Wallack's Theatre - Knowledge

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entrance is on Broadway and is 30 feet wide, the visitor passing under a portico resting on six polished red granite columns. There are, besides, two gallery entrances on Broadway, an entrance on Thirtieth-street, and stage entrances on Thirtieth-street and on Broadway. ... The parquet and balcony contain 800 seats. ... The gallery contains 450 most comfortable chairs. There are also eight boxes. ... Under the Broadway curbstone and the main entrance is a café. ... A magnificent chandelier of copper and brass, with a spread of 14 feet and 200 burners, depends from the dome, and smaller gas-fixtures spring from the painted panels on the walls and other points. Electric lights will be used outside the theatre, and the question of using them within was ... dismissed from immediate consideration. ... The architect is Mr. George A. Freeman Jr.

1467: 1439: 653: 477:'s in Chambers Street, and Wallack's in Broadway. ... Wallack's Lyceum, in Broadway, is an exceedingly elegant little house, the style of the interior decoration is in excellent taste, and the effect of a full house is light, cheerful, exhilarating, and brilliant. ... Great attention is always paid to the production of pieces at this brilliant little house, and the costumes and scenery form an important part of the attraction. English comedy and domestic dramas form the chief attractions at Wallack's, and the house is generally full. The utmost order and decorum are maintained ... and everything offensive to the most delicate taste carefully excluded from the stage. 789:

home or abroad. Plays without any particular merit succeed, because they are so carefully put upon the stage, so fitly costumed and so conscientiously enacted. ... The old stage traditions and time-honored conventionalisms are given up there. Mouthing, ranting, and attitudinizing are not in vogue; and men and women appear and act as such, and represent art instead of artificiality. It is commonly said that New-York goes to Wallack's; and so it does more than to any other place of amusement. But lovers of good acting from every section usually avail themselves of a sojourn in the city to witness the artistic representations at that theater.

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in emergencies, or in producing stage effects in which it might be superior to the electric light. New ventilation equipment was installed. The entire orchestra floor was reconstructed; the circle which had been added to this part of the auditorium the previous summer was removed. The boxes were rearranged, and the original iron fronts of the balcony and gallery were replaced by

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3,500 for the remaining five. Mr. Wallack lodges with Mr. Gibson $ 5,000 as security for the erection of the building, which sum, on its completion, is to be allowed in the first payment of rent. The theatre is estimated to cost, in erection and fittings, etc., $ 30,000, and at the close of the ten years passes into Mr. Gibson's hands. Mr. Trimble is preparing the plan."

320:, such as the Wallacks, were members of their own company. Often, a manager leased a theater from its owner, and since the building was deemed an important part of the playgoer's experience, typically renovated it to his own taste. Sometimes a manager was able to have a theater built to his specifications, as did Irish-American actor and dramatist 2110: 540:, who managed it with Lester Wallack as stage manager, Dion Boucicault as general director, and Theodore Moss as treasurer. Stuart, an Irishman whose real name was Edmund O'Flaherty, had been a Member of Parliament in the United Kingdom. An alleged embezzler, he fled to New York in 1854, and wrote for the 1168:

During the summer of 1889, the stage was removed and a "section stage" was constructed. The roof was raised 25 feet, so that the heaviest scenery could be drawn up out of sight without folding it. Electric lights were introduced in the auditorium and on the stage, though the gas was retained for use

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For something more than twenty years the most famous theatre in the United States was that of James W. Wallack, situated on the northeast corner of Broadway and Thirteenth Street. ... It was in this house the name of Wallack won its proudest laurels. W. Wallack was its first manager, but he never

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The elder Wallack performed October 20 through November 22, 1856, and May 11 through June 6, 1857. Brown asserts that Wallack's engagement was unsuccessful, that he played to the poorest houses of the season, and that he insisted on appearing in parts for which at this time he was too old, though he

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Brougham was a successful actor, but this enterprise failed. After two seasons, James W. Wallack leased the house and, following custom, renamed it for himself. Aged 57, he was a well-known and well-respected British American actor who had proved himself as a manager at the National Theater (Church

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As the city grew northward, James Wallack sought to follow. So did William Gibson, a glass stainer and supplier of architectural ornament, who by 1860 had acquired land on the northeast corner of Broadway and 13th Street for a new home for his business (and himself). Gibson was persuaded to include

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as lessees; Abbey as manager; and a stock company that included many of Wallack's former players. It was unsuccessful and lasted only one season but went out in style, with eleven weeks of old Wallack hits directed by Wallack himself. Wallack's health did not permit him to act, or even attend the

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Wallack's is, and has been for years, the best theater in the United States, and is quite as good as any in Europe outside of Paris. It is devoted almost entirely to comedy, and has no 'stars,' as that term is usually employed, but the most capable and best-trained company that can be selected at

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October 8, 1860 (cited above): "For the lot, 150 by 75, which has taken on a lease of ten years, he pays Mr. Gibson an annual rent of $ 10,000 a year, and all taxes, the rent to commence from to-day. In addition, he is to pay $ 2,500 for the entrance on Broadway, for the first five years, and $

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The building, which is erected on ground leased for 21 years, with the privilege of two renewals of 21 years each, has frontage of 105 feet on Broadway and 122 feet on Thirtieth-street. In due course, a nine-story flat-house will rise above the theatre , and shops will environ it. ... The main

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which prognosticates its future career to be triumphant. ... is capable of containing about 1,800 or 2,000 persons. ... The whole presents a very pretty little theatre. ... Mr. Trimble, the well-known builder, has added another 'story' to his architectural fame. ... The opening entertainments

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By 1895, the city's first-class theaters had reached the West 40's. In May, Moss announced that he was repositioning his 13th Street theater as a "popular-priced" house, but he immediately changed course, selling his interest, which comprised leases he held on the ground and building.

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His sons, Lester, age 32, and Charles, were stage-manager and treasurer, respectively. Theodore Moss, who was to become a lifelong associate of the Wallacks, was assistant treasurer and later became treasurer, his position for many years. Admissions were fifty and twenty-five cents.

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forcing 20,000 cubic feet of air a minute over two tons of ice in a basement tank, and then through ducts to registers under the main-floor aisles. Wall fans circulated the air. A huge sponge, saturated with perfume, was placed at the mouth of the principal air duct.

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in which Lester Wallack was a singularly graceful, handsome, and attractive hero. The rôle fitted him admirably. The play ran in 1863 for 125 nights, something almost unprecedented. ... The most phenomenal run at the house occurred during the following decade, when

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By 1881, shrinking audiences prompted Wallack to seek, once again, a new location farther north, where most of the theaters were located by that time. In February, he leased the corner of 30th Street and Broadway and agreed to sell his lease on number 844 to

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The establishment heretofore known as Brougham's Lyceum, which during the season had ceased to attract any share of public attention, passed into the hands of James W. Wallack, who, with , soon succeeded not only in rivaling, but in a measure superseding

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During the summer of 1888, the interior was largely redesigned and reconstructed to improve sightlines and add seats. On August 27, 1888, the theater opened with Theodore Moss as proprietor and Charles Burnham as manager. Johnson & Slavin's minstrels,

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by Charles Barnard, which—despite a similar racing scene—was an irredeemable failure. Early the next year he went on tour, leasing the theater as of January 27 to Walter Sanford, who soon subleased it to Jacob Litt, producer of melodramas.

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February 8, 1881. The White property was supplemented by two row-houses and later a third (29-33 West 30th Street), which were demolished to make room for the stage, except that half of each, facing the street, was carefully preserved for dressing

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The last night at Wallack's was an appropriate climax to nine months of brilliantly successful management. ... The entertainment offered on behalf on Monday was, in our opinion, the very best that had been advertised anywhere for a twelve-month.

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Here Wallack had an excellent stock company as before; but the house never became so famous or so popular as the old Thirteenth Street theatre—perhaps, because a new generation of theatre goers had grown up and the actor-manager was getting

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Moss died July 13, 1901, at his country home in Sea Bright, New Jersey, just a few weeks after the Star Theatre's demolition. Moss' eldest daughter had married Lester Wallack's eldest son; another daughter was married to architect

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and his troupe began a repertory season at Wallack's. In March, plans were announced for a 12-story factory building to replace 29–33 West 30th Street – i. e., the stage and dressing rooms – curtailing Barker's run.

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to much acclaim. Lester's first appearance in the United States had been made, also to much acclaim, at age 27 on opening night of the aforementioned Broadway Theatre, September 27, 1847, playing Sir Charles Coldstream in the

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The next season opened Saturday night, August 29, 1896, with low admission prices, under the management of R. M. Gulick & Co. (Gulick, Henry M. Bennett, William T. Keogh, and Thomas Davis), who also operated theaters in

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and (formerly) Union Square Theatres, took a ten-year lease, announcing that he would rename the house after himself. The next season began October 11, 1887, with Lester Wallack as proprietor; Theodore Moss and the firm of

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had gained a reputation in them twenty years before. Wallack did not perform during the 1857–58 season, and he resumed management of the theater in fall 1858. He appeared for the first time that season on December 9, as

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That summer Wallack announced the house would be devoted to touring companies exclusively; it was extensively redecorated and the stage rebuilt with traps and built-in platforms. The new season opened August 27 with

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with its famous racing scene which featured real horses on treadmills. Burgess spent six months rebuilding the stage, electrical lighting system, and dressing rooms. On November 2, 1895, he opened in a new vehicle:

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published an investigation of ticket speculation, a subject of public complaint, and its connection to theater managements, beginning December 13, with an article spotlighting the Star Theatre and Theodore Moss.

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By November 1896, Palmer was $ 31,000 in arrears to Moss, who threatened to sue. Instead, Palmer relinquished his lease two years early, on November 16. Moss restored the theater's original name on December 7.

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And losing his health. The Wallack stock company played six seasons at 30th Street and 35 altogether. The company ended its last home season on May 7, 1887, played a week in Brooklyn, and on May 16 went to

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The new building opened in 1916. The rest of the theatre was turned into retail stores, until it was replaced in 1931 by an eight-story factory building, 1220 Broadway. Both are office buildings today.

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played there, and to all intents and purposes J. Lester Wallack, with Theodore Moss in the business department, was from the first head and front of the theatre. ... The initial program was

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stated that Clare's work for Wallack gained Clare "the reputation of possibly the finest set designer in America, with his settings admired for their elegance and proper sense of period".

