Knowledge (XXG)

Wagner's Dream

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679: 1590: 1600: 1610: 202:'s production company). The opera house had expected the set to weigh only 50,000 pounds (23,000 kg), so it's only when the set was finally delivered that need to reinforce the floor of the stage's left wing (by adding beams under it) became known. Among the mishaps covered in the documentary are the failure of the set to work properly at the premiere of the first 944: 932: 920: 900: 888: 876: 864: 849: 821: 809: 797: 197:
Froemke, who has previously filmed at the opera house, claims that she was given no limits by the opera company in filming the documentary. The documentary captures the challenges of creating the new production, including a complex 90,000 pounds (41,000 kg) set designed by Carl Fillion of Ex
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stated that "It's a high-stakes gamble that Susan Froemke has captured in all of its breast-plate-and-spear glory in a two-hour documentary that has as many hair-raising, stomach-churning moments as a ride on Wonderland's new Leviathan." Tom Huizenga of
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claims that "the tone is basically adulatory, apart from a few skeptical notes sounded by ticket buyers and audience members", and notes that Gelb and Lepage "cut heroic figures in an epic adventure." David Patrick Stearns of
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incorporates Wagner's music. Oestreich particularly praises the use of the music from the descent to Nibelheim from the end of scene 2 of
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in theaters across the United States and Canada on May 7, 2012. The subject of the film is the staging of a new production of
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called it a "meticulously unpacked if ultimately unmemorable diary of the company's high-stakes production". Steve Smith of
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stated that "the film is destined to be one of the classic documentaries about opera." James R. Oestreich of
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called it "a highly entertaining outing for operaphiles and operaphobes alike". John Terauds of
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falling and sliding down the set upon her entrance at the premiere of
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The film avoids making Lepage or Metropolitan Opera general manager
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says "To its credit, Wagner's Dream includes revealing footage of
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felt it was "a bit long" but "beautifully made". Ronnie Scheib of
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before the last two productions premiered and the need for tenor
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to accompany the production's move from Quebec to New York.
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labors undertaken by cast and crew, misfires included."
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Documentary films about classical music and musicians
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review: Man meets machine at the Metropolitan Opera"
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(May 3, 2012). 400:"The Leonard Lopate Show: 18: 1584: 1282:Richard Wagner Foundation 1046:The Artwork of the Future 722: 532:The Philadelphia Inquirer 339:The Philadelphia Inquirer 337:David Patrick Stearns of 261:The Philadelphia Inquirer 33: 1156:Die Laune des Verliebten 1561:Wagner-Werk-Verzeichnis 1521:Nietzsche contra Wagner 1455:Richard Wagner Memorial 1450:Richard Wagner Monument 844:Der Ring des Nibelungen 792:Der fliegende Holländer 182:Der Ring des Nibelungen 1272:Bayreuth Festspielhaus 167:. It premiered at the 1533:The Perfect Wagnerite 1127:Ride of the Valkyries 1053:Autobiographic Sketch 169:Tribeca Film Festival 16:2012 documentary film 732:List of compositions 179:'s four-opera cycle 1465:Wagner Ice Piedmont 1369:Cultural depictions 1360:Eva Wagner-Pasquier 1186:Wieland der Schmied 1088:Music of the Future 964:Symphony in C major 445:Oestreich, James R. 189:beginning in 2010. 1650:Metropolitan Opera 1545:Der Ring in Minden 1487:The Case of Wagner 1246:Bayreuther Blätter 1039:Art and Revolution 958:Non-operatic music 915:Tristan und Isolde 454:The New York Times 343:The New York Times 333:Critical reception 321:The soundtrack of 254:The New York Times 249:James R. 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Index

Wagner Dream

Susan Froemke
Robert Lepage
Peter Gelb
Deborah Voigt
documentary film
Susan Froemke
Tribeca Film Festival
high definition
Richard Wagner
Der Ring des Nibelungen
Metropolitan Opera
Robert Lepage
Das Rheingold
Deborah Voigt
Brünnhilde
Die Walküre
conductor
Jay Hunter Morris
Siegfried
Peter Gelb
James R. Oestreich
The New York Times
The Philadelphia Inquirer
Robert Lepage
Peter Gelb
Deborah Voigt
Jay Hunter Morris
James Levine

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