1602:A contemporary, highly favorable review.
1346:"77. Voyage in Italy (Rossellini, 1953)"
1310:. British Film Institute. Archived from
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833:
1260:"Realer than realism: Journey to Italy"
802:"The Top 50 Greatest Films of All Time"
753:"'Voyage in Italy' (Viaggio in Italia)"
639:
626:, which was reviewed very favorably by
1459:Erickson, Glenn (September 25, 2013).
997:
574:as a major influence on the dramas of
1400:Thomas-Mason, Lee (12 January 2021).
1185:"The American Dream in Postwar Italy"
792:
790:
320:Ingrid Bergman and George Sanders in
7:
2027:Films directed by Roberto Rossellini
950:Dixon, Wheeler Winston (July 2009).
929:The Adventures of Roberto Rossellini
855:. Reaktion Books. pp. 104–122.
607:There have been several releases of
588:magazine, under the auspices of the
403:as Marie (credited as Marie Mauban).
1379:"Voyage to Italy (re-release) 2013"
355:. On the sixth day, she visits the
170:Société Générale de Cinématographie
1567:Callahan, Dan (15 November 2006).
1335:"1,000 Greatest Films (Full List)"
690:Brunette, Peter (1 January 1990).
25:
1827:(segment: "Ingrid Bergman", 1953)
1533:The feature film runs 80 minutes.
1491:The feature film runs 80 minutes.
1218:. Psychology Press. p. 438.
975:Nordic Journal of English Studies
2077:Films scored by Renzo Rossellini
1928:The Taking of Power by Louis XIV
1803:(segment: "Envie, L'Envy", 1952)
1127:"Viaggio in Italia - Fiche Film"
2062:Films based on works by Colette
1661:an essay by Paul Thomas at the
1281:Scott, A. O. (April 30, 2013).
1239:Patterson, John (May 5, 2013).
1215:An Introduction to Film Studies
1183:Nowell-Smith, Geoffrey (2007).
2017:English-language Italian films
1923:(segment: "Illibatezza", 1963)
1835:(segment: "Napoli 1943", 1954)
1808:The Machine to Kill Bad People
1071:This book is a translation of
843:(2006). "Roberto Rossellini's
692:"Visual Motifs in Rosselini's
1:
2052:Italian black-and-white films
2022:English-language French films
1658:Journey to Italy: Fun Couples
1021:Memoirs of a Professional Cad
465:Memoirs of a Professional Cad
2067:Films based on French novels
2047:French black-and-white films
2012:1950s Italian-language films
331:who have traveled by car to
580:2012 survey of film critics
2103:
1960:L'etĂ di Cosimo de' Medici
1792:The Flowers of St. Francis
1212:Nelmes, Jill, ed. (2003).
969:Grønstad, Asbjørn (2002).
757:Ozus' World Cinema Reviews
698:. In Lehman, Peter (ed.).
603:Home media and restoration
536:masterpieces as Chabrol's
495:Reception and significance
240:Italian (original release)
194:7 September 1954
29:
1706:
1308:"Journey to Italy (1954)"
1191:. Springer. p. 129.
1105:. Springer. p. 184.
932:. Da Capo Press. p.
51:Theatrical release poster
44:
32:Viaggio in Italia (album)
2072:Italian neorealist films
1357:"Voyage to Italy (1953)"
1262:. British Film Institute
1102:Translating Popular Film
1045:; Morris, Peter (1972).
1019:Sanders, George (1960).
776:Joan of Arc at the Stake
656:Brunette, Peter (1996).
481:L'Amour est le plus fort
1864:Giovanna d'Arco al rogo
1333:Georgaris, Bill (ed.).
1099:O'Sullivan, C. (2011).
991:(inactive 2024-05-16).
918:Gallagher, Tag (1998).
800:, ed. (1 August 2012).
595:The Japanese filmmaker
1187:. In Cooke, P. (ed.).
812:British Film Institute
590:British Film Institute
576:Michelangelo Antonioni
424:Jackie Frost as Betty.
324:
1800:The Seven Deadly Sins
1074:Dictionnaire des Film
335:to sell a villa near
319:
180:Titanus Distribuzione
1880:General Della Rovere
1736:The Man with a Cross
1663:Criterion Collection
1501:Tooze, Gary (2003).
1314:on February 11, 2016
1132:Bibliothèque du film
1023:. New York: Putnam.
751:(February 9, 2006).
238:English (production)
2082:1950s Italian films
2057:Films set in Naples
2042:Italian drama films
1048:Dictionary of Films
763:on February 4, 2018
613:Cineteca di Bologna
471:Theatrical releases
449:Antonio Pietrangeli
391:as Katherine Joyce.