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commenced with a humorous and appropriate address, entitled 'Brougham and Co.,' in which the whole company were introduced. ... The performances concluded with the laughable interlude of

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Sketches for the interior of the theater were begun by Trimble, the last he ever made: the work and his career were ended by blindness. The design was carried out by his student

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Burgess went bankrupt and Moss reacquired the primary leases, which expired May 1, 1899, finally ending his association with the Star Theatre. In that year the ground owner,

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In 1861, Wallack moved his company. After he left number 485, the theater was continued under various managers and names and underwent various vicissitudes — German opera,

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Jenkins:208. (See also Brown v1:511–12.) The present building at 483–485 Broadway was constructed between September 1, 1869 and March 31, 1870, according to:

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Octavia Moss became the manager of Wallack's Theatre, with active control in the hands of her son, Royal, and Charles Burnham continuing as business manager.

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According to Brown, some of the notable performances in the 1860s, not only on account of their artistic quality, but on account of the large receipts, were

626:, who managed the house for its last two years. The final performance was a benefit for Williams' business manager on Wednesday, April 28, 1869, comprising 4127: 959:, with a festive program, but the move proved disastrous. By early 1883, he was bankrupt, and sold the theater back to Lester Wallack, who renamed it the 2896: 3605: 3575: 4975: 1267: 1176:

For the next six seasons (1889–95) Theodore Moss managed the theater himself. His biggest star was comedian William H. Crane, whose hits included

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and Leonard Streets) from 1837 until it burned down in 1839. After extensive renovation, he opened his new theater on September 8, 1852, with

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Each theater operated under other names and managers after (and in one case before) the Wallack company's tenure. All three are demolished.

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Ground was broken for Lester Wallack's new theater on the northeast corner of 30th Street and Broadway May 21, 1881, and on December 4,

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appeared, among many other stars. On May 16, 1898, the Royal Italian Grand Opera Company gave the New York premiere of Puccini's opera

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For the next five years (1896–1901) Moss, with his son, Royal E. Moss, managed the theater as a combination house. Maurice Barrymore,

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In January 1915, the Treblig Realty Company, comprising Mrs. Moss' heirs, sold the theater. On January 27, English actor-manager

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There are two theatres in New York, and but two which are devoted exclusively to the performance of the regular drama; these are

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The last performance at Wallack's 30th Street theater occurred on Saturday night, May 1, 1915, when Barker's company presented

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Today the entire block is occupied by a 1999 mixed-use building, with an entrance to a multiplex cinema on the Wallack's site.

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which had an exceptionally fine cast" led by John Gilbert and Rose Coghlan. As in the past, the treasurer was Theodore Moss.

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October 6, 1858 (scroll down to "Wallack's Theatre", which gives a review of the opening night naming "Mr. Lester Wallack").

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Mrs. Moss died January 15, 1910. Royal Moss, administrator of her estate, leased Wallack's Theatre to Charles Burnham.

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and (formerly) Union Square Theatres, took a ten-year lease, announcing that he would rename the house after himself.

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May 15, 1902 (fourth paragraph). Note the mention of Mrs. Lester Wallack's benefit the same month (first paragraph).

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and reopened it on March 26 with an engagement by a company headed by Boucicault presenting several of his plays.

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company played 30 weeks in 1889 and 17 in 1891. Comic operas were also given by the companies of Henry E. Dixey,

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August 10, 1855 ). Lester had two additional siblings, James and Henry, neither in theater (Florence:457).

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The next season began October 11, 1887, with Lester Wallack as proprietor; Theodore Moss and the firm of

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George Albree Freeman (1859–1934), born and raised in New York City, graduated in architecture from the

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In May 1902, Mrs. Moss renewed the ground lease. Over the following years, the theater's hits included

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The elder Wallack had made his first appearance in America at age 24, on September 7, 1818, playing

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America's film legacy:the authoritative guide to the landmark movies in the National Film Registry

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Lester Wallack died at his country home near Stamford, Connecticut, September 6, 1888, age 68.

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were given, and between the pieces Mr. Wallack—the Veteran himself—delivered his annual speech.

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Lester's new play, which ran 102 nights; and ended his acting career on May 14, as Benedick in

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For an overview of this theater's history, see Burnham, especially from p. 74, last paragraph.

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Palmer's Theatre, 30th Street, in 1892. Previously and subsequently called Wallack's Theatre.

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House in its first season (1883–84) and again subsequently. Johnson and Slavin's minstrels,

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opened October 8, 1888, as a "combination house" (i. e., a theater for the presentation of

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played an important part in the history of American theater as the successive homes of the

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Montgomery, George Edgar (1889). "The Last Year of 'Wallack's'". In Fuller, Edward (ed.).

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Wallack's Theatre, 30th Street, as planned. Apartments over the entrance were not built.

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During the summer of 1890, a new cooling system was installed, with an electric-powered

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in 2002. The theater was replaced by an eight-story commercial structure, designed by

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since 1873. On July 2, Wallack's company closed its last season at the old house with

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Moses King, Boston, 1892; pp. 538 (Brougham's), 550–51 (Palmer's), 557–58 (Star)

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made her theatrical debut at Wallack's in 1854. In 1855, Wallack engaged the actress

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Number 481, with the sign "A. Roux," appears to be extant. See Google Street View.

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On May 30 its engagement, and its existence, ended. Wallack retired as a manager.

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website. Searchable archive of old New York State newspapers; no permanent links.

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April 7, 1901 has an interview with a veteran of both the 485 and 844 companies.

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The 1847 Broadway Theatre had closed permanently on April 2, 1859 (Ireland:682).

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again starring Gilbert and Coghlan. In July Abbey stepped down as manager and

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again starring Gilbert and Coghlan. In July Abbey stepped down as manager and

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The new theater was dedicated January 4, 1882, "with a magnificent revival of

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Biographical Records of Charlotte Thompson: "the Hope of the American Stage"

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Vol. 36, No. 256 (July 1922), p. 36, col. 1, last paragraph and following.

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was opened last evening, before a brilliant and crowded audience, with an

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to New York to become his company's resident designer. Theatre historian

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The first season closed June 9, 1862, with a benefit to Theodore Moss.

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It was his last appearance on any stage; he died Christmas Day, 1864.

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September 14, 1873 (scroll down). He was followed at that theater by

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Vol. 3, No. 14 (February 1854). G. P. Putnam & Co., New York:151.

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was read by Rose Coghlan, the leading lady on opening night in 1882.

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For the former theater at 254 West 42nd Street in New York City, see

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White, "The Lambs Club," location 8467. The building is now (2012)

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This article incorporates text from this source, which is in the

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5th ed., Kindle version. Oxford University Press, New York, 2010

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September 15, 1896 (scroll down; on second daughter's marriage)

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On Saturday, April 20, 1901, with Thomas E. Shea starring in

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On August 22, 1887, the house opened under the management of

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in his development a new home for Wallack's company as well.

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in 1845 after its destruction by fire, and had designed the

2010:(morning ed.). September 9, 1852. p. 4, column 5. 1992:(morning ed.). September 2, 1852. p. 7, column 4. 1472:

Wallack's Theatre (right) at 30th Street in 1910. At left,

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In 1871 Lester Wallack brought the English scenic designer

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the Star Theatre closed forever. There was no ceremony. A

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Over the next several years, there appeared such stars as

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Publications of the Dunlap Society, No. 7, New York, 1889

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Among the performers appearing at Palmer's Theatre were

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had a multi-week run in 1885–86 and another in 1886–87.

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For the two seasons 1856–58 Wallack leased the house to

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844 Broadway, rear; view NW from 4th Ave. and 13th St.

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SoHo - Cast-Iron Historic District Designation Report

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from diagonally across Broadway; it was added to the

399:

The performances at the new theater were principally

1976:

Brown v1:243–54 and Florence:455 last sentence – 456

1785:(1907–08), a musical comedy with book and lyrics by 955:. On September 15 Neuendorff opened at 844, renamed 570:

on January 17 created the part of Colonel Delmar in

5019: 4848: 4672: 4571: 4460: 4403: 4374: 4325: 4266: 4167: 3851:

