Knowledge (XXG)

Walkin' After Midnight

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of the time. Unterberger went on to say, "While Cline's vocal is a little restrained in comparison with the approach she used on her better-known sides in the early 1960s, it's well-suited for the almost bemused aura of loneliness of the lyric. More than any of the other songs she recorded for the 4
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Alan Block and Donn Hecht wrote the song in 1954, a few years before Cline recorded it. According to Hecht, after securing a songwriting contract with Four Star Records, his assignment was to pick an artist from the label whom he could compose a song for. Hecht was impressed by Cline's vocals and
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Cline later re-recorded "Walkin' After Midnight" for Decca with a more "pop" arrangement that featured backing vocals and a pronounced "clip clop" percussion effect, as well as a modulation to the key of C# for the final verse. Although this version is sometimes heard as an "oldie" on country
459:" on the show, but the producers preferred "Walkin' After Midnight." Against her wishes, Cline performed the song during the program's 8:30 pm slot. The excessive audience applause froze the show's applause meter, and Cline won first place on that night's show. Because of the strong response, 317:, and written in the key of B-flat. Starr's record label had rejected the original version, and it was left unused for years. Hecht pawned his furniture, had a demo made with singer Lynn Howard, and played the demo for Cline's producer, who then played it to Cline over the telephone. 267:. Originally Cline was not fond of "Walkin' After Midnight", but after making a compromise with her label she recorded it. However, the first released recording was by Lynn Howard with The Accents, released in August 1956. 1561: 320:
Her first reaction to "Walkin' After Midnight" was negative; however, Hecht and Four Star owner Bill McCall agreed with her. The compromise was that Cline would record it as long as she could also record
280:. It garnered a strong response from viewers and was therefore rush-released as a single on February 11, 1957. "Walkin' After Midnight" became Cline's first major hit single, reaching No. 2 on the 293:. Although the song was her only hit until 1961, the single version sold over one million copies and is often included on authoritative lists of the all-time greatest songs in country music. 1234: 1692: 858:"Nothing But a Little Ole Pop Song." Jocelyn R. Neal. "Sweet Dreams: The World of Patsy Cline" edited by Warren R. Hofstra. University of Illinois Press, Jul 22, 2013. page 142 497:
playlists, it is not the version that was the hit single. Cline's vocals from this recording were overdubbed with a jazzier arrangement for the soundtrack of Cline's biopic
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followed by a short instrumental solo and a repeat of sections B and A. "Walkin' After Midnight" features instrumentation from an acoustic guitar, basic drums and piano,
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Country chart at No. 14. Because "Walkin' After Midnight" had become a significant hit, Decca issued Cline's debut album August 5, 1957, simply titled,
1174: 212: 1596: 1362: 1748: 1024: 984: 1582: 1554: 1153: 1496: 463:(Four Star leased their music to Decca) released "Walkin' After Midnight" as a single on February 11, 1957. It quickly debuted on the 326: 1108: 1084: 1062: 450: 276: 1670: 1610: 1523: 1390: 1301: 1213: 916:
Cline, Patsy (1957). ""Walkin' After Midnight" / "A Poor Man's Roses (Or a Rich Man's Gold)" (7" vinyl single insert sleeve)".
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Star label in the 1950s, it anticipates the successful country-pop fusion of her crossover hits for Decca in the early 1960s."
