316:, who recorded with him, Gibbons "used dub as a dislocating device, preventing disco's simple groove from developing under the dancers' feet." His mixes focused more on percussion than melody, and "stretched out the grooves so much that they teetered on the edge of motionlessness." He was also among the first to
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in the 1980s, but still managed to turn out cutting edge mixes during this period (he simply focused on songs and lyrics that did not offend his beliefs). Despite becoming isolated from the New York dance scene and some of his friends, he was warmly received after he embarked on a small tour of
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club Galaxy 21; he would become a regular there. He left Galaxy 21 in late 1976 after he discovered his sets were being secretly recorded and sold on the black market. Unable to find a new regular club that would accept his sound, he briefly moved to
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music. One of the early pioneers of beat-mixing, and known for considerably more skillful mixing than many better-known DJs at the time, he is cited by many early pioneers of the house-music scene as an influence. His "Disco Blend" remix of
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213:(1979), the latter being the first full-length release by a solo remixer. He also worked on labels such as West End and Gold Mind.
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Gibbons began DJing in New York in the early 1970s, and was among the first
Americans to incorporate techniques from
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at the end of the 1970s. His DJ skills, punctuality and seriousness convinced
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Gibbons was largely inactive in the early 1980s, but returned in 1984 with his biggest hit, a mix of
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Jungle Music - Mixed With Love: Essential & Unreleased
Remixes 1976-1986
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in
America, and was among the most influential New York DJs of the 1970s.
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in the world, and his best-known remix. His remix of "Hit and Run" by
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His remixes were posthumously compiled on the triple-CD compilation
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Generation
Ecstasy: Into the World of Techno and Rave Culture
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production into dance music. In 1975 he began DJing at the
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was a surprise hit. He released
Salsoul mixes such as
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Mixed With Love: The Walter
Gibbons Salsoul Anthology
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Mixed with Love: The Walter
Gibbons Salsoul Anthology
142:(April 2, 1954 ā September 23, 1994) was an American
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Mixed With Love: The
Musical World Of Walter Gibbons
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between two copies of the same record. According to
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before returning to New York and DJing haphazardly.
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380:as providing a "blueprint for house music".
324:, "utterly transformed with the addition of
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244:He spent his final weeks living alone in a
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463:"Walter Gibbons - Biography & History"
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224:scene. In 1986 he released a remix of
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659:2010 retrospective album microsite
391:'s homage to Gibbons, released in
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684:Businesspeople from New York City
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228:'s "Schoolbell/Tree House" for
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18:Walter Gibbons (singer)
499:Red Bull Music Academy
312:and dance music. Like
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296:Gibbons, along with
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292:Style and influence
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604:. Retrieved
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461:Bush, John.
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408:Compilations
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129:Sleeping Bag
104:Years active
68:(1994-09-23)
679:1994 deaths
674:1954 births
606:2 September
538:3 September
505:2 September
474:2 September
403:Discography
370:Ten Percent
357:Larry Levan
349:house music
334:drum breaks
318:beat-juggle
209:(1976) and
191:Ten Percent
668:Categories
427:References
171:dub reggae
159:12" single
43:1954-04-02
399:Records.
351:DJs like
241:in 1993.
175:Manhattan
125:Gold Mind
108:1970sā80s
468:AllMusic
322:AllMusic
300:pioneer
146:, early
121:West End
298:hip hop
180:Seattle
155:remixer
117:Salsoul
97:remixer
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393:London
345:garage
330:reverb
256:Legacy
222:garage
218:Strafe
193:", by
165:Career
153:, and
113:Labels
83:garage
75:Genres
52:Origin
310:disco
239:Japan
148:disco
79:Disco
631:ISBN
608:2018
574:ISBN
540:2018
507:2018
476:2018
387:was
368:'s "
355:and
347:and
326:echo
250:AIDS
246:YMCA
63:Died
37:Born
395:on
376:DJ
306:dub
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374:UK
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