Players of a Century: A Record of the Albany Stage,

3675:"The Theater's on a Roll, Gliding Down 42nd Street" 1769:(1906–07), a musical farce with book and lyrics by 3759:, revised ed. Macmillan, New York and London, 1915 622:. On April 1, 1867, Wood transferred the lease to 3863:Columbia University Libraries Digital Collections 2462:August 7, 1881, col. 4, "Wallack's New Theatre"; 5121:Demolished buildings and structures in Manhattan 4985: 2399:The Concise Oxford Companion to American Theatre 2397:Bordman, Gerald Martin (1987). "Clare, Joseph". 997:stock company of London (whose leading lady was 3611:Vol. 95, No. 2451 (March 6, 1915):375, col. 1; 3024:Hotel, with a restaurant called The Lambs Club. 2213:New York City Landmarks Preservation Commission 1920:. November 17, 1987. p. 2, last paragraph. 1918:New York City Landmarks Preservation Commission 332:On December 23, 1850, John Brougham opened his 3807:G. P. Putnam's Sons, New York and London, 1911 3581:Vol. 95, No. 2443 (January 9, 1915):58, col. 3 1266:, which began the same month, was made by the 1010:appeared for a month in December and January. 5000: 4121: 3827:Chatto & Windus, Piccadilly, London, 1887 3340:March 2, 1881 (on eldest daughter's marriage) 3011:, p. 6, with drawings on the following pages. 2061:Wallack:11-12, Winter:318, Brown v1:498, and 8: 4810:Lewisohn Stadium of City College of New York 1953:"Brougham's Theatre–The Opening Night" 906:But the great run of those days was made by 5151:Buildings and structures demolished in 1931 5146:Buildings and structures demolished in 1915 5141:Buildings and structures demolished in 1869 5136:Buildings and structures demolished in 1901 3739:American Publishing Company, Hartford, 1869 3736:The Great Metropolis; A Mirror of New York. 3175: 3173: 2742:November 3, 1895, p. 4 col. 6 (scroll down) 1504:, across the street, for a two-week run of 581:He managed the house for two more seasons. 4568: 4557: 4164: 4153: 4128: 4114: 4106: 3515:"Arliss as 'Disraeli' in a Parker Romance" 3201:. Boston: Ticknor and Company. p. 62. 3146: 3144: 1278:, whose principal tenant was the clothier 584:Ireland's assessment (published in 1867): 3781:Routledge, New York, 2003; pp. 36–40 3349:July 9, 1888 (on eldest daughter's death) 3188:"Amusements. The Last Night at Wallack's" 2133:Historical Dictionary of American Theater 2043:Wallack:18, Jenkins:208, and Brown v1:477 1097:, John B. Schoeffel, and Maurice Grau as 793:Among the actors were, at various times, 3871:Robinson's Atlas of the City of New York 3727:A History of the New York Stage, Vol. 3. 3718:A History of the New York Stage, Vol. 2. 3709:A History of the New York Stage, Vol. 1. 3050: 3048: 3005:The American Architect and Building News 2807:"Famous Star Theatre is to be Torn Down" 2543:"John B. Schoeffel Dies in Boston at 72" 1331: 661: 651: 380:, a theater specialist, had rebuilt the 125: 107:485 Broadway: Brougham's Lyceum 1850–52. 5131:1850 establishments in New York (state) 3886:Charles Scribner's Sons, New York, 1889 3861:F. W. Dodge Corp., New York. Online at 3753:Elson, Louis Charles and Elson, Arthur 3210: 3208: 3166:. January 9, 1889. p. 7, column 3. 2985: 2983: 1893: 1825:(1911–12) by Louis N. Parker, starring 1268:American Mutoscope and Biograph Company 638:two dance numbers, and performers with 3859:Real Estate Record and Builders' Guide 3842:Maps of the City of New York, Vol. 4. 3795:Records of the New York Stage, Vol. 2. 3730:Dodd, Mead and Company; New York; 1903 3721:Dodd, Mead and Company; New York; 1903 3712:Dodd, Mead and Company; New York; 1903 3609:Real Estate Record and Builders' Guide 3579:Real Estate Record and Builders' Guide 3530:"Lots of Suspense in Maude's New Play" 3451:"How the Squaw Man is not the Shawman" 2967: 2965: 1173:and woodwork. The capacity was 1,573. 34:Former theatres in Manhattan, New York 3833:Maps of the City of New York, Vol. 3. 3076:"Big Thrill in New Play by Armstrong" 2881:"New Building on Star Theatre's Site" 2271:, which shows address as 844 Broadway 1400:Massachusetts Institute of Technology 69:Three New York City playhouses named 7: 5116:Demolished theatres in New York City 3889:White, Norval and Willensky, Elliot 3500:"An Exquisite Idyl of Georgian Days" 3137:. May 29, 1887. p. 5, column 1. 3007:Vol. 13, No. 367 (January 6, 1883). 2661:March 20, 1890, col. 2 (scroll down) 2159:Brown v1:489, 463; McCarthy:145–47; 1707:Program for week of January 19, 1914 784:In 1869, Junius Henri Browne wrote: 3845:Perris & Browne, New York, 1859 3239:"Forty Years on the New-York Stage" 3131:"The Close of Mr. Wallack's Season" 3098:lectured at the theater on May 11 ( 2995:website. Retrieved October 2, 2015. 2977:website. Retrieved October 2, 2015. 2631:November 27, 1888; and Franceschina 1799:(1910) by Paul Armstrong, starring 371:The Light Guard, or Woman's Rights. 3868:Robinson, E. & Pidgeon, R. H. 3750:Vol. 21 No. 168 (February 1915):72 3591:"Barker's Season Happily Launched" 3325:"Theodore Moss to Lie in Woodlawn" 2774:April 27, 1899 (scroll down); and 2464:"Amusements: A New German Theatre" 2098:. St. Louis: George Knapp & Co 1729:(1903–04) by George Ade, starring 1652: 25: 4880: 3813:King's Handbook of New York City. 3804:The Greatest Street in the World. 3618:March 4, 1915 (scroll down); and 2337:"Local Intelligence.; Amusements" 2278:, which shows address as 842–846. 1837:and T. Wigney Percyval, starring 1539:last performance on May 5, 1888: 1521:last performance on May 5, 1888: 5052:Burton's Chambers Street Theatre 3855:Edgar S. Werner, New York, 1890 3375:July 19, 1901:6, col. 6 (bottom) 2769:"Neil Burgess Out of Bankruptcy" 2694:"New Policy of the Star Theatre" 2108: 2092:Garrett, Thomas Ellwood (1863). 1557: 1506:The Romance of a Poor Young Man. 1465: 1451: 1437: 1309: 728: 410: 112: 100: 55: 43: 3874:. (New York: E. Robinson, 1885) 3649:"The Stage Honors Rose Coghlan" 3640:May 1, 1915 (scroll down); and 3635:"Farewell at Wallack's Tonight" 2886:November 30, 1899 (scroll down) 2701:"Neil Burgess Secures the Star" 2647:January 8, 1889; accomplished: 2450:"Amusements: Wallack's Theatre" 1868:The Man Who Married a Dumb Wife 1715:(1902–03), a musical satire by 1584:, Rose Coghlan, Mary Anderson, 1422:, in Sarasota (1932); expanded 833:, Mary Gannon, Mrs. John Hoey, 504:The Romance of a Poor Young Man 327: 217:George L. Fox's Olympic Theatre 2992:Connecticut Historical Society 2767:March 10, 1899 (scroll down); 2763:and "Neil Burgess a Bankrupt" 2490:August 19, 1883; and Elson:119 2022:"Death of Mr. Charles Wallack" 2020:Charles Wallack died in 1855 ( 1958:December 24, 1850, p. 1 col. 6 1815:, starring George Giddens and 1141:, Fanny Davenport, John Wild, 119:In 1867: the Broadway Theatre. 1: 4529:Blue Note Entertainment Group 3820:McCarthy, Justin Huntly, M.P. 3798:T. H. Morrell, New York, 1867 3756:The History of American Music 3671:. Retrieved October 2, 2015. 3370:"Future of Wallack's Theatre" 3100:"Mr. Wilde on Decorative Art" 2936:December 4, 1881. Details at 2716:"Neil Burgess's Star Theatre" 2654:September 8, 1889; capacity: 2004:"Opening of Wallack's Lyceum" 4921:Koster and Bial's Music Hall 4871:Barnum's New American Museum 4411:Circle in the Square Theatre 3576:"Wallack's Theatre in Trade" 3323:July 14, 1901, p. 4 col. 4; 3160:"John Lester Wallack's Will" 2908:For 1885 map, see Robinson, 2899:. Retrieved October 2, 2015. 2781:August 9, 1899 (scroll down) 2761:"The Star Theatre to Remain" 2687:"Theatres Follow Population" 1653:Wallack's Theatre, 1896–1915 922:which had 143 performances." 