1794: 1348: 1255: 1199: 1727: 1404: 1376: 1101: 1635: 1459: 1439: 1411: 1241: 28: 642: 313:. Among his catalog of pop-styled songs was "Walkin' After Midnight", originally intended for traditional pop artist 1809: 1789: 1649: 1516: 1283: 539: 381: 1297: 566: 499: 337:), along with "A Poor Man's Roses", "The Heart You Break May Be Your Own", and "Pick Me Up on Your Way Down". 1589: 1491: 1326: 1628: 1575: 1383: 1315: 1220: 455:
a talent competition made up of rising young, unknown professionals. She originally intended to perform "
1784: 1568: 584: 330: 263:; however, her label rejected it. The song was left unused until Hecht rediscovered it when writing for 189: 1054: 710: 692: 578: 551: 389: 369: 1804: 1732: 1425: 1397: 1206: 705: 601: 485: 297: 49: 1369: 1227: 282: 1663: 1539: 1319: 1167: 1134: 1080: 1058: 1020: 980: 687: 674: 490: 476: 472: 468: 290: 286: 264: 58: 1642: 1473: 1449: 1290: 1276: 89: 1763: 1753: 630: 588: 441: 349: 271: 175: 115: 94: 1702: 1697: 1262: 1248: 1073: 445: 36: 1047: 785:
Patsy: The Life and Times of Patsy Cline. Margaret Jones. Da Capo Press. 1999.page 119
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also praised the song, calling its beat "bouncy" and its overall sound different from
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by March 3. "A Poor Man's Roses (Or a Rich Man's Gold)" was released as the single's
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On January 21, 1957, Cline was invited to perform a song on the
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In January 1957, Cline performed the song on an episode of the
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of musicians, who played on most of the recording sessions on
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is a song written by Alan Block and Don Hecht and recorded by
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If I Could See the World (Through the Eyes of a Child)
400:' band the Drifting Cowboys, played the steel guitar. 344:
song with stylistic elements taken from the genres of
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Will the Circle Be Unbroken? Country Music in America
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Will the Circle Be Unbroken? Country Music in America
979:. Australian Chart Book Pty Ltd, Turramurra, N.S.W. 1741: 1680: 1620: 1546: 1336: 1141: 1049:
Honky Tonk Angel: The Intimate Story of Patsy Cline
198: 173: 152: 140: 124: 101: 88: 80: 72: 56: 46: 35: 21: 1693:I'm Gonna Sit Right Down and Write Myself a Letter 1072: 1046: 735: 733: 296:In 2020, the 1957 release was inducted into the 830: 828: 259:. The song was originally given to pop singer 1524: 1419:You Made Me Love You (I Didn't Want to Do It) 1109: 8: 958:(LP Liner Notes & Album Information)". 805: 803: 742:""Walkin' After Midnight" > Song review" 467:charts, eventually peaking at No. 2 on the 1531: 1517: 1509: 1116: 1102: 1094: 658: 489:. The album, however, did not contain the 27: 18: 1708:You're Gonna Make Me Lonesome When You Go 1186:A Poor Man's Roses (Or a Rich Man's Gold) 937:(LP Liner Notes and Album Information)". 