1018:"I shot him because I thought he was breaking up my home," Wanger told the chief of police of Beverly Hills. Bennett denied a romance, however. "But if Walter thinks the relationships between Mr. Lang and myself are romantic or anything but strictly business, he is wrong," she declared. She blamed the trouble on financial setbacks involving film productions Wanger was involved with, and said he was on the verge of a nervous breakdown. The following day Wanger, out on bond, returned to their
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as the industry's leading company and this along with heavy losses incurred on big-budget films, led to
Paramount's executives decision in 1927 to eventually close the New York operation and shift all production to Hollywood. Wanger opposed this move and felt he was being squeezed out of the company.
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from 1939 to
October 1941 and from December 1941 to 1945. Strongly influenced by European films, Wanger developed a reputation as an intellectual and a socially conscious movie executive who produced provocative message movies and glittering romantic melodramas. He achieved notoriety when, in 1951,
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services with his wife. In order to assimilate into
American society, his mother altered the family name to Wanger in 1908. The Wangers were well-connected and upper middle class, something which later differentiated Wanger from the other Jewish film moguls who came from more ordinary backgrounds.
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Wanger, who saw the parked car of his wife, waited there until
Bennett came back to her car, in company of Lang. In a fit of jealousy Wanger walked up and shot and wounded Lang. One bullet hit him in the right thigh, near the hip, and the other penetrated his groin. Lang was taken to a hospital,
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Wanger's second spell with
Paramount lasted from 1924 to 1931, during which time his annual wage rose from $ 150,000 to $ 250,000. He was tasked with overseeing the work of the studio heads, which meant he had little involvement with the production of individual films. Because he was based in
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where he recovered. The police, who had heard the shots, came to the scene and found the gun in
Bennett's car when they took Wanger into custody. Wanger was booked and fingerprinted, and underwent lengthy questioning. He was booked on suspicion of assault with intent to commit murder.
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hit the film industry in the early 1930s, the
Astoria Studios increasingly struggled to produce box office hits, and in December 1931 it was closed down again. Wanger had been informed that his contract would not be renewed, and he had already left the company.
1051:(1953) as a producer, although he was still in prison. This allowed Wanger to receive a producer's billing, salary and profit participation. The entire experience with the criminal charges and jail sentence affected Wanger profoundly, and in 1954 he made the
724:. Wanger was to take on a greater personal role in individual films than he had previously, although he always attempted to give directors and screenwriters creative freedom. In general his efforts were overshadowed by the more successful films made by
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drew him into the world of commercial filmmaking. Lasky was impressed with Wanger's ideas and his experiences in the theatre, and hired him to head a New York office vetting and acquiring books and plays for use as film stories for
691:. Wanger's New York films were often adapted from stage plays and focused on sophisticated comedies, often with European settings, while Schulberg concentrated on more populist stories in Hollywood. As the effects of the
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whom he divorced in 1965. They had two daughters, Stephanie (born 1943) and
Shelley Antonia (born 1948), and Wanger adopted Bennett's daughter, Diana (born 1928), by her marriage to John Fox.
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was to help meet the studio's large annual requirement for fresh stories. One of Wanger's major successes in his early years with the company was his identification of the
British novel
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to sound. The sound version had synchronized music and sound effects without dialogue. After the film's successful release, the company switched dramatically away from silent to sound.
861:, Italy's third-highest honor, from Consul General Alvaro v. Bettrani, "for your friendship and cooperation with the Italian government in all phases of the motion picture industry."
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operations directed at the
Italian public. It was during this period that Wanger first came into contact with filmmaking. In April 1918 Wanger was transferred to the
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On December 14, Bennett issued a statement in which she said she hoped her husband "will not be blamed too much" for wounding her agent. Wanger's attorney,
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in the 1920s and eventually worked at virtually every major studio as either a contract producer or an independent. He also served as President of the
1011:'s West Coast television operations. On the afternoon of December 13, 1951, Bennett and Lang had a meeting to talk over an upcoming television show.
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309:, because he suspected they were having an affair. He was convicted of the crime and served a four-month sentence, then returned to making movies.
