292:) in early 1974, the band returned to the studio in May that year, and using session musicians, they recorded two new compositions Moore and Blegvad had written, "Europa" and "War (Is Energy Enslaved)". Virgin had requested a single that was "radio friendly", but upon hearing the songs they rejected them, stating that they felt they were better suited for an album. Blegvad and Moore set to work producing more music, but soon realised that the material they had written was beyond what they could handle on their own. This led to Slapp Happy asking Henry Cow to be their backing band on their second album for Virgin. After discussions between the two bands, they collaborated in November 1974 and recorded
1815:
1401:
421:(AA)", which change to (ABAB) in the last four lines to emphasize the closing message. His text is also full of imagery: war starts as a fetus, which becomes a "hateful baby banging its spoon against its plate", and then a woman "lead pilgrims on a destructive march in the name of peace and fame".
315:, and the third track of the album, "A Worm Is at Work" includes the line "a pissy myth about birth of War", which refers to the song "War". When it became clear that "War" was not going to be included on
319:, a footnote was added to the "A Worm Is at Work" lyrics in the album's liner notes stating, "The reference is to 'War (Energy Enslaved)', a Moore/Blegvad composition still in the throes of release."
1713:
1354:
1660:
1108:
513:
Piekut called "War" a "little two-minute epic", and Krause the "star" of the show with her "clipped, almost sneering" delivery. He said the non-stop barrage of
432:
and Martin
Halliwell suggest that war in the song is created by an unnamed goddess and becomes "a necessity" in "the struggle for existence against oppression".
1787:
346:
on the 1991 CD reissue of the album. The original mixes of "War" and "Living in the Heart of the Beast" were used on all subsequent reissues of this album.
499:
described the Moore and
Blegvad song as "enormous proportion and power" that would not have succeeded in the hands of the "relatively quiet trio ". The
1653:
517:
leave one breathless, making the two instrumental interludes a welcome relief. Piekut wrote that Krause's performance on the song is worthy of
354:
The original title of the song, "War (Is Energy
Enslaved)" was taken from the line "For war is energy enslaved, but thy religion" in the poem,
1212:
1168:
1143:
862:
384:, Benjamin Piekut described "War" as "a tightly controlled accompaniment" that Moore wrote for Blegvad's lyrics. It has a fixed eighth-note
993:
1639:
1435:
1794:
1773:
1685:
1387:
1293:
1154:
380:
1706:
1347:
739:
454:
described "War" as "a cauldron of boiling sound" that "heaves and thrashes like an octopus caught in a ship's propellor [
327:
1852:
1071:
1857:
1801:
1842:
1621:
1614:
944:
823:
305:, but only "Europa" was used. "War", with its contracted title, was released on their second collaborative album,
1205:
460:]". He said Krause skillfully negotiates the "ragged obstacle course of downbeat mythologising and exploding
343:
1847:
1560:
1553:
1678:
1567:
1470:
1428:
1125:
559:
429:
261:
250:
1003:
470:
227:
1737:
1592:
1318:
1160:
1135:
661:
307:
218:
46:
1692:
1404:
1198:
1029:
1837:
1780:
1585:
1311:
1272:
1117:
1015:
974:
294:
284:
266:
242:
237:
212:
1057:
634:
1818:
1767:
1762:
1421:
1184:
606:
1519:
1164:
1139:
1067:
959:
858:
852:
1129:
461:
82:
77:
1279:
232:
163:
1536:
1526:
1484:
1463:
809:
518:
401:
393:
335:
279:
127:
747:
689:
1831:
1747:
1646:
1531:
1514:
1509:
1504:
1491:
1247:
1240:
1233:
1063:
939:
793:
547:
541:
535:
501:
451:
397:
389:
385:
359:
216:, but was only released in May 1975 on their second collaborative album, Henry Cow's
195:
191:
155:
141:
1477:
1371:
1103:
584:
565:
483:
479:
255:
122:
1742:
1499:
1221:
801:
578:
367:
339:
203:
169:
94:
86:
33:
1456:
988:
553:
507:
488:
465:
331:
99:
963:
506:
said
Blegvad's lyrics on "War" are "mythologizing", and the music "worthy of
1757:
1752:
1444:
1381:
1376:
1113:
805:
690:"Michel Edelin Quintet with special guest John Greaves: Echoes of Henry Cow"
207:
199:
173:
37:
400:. The chorus ("Upon her spoon this motto ...") changes briefly to lines of
1286:
1034:
639:
611:
496:
149:
135:
1720:
1265:
828:
666:
514:
418:
363:
301:
The songs "Europa" and "War (Is Energy
Enslaved)" were re-recorded for
245:
used
Blegvad's lyrics for their version of "War" on their 2014 album,
18:
1975 song written by
Anthony Moore and Peter Blegvad for Slapp Happy
478:
have the same "brittle style" that
American singer and songwriter
231:, crediting himself as Anthony More. The song was also covered by
29:
1417:
1194:
1190:
954:
456:
446:
1413:
417:. Piekut said Blegvad's poetry in "War" consists of "tight
1714:
Beautiful as the Moon – Terrible as an Army with
Banners
1355:
Beautiful as the Moon – Terrible as an Army with
Banners
1106:, ed. (2019). "Book 1 | The Studio: Official Releases".
