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black-and-white live action and a colored, lo-res digital mode. Eighty-three custom shaders change lights, grain and visual effects in real time while thousands of sounds are live mixed and synced to user interaction. The music score itself, composed by
Philippe Lambert, is generative, responding to the viewer’s pace as they amble (or fly) through the forest.
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Users pilot a block-headed, hand-drawn avatar through the experience, they can pause to examine the world around them, sometimes triggering a strange tunnel vision effect that shifts the perspective to a first-person POV. During the seemingly endless journey, the world oscillates between
167:, Webby and People's Voice awards in the Web/NetArt category as well as the Webby Award for Online Film & Video/VR: Gaming, Interactive or Real-Time. On 27 April 2015, it was named Cutting Edge Project of the Week at the
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s
Jennifer Wolfe described the user experience as follows:
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163:’s New Frontier showcase. Awards to date include three
219:"NFB Releases Vincent Morisset's 'Way to Go' Online"
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62:http://a-way-to-go.com/
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362:Waterlife
157:Way to Go
152:Reception
85:Jusqu'ici
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79:Way to Go
19:Way to Go
249:CBC News
194:CBC Arts
98:Montreal
68:Launched
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