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289:; July 11, 1894 – November 18, 1968) was an American film producer active from the 1910s, his career concluding with the turbulent production of
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families that had emigrated to the United States in the nineteenth century. Wanger was from a non-observant Jewish family, and later attended
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After being closed for a year, the Astoria Studios were re-opened in 1929 to make sound films, taking advantage of their close proximity to
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where many actors were recruited to appear in early Talkies. Wanger recruited large numbers of new performers including
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After the Allied victory, Wanger returned to the United States in 1919 and was discharged from the army. Wanger married
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past by producing several special, large-budget productions each year to complement the bulk of the studio's
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By 1921, Wanger was unhappy with the terms he was receiving and left his job with Paramount. He travelled to
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with dialogue and singing scenes. Along with other big companies, Paramount initially resisted adopting
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home, collected his belongings and moved out. Bennett, however, said there would not be a divorce.
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offered to appoint him as "general manager of production" on improved terms and Wanger accepted.
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After his death, his production company, Walter Wanger Productions, was sold to and absorbed by
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film that is one of the more highly regarded films on the subject. Hayward won her only
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in 1919. He initially returned to theatre production, before a chance meeting with
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606:. A rivalry developed between Wanger-influenced Astoria productions and those of
332:. He was the son of Stella (Stettheimer) and Sigmund Feuchtwanger, who were from
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After leaving Paramount, Wanger tried unsuccessfully to set himself up as an
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472: in this section. Unsourced material may be challenged and removed.
716:, the studio's co-founder, who wanted to move Columbia away from its
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genre, which Wanger returned to a number of times during his career.
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screened in Italian cinemas promoting democracy and Allied war aims.
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where he worked with figures such as the influential British manager
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434:), which was then the largest film production company in the world.
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316:, which also acquired many films produced by him and that company.
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1844:
The Genius of the System: Hollywood Filmmaking in the Studio Era
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in 1919. They divorced in 1938, and in 1940, he married actress
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1831:. St. Paul, Minneapolis: University of Minnesota Press, 2000.
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31:
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Presidents of the Academy of Motion Picture Arts and Sciences
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1563:"Archival Resources in Wisconsin: Descriptive Finding Aids"
1992:
President of Academy of Motion Pictures, Arts and Sciences
1967:
President of Academy of Motion Pictures, Arts and Sciences
1911:
My Life with Cleopatra: The Making of a Hollywood Classic
559:
as a story with potential. In 1921 it was turned into an
1917:(Afterword). Publisher: Vintage; Reprint edition, 2013.
927:
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in 1946 for his six years service as president of the
356:. After leaving college, Wanger became a professional
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Burials at Home of Peace Cemetery (Colma, California)
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62:. Unsourced material may be challenged and removed.
3163:Society of Motion Picture and Television Engineers
708:. Unable to secure financing for films, he joined
567:. The film helped establish the popularity of the
2799:, Devereaux Jennings, Irmin Roberts, Art Smith,
810:. He refused another honorary Oscar in 1949 for
598:, Wanger worked more closely with the company's
995:In 1951 Wanger made headlines for shooting at
2930:, and the Republic Studio Sound Department /
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2068:
8:
1807:I Thought We Were Making Movies, Not History
932:introducing citations to additional sources
1907:. Publisher: Bantam, 1963. ASIN: B0007EIVZ0
880:Wanger died of a heart attack, aged 74, in
808:Academy of Motion Picture Arts and Sciences
770:. Unsourced material may be challenged and
305:he shot and wounded the agent of his wife,
302:Academy of Motion Picture Arts and Sciences
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1948:
712:in December 1931. Wanger was recruited by
578:where he worked as a prominent cinema and
144:
133:
790:Learn how and when to remove this message
532:Learn how and when to remove this message
352:, where he was a founding member of the
122:Learn how and when to remove this message
3789:American people of German-Jewish descent
1944:Article on Wanger shooting Jennings Lang
1846:. New York: Simon & Schuster, 1989.
