30:
126:(1861ā1916) (using the pseudonym G. H. Reeves) made a modern concert band arrangement for Carl Fischer from brass band parts in 1905. Others who have made arrangements and editions include Frederick Fennell and Loras John Schissel. The duration of the march is between three and a half minutes to four minutes.
114:
wrote of this march: "Masterfully simple, effectively contrasting, its incessant flow of musical ideas is overwhelmingly convincing. It is a march of great passion ā no introduction, no break strain, no stinger. A real indoor rouser from 1861." This march represents technical difficulties for band
167:
uses both "Grays" and "Greys" for different arrangements of the march. Music publishers use both titles. Carl
Fischer uses "Grays" and Barnhouse uses "Greys", while Kalmus uses both spellings. "Grays" is used for this article because it is used much more frequently in cataloging the scores and
48:
39:
47:
238:
115:
members (it is graded a "5" in a system of "1" being the easiest and "6" the most difficult). The music for the clarinet and Eā cornet players is particularly challenging.
177:
99:(including the Port Royal Band Books arranged by Grafulla) included many charts of the prolific composer's music, including this composition.
264:
20:
142:
88:
228:
Fennell, Frederick. A Conductor's
Interpretative Analysis of Masterworks for Band. Hal Leonard Corporation, 2008. Page 60.
201:
205:
123:
163:
The march is titled both ways (just as the color can be spelled "gray" or "grey"). The
Library of Congress'
95:. The term "Grays" in the title refers to the color of the regimental uniforms. The band books of the
254:
259:
77:
146:
96:
164:
111:
196:
Note, however, that the name of the regiment was spelled the "Washington Greys" by the
248:
225:
Encyclopedic
Discography of Victor Recordings (web resource). Matrix number B-6946.
209:
138:
106:, with running sixteenth notes and responding bass voices creating a counterpoint.
110:
breaks the march formula by containing no introduction, break strain, or stinger.
46:
80:
in 1861. It is a mainstay of both the parade and concert band march repertoire.
149:, recorded on March 30, 1909 (Encyclopedic Discography of Victor Recordings).
63:
83:
Grafulla's most popular piece was composed for the 8th
Regiment, a New York
84:
92:
122:
is due in considerable part to its early arranger. The
Canadian
54:
Performed by the United States Air Force
Concert Band in 1998.
28:
102:
There are elements of the
Italian and German march in
202:"The Washington Greys, of New York, in Boston."
8:
189:
61:
7:
178:Joyce's 71st New York Regiment March
14:
76:is an American march composed by
16:American military march from 1861
62:Problems playing this file? See
44:
208:also represents a regiment in
165:Catalogue of Copyright Entries
143:Victor Talking Machine Company
1:
241:arranged by Loras J. Schissel
137:was likely first recorded by
281:
18:
265:American military marches
206:Washington Grays Monument
168:recordings of the march.
124:Louis-Philippe Laurendeau
33:
32:
200:(August 10, 1859) ā
19:For other uses, see
78:Claudio S. Grafulla
147:Camden, New Jersey
118:The popularity of
97:American Civil War
89:Kingsbridge Armory
34:
239:Conductor's score
112:Frederick Fennell
49:
272:
213:
194:
158:Washington Greys
154:Washington Grays
135:Washington Grays
120:Washington Grays
108:Washington Grays
104:Washington Grays
73:Washington Grays
51:
50:
40:Washington Grays
31:
21:Washington Grays
280:
279:
275:
274:
273:
271:
270:
269:
245:
244:
235:
222:
217:
216:
195:
191:
186:
174:
161:
141:'s Band by the
132:
130:First Recording
69:
68:
60:
58:
57:
56:
55:
52:
45:
42:
35:
29:
24:
17:
12:
11:
5:
278:
276:
268:
267:
262:
257:
247:
246:
243:
242:
234:
233:External links
231:
230:
229:
226:
221:
218:
215:
214:
198:New York Times
188:
187:
185:
182:
181:
180:
173:
170:
160:
151:
131:
128:
59:
53:
43:
38:
37:
36:
27:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
277:
266:
263:
261:
258:
256:
253:
252:
250:
240:
237:
236:
232:
227:
224:
223:
219:
211:
207:
203:
199:
193:
190:
183:
179:
176:
175:
171:
169:
166:
159:
155:
152:
150:
148:
144:
140:
136:
129:
127:
125:
121:
116:
113:
109:
105:
100:
98:
94:
90:
87:based at the
86:
85:state militia
81:
79:
75:
74:
67:
65:
41:
22:
210:Philadelphia
197:
192:
162:
157:
153:
139:Arthur Pryor
134:
133:
119:
117:
107:
103:
101:
82:
72:
71:
70:
255:March music
260:1861 songs
249:Categories
220:References
64:media help
172:See also
91:in the
184:Notes
93:Bronx
204:The
156:or
145:in
251::
212:.
66:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.