361:Fontanelle cemetery
216:88 minutes (France)
214:105 minutes (Italy)
2087:1950s French films
2037:French drama films
1872:India: Matri Bhumi
1776:Germany, Year Zero
1700:Roberto Rossellini
1698:Films directed by
1641:TCM Movie Database
1595:The New York Times
1550:(31 August 2015).
1287:The New York Times
810:(September 2012).
666:Roberto Rossellini
555:My Voyage to Italy
325:
276:Vitaliano Brancati
263:Roberto Rossellini
107:Roberto Rossellini
74:Roberto Rossellini
71:Vitaliano Brancati
61:Roberto Rossellini
1994:
1993:
1952:Agostino d'Ippona
1840:Where Is Freedom?
1832:Mid-Century Loves
1589:(30 April 2013).
1552:"Voyage to Italy"
1503:"Voyage to Italy"
1359:. Rotten Tomatoes
1078:Éditions du Seuil
988:10.35360/njes.115
952:"Voyage to Italy"
849:Viaggio in Italia
818:on August 2, 2012
807:Sight & Sound
728:"Voyage to Italy"
709:978-0-8130-0967-4
675:978-0-520-20053-1
585:Sight & Sound
522:François Truffaut
509:Cahiers du Cinéma
477:Viaggio in Italia
357:Phlegraean Fields
306:Sight & Sound
291:Viaggio in Italia
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168:Les Films Ariane
140:Jolanda Benvenuti
16:(Redirected from
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2032:1954 drama films
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609:Journey to Italy
563:Journey to Italy
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530:Journey to Italy
500:Journey to Italy
489:The Lonely Woman
409:as a prostitute.
322:Journey to Italy
298:Journey to Italy
251:, also known as
248:Journey to Italy
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150:Renzo Rossellini
101:Adolfo Fossataro
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542:and Truffaut's
518:Jacques Rivette
514:Jean-Luc Godard
512:– the likes of
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415:as Paul Dupont.
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1556:The New Yorker
1548:Brody, Richard
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257:, is a 1954
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210:Running time
187:Release date
130:Enzo Serafin
82:
1984:The Messiah
1920:Ro.Go.Pa.G.
1340:January 27,
1143:(in French)
1135: [
620: [
457:James Joyce
413:Paul Muller
98:Produced by
57:Directed by
2007:1954 films
2001:Categories
1912:Anima nera
1816:Europe '51
1507:DVD Beaver
1465:DVD Savant
1411:23 January
1225:0415262682
1168:2016-09-22
1147:2016-09-10
778:-1954 and
724:Kehr, Dave
634:References
571:A.O. Scott
567:neorealism
539:Le Boucher
429:Production
340:deceased.
259:drama film
198:1954-09-07
157:Production
88:1934 novel
67:Written by
1968:Cartesius
1896:Garibaldi
1784:Stromboli
1487:747191196
1445:857774031
851:(1953)".
485:Strangers
437:'s novel
302:modernist
235:Languages
225:Countries
165:Francinex
159:companies
136:Edited by
27:1954 film
1976:Anno uno
1936:Socrates
1630:AllMovie
1529:26441934
1385:June 17,
1363:June 17,
1318:March 3,
1292:March 3,
1266:March 3,
1080:. 1965.
871:61529345
558:(1999).
504:New Wave
453:The Dead
445:New Vine
146:Music by
112:Starring
79:Based on
1768:L'Amore
1639:at the
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662:(1953)"
561:Today,
435:Colette
368:Pompeii
329:England
286:Colette
196: (
92:Colette
1987:(1975)
1979:(1974)
1971:(1973)
1963:(1973)
1955:(1972)
1947:(1971)
1939:(1971)
1931:(1966)
1915:(1962)
1907:(1961)
1899:(1961)
1891:(1960)
1883:(1959)
1875:(1959)
1867:(1954)
1859:(1954)
1851:(1954)
1843:(1954)
1819:(1952)
1811:(1952)
1795:(1950)
1787:(1950)
1779:(1948)
1771:(1948)
1763:(1946)
1760:Paisan
1755:(1946)
1752:Desire
1747:(1945)
1739:(1943)
1731:(1942)
1723:(1941)
1715:(1939)
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447:, by
333:Italy
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1856:Fear
1619:IMDb
1525:OCLC
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1441:OCLC
1431:ISBN
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1387:2023
1365:2023
1342:2016
1320:2017
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1268:2017
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1082:OCLC
1063:OCLC
1053:ISBN
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1006:link
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900:2016
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780:Fear
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670:ISBN
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312:Plot
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