1740:Historical Dictionary of American Cinema
922:Relevant discussion may be found on the
3343:Museum of Modern Art Department of Film
1536:
18:Walter Wanger Productions, Incorporated
1003:. Formerly the vice president of the
844:In 1963, Wanger was nominated for an
610:who ran the Paramount productions in
7:
3804:20th-century American businesspeople
1829:Walter Wanger: Hollywood Independent
1767:Walter Wanger: Hollywood Independent
768:adding citations to reliable sources
470:adding citations to reliable sources
296:his last film, in 1963. He began at
60:adding citations to reliable sources
3167:Gilbert M. "Broncho Billy" Anderson
1737:Booker, Keith M. (March 17, 2011).
869:Wanger married silent film actress
1952:Non-profit organization positions
1913:, by Walter Wanger, Joe Hyams and
1809:2008 University of Wisconsin Press
859:Commendation of the Order of Merit
642:and continued to exclusively make
27:American film producer (1894–1968)
25:
3794:Businesspeople from San Francisco
3779:Academy Honorary Award recipients
3121:Bausch & Lomb Optical Company
3103:20th Century-Fox Film Corporation
2889:and his associates / Rey Scott /
2767:Museum of Modern Art Film Library
857:In May 1966, Wanger received the
915:relies largely or entirely on a
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740:
582:until 1924. While on a visit to
446:
379:in 1917, Wanger served with the
261:
232:
36:
3384:National Endowment for the Arts
2891:British Ministry of Information
457:needs additional citations for
401:Committee on Public Information
377:American entry into World War I
257:
228:
47:needs additional citations for
3784:Film producers from California
2881:, John N. A. Hawkins, and the
2633:Invasion of the Body Snatchers
2513:Smash-Up, the Story of a Woman
2281:The Trail of the Lonesome Pine
1695:Progressive Silent Film List:
1492:Invasion of the Body Snatchers
1376:Smash-Up, the Story of a Woman
1196:The Trail of the Lonesome Pine
1007:, Lang had become the head of
846:Academy Award for Best Picture
391:where he worked as a pilot on
1:
3410:National Film Board of Canada
2161:The Bitter Tea of General Yen
1132:The Bitter Tea of General Yen
2625:The Adventures of Hajji Baba
2153:Gabriel Over the White House
1876:Selected Documents from the
1484:The Adventures of Hajji Baba
1124:Gabriel Over the White House
354:Dartmouth Laboratory Theatre
3150:Samurai I: Musashi Miyamoto
1764:Bernstein, Matthew (1994).
3835:
2839:Motion Picture Relief Fund
2257:The Case Against Mrs. Ames
1727:Bernstein 2000, pp. 75–77.
1718:Bernstein 2000, pp. 68–69.
1676:Bernstein 2000, pp. 62–63.
1667:Bernstein 2000, pp. 60–61.
1649:Bernstein 2000, pp. 49–53.
1640:Bernstein 2000, pp. 44–46.
1631:Bernstein 2000, pp. 41–43.
1622:Bernstein 2000, pp. 35–41.
1613:Bernstein 2000, pp. 31–35.
1595:Bernstein 2000, pp. 23–30.
1037:. During this time period
841:for her role in the film.
3107:Bell & Howell Company
2883:RCA Manufacturing Company
2145:Washington Merry-Go-Round
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2037:
2023:
2013:
2008:
1998:
1989:
1983:
1973:
1964:
1956:
1951:
1567:Digicoll.library.wisc.edu
1116:Washington Merry-Go-Round
1045:had Wanger's name put on
999:, agent of Wanger's wife
884:. He was interred in the
561:extremely successful film
171:San Francisco, California
143:
2489:Salome, Where She Danced
2425:The House Across the Bay
2321:History Is Made At Night
1770:. U of Minnesota Press.
1284:The House Across the Bay
1204:History Is Made at Night
586:, Paramount key founder
368:and the Russian actress
2835:William Cameron Menzies
2457:We've Never Been Licked
1903:, by Walter Wanger and
1344:Salome Where She Danced
1320:We've Never Been Licked
865:Personal life and death
835:anti-capital punishment
823:His 1958 production of
395:missions, and later in
366:Harley Granville-Barker
190:New York City, New York
3450:Michelangelo Antonioni
2974:William Nicholas Selig
2701:Academy Honorary Award
2545:Secret Beyond the Door
2193:The President Vanishes
1901:My Life with Cleopatra
1805:p. 49 Mirisch, Walter
1709:Bernstein 2000, p. 65.