907:
905:
903:
890:
888:
886:
366:, "violence completes the partial mind" is a quote from
206:. It was recorded in November 1974 by Slapp Happy with
225:
Moore later rearranged "War" for his 1979 solo album,
249:. A jazz interpretation of "War" was recorded by the
1730:
1670:
1631:
1606:
1577:
1545:
1364:
1332:
1303:
1257:
1131:
Beyond and Before: Progressive Rock Since the 1960s
426:
Beyond and Before: Progressive Rock Since the 1960s
392:" and a "vocal melody that hovers around the fifth
161:
147:
133:
121:
105:
93:
76:
68:
53:
43:
28:
23:
992:
943:
923:
824:"Henry Cow, Slapp Happy – In Praise Of Learning"
1661:The Henry Cow Box Redux: The Complete Henry Cow
1109:The Henry Cow Box Redux: The Complete Henry Cow
278:After recording Slapp Happy's first album for
1429:
1206:
8:
1788:Greasy Truckers Live at Dingwalls Dance Hall
934:
932:
1574:
1436:
1422:
1414:
1300:
1213:
1199:
1191:
396:" which ends each alternate line with the
20:
356:Vala, or The Four Zoas – Night the Ninth
597:
42:
27:
1654:The 40th Anniversary Henry Cow Box Set
1086:
911:
894:
877:
780:
768:
725:
713:
311:(1975). "War" was always planned for
7:
1640:The Virgin Years – Souvenir Box
607:"Anthony Moore: Flying Doesn't Help"
744:Calyx: The Canterbury Music Website
264:and released on their 2019 album,
14:
1774:Henry Cow: The World Is a Problem
1686:Nine Funerals of the Citizen King
1388:Henry Cow: The World Is a Problem
1156:Henry Cow: The World Is a Problem
662:"Sol Invictus – Once Upon A Time"
550:– piano, electronics and tapework
381:Henry Cow: The World Is a Problem
1814:
1813:
1707:Living in the Heart of the Beast
1400:
1399:
1348:Living in the Heart of the Beast
328:Living in the Heart of the Beast
851:W. H. Stevenson (12 May 2014).
635:"The Fall: Middle Class Revolt"
210:for their collaborative album,
1059:The Trouser Press Record Guide
538:(credited as "Dagmar") – voice
190:") is a 1975 song composed by
1:
322:"War", and the next track on
1128:; Halliwell, Martin (2011).
924:Hegarty & Halliwell 2011
298:as "Slapp Happy/Henry Cow".
1802:Recommended Records Sampler
464:". In another 1975 review,
1874:
857:. Routledge. p. 448.
362:. Blegvad said the song's
1811:
1451:
1397:
1228:
1187:. The Canterbury Website.
1153:Piekut, Benjamin (2019).
854:Blake: The Complete Poems
344:East Side Digital Records
330:", were later remixed by
1622:Stockholm & Göteborg
1056:Robbins, Ira A. (1991).
994:"Henry Cow/Slapp Happy:
474:that Krause's vocals on
188:War (Is Energy Enslaved)
186:" (originally entitled "
1030:"In Praise of Learning"
926:, p. 161 (footnote 33).
