Knowledge (XXG)

We Are Still Here (2022 film)

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released in 2022. It includes eight strands by ten directors, and centres on stories relating to the indigenous peoples of both countries and how they have been impacted and continue to be affected by colonisation.
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Thousands of years in the future, a young girl tries to find medicine for her ailing father in a horrifying dystopian future where Aboriginal and other Indigenous peoples are deported to off-world colonies as
286:-like regime, founded after a war between the global north (led by the US) and the global south (led by China) devastated the planet and wiped out 80% of the human population. 274:, a Samoan slave-soldier and a Turkish (Ottoman) soldier fighting on opposite sides find common ground and friendship despite language barriers and cultural differences. 403: 427: 527: 380: 335:, Richard Curtis and Chantelle Burgoyne, and span a range of approaches including historical war drama, futuristic speculative fiction and animation. 260:
An Indigenous man agrees to help a white settler find his family, only to find his own family killed by colonisers] led by the settler he had helped.
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Two fisherwomen are attacked by British colonial slavetrader ships and experience a surreal, psychedelic tug-of-war between tradition and modernity.
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A young man, reeling from the loss of her mother, searches for his family during riots and witnesses police brutality firsthand.
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After her mother was assaulted in a racist attack by state security officers, an activist and graffiti artist plans to burn down
537: 303:, where it is illegal for Aboriginal people to purchase alcohol, finds himself targeted by white police when he tries to buy a 446: 228: 347: 161: 247: 232: 512: 300: 497: 290: 197: 324: 72: 52: 201: 30: 447:"TIFF Unveils Contemporary World Cinema Lineup: ā€˜Aftersun,ā€™ ā€˜EOā€™ Among Toronto Premieres" 428:"We Are Still Here review ā€“ 10 directors take on the vile Captain Cook in thrilling ways" 251: 236: 75:, Tim Worrall, Renae Maihi, Miki Magasiva, Mario Gaoa, Richard Curtis, Chantelle Burgoyne 264: 215: 350:, and had its North American premiere in the Contemporary World Cinema program at the 506: 404:"Indigenous anthology feature ā€˜We Are Still Hereā€™ to open Sydney Film Festival 2022" 231:
to Australia in 1772, the project consists of ten linked short films by each of ten
432: 408: 364: 279: 467:"Trailblazing Māori director's touching speech after We Are Still Here award nod" 328: 320: 271: 56: 48: 332: 304: 254:) in the past, present, and future. There are eight strands by ten directors. 60: 451: 316: 263:
A young Māori woman convinces her father to join the resistance against the
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occupation, although he fears for the safety of his family and community.
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Beck Cole, Samuel Paynter, Tiraroa Reweti, Dena Curtis, Tracey Rigney,
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The film alternates between different stories centering on
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Created as a response to the 250th anniversary of the
191: 181: 171: 143: 133: 117: 109: 101: 91: 79: 67: 40: 23: 8: 379:won the Dramatic Feature Award at the 2022 422: 420: 418: 381:imagineNATIVE Film and Media Arts Festival 29: 20: 16:2022 Australian-New Zealand anthology film 398: 396: 352:2022 Toronto International Film Festival 392: 346:premiered as the opening film of the 243:on the region's indigenous cultures. 7: 63:, Richard Curtis, Chantelle Burgoyne 528:Films about Aboriginal Australians 14: 299:An Indigenous man living in the 293:with the help of a new friend. 