3949:GPX (secondary coordinates) 3891:AIA Guide to New York City, 3647:1915-05-02; Patterson, Ada 3566:April 6, 1910 (scroll down) 3312:July 20, 1901 (scroll down) 3198:The Dramatic Year 1887–1888 2723:"Mr. Burgess in a New Play" 2448:May 4, 1881, paragraph 13; 2436:"A New Owner for Wallack's" 1083:McCaull Comic Opera Company 664:844 Broadway at 13th Street 646:844 Broadway at 13th Street 5167: 4931:Madison Square Roof Garden 4765:Daly's 63rd Street Theatre 4437:Samuel J. Friedman Theatre 4376:Roundabout Theatre Company 3981:(30th Street and Broadway) 3961:Internet Broadway Database 3744:"The Passing of Wallack's" 3688:Internet Broadway Database 3606:"End of Wallack's Theatre" 3561:"Burnham Leases Wallack's" 3440:Internet Broadway Database 3344:"Mrs. Arthur Wallack Dead" 3335:"The Eve of the Long Fast" 3331:July 16, 1901, p. 9 col. 4 3216:"Mr. Palmer Has Wallack's" 3152:"The Changes at Wallack's" 3071:Internet Broadway Database 2269:Internet Broadway Database 2175:Brown v1:492–93 and 497–99 2129:"Gannon, Mary (1829—1868)" 1334:30th Street & Broadway 1310:Wallack's Theatre, 1881–88 853:, and Madeline Henriques. 729:Wallack's Theatre, 1861–81 509:Knights of the Round Table 411:Wallack's Theatre, 1852–61 328:Brougham's Lyceum, 1850–52 26: 5126:John M. Trimble buildings 4790:George M. Cohan's Theatre 4567: 4562:Defunct and/or demolished 4556: 4213:Gerald Schoenfeld Theatre 4188:Bernard B. Jacobs Theatre 4163: 4152: 4143: 3944:GPX (primary coordinates) 3901:Brief Chronicles, Part I. 3836:Perris & Browne, 1853 3770:The North American Review 3613:"Wallack's Theatre to Go" 3232:"Death of Lester Wallack" 2776:"The Star Theatre Leased" 2161:"Death of William Stuart" 1833:(1913–14), a thriller by 1767:The Rich Mr. Hoggenheimer 1558:Palmer's Theatre, 1888–96 1536:Abbey, Schoeffel and Grau 1518:Abbey, Schoeffel and Grau 1099:Abbey, Schoeffel and Grau 1031:Johnston Forbes–Robertson 938:Germania Theatre, 1881–83 271:The Broadway Amphitheatre 5111:Former Broadway theatres 5037:Barnum's American Museum 4820:Maxine Elliott's Theatre 4629:Metropolitan Opera House 4385:Stephen Sondheim Theatre 4268:Nederlander Organization 4223:James Earl Jones Theatre 4169:The Shubert Organization 4095:30th Street and Broadway 3927:Download coordinates as: 3883:Memories of Fifty Years. 3824:Ireland since the Union. 3551:January 16, 1910, col. 2 3466:"Sam Bernard's New Play" 3353:"Married at the Waldorf" 3305:1901-07-19 (last item); 3263:"Mr. Moss in Possession" 2938:"Wallack's Uptown House" 2897:"One Union Square South" 2671:"Just Where to Get Cool" 2642:"The Star's Next Season" 2457:"Theatres Getting Ready" 2137:Rowman & Littlefield 1669:, William H. Crane, and 1574:Benoît–Constant Coquelin 1288:30th Street and Broadway 1143:Benoît–Constant Coquelin 518:To Marry or Not to Marry 390:Barnum's American Museum 369:and a new piece, called 314:theatrical stock company 4745:Civic Repertory Theatre 4740:Charles Hopkins Theatre 4447:Vivian Beaumont Theater 4317:Richard Rodgers Theatre 4208:Ethel Barrymore Theatre 3400:"New Plays Last Night. 3237:September 7, 1888; and 2974:Sarasota History Alive! 2931:"Wallack's New Theatre" 2844:Eagan, Daniel. (2010). 2800:"The Star Now a Memory" 2403:Oxford University Press 2232:"The Star Now a Memory" 1586:Mrs. James Brown–Potter 1541:The School for Scandal, 1523:The School for Scandal, 1485:The School for Scandal, 967:Star Theatre, 1883–1901 522:Augustus Glossop Harris 367:Deeds of Dreadful Note, 184:The Broadway Music Hall 50:844 Broadway before ... 5032:Anthony Street Theatre 4505:Mark Hellinger Theatre 4346:Eugene O'Neill Theatre 3917:Map of all coordinates 3724:Brown, Thomas Allston 3715:Brown, Thomas Allston 3620:"Mid-Broadway Changes" 3419:"George Ade in Comedy" 3307:"Theodore Moss's Will" 3293:Theodore Moss obituary 3164:New-York Daily Tribune 3135:New-York Daily Tribune 2728:November 3, 1895; and 2518:"The Man in the Lobby" 1862:Androcles and the Lion 1721:Alfred George Whathall 1708: 1497: 1416:Sea Bright, New Jersey 1330: 1306: 1297:The School for Scandal 1280:Rogers, Peet & Co. 1272:National Film Registry 1264:film of the demolition 1157:Specialty Company and 1027:John Edward McCullough 924: 880:The School for Scandal 876:Still Waters Run Deep, 791: 779: 756: 657: 632:The Returned Volunteer 602:After Wallack, 1861–69 599: 577:Much Ado About Nothing 566:The Merchant of Venice 490:James Sheridan Knowles 479: 424:The Way to Get Married 376:Builder and architect 374: 249:The German Opera House 228:Mary Provost's Theatre 206:Mary Provost's Theatre 5082:Richmond Hill Theatre 5062:Nassau Street Theatre 5011:Winter Garden Theatre 4911:Herald Square Theatre 4835:Sam H. Harris Theatre 4800:Knickerbocker Theatre 4619:International Theatre 4427:New Amsterdam Theatre 4341:August Wilson Theatre 4336:Al Hirschfeld Theatre 4287:Lunt-Fontanne Theatre 4258:Winter Garden Theatre 4084:40.74690°N 73.98809°W 4045:40.73404°N 73.99070°W 4006:40.72169°N 74.00020°W 3939:GPX (all coordinates) 3733:Browne, Junius Henri 3705:Brown, Thomas Allston 3665:"29 West 30th Street" 3300:"Topics of the Times" 3066:Alias Jimmy Valentine 3059:Alias Jimmy Valentine 2649:"Changes at the Star" 2516:August 28, 1883; and 2127:James Fisher (2015). 1796:Alias Jimmy Valentine 1706: 1616:, Julia Marlowe, and 1567:combination companies 1492: 1404:Stamford, Connecticut 1325: 1295: 1276:Clinton & Russell 1257:The Man-o'-War's Man, 1250:William Waldorf Astor 1117:, and the Florences. 904: 892:The Belle's Stratagem 885:Captain of the Watch, 871:She Stoops to Conquer 805:, J. W. Wallack Jr., 786: 766: 754:, September 25, 1861. 743: 655: 586: 547:He later managed the 471: 352: 312:whose business was a 195:The New York Athenæum 4971:Paradise Roof Garden 4856:Abbey's Park Theatre 4815:Lyric Theatre (1903) 4775:Fifth Avenue Theatre 4770:Earl Carroll Theatre 4535:Times Square Theater 3877:Wallack, Lester and 3385:"Notes of the Stage" 3316:"Theodore Moss Dies" 3128:Brown v3:324–25 and 3022:The Chatwal New York 2971:"Federal Building", 2573:"Seasick, But Funny" 2469:September 16, 1881; 1645:) in 1893 and 1894. 1600:, Marie Wainwright, 983:Francesca da Rimini, 865:The Provoked Husband 695:The Germania Theatre 429:The Boarding School. 344:. The next day, the 282:The Broadway Theatre 260:The New York Theatre 62:and after alteration 5057:John Street Theatre 4951:New Theatre Comique 4941:Murray Hill Theatre 4695:American Music Hall 4690:49th Street Theatre 4685:44th Street Theatre 4680:39th Street Theatre 4639:New Century Theatre 4579:48th Street Theatre 4515:New Victory Theater 4509:Times Square Church 4470:Ed Sullivan Theater 4395:Todd Haimes Theatre 4366:Walter Kerr Theatre 4302:Nederlander Theatre 4228:John Golden Theatre 4089:40.74690; -73.98809 4079: / 4050:40.73404; -73.99070 4040: / 4011:40.72169; -74.00020 4001: / 3979:"Wallack's Theatre" 3792:Ireland, Joseph N. 3775:Franceschina, John 3186:February 12, 1888; 3157:May 11, 1887; and 3009:"The Illustrations" 2830:Library of Congress 2656:"Theatrical Gossip" 2624:The Crystal Slipper 2588:"Theatrical Gossip" 2509:Francesca da Rimini 2027:August 9, 1855 and 2008:The New York Herald 1990:The New York Herald 1956:The New York Herald 1726:The County Chairman 1428:Lambs Club Building 1336: 1305:for January 7, 1882 1163:Chicago Opera House 1159:The Crystal Slipper 1059:William J. Florence 1035:William E. Sheridan 825:, Charles Coghlan, 771:The Little Treasure 666: 614:, concerts, Lent's 526:The Little Treasure 396:(a concert venue). 