522:A Poor Man's Roses (Or a Rich Man's Gold) 457:A Poor Man's Roses (Or a Rich Man's Gold) 329:on November 8, 1956, and was produced by 323:A Poor Man's Roses (Or a Rich Man's Gold) 66:A Poor Man's Roses (Or a Rich Man's Gold) 1800:Song recordings produced by Owen Bradley 903: 891: 879: 867: 846: 794: 729: 45: 34: 1749:The Lost Wandering Blues and Jazz Band 356:. The song was recorded in the key of 309:realized her voice was best suited to 1391:South of the Border (Down Mexico Way) 7: 1363:Someday (You'll Want Me to Want You) 834: 1154:A Church, a Courtroom, Then Goodbye 954:Cline, Patsy (November 27, 1961). " 327:Bradley Film & Recording Studio 14: 977:Australian Charts Book 1970—1992 933:Cline, Patsy (August 5, 1957). " 1214:Stop the World (And Let Me Off) 517:"Walkin' After Midnight" – 2:32 1256:Gotta Lot of Rhythm in My Soul 1200:Three Cigarettes in an Ashtray 1017:Hot Country Songs 1944 to 2008 636:Grady Martin – electric guitar 627:Randy Hughes – acoustic guitar 451:Arthur Godfrey's Talent Scouts 340:"Walkin' After Midnight" is a 277:Arthur Godfrey's Talent Scouts 1: 444:television program hosted by 1377:Just a Closer Walk with Thee 716: 698: 680: 671: 664: 436:Impact and chart performance 360:and follows the traditional 1636:Dance Me to the End of Love 1193:Today, Tomorrow and Forever 672:Australia Top 100 Singles ( 548:– associate producer, piano 380:. Among the musicians were 231:Today, Tomorrow and Forever 1826: 1650:All I Need is a Little Bit 1460:Have You Ever Been Lonely? 1002:Top Pop Singles: 1955-2006 703: 685: 661: 304:Background and composition 16:1957 single by Patsy Cline 1486: 1132: 639:Bob Moore – acoustic bass 206: 26: 1298:When I Get Thru with You 1019:. Record Research, Inc. 595:Re-recorded 1961 version 471:chart and No. 12 on the 413:Alanna Nash of the book 246:"Walkin' After Midnight" 22:"Walkin' After Midnight" 1590:Standing on the Rooftop 1045:Nassour, Ellis (1993), 1015:Whitburn, Joel (2008). 1000:Whitburn, Joel (2007). 606:Owen Bradley – producer 600:Harold Bradley – 534:Original 1956 recording 479:, also charting on the 1688:Walkin' After Midnight 1576:Half the Perfect World 1497:Posthumous discography 1454:(overdubbed recording) 1444:(overdubbed recording) 1221:Let the Teardrops Fall 1182:Walkin' After Midnight 602:6-string electric bass 333:(with assistance from 222:Walkin' After Midnight 97:, Nashville, Tennessee 1795:Decca Records singles 1349:Sweet Dreams (Of You) 1175:Stop, Look and Listen 1071:Nash, Alanna (2006), 213:Stop, Look and Listen 1327:Leavin' on Your Mind 740:Unterbeger, Richie. 643:Hargus "Pig" Robbins 370:The Nashville A-Team 1629:Don't Wait Too Long 1384:Your Cheatin' Heart 1316:Why Can't He Be You 975:David Kent (1993). 706:Hot Country Singles 298:Grammy Hall of Fame 287:country music chart 274:television program 1562:Got You on My Mind 1228:I Can See an Angel 1055:St. Martin's Press 1004:. Record Research. 409:Critical reception 289:and No. 12 on its 202:singles chronology 1810:Rhoda Dakar songs 1790:Patsy Cline songs 1772: 1771: 1540:Madeleine Peyroux 1506: 1505: 1478:(with Jim Reeves) 1370:He Called Me Baby 1168:I Love You, Honey 1079:, DK Publishing, 1026:978-0-89820-177-2 986:978-0-646-11917-5 721: 720: 675:Kent Music Report 575:– electric guitar 542:– acoustic guitar 469:Hot Country Songs 265:Four Star Records 243: 242: 239: 238: 76:February 11, 1957 1817: 1733:J'ai Deux Amours 1533: 1526: 1519: 1510: 1479: 1474:I Fall to Pieces 1469: 1455: 1450:I Fall to Pieces 1445: 1398:That's My Desire 1277:I Fall to Pieces 1207:Then You'll Know 1118: 1111: 1104: 1095: 1089: 1078: 1067: 1052: 1031: 1030: 1012: 1006: 1005: 997: 991: 990: 972: 966: 965: 951: 945: 944: 930: 924: 923: 913: 907: 901: 895: 889: 883: 877: 871: 870:, pp. 72–73 865: 859: 856: 850: 844: 838: 832: 823: 822: 820: 818: 807: 798: 797:, pp. 61–65 792: 786: 783: 777: 776: 765: 759: 758: 756: 754: 737: 659: 633:– backing vocals 208: 207: 178: 157: 136: 135: 131: 84:November 8, 1956 61: 31: 19: 1825: 1824: 1820: 1819: 1818: 1816: 