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Walter Westfeld

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180: 87:, he "sold a few artworks, smuggled cash to his brother Robert via Amsterdam, and had about 250 of his most precious paintings and sculptures as well as numerous picture frames taken over the border to France with false papers. Assisting him were his servant Werner Abel, Düsseldorf art dealer and freight forwarder Fritz Beyer and August Kleucker." The Nazis, however, had enacted confiscatory taxes, fees and rules to rob fleeing Jews of all their assets, and on 15 November 1938 Westfeld was arrested for violating the Third Reich's foreign exchange regulations. 626:
documented in Westfeld's possession, and 1941, when it appeared on the New York art market. While the six-year, international research project was not conclusive, it resulted in the identification of a limited number of ways the painting could have left his possession during this time. Based on these scenarios, it is unlikely that Westfeld gave or sold the painting voluntarily, but rather, as a Jewish art dealer living in Nazi Germany, disposed of it due to persecution.
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in Linz. On 23 September 1942, Walter Westfeld wrote his will on a small piece of cloth in his cell and appointed Emilie Scheulen as sole heir. He wrote his last words to his partner, whom he called Ihmer: "I know everything will be different after the war. So you, head up! Yet. Yet! I wait for you
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The Heirs of Walter Westfeld, a prominent German art dealer during the 1930s, seek to recover the value of Westfeld's art collection from the Federal Republic of Germany. Westfeld had attempted to remove his art collection to Tennessee but, before he could do so, Nazi officials seized and sold off
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Nazis arrested art dealer Walter Westfeld just after Kristallnacht and killed him at Auschwitz after seizing his collection of Old Masters paintings, including works by Rubens, Hals and van Dyck. Before killing him, the Nazis demanded to know what happened to an El Greco that Hitler wanted for his
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The Museum decided to reach a financial settlement for the painting with the estate after reviewing recent research conducted by Victoria Reed, the Museum's Monica S. Sadler Curator for Provenance. This research has clarified few details about the path the work took between 1936, when it was last
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937 wurden in der Nazi-Aktion „Entartete Kunst" aus den Staatlichen Kunstsammlungen Kassel sein Aquarell Zwei Akte und die Druckgrafiken Liegender Frauenakt und Zwei Akte beschlagnahmt und vernichtet. und bekam er Berufsverbot in Deutschland. Sein Aquarell Burggespenst (60 × 46 cm) wurde mit der
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The Düsseldorf Regional Court sentenced Westfeld on 2 July 1940, under Director Hans Opderbecke and his assessors, Theodor Hoberg and Theo Groove, to three years and six months in prison and a fine of 300,000 Reichsmarks. Emilie Scheulen was sentenced to six months in prison and a fine of 1,000
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under Joseph Hanstein. Westfeld was taken out of detention and forced to work on the catalog of the forced sale. The title of the auction was "Foreclosure ... from non-Aryan property ... on behalf of the Public Prosecutor General Düsseldorf." The forced auction of Westfeld's collection included
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camp on the orders of Police Officer Wilhelm Kurt Friedrich. Shortly thereafter, the Düsseldorf Regional Council, which did not recognize Westfeld's legacy to Scheulen, ordered the collection of Westfeld's remaining assets. Walter Westfeld was deported from Theresienstadt to
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issued a certificate confirming that Westfeld was married to Emilie Scheulen (marriage certificate No. 362/1956 of the registry office Düsseldorf-Mitte dated 30 May 1956) and the marriage was retroactively registered for the date of 1 October 1935.
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was restituted, the mayor of Burladingen rejected any attempt to make amends stating, "We are not bound by the Washington Declaration... If we had a duty to return the painting, there would be laws forcing us to do so. But there are no such laws".
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the collection. The district court granted Germany's motion to dismiss, holding that the Heirs' claims were barred by the Foreign Sovereign Immunities Act, and do not fall within the exception for acts in connection with commercial activity.