354:This new temple of 176:, November 1, 1852 130: 5006:Weber's Music Hall 4946:New Bowery Theatre 4825:Nora Bayes Theatre 4795:Hippodrome Theatre 4659:Vanderbilt Theatre 4307:Neil Simon Theatre 4282:Lena Horne Theatre 4198:Broadhurst Theatre 4178:Ambassador Theatre 3967:"Broadway Theatre" 3678:The New York Times 3645:The New York Times 3638:The New York Times 3623:The New York Times 3616:The New York Times 3594:The New York Times 3564:The New York Times 3549:The New York Times 3533:The New York Times 3520:September 19, 1911 3518:The New York Times 3503:The New York Times 3488:The New York Times 3483:A Knight for a Day 3469:The New York Times 3454:The New York Times 3422:The New York Times 3407:The New York Times 3402:The Sultan of Sulu 3388:The New York Times 3356:The New York Times 3347:The New York Times 3338:The New York Times 3310:The New York Times 3303:The New York Times 3296:The New York Times 3266:The New York Times 3242:The New York Times 3235:The New York Times 3219:The New York Times 3214:Brown v3:329 and 3191:The New York Times 3184:The New York Times 3155:The New York Times 3103:The New York Times 3079:The New York Times 2957:The New York Times 2941:The New York Times 2934:The New York Times 2884:The New York Times 2810:The New York Times 2803:The New York Times 2779:The New York Times 2772:The New York Times 2765:The New York Times 2726:The New York Times 2721:October 10, 1895; 2719:The New York Times 2704:The New York Times 2699:May 15, 1895; and 2697:The New York Times 2690:The New York Times 2674:The New York Times 2659:The New York Times 2652:The New York Times 2645:The New York Times 2629:The New York Times 2610:The New York Times 2591:The New York Times 2576:The New York Times 2561:The New York Times 2558:Untitled obituary: 2546:The New York Times 2521:The New York Times 2514:The New York Times 2503:The New York Times 2500:"The Star Theatre" 2488:The New York Times 2485:"The Star Theatre" 2481:The New York Times 2474:The New York Times 2467:The New York Times 2460:The New York Times 2453:The New York Times 2446:The New York Times 2439:The New York Times 2420:The New York Times 2417:"The German Drama" 2340:The New York Times 2306:The New York Times 2293:The New York Times 2240:The New York Times 2164:The New York Times 2066:The New York Times 2032:The New York Times 2025:The New York Times 1783:A Knight for a Day 1755:Edwin Milton Royle 1713:The Sultan of Sulu 1709: 1490:Jenkins comments: 1402:. He practiced in 1390:The New York Times 1332: 1321:The New York Times 1307: 1215:The purchaser was 1111:Alexander Herrmann 1103:Metropolitan Opera 1003:The New York Times 859:The Poor Gentleman 761:The New York Times 748:The New President, 720:The New York Times 692:September 15, 1881 681:September 25, 1861 662: 658: 628:Ireland as It Was, 612:legitimate theatre 514:Elizabeth Inchbald 482:Charlotte Thompson 246:September 15, 1862 174:The New York Times 126: 77:managed by actors 5098: 5097: 5094: 5093: 5090: 5089: 5001:Wallack's Theatre 4936:Manhattan Theatre 4906:Grand Opera House 4760:Criterion Theatre 4649:President Theatre 4644:Playhouse Theatre 4552: 4551: 4548: 4547: 4463:Broadway theatres 4361:St. James Theatre 4327:ATG Entertainment 4248:Music Box Theatre 4137:Broadway theatres 3801:Jenkins, Stephen 3742:Burnham, Charles 3680:February 28, 1998 3663:Emporis Website, 3535:November 25, 1913 3505:December 21, 1910 3490:December 17, 1907 3424:November 25, 1903 3409:December 30, 1902 3268:November 20, 1896 3244:September 7, 1888 3193:May 6, 1888; and 3179:Brown v3:325–29; 3150:Brown v3:324–25; 3092:Brown v3:310–11. 2895:Emporis Website, 2685:Brown v2:327-38; 2548:September 1, 1918 2523:December 13, 1883 2505:August 21, 1883; 2369:Browne, J. H.:179 2290:"The New Theatre" 2166:December 29, 1886 2079:Putnam's Monthly, 1759:William Faversham 1582:Richard Mansfield 1408:Sarasota, Florida 1396: 1395: 1200:Sturtevant blower 1189:and, especially, 1184:The Pacific Mail, 1043:Maurice Barrymore 981:'s production of 945:Adolph Neuendorff 739:Thomas R. Jackson 726: 725: 722:, April 21, 1901 684:Wallack's Theatre 450:Dion Boucicault's 299: 298: 268:November 10, 1863 257:September 7, 1863 170:Wallack's Theatre 156:September 8, 1852 148:Brougham's Lyceum 145:December 23, 1850 71:Wallack's Theatre 16:(Redirected from 5158: 5067:National Theatre 5047:Broadway Theatre 5027:American Theatre 4996:Victoria Theatre 4976:Princess Theatre 4956:New York Theatre 4881:Broadway Theatre 4861:Academy of Music 4830:Princess Theatre 4720:Broadway Theatre 4664:Ziegfeld Theatre 4604:Colonial Theatre 4569: 4558: 4297:Minskoff Theatre 4277:Gershwin Theatre 4243:Majestic Theatre 4233:Longacre Theatre 4218:Imperial Theatre 4203:Broadway Theatre 4165: 4158:Active, by owner 4154: 4130: 4123: 4116: 4107: 4103: 4102: 4100: 4099: 4098: 4096: 4091: 4090: 4085: 4080: 4077: 4076: 4075: 4072: 4064: 4063: 4061: 4060: 4059: 4057: 4052: 4051: 4046: 4041: 4038: 4037: 4036: 4033: 4025: 4024: 4022: 4021: 4020: 4018: 4013: 4012: 4007: 4002: 3999: 3998: 3997: 3994: 3879:Hutton, Laurence 3839:Perris, William 3830:Perris, William 3766:"Lester Wallack" 3692: 3661: 3655: 3652:Theatre Magazine 3632: 3626: 3603: 3597: 3596:January 28, 1915 3588: 3582: 3573: 3567: 3558: 3552: 3542: 3536: 3527: 3521: 3512: 3506: 3497: 3491: 3478: 3472: 3471:October 23, 1906 3463: 3457: 3456:October 24, 1905 3448: 3442: 3431: 3425: 3416: 3410: 3397: 3391: 3382: 3376: 3373:New-York Tribune 3367: 3361: 3329:New-York Tribune 3320:New-York Tribune 3284: 3278: 3275: 3269: 3260: 3254: 3251: 3245: 3228: 3222: 3212: 3203: 3202: 3177: 3168: 3167: 3148: 3139: 3138: 3126: 3120: 3117: 3111: 3090: 3084: 3081:January 22, 1910 3052: 3043: 3040: 3034: 3031: 3025: 3018: 3012: 3002: 2996: 2987: 2978: 2969: 2960: 2951: 2945: 2928: 2922: 2919: 2913: 2906: 2900: 2893: 2887: 2878: 2872: 2869: 2840: 2838: 2836: 2819: 2813: 2805:April 21, 1901. 2797: 2791: 2788: 2782: 2758: 2752: 2749: 2743: 2713: 2707: 2692:April 18, 1895; 2683: 2677: 2668: 2662: 2638: 2632: 2619: 2613: 2612:January 22, 1889 2600: 2594: 2585: 2579: 2570: 2564: 2555: 2549: 2539: 2533: 2530: 2524: 2497: 2491: 2476:March 27, 1883; 2471:"Mr. Boucicault" 2433: 2427: 2415:Brown v3:81 and 2413: 2407: 2406: 2394: 2388: 2385: 2379: 2376: 2370: 2367: 2361: 2358: 2352: 2349: 2343: 2334: 2328: 2325: 2319: 2316: 2310: 2302: 2296: 2287: 2281: 2259: 2253: 2252: 2250: 2248: 2243:. April 21, 1901 2236: 2228: 2222: 2209: 2203: 2200: 2194: 2191: 2185: 2182: 2176: 2173: 2167: 2157: 2151: 2150: 2124: 2118: 2112: 2111: 2107: 2105: 2103: 2089: 2083: 2075: 2069: 2059: 2053: 2050: 2044: 2041: 2035: 2018: 2012: 2011: 2000: 1994: 1993: 1983: 1977: 1974: 1968: 1965: 1959: 1950: 1944: 1941: 1935: 1928: 1922: 1921: 1915: 1907: 1901: 1898: 1853:Granville Barker 1775:Ludwig Engländer 1695:C. P. H. Gilbert 1659:Lionel Barrymore 1563:Palmer's Theatre 1469: 1455: 1441: 1373:December 7, 1896 1337: 1299:on the cover of 1221:The County Fair, 1155:Howard Athenaeum 1139:Marie Wainwright 1067:William H. Crane 1023:Fanny Janauschek 1015:Joseph Jefferson 979:Lawrence Barrett 957:Germania Theatre 803:James Williamson 706:The Star Theatre 667: 620:Broadway Theatre 553:New Park Theatre 543:New York Tribune 528:, among others. 466:Putnam's Monthly 454:Charles Mathews' 386:Broadway Theatre 302:James W. Wallack 167:November 1, 1852 159:Wallack's Lyceum 131: 116: 104: 79:James W. Wallack 59: 47: 21: 18:Wallacks theatre 5166: 5165: 5161: 5160: 5159: 5157: 5156: 5155: 5101: 5100: 5099: 5086: 5072:Olympic Theatre 5042:Booth's Theatre 5015: 4991:Theatre Comique 4966:Olympic Theatre 4886:Central Theatre 4866:Bandbox Theatre 4844: 4840:Waldorf Theatre 4785:Garrick Theatre 4755:Concert Theatre 4735:Century Theatre 4725:Casino de Paris 4710:Belmont Theatre 4668: 4634:Morosco Theatre 4584:Adelphi Theatre 4563: 4544: 4539:New 42nd Street 4519:New 42nd Street 4500:Liberty Theatre 4462: 4456: 4399: 4370: 4321: 4292:Marquis Theatre 4262: 4253:Shubert Theatre 4183:Belasco Theatre 4159: 4148: 4139: 4134: 4094: 4092: 4088: 4086: 4082: 4081: 4078: 4073: 4070: 4068: 4066: 4065: 4055: 4053: 4049: 4047: 4043: 4042: 4039: 4034: 4031: 4029: 4027: 4026: 4016: 4014: 4010: 4008: 4004: 4003: 4000: 3995: 3992: 3990: 3988: 3987: 3957: 3956: 3955: 3954: 3953: 3919:, or show using 3911: 3897:Winter, William 3778:Harry B. Smith. 