1815: 1814: 1775: 1774: 1773: 1768: 1764:Rounder Records 1754:William Galison 1737: 1676: 1664:You Can't Do Me 1657:Once in a While 1616: 1542: 1537: 1507: 1502: 1501: 1482: 1477: 1463: 1453: 1443: 1341: 1339: 1332: 1146: 1144: 1137: 1135:A-side / B-side 1128: 1122: 1092: 1087: 1070: 1065: 1044: 1040: 1035: 1034: 1027: 1014: 1013: 1009: 999: 998: 994: 987: 974: 973: 969: 953: 952: 948: 932: 931: 927: 915: 914: 910: 902: 898: 890: 886: 878: 874: 866: 862: 857: 853: 845: 841: 833: 826: 816: 814: 809: 808: 801: 793: 789: 784: 780: 767: 766: 762: 752: 750: 739: 738: 731: 726: 666: 657: 652: 631:The Jordanaires 581:– acoustic bass 531: 512:7" vinyl single 509: 438: 411: 406: 350:traditional pop 306: 234: 225: 216: 194: 174: 169: 153: 133: 129: 128: 120: 116:Nashville Sound 95:Bradley Studios 57: 47:from the album 17: 12: 11: 5: 1823: 1821: 1813: 1812: 1807: 1802: 1797: 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DL-8611. 922:. 9-30221. 773:grammy.com 585:Paul Cohen 448:entitled, 425:rockabilly 374:RCA Victor 331:Paul Cohen 190:Paul Cohen 163:Alan Block 1555:Dreamland 1405:True Love 835:Nash 2006 711:Billboard 693:Billboard 667:position 579:Bob Moore 558:Don Helms 529:Personnel 491:flip side 481:Billboard 473:Pop chart 465:Billboard 404:Reception 394:Don Helms 390:Bob Moore 362:AABA form 315:Kay Starr 311:pop music 291:pop chart 283:Billboard 261:Kay Starr 166:Don Hecht 1309:So Wrong 1242:Dear God 956:Showcase 747:allmusic 589:producer 587:– 569:– fiddle 524:" – 2:45 420:Allmusic 250:American 81:Recorded 73:Released 1671:Instead 1621:Singles 1426:Anytime 1127:singles 688:Hot 100 645:– piano 618:– drums 612:– organ 554:– drums 358:C major 255:artist 235:(1957) 226:(1957) 217:(1956) 111:Country 1611:Anthem 1547:Albums 1464:(with 1440:Always 1412:Always 1338:Issued 1083:  1061:  1023:  983:  650:Charts 477:B-side 388:, and 352:, and 125:Length 90:Studio 59:B-side 37:Single 1728:Smile 1318:" / " 1300:" / " 1284:Crazy 1184:" / " 724:Notes 354:blues 147:Decca 142:Label 103:Genre 1081:ISBN 1059:ISBN 1021:ISBN 981:ISBN 819:2009 755:2009 665:Peak 427:and 376:and 346:jazz 704:US 699:12 686:US 681:33 442:CBS 272:CBS 39:by 1781:: 1476:" 1462:" 1452:" 1442:" 1057:, 1053:, 827:^ 802:^ 771:. 744:. 732:^ 717:2 714:) 696:) 678:) 560:– 503:. 493:. 384:, 348:, 300:. 233:" 224:" 215:" 134:32 1673:" 1669:" 1666:" 1662:" 1659:" 1655:" 1652:" 1648:" 1645:" 1641:" 1638:" 1634:" 1631:" 1627:" 1532:e 1525:t 1518:v 1472:" 1468:) 1458:" 1448:" 1438:" 1435:" 1431:" 1428:" 1424:" 1421:" 1417:" 1414:" 1410:" 1407:" 1403:" 1400:" 1396:" 1393:" 1389:" 1386:" 1382:" 1379:" 1375:" 1372:" 1368:" 1365:" 1361:" 1358:" 1354:" 1351:" 1347:" 1329:" 1325:" 1322:" 1314:" 1311:" 1307:" 1304:" 1296:" 1293:" 1289:" 1286:" 1282:" 1279:" 1275:" 1272:" 1268:" 1265:" 1261:" 1258:" 1254:" 1251:" 1247:" 1244:" 1240:" 1237:" 1233:" 1230:" 1226:" 1223:" 1219:" 1216:" 1212:" 1209:" 1205:" 1202:" 1198:" 1195:" 1191:" 1188:" 1180:" 1177:" 1173:" 1170:" 1166:" 1163:" 1159:" 1156:" 1152:" 1117:e 1110:t 1103:v 1029:. 989:. 821:. 775:. 757:. 708:( 690:( 520:" 453:, 321:" 229:" 220:" 211:" 132:: 130:2 68:" 64:"

Index


Single
Patsy Cline
Patsy Cline
B-side
A Poor Man's Roses (Or a Rich Man's Gold)
Studio
Bradley Studios
Genre
Country
Nashville Sound
Label
Decca
Songwriter(s)
Producer(s)
Owen Bradley
Paul Cohen
Patsy Cline
Stop, Look and Listen
Today, Tomorrow and Forever
American
country music
Patsy Cline
Kay Starr
Four Star Records
CBS
Arthur Godfrey's Talent Scouts
Billboard
country music chart
pop chart

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