1685:Bernstein 2000, p. 63.
1658:Bernstein 2000, p. 54.
1604:Bernstein 2000, p. 31.
1392:Secret Beyond the Door
1156:The President Vanishes
886:Home of Peace Cemetery
848:for his production of
804:Honorary Academy Award
683:and directors such as
350:Hanover, New Hampshire
3406:Eastman Kodak Company
3049:The Walls of Malapaga
2617:Riot in Cell Block 11
2585:Lady in the Iron Mask
2401:Foreign Correspondent
1861:Chrissochoidis, Ilias
1586:Bernstein 2000, p. 6.
1476:Riot in Cell Block 11
1444:Lady in the Iron Mask
1260:Foreign Correspondent
1057:Riot in Cell Block 11
3623:Jean-Claude Carrière
3213:/ Fred L. Metzler /
3211:William L. Hendricks
3089:/ George Mitchell /
2577:Aladdin and His Lamp
2409:The Long Voyage Home
2233:Mary Burns, Fugitive
2217:Every Night at Eight
1827:Bernstein, Matthew.
1276:The Long Voyage Home
1172:Every Night at Eight
928:improve this article
802:Wanger was given an
764:improve this section
466:improve this article
428:Famous Players–Lasky
260: 1940;
231: 1919;
56:improve this article
3280:Charles S. Boren /
2937:The House I Live In
2928:Daniel J. Bloomberg
2905:Metro-Goldwyn-Mayer
2553:The Reckless Moment
2369:I Met My Love Again
2241:The Moon's Our Home
2045:14th Academy Awards
2034:13th Academy Awards
2019:12th Academy Awards
1743:. Scarecrow Press.
1436:The Reckless Moment
1236:I Met My Love Again
1064:Partial filmography
616:Metro-Goldwyn-Mayer
358:theatrical producer
326:Walter Feuchtwanger
287:Walter Feuchtwanger
157:Walter Feuchtwanger
3819:Jewish film people
3603:George Stevens Jr.
3282:Edward G. Robinson
2982:George Kirke Spoor
2819:and Allen Davey /
2815:, Walter Oberst /
2811:, Harry D. Mills,
2417:Slightly Honorable
2305:You Only Live Once
2249:Her Master's Voice
2083:Films produced by
1882:. Stanford, 2013.
1268:Slightly Honorable
673:Jeanette MacDonald
381:United States Army
298:Paramount Pictures
3756:
3755:
3711:Samuel L. Jackson
3673:Donald Sutherland
3659:Frederick Wiseman
3221:William J. Tuttle
3181:Maurice Chevalier
3091:Joseph M. Schenck
3033:The Bicycle Thief
2960:Claude Jarman Jr.
2926:Republic Studio,
2887:Leopold Stokowski
2827:Douglas Fairbanks
2744:The March of Time
2667:
2666:
2497:Night in Paradise
2473:Ladies Courageous
2051:
2050:
2038:Succeeded by
1999:Succeeded by
1974:Succeeded by
1888:978-0-61582-919-7
1878:Spyros P. Skouras
1852:978-0-39453-979-9
1837:978-0-52008-127-7
1528:
1527:
1360:Night in Paradise
1336:Ladies Courageous
1031:County Honor Farm
993:
992:
978:
890:Colma, California
871:Justine Johnstone
800:
799:
792:
710:Columbia Pictures
669:Claudette Colbert
661:Maurice Chevalier
565:Rudolph Valentino
542:
541:
534:
516:
430:(later to become
416:Justine Johnstone
387:initially in the
346:Dartmouth College
280:
279:
217:Justine Johnstone
182:November 18, 1968
132:
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124:
106:
16:(Redirected from
3826:
3595:D. A. Pennebaker
3585:James Earl Jones
3438:Federico Fellini
3362:Barbara Stanwyck
3335:Laurence Olivier
3237:Y. Frank Freeman
3171:Charles Brackett
3079:Merian C. Cooper
3028:Cecil B. DeMille
3005:Monsieur Vincent
2952:Laurence Olivier
2942:Peggy Ann Garner
2921:Margaret O'Brien
2763:W. Howard Greene
2749:W. Howard Greene
2694:
2687:
2680:
2671:
2177:Another Language
2129:Roadhouse Nights
2077:
2070:
2063:
2054:
2014:Preceded by
1984:Preceded by
1957:Preceded by
1949:
1842:Schatz, Thomas.
