Knowledge (XXG)

Watershed, Bristol

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200:, events/conferencing spaces, the Pervasive Media Studio, and office spaces for administrative and creative staff. It occupies the former E and W sheds on Canon's Road at Saint Augustine's Reach, and underwent a major refurbishment in 2005. The building also hosts UWE eMedia Business Enterprises, Most of Watershed's facilities are situated on the second floor of two of the transit sheds. The conference spaces and cinemas are used by many public and private sector organisations and charities. Watershed employs the equivalent of over seventy full-time staff and has an annual turnover of approximately 351:
research and consultancy produced through local, national and international partnerships with industry, artists and universities. Its main activities are the Sandbox funding schemes Media Sandbox and Theatre Sandbox. iShed also runs The Pervasive Media Studio, a partnership between Watershed, HP Labs and UWE set up to support interdisciplinary research and development. The Pervasive Media Studio was previously located in the Leadworks building in Anchor Square Bristol until 2011, when it moved to the Watershed building.
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festival Depict.org, selecting "micro films" (no more than ninety seconds long) from around the world, giving a cash prize to the winner. In 2006, eShed.net began development as a showcase for digital art made by young people in and around Bristol. Staff at Watershed were also involved with creating
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status. By 2004, it was attracting more than half a million visitors per year. A major refurbishment in 2004/5 cost £2 million, creating a third cinema, extending the café/bar and making the building more accessible. Patrons could sponsor seats in the new cinema, and the first to take advantage of
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Watershed subsidiary, iShed, was established in 2007 to produce creative collaborations, support new ideas, explore emerging technologies and develop talent. In 2016, iShed was folded into Pervasive Media Studio and renamed iShed Ventures. iShed's portfolio includes commissioning schemes, events,
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Dshed.net provides a platform for artists, communities and producers to explore various forms of new media experimentation an collaboration. DShed.net hosts online videos of some of the talks at Watershed, project resources and short original digital productions. ElectricDecember.org is an annual
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describes the Watershed as "a creative ecosystem, operating in many different and overlapping economies," which is "pushing the creative boundary" by fostering both the invention and consolidation of new work.
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Watershed is more than just an arts cinema. It is at once a cultural centre, a business broker, a social networker, a research and innovation facility, a café/bar, and a cultural tourist attraction.
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Series aimed at 12- to 15-year-olds has, since 1997, offered young people the chance to discover what happens behind the scenes in the film industry. It was launched in 1997 by
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In the digital domain, Watershed's dShed.net website displays digital art from international artists alongside work by local community groups. It hosts the annual online
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Regular activities include evening classes, special film events, a film discussion group - Cinephiles, and educational screenings with introductions and documentation.
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For the first twenty years of its existence, the Watershed concentrated on film and photography. In the 21st century it has increasingly taken up online media and
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The centre opened in 1982, in an area of the city which was then mainly derelict. The transit sheds, dating from 1894, had fallen into disrepair but had Grade II
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3.8 million. As well as its own commercial income (through Watershed Trading), Watershed Arts Trust is funded by national and regional arts funders.
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s list of "five of the best indie cinemas" put the Watershed at the top, citing its wide-ranging, international programme. A 2002 poll for
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programme, Watershed has played host to (and helped organise and run) many film festivals, including
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opened in June 1982 as the United Kingdom's first dedicated media centre. Based in former
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Producing the Future: Understanding Watershed's Role in Ecosystems of Cultural Innovation
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and running electricpavilion.org, electricdecember.org and bristolstories.org.
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rated the Watershed as Britain's fifth-most popular independent cinema.
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Rife Magazine A platform for the opinions of Bristol's young people
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Cinema, Culture & Technology, Cafe & Bar, Conferencing
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Pulver, Andrew (1 March 2002). "Why the indies matter".
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and featured lectures & seminars by local actor
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Industrial buildings: conservation and regeneration
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The 920: 750:Kelly, Jane; Price, Mary (24 February 2003). 452: 450: 448: 8: 874:Click for curtain-up: technology and theatre 864:, Arts Council England website, October 2010 394: 392: 390: 247:Encounters Short Film and Animation Festival 21: 927: 913: 905: 557: 555: 399:"21 Films For Birthday of the Watershed". 51: 27: 20: 1386:Church of the Holy Trinity with St Edmund 457:"Celebrating a watershed in creativity". 532:"Regeneration Through Heritage Database" 562:"City Arts Centre in £2 mil facelift". 472:Leicester, Graham; Bill Sharpe (2010). 360: 225:this was the film and television actor 1733:British Empire and Commonwealth Museum 732: 721: 416:Film by FutureStory, Centre for Cities 370:"A Bristol Visit Anchored in the Past" 1431:Holy Trinity Church, Westbury on Trym 862:Media Sandbox new digital commissions 752:"UWE Appoints First Watershed Fellow" 631:"Watershed Media Centre at Culture24" 245:2002, Depict!, Brief Encounters (now 7: 1794:Grade II listed buildings in Bristol 1446:Lewin's Mead Unitarian meeting house 1356:Chapel of the Three Kings of Cologne 1079:Bristol International Balloon Fiesta 284:make up artist, Chrissie Powell and 86:1, Canons Road, Harbourside, Bristol 1152:Bristol City Museum and Art Gallery 758:. 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Index


Watershed, Bristol is located in Bristol
Coordinates
51°27′05″N 2°35′53″W / 51.4515°N 2.5980°W / 51.4515; -2.5980
www.watershed.co.uk
warehouses
harbourside
Bristol
cinemas
café
bar
£
International Futures Forum
listed building
Pete Postlethwaite
film
RESFest
Encounters Short Film and Animation Festival
Wildscreen
Afrika Eye
African Cinema
British Film Institute
Paul McGann
Christopher Morris
Casualty
EastEnders
Matthew Robinson
The Independent on Sunday
The Guardian

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