342:, and were released by
1853:War in popular culture
1738:Henry Cow discography
1593:In Praise of Learning
1319:In Praise of Learning
1161:Duke University Press
1136:Bloomsbury Publishing
996:In Praise of Learning
947:In Praise of Learning
530:Henry Cow/Slapp Happy
442:In Praise of Learning
388:with "bars of uneven
324:In Praise of Learning
308:In Praise of Learning
260:with spoken texts by
251:Michel Edelin Quintet
235:on their 1994 album,
219:In Praise of Learning
47:In Praise of Learning
740:"Dissecting the Cow"
573:Additional musicians
440:In a 1975 review of
57:9 May 1975
1781:Echoes of Henry Cow
1586:Desperate Straights
1312:Desperate Straights
1118:Recommended Records
1112:(box set booklet).
955:New Musical Express
798:Desperate Straights
783:, pp. 178–180.
728:, pp. 175–177.
670:. 26 September 2014
581:– soprano saxophone
447:New Musical Express
317:Desperate Straights
313:Desperate Straights
303:Desperate Straights
295:Desperate Straights
267:Echoes of Henry Cow
238:Middle Class Revolt
228:Flying Doesn't Help
213:Desperate Straights
1763:Rock in Opposition
991:(September 1975).
800:(LP liner notes).
605:Jourdan, Michael.
1843:Slapp Happy songs
1825:
1824:
1602:
1601:
1520:Annemarie Roelofs
1411:
1410:
1328:
1327:
1170:978-1-47800-405-9
1145:978-1-4411-1480-8
864:978-1-317-64436-1
738:Ansell, Kenneth.
544:– voice, clarinet
378:In his 2019 book
180:
179:
1865:
1858:Musique concrète
1817:
1816:
1731:Related articles
1578:with Slapp Happy
1575:
1438:
1431:
1424:
1415:
1403:
1402:
1365:Related articles
1301:
1215:
1208:
1201:
1192:
1174:
1149:
1121:
1090:
1084:
1078:
1077:
1062:(4th ed.).
1053:
1047:
1046:
1044:
1042:
1026:
1020:
1019:
1016:Rock's Backpages
1013:
1011:
1000:
985:
979:
978:
975:Rock's Backpages
972:
970:
951:
936:
927:
921:
915:
909:
898:
892:
881:
875:
869:
868:
848:
842:
841:
839:
837:
820:
814:
813:
790:
784:
778:
772:
766:
760:
759:
757:
755:
750:on 4 August 2008
746:. Archived from
735:
729:
723:
717:
711:
705:
704:
702:
700:
686:
680:
679:
677:
675:
658:
652:
651:
649:
647:
630:
624:
623:
621:
619:
602:
515:rhyming couplets
462:musique concrete
419:rhyming couplets
415:
414:
413:
412:
259:
247:Once Upon A Time
198:for the English
176:, Simon Heyworth
166:
152:
138:
117:
116:
112:
64:
62:
21:
1873:
1872:
1868:
1867:
1866:
1864:
1863:
1862:
1848:Henry Cow songs
1828:
1827:
1826:
1821:
1807:
1795:Hopes and Fears
1726:
1666:
1627:
1598:
1573:
1568:Western Culture
1541:
1447:
1442:
1412:
1407:
1393:
1360:
1324:
1299:
1280:Acnalbasac Noom
1253:
1224:
1219:
1181:
1171:
1152:
1146:
1124:
1102:
1099:
1094:
1093:
1085:
1081:
1074:
1066:. p. 314.
1055:
1054:
1050:
1040:
1038:
1028:
1027:
1023:
1009:
1007:
998:(Virgin V2027)"
987:
986:
982:
968:
966:
942:(7 June 1975).