605:"Walter Westfeld painting at MFA Boston June 2011: Provenance Outreach Conducted by Museum of Fine Arts Boston Results in Agreement to Retain Ownership of Eglon Van der Neer's 'Portrait of a man and woman in an interior'" 155:
Westfeld wrote a letter to Scheulen in which he expressed his fear of being deported and concluded with the sentence, "There is not much fiddling about with a Jew." On 15 June 1942, Westfeld was questioned again by the
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In September 1947, Emilie Scheulen asked Galerie Lempertz for information about Walter Westfeld's assets. The gallery announced that all related documents had been destroyed.
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After the Reich Chamber of Culture banned outlawed Jewish art dealers, Westfeld was forced to liquidate his gallery. He moved to Düsseldorf at Humboldtstrasse 24.
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At the request of the Düsseldorf public prosecutor's office, the foreign currency ruling against Walter Westfeld of 2 July 1940 was overturned on 13 May 1952.
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Sammlung es jüdischen Sammlers und Kunsthändlers Walter Westfeld beschlagnahmt und 1939 vom Kunsthaus Lempertz zwangsversteigert. Es gilt als verschollen.
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Reichsmarks. After serving his sentence, Westfeld was immediately rearrested in 1942 because, as a Jew, he was considered an enemy of the Nazi state.
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seized in 1939 and auctionned off through Lempertz, are considered lost and listed on the German Lost Art Foundation website (Lost Art-ID 461012)
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Walter Westfeld, brother of the painter Max Westfeld, ran a gallery in Wuppertal-Elberfeld at Herzogstrasse 2 from 1920 to May 1936.
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on 23 January 1943, where he was subsequently murdered. The exact date of his death is unknown. In May 1945 he was pronounced dead.
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Lost Art Internet Database – Jüdische Sammler und Kunsthändler (Opfer nationalsozialistischer Verfolgung und Enteignung)
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was also filed against Germany. Germany refused to restitute the looted artworks arguing that they were barred by the
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The Westfeld heirs, represented by Fred Westfeld, have initiated several restitution claims for the looted artworks.
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When the Nazis came to power in 1933, Walter Westfeld was persecuted and plundered because of his Jewish origins.
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The artworks still remaining in his collection were confiscated and on 12 and 13 December 1939, auctioned by
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private collection. Now Westfeld's heirs have sued Germany, demanding the return of the looted paintings.
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Walter Westfeld, Düsseldorf; 12./13.12.1939 Zwangsversteigerung Kunsthaus Lempertz, Köln, Nr. 263
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Jüdische Sammler und Kunsthändler (Opfer nationalsozialistischer Verfolgung und Enteignung)
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in 1938, he and Scheulen and Westfeld prepared to flee to the USA. According to the book
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Verlorene Bilder, verlorene Leben – Jüdische Sammler und was aus ihren Kunstwerken wurde
664:"Suspecting It Harbors a Nazi-Looted Painting, MFA Boston Preemptively Pays Settlement" 76: 866: 393: 226: 129: 80: 45: 663: 638: 546: 403: 41: 796:"Westfield v. Fed. Republic of Germany, 633 F.3d 410 | Casetext Search + Citator" 432:
Lost lives, lost art: Jewish collectors, Nazi art theft and the quest for justice
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Lost Lives, Lost Art: Jewish Collectors, Nazi Art Theft and the Quest for Justice
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by living with a non-Jew Emelie Scheulen (born 6 June 1896 in Düsseldorf). After
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May 1945) was a German Jewish art collector and art dealer whose collection was
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Der Elendsweg der Düsseldorfer Juden – Chronologie des Schreckens 1933–1945.
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in his collection which Hitler wanted to confiscate the picture for his
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all over the world. 1000 grape greetings from the paradise of memory."
