Knowledge (XXG)

We Want Moore!

Source 📝

1600: 268: 263: 258: 253: 248: 42: 1641: 1474: 1421: 1520: 1435: 1354: 1488: 1634: 1481: 1665: 1189: 529: 1680: 1273: 1165: 1675: 1627: 1266: 987: 1026: 1467: 1064: 1231: 1217: 206: 1670: 1245: 423: 1527: 898: 1196: 740: 471: 1660: 953: 1513: 1428: 1382: 1335: 1158: 928: 844: 1361: 1097: 1544: 1319: 797: 354: 349: 83: 1549: 1442: 1396: 1287: 1259: 1210: 974: 835: 339: 188: 1016: 1043:"Sisältää hitin: Levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1961: MOK - MOY > Garu Moore" 1126: 1072: 992: 511: 277: 1506: 1238: 1151: 801: 1389: 1280: 697: 383: 1022: 908: 123: 101: 1611: 1042: 1301: 1294: 1252: 369: 1579: 1327: 918: 682: 162: 1093: 1449: 1403: 791: 483: 155: 89: 1599: 1118: 1654: 1224: 1203: 805: 1564: 811: 692: 146: 1559: 1375: 821: 815: 787: 783: 760: 755: 391: 114: 1574: 1554: 1174: 863: 850: 779: 387: 295: 175: 168: 151: 95: 54: 17: 1607: 1569: 827: 583: 419: 119: 831: 240: 970: 41: 866:– producer, mixing at Battery Studios, London, July and August 1984 49: 1147: 1143: 467:"Cold Hearted" (includes intro solo to "End of the World"; 1615: 808:, backing vocals, lead vocals on 2, harmony vocals on 9 667:
Harpos Concert Theatre, Detroit, Michigan, 23 June 1984
428:
Harpos Concert Theatre, Detroit, Michigan, 23 June 1984
396:
Harpos Concert Theatre, Detroit, Michigan, 23 June 1984
1537: 1498: 1459: 1413: 1346: 1311: 1181: 730: 716: 644: 630: 571: 557: 458: 444: 326: 312: 174: 161: 145: 129: 113: 77: 69: 61: 48: 34: 988:"Review Album: Gary Moore - We Want Moore!/Live" 1422:Live at Isstadion Stockholm: Wild Frontier Tour 614:The Apollo, Glasgow, Scotland, 14 February 1984 589:The Apollo, Glasgow, Scotland, 14 February 1984 541:The Apollo, Glasgow, Scotland, 14 February 1984 1635: 1436:One Night in Dublin: A Tribute to Phil Lynott 1159: 763:, Belfast, Northern Ireland, 17 December 1984 8: 294:is a live album by Northern Irish guitarist 245: 1642: 1628: 1166: 1152: 1144: 220: 40: 31: 841:Bobby Chouinard – drums on tracks 1-3, 9 894: 880: 710: 624: 551: 438: 306: 945: 1065:"Gary Moore – We Want Moore! (Album)" 514:, Glasgow, Scotland, 14 February 1984 226: 7: 1596: 1594: 1119:"Album – Gary Moore, We Want Moore!" 1614:. You can help Knowledge (XXG) by 1355:Rockin' Every Night: Live in Japan 824:– bass and lead vocals on track 11 25: 357:, Detroit, Michigan, 23 June 1984 247: 29:1984 live album by Gary Moore 1598: 1045:. Sisältää hitin / Timo Pennanen 266: 261: 256: 251: 246: 1015:Strong, Martin Charles (1995). 869:John Hallett – mixing assistant 1312:Albums with bands led by Moore 717: 712:2002 remastered CD bonus track 631: 558: 445: 313: 298:, released on 1 October 1984. 1: 1666:Albums produced by Tony Platt 1528:Still Got the Blues (For You) 1468:Ballads & Blues 1982–1994 872:Aaron Chakraverty – mastering 653:"Don't Take Me for a Loser" ( 1094:"Gary Moore Official Charts" 932: 927: 922: 917: 912: 907: 902: 897: 889: 886: 883: 853:– backing vocals on track 10 1681:1980s hard rock album stubs 1610:album-related article is a 1521:Over the Hills and Far Away 1697: 1676:Virgin Records live albums 1593: 1362:Live / Live at the Marquee 1018:The Great Rock Discography 735: 727: 724: 721: 674: 649: 641: 638: 635: 596: 576: 568: 565: 562: 521: 493: 486:, Japan, 29 February 1984 463: 455: 452: 449: 407:"Victims of the Future" ( 403: 364: 331: 323: 320: 317: 234: 231: 182: 39: 1429:Live at Monsters of Rock 1383:Live at Monsters of Rock 1323:(w/ The Gary Moore Band) 986:Kühnemund, Götz (1984). 969:Rivadavia, Eduardo. 