938:
937:
930:
922:
918:
910:
901:
893:
884:
876:
872:
865:
850:
849:
845:
835:
833:
822:
821:
817:
792:
791:
787:
779:
775:
767:
763:
753:
751:
737:
736:
732:
724:
720:
712:
708:
698:
696:
688:
687:
683:
673:
671:
660:
659:
655:
645:
643:
632:
631:
627:
617:
615:
604:
603:
599:
594:
527:
450:, music critic
438:
411:
406:
405:
404:
403:
402:
376:
352:
290:Casablanca Moon
288:(also known as
276:
253:
194:with lyrics by
162:
148:
134:
114:
110:
109:
60:
58:
44:from the album
19:
12:
11:
5:
1871:
1869:
1861:
1860:
1855:
1850:
1845:
1840:
1830:
1829:
1823:
1822:
1812:
1809:
1808:
1806:
1805:
1798:
1791:
1784:
1777:
1770:
1765:
1760:
1755:
1750:
1745:
1740:
1734:
1732:
1728:
1727:
1725:
1724:
1717:
1710:
1703:
1696:
1689:
1682:
1674:
1672:
1668:
1667:
1665:
1664:
1657:
1650:
1643:
1635:
1633:
1629:
1628:
1626:
1625:
1618:
1610:
1608:
1604:
1603:
1600:
1599:
1597:
1596:
1589:
1581:
1579:
1572:
1571:
1564:
1557:
1549:
1547:
1543:
1542:
1540:
1539:
1537:Martin Ditcham
1534:
1529:
1527:David Attwooll
1523:
1522:
1517:
1512:
1507:
1502:
1496:
1495:
1488:
1485:Lindsay Cooper
1481:
1474:
1467:
1464:Tim Hodgkinson
1460:
1452:
1449:
1448:
1443:
1441:
1440:
1433:
1426:
1418:
1409:
1408:
1398:
1395:
1394:
1392:
1391:
1384:
1379:
1374:
1368:
1366:
1362:
1361:
1359:
1358:
1351:
1344:
1336:
1334:
1330:
1329:
1326:
1325:
1323:
1322:
1315:
1307:
1305:
1304:with Henry Cow
1298:
1297:
1290:
1283:
1276:
1269:
1261:
1259:
1255:
1254:
1252:
1251:
1244:
1237:
1229:
1226:
1225:
1220:
1218:
1217:
1210:
1203:
1195:
1189:
1188:
1180:
1179:External links
1177:
1176:
1175:
1169:
1150:
1144:
1122:
1098:
1095:
1092:
1091:
1089:, p. 191.
1079:
1072:
1048:
1021:
980:
940:MacDonald, Ian
928:
916:
914:, p. 177.
899:
897:, p. 176.
882:
870:
863:
843:
815:
810:Virgin Records
794:Blegvad, Peter
785:
773:
771:, p. 178.
761:
730:
718:
706:
681:
653:
625:
596:
595:
593:
590:
589:
588:
582:
575:
574:
570:
569:
568:– drums, radio
563:
557:
551:
545:
539:
532:
531:
526:
523:
519:Mother Courage
495:A reviewer at
437:
434:
407:
375:
372:
351:
348:
336:Tim Hodgkinson
280:Virgin Records
275:
272:
178:
177:
167:
159:
158:
153:
145:
144:
139:
131:
130:
125:
119:
118:
107:
103:
102:
97:
91:
90:
80:
74:
73:
70:
66:
65:
55:
51:
50:
41:
40:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
1870:
1859:
1856:
1854:
1851:
1849:
1846:
1844:
1841:
1839:
1836:
1835:
1833:
1820:
1810:
1804:
1803:
1799:
1797:
1796:
1792:
1790:
1789:
1785:
1783:
1782:
1778:
1776:
1775:
1771:
1769:
1766:
1764:
1761:
1759:
1756:
1754:
1751:
1749:
1748:The Orckestra
1746:
1744:
1741:
1739:
1736:
1735:
1733:
1729:
1722:
1718:
1715:
1711:
1708:
1704:
1701:
1697:
1694:
1690:
1687:
1683:
1680:
1676:
1675:
1673:
1669:
1663:
1662:
1658:
1656:
1655:
1651:
1649:
1648:
1647:Henry Cow Box
1644:
1642:
1641:
1637:
1636:
1634:
1630:
1624:
1623:
1619:
1617:
1616:
1612:
1611:
1609:
1605:
1595:
1594:
1590:
1588:
1587:
1583:
1582:
1580:
1576:
1570:
1569:
1565:
1563:
1562:
1558:
1556:
1555:
1551:
1550:
1548:
1546:Studio albums
1544:
1538:
1535:
1533:
1530:
1528:
1525:
1524:
1521:
1518:
1516:
1513:
1511:
1510:Anthony Moore
1508:
1506:
1505:Peter Blegvad