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In August 1937 he was denounced to the Düsseldorf police for violating
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In 2011, a settlement was reached between the Westfeld heir and the
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The Westfeld family has located a few of the artworks, including an
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in the Düsseldorf police prison which wanted to locate an
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German people who died in Auschwitz concentration camp
521:"Nazi victim's family sues Germany over looted art" 399:List of claims for restitution for Nazi-looted art 194:On 1 October 1942 Walter Westfeld was deported to 16:German Jewish art collector murdered at Auschwitz 913:Art and cultural repatriation after World War II 303:"NS-Restitution Lebens- und Leidensgeschichten" 291:, an argument which was accepted by the judge. 489: 487: 485: 274:(1634–1703) It had been sold to the museum by 217:On 19 April 1956, the Ministry of Justice of 207:Attempts to recover the looted art collection 8: 741:"Portrait of a Man and Woman in an Interior" 359:Droste, Düsseldorf 2005, ISBN 3-7700-1204-6. 689:"The MFA's Painting Worth A Thousand Words" 317:(in German). München: Elisabeth-Sandmann. 268:Portrait of a Man and Woman in an Interior 765:Staff, Courthouse News (7 October 2008). 639:"Nazi victim's Nashville heir to be paid" 424: 422: 420: 418: 187:from the Westfeld collection, now in the 284:Westfield v. Federal Republic of Germany 577:"Das Burggespenst | Lost Art-Datenbank" 414: 551:. Musei provinziali Alto Adige. 2019. 519:Hickley, Catherine (1 November 2008). 888:German Jews who died in the Holocaust 344:Westfield v. Fed. Republic of Germany 7: 245:Other works, such as the watercolor 838:Washington University School of Law 745:Association of Art Museum Directors 615:from the original on 23 August 2020 14: 365:"Graphisches Kabinett J. Amendt" 289:Foreign Sovereign Immunities Act 873:Theresienstadt Ghetto prisoners 276:E. & A. Silberman Galleries 175:Deportation and murder by Nazis 824:Birnkrant, Michael J. (2019). 714:Itzkoff, Dave (27 June 2011). 1: 37: 196:Theresienstadt concentration 189:Museum of Fine Arts (Boston) 44:. Westfield was murdered in 77:Nazi anti-semitic race laws 929: 369:kunsthandel-der-moderne.eu 313:; Tatzkow, Monika (2008). 270:(1665–67) by Dutch artist 264:Boston Museum of Fine Arts 237:), however while Menzel's 91:Forced auction at Lempertz 830:Global Studies Law Review 429:Müller, Melissa (2010). 771:Courthouse News Service 478:– via lostart.de. 339:– via LostArt.de. 219:North Rhine-Westphalia 191: 26: 883:German art collectors 878:Jewish art collectors 363:Schweiger, Werner J. 301:Czöpan, Gabi (2009). 182: 24: 499:Gedenkbuch Wuppertal 375:on 12 September 2007 144:, Adolf Scheyer and 126:Jean-François Millet 120:, Alselm Feuerbach, 138:Franz von Defregger 110:Egbert van der Poel 720:The New York Times 465:"Westfeld, Walter" 272:Eglon van der Neer 266:for the painting, 192: 185:Eglon van der Neer 146:Rombout van Troyen 42:plundered by Nazis 27: 609:www.lootedart.com 495:"Walter Westfeld" 442:978-1-84832-577-7 355:Herbert Schmidt: 333:"Walter Westfeld" 324:978-3-938045-30-5 231:Franz von Lenbach 142:Franz von Lenbach 134:Andreas Achenbach 106:Peter Paul Rubens 99:auction house in 920: 857: 856: 854: 852: 821: 815: 814: 808: 806: 792: 786: 785: 779: 777: 762: 756: 755: 753: 751: 737: 731: 730: 728: 726: 711: 705: 704: 702: 700: 685: 679: 678: 676: 674: 660: 654: 653: 651: 649: 635: 629: 628: 622: 620: 601: 595: 594: 589: 587: 573: 567: 566: 543: 537: 536: 534: 532: 527:. 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Index


plundered by Nazis
the Holocaust
Nazi anti-semitic race laws
Kristallnacht
Lempertz
Cologne
Peter Paul Rubens
Egbert van der Poel
Antonio Molinari
Arnold Böcklin
Camille Pissarro
Jean-François Millet
Carl Spitzweg
Andreas Achenbach
Franz von Defregger
Franz von Lenbach
Rombout van Troyen
Gestapo
El Greco
Führermuseum

Eglon van der Neer
Museum of Fine Arts (Boston)
Theresienstadt concentration
Auschwitz
North Rhine-Westphalia
Adolf Menzel
Franz von Lenbach
Burladingen

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