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1700:at silentera.com
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722:low-budget films
693:Great Depression
689:Rouben Mamoulian
549:Wanger's job at
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3545:Ennio Morricone
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3275:Charlie Chaplin
3127:/ Kemp Niver /
3096:Forbidden Games
3055:
2978:Albert E. Smith
2869:Nathan Levinson
2817:Oliver T. Marsh
2801:Farciot Edouart
2793:Gordon Jennings
2719:Charlie Chaplin
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2649:I Want to Live!
2561:Reign of Terror
2521:The Lost Moment
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2385:Winter Carnival
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2169:Going Hollywood
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1043:Allied Artists
1039:Walter Mirisch
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1092:The Lady Lies
1089:
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1084:The Cocoanuts
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1027:Jerry Giesler
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987:
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945: –
944:
940:
939:Find sources:
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918:
917:single source
913:This section
911:
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882:New York City
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483: –
482:
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477:Find sources:
471:
467:
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460:
455:This section
453:
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444:
443:
437:
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433:
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421:
420:film producer
417:
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370:Alla Nazimova
367:
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362:New York City
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334:German Jewish
331:
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283:Walter Wanger
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201:Film producer
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167:July 11, 1894
155:
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138:Walter Wanger
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73: –
72:
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67:Find sources:
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51:
50:
45:This article
43:
39:
34:
33:
30:
19:
3729:Diane Warren
3725:Euzhan Palcy
3691:Cicely Tyson
3669:Owen Roizman
3613:Steve Martin
3561:Roger Corman
3533:Sidney Lumet
3504:2001–present
3490:Jack Cardiff
3466:Michael Kidd
3456:Kirk Douglas
3444:Deborah Kerr
3432:Satyajit Ray
3422:Sophia Loren
3348:Hal Elias /
3331:Walter Lantz
3298:Howard Hawks
3292:Groucho Marx
3269:Orson Welles
3265:Lillian Gish
3243:Arthur Freed
3205:Hayley Mills
3175:B. B. Kahane
3157:Eddie Cantor
3148:
3142:Gate of Hell
3141:
3133:Jon Whiteley
3111:Joseph Breen
3094:
3087:Harold Lloyd
3070:
3047:
3031:
3024:Fred Astaire
3014:Adolph Zukor
3003:
2999:
2991:
2987:Bill and Coo
2985:
2970:Thomas Armat
2935:
2931:
2855:Conrad Nagel
2847:Ralph Morgan
2831:Judy Garland
2821:Harry Warner
2805:Loyal Griggs
2771:Mack Sennett
2759:Edgar Bergen
2742:
2715:Warner Bros.
2655:
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2273:Palm Springs
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1990:
1965:
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1816:Bibliography
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1566:
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1017:
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1005:Jaffe Agency
1001:Joan Bennett
994:
981:
971:
964:
957:
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938:
914:
879:
875:Joan Bennett
868:
856:
849:
843:
824:
822:
818:Best Picture
811:
801:
786:
777:
762:Please help
750:
732:Later career
