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In Edo-period Japan, adolescent boys were considered as suitable objects of erotic desire for young women, older women, and older men (as long as the latter played an active sexual role). Age was an important, but not crucial aspect of
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were prominently featured in Edo-period woodcuts, where they are often distinguishable from the female beauties in the same pictures only by a sword or the shaved spot on the crown of their head. In erotic prints
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theater. Female actors were banned from kabuki in 1629 in an effort to crack down on prostitution, and the roles of women and young boys began to be performed by
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period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.
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wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore
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writes that only "members of a privileged class can understand the delights of boy love". The characteristic beauty of
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292:) was associated both with erotic discernment (particularly among samurai) and with artistic refinement. In his book
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309:. The cult of youthful male beauty in Japanese literature may be traced as far back as the 11th-century classic
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were no less in demand, they were also banned from the stage in 1652, and these roles were taken over by adult
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woodcuts, it is unclear whether the characters shown are adolescent boys or female prostitutes posing as
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213:(senior youths) who delayed their coming-of-age ceremony until their middle 20s. One of the stories in
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146:. After the coming of age ceremony, the forelocks were shaved off, giving the adult male hairstyle (
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coming of age ceremony (mid-teens through early 20s), which marked the transition to adulthood.
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is a historical
Japanese term indicating an adolescent boy, used particularly during the
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properly referred to a boy between the ages at which his head was partially shaven (
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Cartographies of desire: male-male sexuality in
Japanese discourse, 1600–1950
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Cartographies of desire: male-male sexuality in
Japanese discourse, 1600–1950
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Cartographies of desire: male-male sexuality in
Japanese discourse, 1600–1950
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242:(seated) and his female companion in elegant autumn surroundings. Note
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38:(left) and an adult man (right). Note the difference in hairstyle.
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Male Colors: The
Construction of Homosexuality in Tokugawa Japan
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Male Colors: The
Construction of Homosexuality in Tokugawa Japan
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595:. University of California Press. pp. 34, note 24.
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Prostitution and acting were closely linked in early
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160:or adult, the timing of both boundaries of the
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620:. University of California Press. p. 90.
517:. University of California Press. p. 33.
377:actors specializing in adolescent male roles.
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461:Homosexuality in Japan § Pre-Meiji Japan
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16:Historical Japanese term for adolescent boys
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138:); boys from wealthier families could wear
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111:, or employment outside the home, and the
573:"The 'Indescribable Fragrance' of Youths"
1124:Aomori International LGBT Film Festival
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357:. However, since the sexual favors of
25:Woodblock print by Ishikawa Toyonobu,
7:
32:, showing two actors portraying a
14:
770:LGBT Understanding Promotion Act
698:
693:
641:Pflugfelder, Gregory M. (1999).
591:Pflugfelder, Gregory M. (1999).
513:Pflugfelder, Gregory M. (1999).
72:, although never used for girls)
1162:Nana-chome & Higashi-Ueno (
441:Homosexuality in ancient Greece
1280:LGBT themes in anime and manga
775:Recognition of same-sex unions
1:
446:Homosexuality in ancient Rome
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216:The Great Mirror of Male Love
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1004:The Life of an Amorous Woman
578:The New York Review of Books
1048:Genderless fashion in Japan
570:Iam Buruma (May 11, 2017).
483:Pederasty in ancient Greece
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1344:History of human sexuality
966:The Lady who Loved Insects
728:Sexual minorities in Japan
431:History of human sexuality
294:The Aesthetics of Boy Love
254:polychrome woodblock print
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1129:Asian Queer Film Festival
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344:to excite their clients.
92:Appearance and ceremonies
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122:During this period, the
84:status was indicated by
616:Leupp, Gary P. (1997).
538:Leupp, Gary P. (1997).
943:Torikaebaya Monogatari
810:Homosexuality in Japan
456:Homosexuality in India
451:Homosexuality in China
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248:sleeves worn by both.
176:Homosexuality in Japan
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174:Further information:
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1318:OCCUR (organization)
887:transgender shamans
405:("beautiful boy").
287:the way of boy love
223:features a samurai
132:with open sleeves (
1339:Japanese sex terms
1139:Rainbow Reel Tokyo
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67:young person
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1235:Hiroshima –
867:Sōsei Genri
743:LGBT rights
716:transgender
474: [
267:In the arts
261: 1770
30: 1740
1333:Categories
1199:Kanagawa –
1191:Hokkaido –
922:Tosa Nikki
905:Literature
500:References
471:Kagemajaya
426:Greek love
416:Bacha bazi
371:actors or
76:Edo period
1285:Gay manga
1259:Naha City
1255:Okinawa –
1245:Fukuoka –
1230:Shinsekai
1201:Nogecho (
1185:Ikebukuro
1178:Shinbashi
860:Amaterasu
852:Mythology
488:Pederasty
210:o-wakashū
197:wakashūdo
170:Sexuality
1310:Futanari
1203:Yokohama
1194:Susukino
1072:Barazoku
977:Medieval
843:X-gender
823:Onnagata
712:bisexual
493:Shotacon
421:Catamite
409:See also
401:bishōnen
367:onnagata
245:furisode
150:chonmage
142:furisode
1304:Class S
1273:Related
1217:Osaka –
1209:Aichi –
1171:Asakusa
1155:Tokyo –
1029:General
1022:Culture
837:Wakashu
803:General
796:History
763:Tottori
753:Ibaraki
704:Lesbian
385:In the
360:wakashū
354:wakashū
341:wakashū
335:wakashū
320:Wakashū
302:wakashū
281:
239:wakashū
226:wakashū
190:wakashū
184:wakashū
163:wakashū
157:wakashū
135:wakiake
125:wakashū
115:genpuku
104:maegami
98:Wakashū
86:haircut
81:Wakashū
61:
45:Wakashū
35:wakashū
1220:Doyama
1117:Events
1107:Samson
830:Kagema
714:, and
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466:Kagema
393:shōnen
349:kabuki
328:shunga
130:kimono
1225:Namba
1093:G-men
1065:Badi
1057:Media
1041:Tokyo
913:Heian
816:Shudō
758:Tokyo
748:Akita
478:]
273:Shudo
204:shūdo
1298:Yuri
1291:Yaoi
1164:Ueno
1079:Dōkō
647:ISBN
622:ISBN
597:ISBN
544:ISBN
519:ISBN
278:lit.
58:lit.
996:Edo
736:Law
708:gay
219:by
201:or
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710:,
706:,
576:.
558:^
476:ja
258:c.
256:,
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