3763:Florence, W. J. 3696: 3695: 3669:"1220 Broadway" 3662: 3658: 3633: 3629: 3604: 3600: 3589: 3585: 3574: 3570: 3559: 3555: 3543: 3539: 3528: 3524: 3513: 3509: 3498: 3494: 3479: 3475: 3464: 3460: 3449: 3445: 3432: 3428: 3417: 3413: 3398: 3394: 3383: 3379: 3368: 3364: 3298:July 14, 1901; 3285: 3281: 3277:Brown v3:356–67 3276: 3272: 3261: 3257: 3253:Brown v3:331–56 3252: 3248: 3229: 3225: 3213: 3206: 3194: 3178: 3171: 3158: 3149: 3142: 3129: 3127: 3123: 3118: 3114: 3091: 3087: 3053: 3046: 3041: 3037: 3032: 3028: 3019: 3015: 3003: 2999: 2988: 2981: 2970: 2963: 2952: 2948: 2929: 2925: 2920: 2916: 2907: 2903: 2894: 2890: 2879: 2875: 2858: 2843: 2834: 2832: 2824: 2820: 2816: 2798: 2794: 2789: 2785: 2759: 2755: 2751:Brown v2:338–42 2750: 2746: 2714: 2710: 2684: 2680: 2669: 2665: 2639: 2635: 2620: 2616: 2601: 2597: 2586: 2582: 2571: 2567: 2556: 2552: 2540: 2536: 2532:Brown v2:303–20 2531: 2527: 2498: 2494: 2483:June 28, 1883; 2441:March 1, 1881; 2434: 2430: 2414: 2410: 2396: 2395: 2391: 2386: 2382: 2377: 2373: 2368: 2364: 2359: 2355: 2350: 2346: 2335: 2331: 2326: 2322: 2318:Brown v2:244–45 2317: 2313: 2304:Phelps:329 and 2303: 2299: 2295:October 8, 1860 2288: 2284: 2274:Perris (1859), 2260: 2256: 2246: 2244: 2234: 2230: 2229: 2225: 2210: 2206: 2201: 2197: 2192: 2188: 2183: 2179: 2174: 2170: 2158: 2154: 2147: 2139:. p. 188. 2126: 2125: 2121: 2109: 2101: 2099: 2091: 2090: 2086: 2076: 2072: 2060: 2056: 2051: 2047: 2042: 2038: 2019: 2015: 2002: 2001: 1997: 1985: 1984: 1980: 1975: 1971: 1966: 1962: 1951: 1947: 1942: 1938: 1930:Perris (1853), 1929: 1925: 1913: 1909: 1908: 1904: 1899: 1895: 1890: 1881: 1813:Louis N. Parker 1805:Laurette Taylor 1791:Raymond Hubbell 1787:Robert B. Smith 1777:, and starring 1731:Maclyn Arbuckle 1681:Olga Nethersole 1655: 1638:1492 Up to Date 1602:John Drew (Jr.) 1594:Tommaso Salvini 1590:Charles Wyndham 1560: 1514: 1481: 1480: 1479: 1478: 1477: 1474:New Grand Hotel 1470: 1461: 1460: 1459: 1456: 1447: 1446: 1445: 1442: 1362:October 8, 1888 1317: 1312: 1302:Harper's Weekly 1290: 1209: 1127:John W. Albaugh 1091: 1075:Sarah Bernhardt 1051:Fanny Davenport 1039:Helena Modjeska 987:George H. Boker 974: 969: 940: 913:Dion Boucicault 851:Stella Boniface 815:Charles Mathews 807:E. L. Davenport 731: 660: 659: 648: 624:Barney Williams 604: 551:, and then the 534: 500:Octave Feuillet 418: 413: 378:John M. Trimble 347:New York Herald 330: 124: 123: 122: 121: 120: 117: 109: 108: 105: 94: 67: 66: 65: 64: 63: 60: 52: 51: 48: 35: 32: 23: 22: 15: 12: 11: 5: 5164: 5162: 5154: 5153: 5148: 5143: 5138: 5133: 5128: 5123: 5118: 5113: 5103: 5102: 5096: 5095: 5092: 5091: 5088: 5087: 5085: 5084: 5079: 5074: 5069: 5064: 5059: 5054: 5049: 5044: 5039: 5034: 5029: 5023: 5021: 5017: 5016: 5014: 5013: 5008: 5003: 4998: 4993: 4988: 4983: 4978: 4973: 4968: 4963: 4961:Niblo's Garden 4958: 4953: 4948: 4943: 4938: 4933: 4928: 4926:Lyceum Theatre 4923: 4918: 4916:Hoyt's Theatre 4913: 4908: 4903: 4901:Garden Theatre 4898: 4896:Daly's Theatre 4893: 4891:Circle Theatre 4888: 4883: 4878: 4873: 4868: 4863: 4858: 4852: 4850: 4846: 4845: 4843: 4842: 4837: 4832: 4827: 4822: 4817: 4812: 4807: 4802: 4797: 4792: 4787: 4782: 4780:Gaiety Theatre 4777: 4772: 4767: 4762: 4757: 4752: 4750:Comedy Theatre 4747: 4742: 4737: 4732: 4730:Casino Theatre 4727: 4722: 4717: 4715:Bowery Theatre 4712: 4707: 4702: 4697: 4692: 4687: 4682: 4676: 4674: 4670: 4669: 4667: 4666: 4661: 4656: 4654:Rialto Theatre 4651: 4646: 4641: 4636: 4631: 4626: 4621: 4616: 4614:Fulton Theatre 4611: 4609:Empire Theatre 4606: 4601: 4599:Center Theatre 4596: 4591: 4589:Apollo Theatre 4586: 4581: 4575: 4573: 4565: 4564: 4561: 4554: 4553: 4550: 4549: 4546: 4545: 4543: 4542: 4532: 4522: 4512: 4502: 4497: 4490:Empire Theatre 4487: 4480:Edison Theatre 4477: 4466: 4464: 4461:Extant former 4458: 4457: 4455: 4454: 4451:Lincoln Center 4444: 4434: 4424: 4414: 4407: 4405: 4401: 4400: 4398: 4397: 4392: 4387: 4381: 4379: 4372: 4371: 4369: 4368: 4363: 4358: 4353: 4351:Hudson Theatre 4348: 4343: 4338: 4332: 4330: 4323: 4322: 4320: 4319: 4314: 4312:Palace Theatre 4309: 4304: 4299: 4294: 4289: 4284: 4279: 4273: 4271: 4264: 4263: 4261: 4260: 4255: 4250: 4245: 4240: 4238:Lyceum Theatre 4235: 4230: 4225: 4220: 4215: 4210: 4205: 4200: 4195: 4190: 4185: 4180: 4174: 4172: 4161: 4160: 4157: 4150: 4149: 4144: 4141: 4140: 4135: 4133: 4132: 4125: 4118: 4110: 3985: 3984: 3983: 3982: 3976: 3975:(844 Broadway) 3973:"Star Theatre" 3970: 3969:(485 Broadway) 3952: 3951: 3946: 3941: 3936: 3930: 3924: 3914: 3913: 3912: 3910: 3909:External links 3907: 3906: 3905: 3894: 3887: 3875: 3866: 3856: 3848:Phelps, H. P. 3846: 3837: 3828: 3817: 3808: 3799: 3790: 3786:Fulton History 3782: 3773: 3760: 3751: 3740: 3731: 3722: 3713: 3694: 3693: 3691: 3690: 3681: 3656: 3627: 3625:March 7, 1915; 3598: 3583: 3568: 3553: 3537: 3522: 3507: 3492: 3473: 3458: 3443: 3426: 3411: 3392: 3377: 3362: 3360: 3359: 3350: 3341: 3332: 3313: 3290: 3279: 3270: 3255: 3246: 3230:Brown v3:329; 3223: 3204: 3169: 3140: 3121: 3112: 3110: 3109: 3106: 3105:May 12, 1882). 3085: 3083: 3082: 3073: 3062: 3044: 3035: 3026: 3013: 2997: 2979: 2961: 2946: 2923: 2914: 2901: 2888: 2873: 2871: 2870: 2856: 2841: 2814: 2792: 2783: 2753: 2744: 2708: 2678: 2676:August 2, 1890 2663: 2633: 2614: 2595: 2580: 2578:April 24, 1888 2565: 2563:March 15, 1907 2550: 2534: 2525: 2492: 2428: 2408: 2405:. p. 131. 2389: 2380: 2371: 2362: 2353: 2351:Jenkins:208–10 2344: 2329: 2320: 2311: 2297: 2282: 2280: 2279: 2272: 2254: 2223: 2221:(1973), p. 37. 2204: 2195: 2193:Ireland:610–11 2186: 2184:Ireland:657–59 2177: 2168: 2152: 2145: 2119: 2084: 2070: 2054: 2045: 2036: 2013: 1995: 1978: 1969: 1967:Wallack:145–47 1960: 1945: 1936: 1923: 1902: 1892: 1891: 1889: 1886: 1880: 1877: 1873:Oliver Herford 1771:Harry B. Smith 1763:George Fawcett 1743:with music by 1719:with music by 1683:, the star of 1654: 1651: 1643:Garden Theatre 1618:Georgia Cayvan 1614:Lillie Langtry 1559: 1556: 1549:Madison Square 1531:Madison Square 1513: 1510: 1502:Daly's Theatre 1471: 1464: 1463: 1462: 1457: 1450: 1449: 1448: 1443: 1436: 1435: 1434: 1433: 1432: 1424:Stanford White 1420:Louis A. Simon 1394: 1393: 1392:, May 2, 1915 1387: 1385: 1381: 1380: 1377: 1374: 1370: 1369: 1366: 1363: 1359: 1358: 1355: 1352: 1348: 1347: 1344: 1341: 1316: 1313: 1311: 1308: 1289: 1286: 1208: 1205: 1131:Henry E. Dixey 1123:Lydia Thompson 1095:Henry E. Abbey 1090: 1087: 1079:Wilson Barrett 995:Lyceum Theatre 973: 970: 968: 965: 939: 936: 932:Gerald Bordman 918:The Shaughraun 843:Jeffreys Lewis 823:Steele Mackaye 811:J. H. Stoddart 795:Charles Fisher 775:Rural Felicity 730: 727: 724: 723: 717: 715: 714:April 20, 1901 711: 710: 707: 704: 703:March 26, 1883 700: 699: 696: 693: 689: 688: 685: 682: 678: 677: 674: 671: 650: 649: 647: 644: 603: 600: 538:William Stuart 533: 530: 495:The Love Chase 417: 414: 412: 409: 382:Bowery Theatre 329: 326: 318:Actor-managers 306:Lester Wallack 297: 296: 293: 291: 290:April 28, 1869 287: 286: 283: 280: 276: 275: 272: 269: 265: 264: 261: 258: 254: 253: 250: 247: 243: 242: 239: 236: 233: 232: 229: 226: 222: 221: 218: 215: 214:April 21, 1862 211: 210: 207: 204: 203:March 17, 1862 200: 199: 196: 193: 189: 188: 185: 182: 178: 177: 171: 168: 164: 163: 162:Wallack:13–14 160: 157: 153: 152: 149: 146: 142: 141: 138: 135: 118: 111: 110: 106: 99: 98: 97: 96: 95: 93: 90: 83:Lester Wallack 61: 54: 53: 49: 42: 41: 40: 39: 38: 33: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5163: 5152: 5149: 5147: 5144: 5142: 5139: 5137: 5134: 5132: 5129: 5127: 5124: 5122: 5119: 5117: 5114: 5112: 5109: 5108: 5106: 5083: 5080: 5078: 5075: 5073: 5070: 5068: 5065: 5063: 5060: 5058: 5055: 5053: 5050: 5048: 5045: 5043: 5040: 5038: 5035: 5033: 5030: 5028: 5025: 5024: 5022: 5018: 5012: 5009: 5007: 5004: 5002: 4999: 4997: 4994: 4992: 4989: 4987: 4984: 4982: 4981:Savoy Theatre 4979: 4977: 4974: 4972: 4969: 4967: 4964: 4962: 4959: 4957: 4954: 4952: 4949: 4947: 4944: 4942: 