1503:
1501:
1498:
1497:
1494:
1493:
1492:Dagmar Krause
1489:
1487:
1486:
1482:
1480:
1479:
1475:
1473:
1472:
1468:
1466:
1465:
1461:
1459:
1458:
1454:
1453:
1450:
1446:
1439:
1434:
1432:
1427:
1425:
1420:
1419:
1416:
1406:
1396:
1390:
1389:
1385:
1383:
1380:
1378:
1375:
1373:
1370:
1369:
1367:
1363:
1356:
1352:
1349:
1345:
1342:
1338:
1337:
1335:
1331:
1321:
1320:
1316:
1314:
1313:
1309:
1308:
1306:
1302:
1296:
1295:
1294:Live in Japan
1291:
1289:
1288:
1284:
1282:
1281:
1277:
1275:
1274:
1270:
1268:
1267:
1263:
1262:
1260:
1256:
1250:
1249:
1248:Anthony Moore
1245:
1243:
1242:
1241:Dagmar Krause
1238:
1236:
1235:
1234:Peter Blegvad
1231:
1230:
1227:
1223:
1216:
1211:
1209:
1204:
1202:
1197:
1196:
1193:
1186:
1183:
1182:
1178:
1172:
1166:
1162:
1158:
1157:
1151:
1147:
1141:
1137:
1133:
1132:
1127:
1126:Hegarty, Paul
1123:
1119:
1115:
1111:
1110:
1105:
1104:Cutler, Chris
1101:
1100:
1096:
1088:
1083:
1080:
1075:
1069:
1065:
1064:Collier Books
1061:
1060:
1052:
1049:
1037:
1036:
1031:
1025:
1022:
1017:
1006:
1005:
999:
997:
990:
984:
981:
976:
965:
961:
957:
956:
950:
948:
941:
935:
933:
929:
925:
920:
917:
913:
908:
906:
904:
900:
896:
891:
889:
887:
883:
880:, p. 55.
879:
874:
871:
866:
860:
856:
855:
847:
844:
831:
830:
825:
819:
816:
811:
807:
803:
799:
795:
789:
786:
782:
777:
774:
770:
765:
762:
749:
745:
741:
734:
731:
727:
722:
719:
716:, p. 48.
715:
710:
707:
695:
691:
685:
682:
669:
668:
663:
657:
654:
642:
641:
636:
629:
626:
614:
613:
608:
601:
598:
591:
586:
583:
580:
577:
576:
572:
571:
567:
564:
562:– bass guitar
561:
558:
555:
552:
549:
548:Anthony Moore
546:
543:
542:Peter Blegvad
540:
537:
536:Dagmar Krause
534:
533:
529:
528:
524:
522:
520:
516:
511:
509:
505:
503:
502:Trouser Press
498:
493:
491:
490:
485:
481:
477:
473:
472:
467:
463:
459:
458:
453:
452:Ian MacDonald
449:
448:
443:
435:
433:
431:
427:
422:
420:
416:
410:
399:
395:
391:
387:
383:
382:
373:
371:
369:
365:
361:
360:William Blake
357:
349:
347:
345:
341:
337:
333:
329:
325:
320:
318:
314:
310:
309:
304:
299:
297:
296:
291:
287:
286:
281:
273:
271:
269:
268:
263:
257:
252:
248:
244:
240:
239:
234:
230:
229:
223:
221:
220:
215:
214:
209:
205:
201:
197:
196:Peter Blegvad
193:
192:Anthony Moore
189:
185:
175:
171:
168:
165:
160:
157:
156:Peter Blegvad
154:
151:
146:
143:
142:Anthony Moore
140:
137:
132:
129:
126:
124:
120:
108:
104:
101:
98:
96:
92:
88:
84:
81:
79:
75:
72:November 1974
71:
67:
56:
52:
49:
48:
39:
35:
31:
22:
16:
1800:
1793:
1786:
1779:
1772:
1699:
1659:
1652:
1645:
1638:
1620:
1613:
1591:
1584:
1566:
1559:
1552:
1515:Georgie Born
1490:
1483:
1478:Chris Cutler
1476:
1471:John Greaves
1469:
1462:
1455:
1386:
1340:
1317:
1310:
1292:
1285:
1278:
1271:
1264:
1246:
1239:
1232:
1185:"War" lyrics
1155:
1130:
1107:
1082:
1058:
1051:
1039:. Retrieved
1033:
1024:
1014:– via
1008:. Retrieved
1002:
995:
983:
973:– via
967:. Retrieved
953:
946:
945:"Henry Cow:
919:
873:
853:
846:
834:. Retrieved
827:
818:
797:
788:
776:
764:
752:. Retrieved
748:the original
743:
733:
721:
709:
697:. Retrieved
693:
684:
672:. Retrieved
665:
656:
644:. Retrieved
638:
633:Mills, Ted.