703:
685:George Cukor
654:
647:
633:
627:
621:
592:
573:
554:
548:
528:
519:
509:
502:
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488:
476:
464:Please help
459:verification
456:
438:Early career
409:
389:Signal Corps
374:
343:
338:Episcopalian
325:
323:
311:
307:Joan Bennett
290:
286:
282:
281:
246:Joan Bennett
184:(1968-11-18)
118:
109:
99:
92:
85:
78:
66:
54:Please help
49:verification
46:
29:
3774:1968 deaths
3769:1894 births
3719:Liv Ullmann
3697:David Lynch
3683:Marvin Levy
3677:Agnès Varda
3647:Jackie Chan
3599:Hal Needham
3579:Eli Wallach
3460:Chuck Jones
3390:Paul Newman
3356:Henry Fonda
3302:Jean Renoir
3201:Stan Laurel
3197:Gary Cooper
3129:Greta Garbo
3010:Sid Grauman
2901:Noël Coward
2875:Walt Disney
2851:Ralph Block
2781:Walt Disney
2725:Walt Disney
2593:Battle Zone
2537:Joan of Arc
2345:Trade Winds
2337:52nd Street
2297:Spendthrift
1986:Bette Davis
1977:Bette Davis
1960:Frank Capra
1452:Battle Zone
1408:Joan of Arc
1228:Trade Winds
1053:prison film
813:Joan of Arc
726:Frank Capra
718:Poverty Row
706:independent
644:silent ones
640:sound films
588:Jesse Lasky
569:Orientalist
423:Jesse Lasky
412:silent film
3763:Categories
3743:Mel Brooks
3733:Peter Weir
3715:Elaine May
3617:Piero Tosi
3589:Dick Smith
3478:Elia Kazan
3394:Alex North
3339:King Vidor
3259:Cary Grant
3253:Onna White
3125:Danny Kaye
3115:Pete Smith
3067:Gene Kelly
2911:George Pal
2797:Jan Domela
2377:Stagecoach
2265:Fatal Lady
2209:Smart Girl
1996:1941–1945
1971:1939–1941
1923:0345804058
1697:Warming Up
1549:Britannica
1532:References
1244:Stagecoach
954:newspapers
714:Harry Cohn
649:Warming Up
626:premièred
492:newspapers
397:propaganda
320:Early life
198:Occupation
163:1894-07-11
82:newspapers
3701:Wes Studi
3637:Spike Lee
3426:Myrna Loy
3374:Hal Roach
3318:1976–2000
3060:1951–1975
2993:Shoeshine
2708:1928–1950
2657:Cleopatra
2641:Navy Wife
2529:Tap Roots
2097:The Sheik
2016:Bob Hope
1905:Joe Hyams
1870:Cleopatra
1516:Cleopatra
1500:Navy Wife
1400:Tap Roots
1076:The Sheik
984:July 2017
924:talk page
851:Cleopatra
780:July 2017
751:does not
622:In 1926,
612:Hollywood
563:starring
556:The Sheik
551:Paramount
545:Paramount
522:July 2017
432:Paramount
292:Cleopatra
112:July 2017
3227:Bob Hope
3083:Bob Hope
3072:Rashomon
2917:Bob Hope
2865:Bob Hope
2465:Gung Ho!
2353:Blockade
2329:Stand-In
2225:Shanghai
2121:Applause
2041:Bob Hope
1572:July 26,
1431:) (1949)
1328:Gung Ho!
1220:Blockade
1212:Stand-In
1180:Shanghai
829:starred
700:Columbia
657:Broadway
629:Don Juan
596:New York
414:actress
273:Children
2433:Sundown
2361:Algiers
1880:Archive
1863:(ed.).
1822:Sources
1296:Sundown
1035:Castaic
968:scholar
896:Scandal
772:removed
757:sources
576:Britain
506:scholar
266:
254:
250:
237:
225:
221:
206:Spouses
96:scholar
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3735:(2022)
3721:(2021)
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2996:(1947)
2980:, and
2962:(1946)
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2755:(1936)
2739:(1935)
2733:(1934)
2727:(1932)
2721:(1928)
2660:(1963)
2652:(1958)
2644:(1956)
2636:(1956)
2628:(1954)
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2612:(1953)
2604:(1953)
2596:(1952)
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2100:(1921)
2026:Oscars
1921:
1886:
1872:Files:
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833:in an
663:, the
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285:(born
192:, U.S.
173:, U.S.
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2569:Tulsa
1427:(aka
1416:Tulsa
975:JSTOR
961:books
839:Oscar
513:JSTOR
499:books
385:Italy
256:(
252:
227:(
223:
103:JSTOR
89:books
2857:) /
2787:and
2751:and
2029:host
1939:IMDb
1919:ISBN
1895:Book
1884:ISBN
1866:The
1848:ISBN
1833:ISBN
1795:IMDb
1772:ISBN
1745:ISBN
1574:2017
947:news
755:any
753:cite
687:and
679:and
485:news
262:div.
233:div.
179:Died
153:Born
75:news
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1793:at
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1033:at
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