4939: 4937: 4934: 4932: 4929: 4927: 4924: 4922: 4919: 4917: 4914: 4912: 4909: 4907: 4904: 4902: 4899: 4897: 4894: 4892: 4889: 4887: 4884: 4882: 4879: 4877: 4876:Bijou Theatre 4874: 4872: 4869: 4867: 4864: 4862: 4859: 4857: 4854: 4853: 4851: 4847: 4841: 4838: 4836: 4833: 4831: 4828: 4826: 4823: 4821: 4818: 4816: 4813: 4811: 4808: 4806: 4803: 4801: 4798: 4796: 4793: 4791: 4788: 4786: 4783: 4781: 4778: 4776: 4773: 4771: 4768: 4766: 4763: 4761: 4758: 4756: 4753: 4751: 4748: 4746: 4743: 4741: 4738: 4736: 4733: 4731: 4728: 4726: 4723: 4721: 4718: 4716: 4713: 4711: 4708: 4706: 4705:Astor Theatre 4703: 4701: 4698: 4696: 4693: 4691: 4688: 4686: 4683: 4681: 4678: 4677: 4675: 4671: 4665: 4662: 4660: 4657: 4655: 4652: 4650: 4647: 4645: 4642: 4640: 4637: 4635: 4632: 4630: 4627: 4625: 4624:Latin Quarter 4622: 4620: 4617: 4615: 4612: 4610: 4607: 4605: 4602: 4600: 4597: 4595: 4594:Bijou Theatre 4592: 4590: 4587: 4585: 4582: 4580: 4577: 4576: 4574: 4570: 4566: 4559: 4555: 4540: 4536: 4533: 4530: 4526: 4523: 4520: 4516: 4513: 4510: 4506: 4503: 4501: 4498: 4495: 4491: 4488: 4485: 4481: 4478: 4475: 4471: 4468: 4467: 4465: 4459: 4452: 4448: 4445: 4442: 4438: 4435: 4432: 4428: 4425: 4422: 4418: 4417:Hayes Theater 4415: 4413:(independent) 4412: 4409: 4408: 4406: 4402: 4396: 4393: 4391: 4388: 4386: 4383: 4382: 4380: 4377: 4373: 4367: 4364: 4362: 4359: 4357: 4356:Lyric Theatre 4354: 4352: 4349: 4347: 4344: 4342: 4339: 4337: 4334: 4333: 4331: 4328: 4324: 4318: 4315: 4313: 4310: 4308: 4305: 4303: 4300: 4298: 4295: 4293: 4290: 4288: 4285: 4283: 4280: 4278: 4275: 4274: 4272: 4269: 4265: 4259: 4256: 4254: 4251: 4249: 4246: 4244: 4241: 4239: 4236: 4234: 4231: 4229: 4226: 4224: 4221: 4219: 4216: 4214: 4211: 4209: 4206: 4204: 4201: 4199: 4196: 4194: 4193:Booth Theatre 4191: 4189: 4186: 4184: 4181: 4179: 4176: 4175: 4173: 4170: 4166: 4162: 4155: 4151: 4147: 4142: 4138: 4131: 4126: 4124: 4119: 4117: 4112: 4111: 4108: 4104: 4101: 4062: 4023: 3980: 3977: 3974: 3971: 3968: 3965: 3964: 3962: 3959: 3958: 3950: 3947: 3945: 3942: 3940: 3937: 3935: 3932: 3931: 3929: 3928: 3923: 3922:OpenStreetMap 3920: 3918: 3908: 3903: 3902: 3898: 3895: 3892: 3888: 3885: 3884: 3880: 3876: 3873: 3872: 3867: 3864: 3860: 3857: 3854: 3852: 3847: 3844: 3843: 3838: 3835: 3834: 3829: 3826: 3825: 3821: 3818: 3815: 3814: 3809: 3806: 3805: 3800: 3797: 3796: 3791: 3788: 3787: 3783: 3780: 3779: 3774: 3771: 3767: 3764: 3761: 3758: 3757: 3752: 3749: 3745: 3741: 3738: 3737: 3732: 3729: 3728: 3723: 3720: 3719: 3714: 3711: 3710: 3706: 3703: 3702: 3701: 3700: 3689: 3685: 3682: 3679: 3676: 3673: 3672: 3670: 3666: 3660: 3657: 3653: 3650: 3646: 3643: 3639: 3636: 3631: 3628: 3624: 3621: 3617: 3614: 3610: 3607: 3602: 3599: 3595: 3592: 3587: 3584: 3580: 3577: 3572: 3569: 3565: 3562: 3557: 3554: 3550: 3546: 3541: 3538: 3534: 3531: 3526: 3523: 3519: 3516: 3511: 3508: 3504: 3501: 3496: 3493: 3489: 3486: 3484: 3477: 3474: 3470: 3467: 3462: 3459: 3455: 3452: 3447: 3444: 3441: 3437: 3436: 3430: 3427: 3423: 3420: 3415: 3412: 3408: 3405: 3404:at Wallack's" 3403: 3396: 3393: 3389: 3386: 3381: 3378: 3374: 3371: 3366: 3363: 3357: 3354: 3351: 3348: 3345: 3342: 3339: 3336: 3333: 3330: 3326: 3322: 3321: 3317: 3314: 3311: 3308: 3304: 3301: 3297: 3294: 3291: 3288: 3287: 3283: 3280: 3274: 3271: 3267: 3264: 3259: 3256: 3250: 3247: 3243: 3240: 3236: 3233: 3227: 3224: 3221:July 22, 1888 3220: 3217: 3211: 3209: 3205: 3200: 3199: 3192: 3189: 3185: 3182: 3176: 3174: 3170: 3165: 3161: 3156: 3153: 3147: 3145: 3141: 3136: 3132: 3125: 3122: 3116: 3113: 3107: 3104: 3101: 3097: 3094: 3093: 3089: 3086: 3080: 3077: 3074: 3072: 3068: 3067: 3063: 3061: 3060: 3056: 3055: 3051: 3049: 3045: 3039: 3036: 3030: 3027: 3023: 3017: 3014: 3010: 3006: 3001: 2998: 2994: 2993: 2986: 2984: 2980: 2976: 2975: 2968: 2966: 2962: 2958: 2955: 2950: 2947: 2942: 2939: 2935: 2932: 2927: 2924: 2918: 2915: 2911: 2905: 2902: 2898: 2892: 2889: 2885: 2882: 2877: 2874: 2867: 2863: 2859: 2857:9781441116475 2853: 2849: 2848: 2842: 2831: 2827: 2823: 2822: 2818: 2815: 2811: 2808: 2804: 2801: 2796: 2793: 2787: 2784: 2780: 2777: 2773: 2770: 2766: 2762: 2757: 2754: 2748: 2745: 2741: 2739: 2735: 2733: 2727: 2724: 2720: 2717: 2712: 2709: 2705: 2702: 2698: 2695: 2691: 2688: 2682: 2679: 2675: 2672: 2667: 2664: 2660: 2657: 2653: 2650: 2646: 2643: 2637: 2634: 2630: 2627: 2625: 2618: 2615: 2611: 2608: 2606: 2599: 2596: 2593:July 18, 1888 2592: 2589: 2584: 2581: 2577: 2574: 2569: 2566: 2562: 2559: 2554: 2551: 2547: 2544: 2538: 2535: 2529: 2526: 2522: 2519: 2515: 2512: 2510: 2504: 2501: 2496: 2493: 2489: 2486: 2482: 2479: 2475: 2472: 2468: 2465: 2461: 2458: 2454: 2451: 2447: 2444: 2440: 2437: 2432: 2429: 2425: 2421: 2418: 2412: 2409: 2404: 2400: 2393: 2390: 2384: 2381: 2375: 2372: 2366: 2363: 2357: 2354: 2348: 2345: 2342:June 17, 1862 2341: 2338: 2333: 2330: 2324: 2321: 2315: 2312: 2307: 2301: 2298: 2294: 2291: 2286: 2283: 2277: 2273: 2270: 2266: 2263: 2262: 2258: 2255: 2242: 2241: 2233: 2227: 2224: 2220: 2219: 2214: 2208: 2205: 2199: 2196: 2190: 2187: 2181: 2178: 2172: 2169: 2165: 2162: 2156: 2153: 2148: 2146:9780810878334 2142: 2138: 2134: 2130: 2123: 2120: 2116: 2115:public domain 2097: 2096: 2088: 2085: 2081: 2080: 2074: 2071: 2067: 2064: 2058: 2055: 2049: 2046: 2040: 2037: 2033: 2030: 2026: 2023: 2017: 2014: 2009: 2005: 1999: 1996: 1991: 1988: 1982: 1979: 1973: 1970: 1964: 1961: 1957: 1954: 1949: 1946: 1940: 1937: 1933: 1927: 1924: 1919: 1912: 1906: 1903: 1897: 1894: 1887: 1885: 1878: 1876: 1874: 1870: 1869: 1864: 1863: 1857: 1854: 1849: 1846: 1844: 1843:Margery Maude 1840: 1836: 1835:Horace Hodges 1832: 1828: 1827:George Arliss 1824: 1823: 1818: 1814: 1811:(1910–11) by 1810: 1809:Pomander Walk 1806: 1802: 1798: 1797: 1792: 1789:and music by 1788: 1784: 1780: 1776: 1773:and music by 1772: 1768: 1764: 1760: 1756: 1753:(1905–06) by 1752: 1751: 1750:The Squaw Man 1746: 1745:Gustav Luders 1742: 1739:(1904–05) by 1738: 1737: 1732: 1728: 1727: 1722: 1718: 1714: 1705: 1701: 1698: 1696: 1690: 1688: 1687: 1682: 1678: 1677: 1672: 1668: 1667:Frank Daniels 1664: 1660: 1650: 1646: 1644: 1640: 1639: 1634: 1630: 1626: 1621: 1619: 1615: 1611: 1610:Annie Russell 1607: 1603: 1599: 1598:E. S. Willard 1595: 1591: 1587: 1583: 1579: 1575: 1570: 1568: 1564: 1555: 1552: 1550: 1546: 1542: 1537: 1532: 1528: 1524: 1519: 1511: 1509: 1507: 1503: 1496: 1491: 1488: 1486: 1475: 1468: 1454: 1440: 1431: 1429: 1425: 1421: 1417: 1413: 1409: 1405: 1401: 1391: 1388: 1386: 1383: 1382: 1379:Brown v3:355 1378: 1375: 1372: 1371: 1368:Brown v3:331 1367: 1364: 1361: 1360: 1357:Brown v3:310 1356: 1353: 1351:April 1, 1882 1350: 1349: 1345: 1342: 1339: 1338: 1335: 1329: 1324: 1322: 1314: 1304: 1303: 1298: 1294: 1287: 1285: 1282: 1281: 1277: 1273: 1269: 1265: 1262: 1258: 1253: 1251: 1246: 1244: 1240: 1236: 1230: 1227: 1226:The Year One, 1222: 1218: 1213: 1206: 1204: 1201: 1196: 1194: 1193: 1188: 1185: 1182: 1181:On Probation, 1179: 1174: 1172: 1166: 1164: 1160: 1156: 1152: 1148: 1144: 1140: 1136: 1132: 1128: 1124: 1118: 1116: 1115:Julia Marlowe 1112: 1108: 1104: 1100: 1096: 1088: 1086: 1084: 1080: 1076: 1072: 1071:Mary Anderson 1068: 1064: 1063:Stuart Robson 1060: 1056: 1052: 1048: 1044: 1040: 1036: 1032: 1028: 1024: 1020: 1019:E. H. Sothern 1016: 1011: 1009: 1004: 1000: 996: 992: 988: 984: 980: 971: 966: 964: 962: 958: 954: 950: 946: 937: 935: 933: 929: 923: 921: 919: 914: 909: 903: 902: 900: 895: 893: 889: 888:Central Park, 886: 883: 881: 877: 874: 872: 868: 866: 862: 860: 854: 852: 848: 844: 840: 836: 832: 831:Madame Ponisi 828: 827:Harry Edwards 824: 820: 819:E. M. Holland 816: 812: 808: 804: 800: 796: 790: 785: 782: 778: 776: 772: 765: 763: 762: 755: 753: 749: 742: 740: 735: 721: 718: 716: 713: 712: 709:Brown v2:303 708: 705: 702: 701: 698:Brown v2:303 697: 694: 691: 690: 687:Brown v2:245 686: 683: 680: 679: 675: 672: 669: 668: 665: 