628:
616:. Retrieved
610:
600:
585:Mongezi Feza
566:Chris Cutler
560:John Greaves
512:
504:Record Guide
500:
494:
487:
484:Pirate Jenny
480:Judy Collins
475:
469:
455:
445:
441:
439:
430:Paul Hegarty
425:
423:
408:
394:scale degree
379:
377:
355:
353:
323:
321:
316:
312:
306:
302:
300:
293:
289:
283:
277:
265:
262:John Greaves
246:
243:Sol Invictus
236:
226:
224:
217:
211:
187:
183:
181:
45:
15:
1743:Slapp Happy
1607:Live albums
1532:Andy Powell
1500:Geoff Leigh
1273:Slapp Happy
1258:Discography
1222:Slapp Happy
1097:Works cited
1087:Piekut 2019
1041:23 November
1010:31 December
1004:Let It Rock
989:Laing, Dave
912:Piekut 2019
895:Piekut 2019
878:Cutler 2019
802:Slapp Happy
781:Piekut 2019
769:Piekut 2019
726:Piekut 2019
714:Cutler 2019
699:18 February
674:19 February
646:19 February
618:19 February
579:Geoff Leigh
471:Let It Rock
424:Writing in
374:Composition
368:W. B. Yeats
340:Martin Bisi
285:Slapp Happy
274:Development
254: [
204:Slapp Happy
170:Slapp Happy
164:Producer(s)
150:Lyricist(s)
136:Composer(s)
87:Oxfordshire
34:Slapp Happy
1838:1975 songs
1832:Categories
1457:Fred Frith
1134:. London:
1116:. London:
1073:0020363613
592:References
554:Fred Frith
508:Kurt Weill
489:Marat/Sade
486:" and the
466:Dave Laing
332:Fred Frith
100:Avant-rock
61:1975-05-09
1768:Ray Smith
1758:Henry Now
1753:Art Bears
1445:Henry Cow
1382:Art Bears
1377:Henry Cow
1114:Henry Cow
964:0028-6362
836:8 January
806:Henry Cow
754:8 January
587:– trumpet
525:Personnel
482:used in "
468:wrote in
436:Reception
208:Henry Cow
200:avant-pop
174:Henry Cow
89:, England
83:The Manor
38:Henry Cow
1819:Category
1679:Teenbeat
1632:Box sets
1615:Concerts
1405:Category
1035:AllMusic
796:(1975).
694:RogueArt
640:AllMusic
612:AllMusic
556:– guitar
497:AllMusic
233:the Fall
69:Recorded
54:Released
1721:Erk Gah
1266:Sort Of
969:11 June
829:Discogs
667:Discogs
364:refrain
59: (
1561:Unrest
1554:Legend
1167:
1142:
1070:
962:
861:
832:. 1975
390:meters
241:, and
202:group
128:Virgin
106:Length
78:Studio
1693:Ruins
1671:Songs
1372:Faust
1333:Songs
1287:Ça Va
398:tonic
386:pulse
350:Title
258:]
123:Label
95:Genre
36:with
24:"War"
1165:ISBN
1140:ISBN
1068:ISBN
1043:2019
1012:2019
971:2018
960:ISSN
859:ISBN
838:2020
756:2020
701:2020
676:2020
648:2020
620:2020
510:".
338:and
30:Song
1700:War
1341:War
476:War
457:sic
444:in
358:by
326:, "
184:War
32:by
1834::
1163:.
1159:.
1138:.
1032:.
1001:.
958:.
952:.
931:^
902:^
885:^
826:.
808:.
804:/
742:.
692:.
664:.
637:.
609:.
521:.
492:.
428:,
370:.
334:,
282:,
270:.
256:fr
222:.
172:,
115:23
85:,
1723:"
1719:"
1716:"
1712:"
1709:"
1705:"
1702:"
1698:"
1695:"
1691:"
1688:"
1684:"
1681:"
1677:"
1437:e
1430:t
1423:v
1357:"
1353:"
1350:"
1346:"
1343:"
1339:"
1214:e
1207:t
1200:v
1173:.
1148:.
1120:.
1076:.
1045:.
1018:.
977:.
949:"
867:.
840:.
812:.
758:.
703:.
678:.
650:.
622:.
409:4
182:"
113::
111:2
63:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.