239:filmmakers about the impact of 1: 214:is an Australian-New Zealand 362:Luke Buckmaster, writing in 523:New Zealand anthology films 315:The films were directed by 229:second voyage of James Cook 554: 518:Australian anthology films 348:69th Sydney Film Festival 28: 533:Films about Māori people 538:2020s Australian films 354:on 10 September 2022. 248:Indigenous Australians 113:Mahuia Bridgman-Cooper 233:Indigenous Australian 152:8 June 2022 250:and New Zealanders ( 139:Rialto Entertainment 126:No Coincidence Media 445:Samantha Bergeson, 241:settler colonialism 301:Northern Territory 128:Marama Productions 493:We Are Still Here 455:, 17 August 2022. 426:Luke Buckmaster, 377:We Are Still Here 344:We Are Still Here 331:, Miki Magasiva, 323:, Tracey Rigney, 211:We Are Still Here 207: 206: 83:Mia Henry-Teirney 59:, Miki Magasiva, 51:, Tracey Rigney, 24:We Are Still Here 545: 479: 478: 476: 474: 462: 456: 443: 437: 424: 413: 400: 325:Danielle MacLean 159: 157: 85:Mitchell Stanley 73:Danielle MacLean 53:Danielle MacLean 33: 21: 553: 552: 548: 547: 546: 544: 543: 542: 503: 502: 488: 483: 482: 472: 470: 464: 463: 459: 444: 440: 425: 416: 401: 394: 389: 374: 360: 341: 327:, Tim Worrall, 313: 225: 200: 196: 186: 174: 167: 155: 153: 146: 138: 129: 127: 122: 120: 97:Eric Murray Lui 96: 95:Raymond Edwards 86: 84: 55:, Tim Worrall, 36: 17: 12: 11: 5: 551: 549: 541: 540: 535: 530: 525: 520: 515: 505: 504: 501: 500: 487: 486:External links 484: 481: 480: 465:Bloch, Aaron. 457: 438: 436:, 8 June 2022. 414: 402:Sandy George, 391: 390: 388: 385: 373: 370: 359: 356: 340: 337: 312: 309: 291:Cooks' Cottage 224: 221: 216:anthology film 205: 204: 193: 189: 188: 183: 179: 178: 175: 172: 169: 168: 166: 165: 149: 147: 144: 141: 140: 135: 134:Distributed by 131: 130: 125: 123: 118: 115: 114: 111: 107: 106: 105:Roland Gallois 103: 99: 98: 93: 92:Cinematography 89: 88: 81: 77: 76: 69: 65: 64: 42: 38: 37: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 550: 539: 536: 534: 531: 529: 526: 524: 521: 519: 516: 514: 511: 510: 508: 499: 495: 494: 490: 489: 485: 468: 461: 458: 454: 453: 448: 442: 439: 435: 434: 429: 423: 421: 419: 415: 412:, 4 May 2022. 411: 410: 405: 399: 397: 393: 386: 384: 382: 378: 371: 369: 367: 366: 357: 355: 353: 349: 345: 338: 336: 334: 330: 326: 322: 318: 310: 308: 306: 302: 297: 294: 292: 287: 285: 281: 275: 273: 268: 266: 261: 258: 255: 253: 249: 244: 242: 238: 234: 230: 222: 220: 217: 213: 212: 203: 199: 194: 190: 184: 180: 176: 170: 163: 151: 150: 148: 142: 136: 132: 124: 116: 112: 108: 104: 100: 94: 90: 82: 78: 74: 70: 66: 62: 58: 54: 50: 46: 43: 39: 32: 27: 22: 19: 492: 471:. Retrieved 460: 450: 441: 433:The Guardian 431: 409:Screen Daily 407: 376: 375: 365:The Guardian 363: 361: 343: 342: 314: 298: 295: 288: 280:slave labour 276: 269: 262: 259: 256: 252:Māori people 245: 226: 210: 209: 208: 173:Running time 145:Release date 87:Toni Stowers 18: 473:8 September 329:Renae Maihi 321:Dena Curtis 272:World War I 187:New Zealand 137:Dark Matter 80:Produced by 57:Renae Maihi 49:Dena Curtis 41:Directed by 35:Film poster 513:2022 films 507:Categories 387:References 333:Mario Gaoa 311:Production 177:82 minutes 156:2022-06-08 119:Production 68:Written by 61:Mario Gaoa 452:IndieWire 372:Accolades 358:Reception 317:Beck Cole 307:of beer. 192:Languages 185:Australia 182:Countries 121:companies 102:Edited by 45:Beck Cole 305:six-pack 223:Synopsis 110:Music by 339:Release 270:During 265:British 195:English 154: ( 202:Samoan 162:Sydney 160: ( 469:. NIT 282:by a 237:Māori 198:Māori 498:IMDb 475:2023 284:Nazi 235:and 496:at 509:: 449:. 430:. 417:^ 406:. 395:^ 383:. 319:, 47:, 477:. 164:) 158:)

Index


Beck Cole
Dena Curtis
Danielle MacLean
Renae Maihi
Mario Gaoa
Danielle MacLean
Sydney
Māori
Samoan
anthology film
second voyage of James Cook
Indigenous Australian
Māori
settler colonialism
Indigenous Australians
Māori people
British
World War I
slave labour
Nazi
Cooks' Cottage
Northern Territory
six-pack
Beck Cole
Dena Curtis
Danielle MacLean
Renae Maihi
Mario Gaoa
69th Sydney Film Festival

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