654: 645: 643: 641: 637: 633: 629: 625: 621: 617: 613: 609: 601: 598: 596: 592: 585: 582: 580: 578: 573: 569: 567: 562: 556: 554: 550: 549:Winter Garden 546: 544: 539: 531: 529: 527: 523: 519: 515: 511: 510: 505: 501: 497: 496: 491: 487: 483: 478: 476: 470: 468: 467: 461: 459: 455: 451: 447: 442: 438: 433: 430: 426: 425: 415: 408: 406: 402: 397: 395: 391: 387: 383: 379: 373: 372: 368: 363: 362: 357: 351: 349: 348: 343: 342:Broome Street 339: 335: 325: 323: 322:John Brougham 319: 315: 311: 310:entrepreneurs 307: 303: 295:Brown v1:523 294: 292: 289: 288: 285:Brown v1:512 284: 281: 278: 277: 274:Brown v1:511 273: 270: 267: 266: 263:Brown v1:511 262: 259: 256: 255: 252:Brown v1:511 251: 248: 245: 244: 241:Brown v1:511 240: 237: 235: 234: 231:Brown v1:511 230: 227: 225:June 26, 1862 224: 223: 220:Brown v1:510 219: 216: 213: 212: 209:Brown v1:509 208: 205: 202: 201: 198:Brown v1:509 197: 194: 192:March 1, 1862 191: 190: 187:Brown v1:508 186: 183: 180: 179: 175: 172: 169: 166: 165: 161: 158: 155: 154: 150: 147: 144: 143: 139: 136: 133: 132: 129: 115: 103: 91: 89: 86: 84: 81:and his son, 80: 76: 75:stock company 72: 58: 46: 37: 30: 19: 5077:Park Theatre 4986:Star Theatre 4805:Klaw Theatre 4494:AMC Theatres 4484:Hotel Edison 4421:Second Stage 4056:844 Broadway 4017:485 Broadway 3986: 3960: 3926: 3925: 3916: 3915: 3900: 3890: 3882: 3870: 3862: 3858: 3853:2nd edition. 3850: 3841: 3832: 3823: 3812: 3810:King, Moses 3803: 3794: 3785: 3777: 3769: 3755: 3748:The Theatre, 3747: 3735: 3726: 3717: 3708: 3698: 3697: 3687: 3677: 3659: 3651: 3644: 3637: 3630: 3622: 3615: 3608: 3601: 3593: 3586: 3578: 3571: 3563: 3556: 3548: 3545:Death notice 3540: 3532: 3525: 3517: 3510: 3502: 3495: 3487: 3482: 3476: 3468: 3461: 3453: 3446: 3439: 3434: 3429: 3421: 3414: 3406: 3401: 3395: 3387: 3380: 3372: 3365: 3355: 3346: 3337: 3328: 3318: 3309: 3302: 3295: 3289:Brown v3:367 3282: 3273: 3265: 3258: 3249: 3241: 3234: 3226: 3218: 3197: 3190: 3183: 3163: 3154: 3134: 3124: 3115: 3102: 3088: 3078: 3070: 3065: 3057: 3038: 3029: 3016: 3004: 3000: 2991: 2973: 2956: 2949: 2940: 2933: 2926: 2917: 2904: 2891: 2883: 2876: 2846: 2833:. Retrieved 2817: 2809: 2802: 2795: 2790:Brown v2:343 2786: 2778: 2771: 2764: 2756: 2747: 2737: 2732:The Year One 2731: 2725: 2718: 2711: 2706:May 23, 1895 2703: 2696: 2689: 2681: 2673: 2666: 2658: 2651: 2644: 2636: 2628: 2623: 2617: 2609: 2605:Running Wild 2604: 2598: 2590: 2583: 2575: 2568: 2560: 2553: 2545: 2537: 2528: 2520: 2513: 2508: 2502: 2495: 2487: 2480: 2473: 2466: 2459: 2455:1881-07-02; 2452: 2445: 2438: 2431: 2419: 2411: 2398: 2392: 2387:Brown v2:302 2383: 2378:Brown v2:245 2374: 2365: 2360:Brown v3:330 2356: 2347: 2339: 2332: 2327:Brown v2:248 2323: 2314: 2305: 2300: 2292: 2285: 2268: 2265:Star Theatre 2257: 2245:. Retrieved 2238: 2226: 2217: 2207: 2198: 2189: 2180: 2171: 2163: 2155: 2132: 2122: 2100:. Retrieved 2094: 2087: 2078: 2073: 2065: 2063:"Amusements" 2057: 2048: 2039: 2031: 2024: 2016: 2007: 1998: 1989: 1981: 1972: 1963: 1955: 1948: 1939: 1926: 1911:Cort Theater 1905: 1896: 1882: 1867: 1860: 1858: 1850: 1847: 1830: 1821: 1817:Lennox Pawle 1808: 1801:H. B. Warner 1794: 1782: 1766: 1749: 1734: 1724: 1712: 1710: 1699: 1691: 1684: 1674: 1671:Otis Skinner 1663:Julia Arthur 1656: 1647: 1636: 1622: 1571: 1562: 1561: 1553: 1545:A. M. Palmer 1540: 1527:A. M. Palmer 1522: 1515: 1505: 1498: 1493: 1489: 1484: 1482: 1397: 1389: 1333: 1326: 1320: 1318: 1300: 1296: 1283: 1256: 1254: 1247: 1243:Philadelphia 1231: 1225: 1220: 1217:Neil Burgess 1214: 1210: 1197: 1190: 1186: 1183: 1180: 1177: 1175: 1171:papier-mâché 1167: 1158: 1147:Rose Coghlan 1135:Annie Pixley 1119: 1107:Hedwig Raabe 1092: 1055:Henry Miller 1012: 1002: 991:Henry Irving 982: 975: 961:Star Theatre 960: 956: 952: 949:Tammany Hall 941: 928:Joseph Clare 925: 916: 907: 905: 897: 890: 887: 884: 878: 875: 869: 863: 857: 855: 839:Effie Germon 835:Rose Eytinge 799:John Gilbert 792: 787: 783: 780: 774: 770: 767: 759: 757: 747: 744: 736: 732: 719: 663: 636:Game of Tag, 635: 631: 627: 619: 605: 595:Park Theatre 587: 583: 575: 572:The Veteran, 571: 564: 557: 541: 535: 525: 517: 507: 503: 493: 480: 472: 464: 462: 457: 441:Park Theatre 434: 428: 422: 419: 398: 394:Tripler Hall 375: 370: 366: 359: 353: 345: 333: 331: 300: 238:The New Idea 181:May 22, 1861 173: 151:Ireland:584 128:485 Broadway 127: 92:485 Broadway 87: 70: 68: 36: 5020:Pre-musical 4700:Anco Cinema 4087: / 4048: / 4009: / 3684:Anco Cinema 3642:"Wallack's" 3435:The Sho-Gun 3119:Jenkins:252 3096:Oscar Wilde 2959:May 2, 1915 2954:"Wallack's" 2835:January 22, 2424:Tony Pastor 1943:Jenkins:208 1879:Replacement 1839:Cyril Maude 1779:Sam Bernard 1757:, starring 1736:The Sho-Gun 1606:Maude Adams 1578:Jane Hading 1412:Bruce Price 1384:May 1, 1915 1192:The Senator 1187:The Player, 1008:Edwin Booth 999:Ellen Terry 640:velocipedes 630:the farces 486:Mary Gannon 469:commented: 279:May 2, 1864 29:Anco Cinema 5105:Categories 4093: ( 4074:73°59′17″W 4071:40°44′49″N 4054: ( 4035:73°59′27″W 4032:40°44′03″N 4015: ( 3996:74°00′01″W 3993:40°43′18″N 2921:Wallack:24 2740:(New York) 2541:Obituary: 2443:"New-York" 2102:August 14, 2052:Winter:300 1916:(Report). 1888:References 1741:George Ade 1717:George Ade 1629:Digby Bell 1346:Reference 1323:reported: 1261:time-lapse 1239:Pittsburgh 1178:For Money, 1047:Anna Judic 899:The Rivals 752:Tom Taylor 676:Reference 446:afterpiece 401:burlesques 350:reported: 140:Reference 4849:Post-1866 4673:Post-1919 4572:Post-1949 4525:Sony Hall 4404:Other (5) 4390:Studio 54 3963:website: 2866:676697377 1676:La bohème 1633:Della Fox 1376:Wallack's 1354:Wallack's 1207:1895–1901 1161:from the 953:The World 915:produced 908:Rosedale, 608:melodrama 463:In 1854, 3485:Pleases" 3042:King:550 3033:King:551 2910:Plate 13 2276:Plate 57 2247:July 26, 1932:Plate 30 1822:Disraeli 1426:'s 1905 1365:Palmer's 1235:Brooklyn 847:Ada Dyas 338:Broadway 3699:Sources 2738:The Sun 2640:Plans: 1625:McCaull 1512:1887–88 1315:1881–87 1089:1887–95 972:1883–87 561:Shylock 532:1856–61 458:Used Up 439:at the 437:Macbeth 416:1852–56 356:Thespis 336:at 485 4431:Disney 2944:rooms. 2864: 2854: 2143: 2029:"Died" 1831:Grumpy 1829:; and 1631:, and 1151:Boston 1077:, and 764:wrote: 616:Circus 591:Burton 520:, and 475:Burton 456:farce 405:farces 392:, and 334:Lyceum 3746:, in 2235:(PDF) 1914:(PDF) 1686:Sapho 1414:, in 1340:As of 670:As of 361:éclat 340:near 134:As of 4171:(17) 4146:List 3667:and 3286:See 3054:See 2862:OCLC 2852:ISBN 2837:2012 2821:See 2261:See 2249:2018 2141:ISBN 2104:2024 1865:and 1841:and 1803:and 1761:and 1623:The 1576:and 1495:old. 1343:Name 896:and 773:and 673:Name 634:and 452:and 427:and 403:and 304:and 137:Name 4474:CBS 4441:MTC 4378:(3) 4329:(7) 4270:(9) 3934:KML 3768:in 3686:at 3438:at 3069:at 2267:at 1153:'s 993:'s 985:by 750:by 563:in 524:'s 516:'s 502:'s 492:'s 5107:: 3547:, 3327:, 3207:^ 3172:^ 3162:. 3143:^ 3133:. 3047:^ 2982:^ 2964:^ 2860:. 2828:. 2401:. 2237:. 2215:, 2135:. 2131:. 2006:. 1845:. 1819:; 1807:; 1793:; 1781:; 1765:; 1747:; 1733:; 1723:; 1665:, 1661:, 1620:. 1612:, 1608:, 1604:, 1596:, 1592:, 1588:, 1580:, 1241:, 1237:, 1195:. 1165:. 1145:, 1137:, 1133:, 1129:, 1125:, 1073:, 1069:, 1065:, 1061:, 1053:, 1049:, 1045:, 1041:, 1037:, 1033:, 1029:, 1025:, 1021:, 1017:, 989:. 849:, 845:, 841:, 837:, 829:, 821:, 817:, 813:, 809:, 801:, 797:, 741:. 610:, 512:, 506:, 498:, 448:, 407:. 324:. 4541:) 4537:( 4531:) 4527:( 4521:) 4517:( 4511:) 4507:( 4496:) 4492:( 4486:) 4482:( 4476:) 4472:( 4453:) 4449:( 4443:) 4439:( 4433:) 4429:( 4423:) 4419:( 4129:e 4122:t 4115:v 4097:) 4058:) 4019:) 3865:. 3481:" 2912:. 2868:. 2839:. 2734:" 2626:" 2622:" 2607:" 2603:" 2511:" 2507:" 2426:. 2251:. 2149:. 2117:. 2106:. 1934:. 1476:. 920:, 901:. 894:, 882:, 873:, 867:, 861:, 597:. 579:. 568:; 545:. 31:. 20:)

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