1489:The Platinum Collection 1098:Official Charts Company 996:(in German). No. 8 678:"Rockin' and Rollin'" ( 525:"Back on the Streets" ( 335:"Murder in the Skies" ( 1671:Gary Moore live albums 355:Harpos Concert Theatre 84:Harpos Concert Theatre 73:February and June 1984 1443:Live at Montreux 2010 1397:Live at Montreux 2010 1288:Old New Ballads Blues 1260:Dark Days in Paradise 1211:Victims of the Future 604:Victims of the Future 411:Victims of the Future 376:Victims of the Future 340:Victims of the Future 189:Victims of the Future 107:Ulster Hall (Belfast) 1127:Media Control Charts 1073:Media Control Charts 909:Swedish Albums Chart 899:Finnish Albums Chart 497:"End of the World" ( 222:Professional ratings 1507:Parisienne Walkways 1239:Still Got the Blues 1190:Back on the Streets 929:German Albums Chart 847:- drums on track 11 747:Back on the Streets 741:Parisienne Walkways 713: 627: 554: 530:Back on the Streets 441: 309: 223: 1460:Compilation albums 1390:Essential Montreux 1281:Power of the Blues 1197:Corridors of Power 711: 700:, 11 February 1984 657:Corridors of Power 625: 552: 501:Corridors of Power 472:Corridors of Power 439: 384:Paul Samwell-Smith 307: 221: 1623: 1622: 1588: 1587: 1514:Out in the Fields 1482:Best of the Blues 1475:Out in the Fields 1274:Back to the Blues 1069:Swedishcharts.com 937: 936: 838:on tracks 4-8, 10 770: 769: 750: 707: 706: 698:Hammersmith Odeon 687: 660: 621: 620: 607: 548: 547: 534: 504: 476: 435: 434: 414: 379: 344: 287: 286: 219: 218: 215: 214: 102:Hammersmith Odeon 16:(Redirected from 1688: 1661:1984 live albums 1644: 1637: 1630: 1602: 1595: 1538:Related articles 1302:Bad for You Baby 1295:Close as You Get 1267:A Different Beat 1253:Blues for Greeny 1168: 1161: 1154: 1145: 1138: 1137: 1135: 1133: 1115: 1109: 1108: 1106: 1104: 1090: 1084: 1083: 1081: 1079: 1061: 1055: 1054: 1052: 1050: 1039: 1033: 1032: 1012: 1006: 1005: 1003: 1001: 983: 977: 967: 961: 960: 958: 950: 881: 818:, backing vocals 744: 719: 714: 679: 654: 633: 628: 601: 560: 555: 526: 498: 468: 447: 442: 408: 373: 370:Shapes of Things 336: 315: 310: 271: 270: 269: 265: 264: 260: 259: 255: 254: 250: 249: 224: 184: 183: 141: 140: 136: 44: 32: 21: 1696: 1695: 1691: 1690: 1689: 1687: 1686: 1685: 1651: 1650: 1649: 1648: 1591: 1589: 1584: 1533: 1494: 1455: 1409: 1342: 1307: 1177: 1172: 1142: 1141: 1131: 1129: 1117: 1116: 1112: 1102: 1100: 1092: 1091: 1087: 1077: 1075: 1063: 1062: 1058: 1048: 1046: 1041: 1040: 1036: 1029: 1021:. p. 561. 1014: 1013: 1009: 999: 997: 985: 984: 980: 968: 964: 956: 952: 951: 947: 942: 919:UK Albums Chart 879: 776: 771: 708: 622: 600:"Empty Rooms" ( 549: 436: 418:Moore, Carter, 304: 267: 262: 257: 252: 210: 201: 192: 167:Gary Moore and 138: 134: 133: 57: 30: 23: 22: 15: 12: 11: 5: 1694: 1692: 1684: 1683: 1678: 1673: 1668: 1663: 1653: 1652: 1647: 1646: 1639: 1632: 1624: 1621: 1620: 1603: 1586: 1585: 1583: 1582: 1577: 1572: 1567: 1562: 1557: 1552: 1547: 1541: 1539: 1535: 1534: 1532: 1531: 1524: 1517: 1510: 1502: 1500: 1496: 1495: 1493: 1492: 1485: 1478: 1471: 1463: 1461: 1457: 1456: 1454: 1453: 1450:Blues for Jimi 1446: 1439: 1432: 1425: 1417: 1415: 1411: 1410: 1408: 1407: 1404:Blues for Jimi 1400: 1393: 1386: 1379: 1372: 1369:We Want Moore! 1365: 1358: 1350: 1348: 1344: 1343: 1341: 1340: 1332: 1324: 1320:Grinding Stone 1315: 1313: 1309: 1308: 1306: 1305: 1298: 1291: 1284: 1277: 1270: 1263: 1256: 1249: 1242: 1235: 1228: 1221: 1214: 1207: 1200: 1193: 1185: 1183: 1179: 1178: 1173: 1171: 1170: 1163: 1156: 1148: 1140: 1139: 1110: 1085: 1056: 1034: 1027: 1007: 978: 971:We Want Moore! 962: 944: 943: 941: 938: 935: 934: 931: 925: 924: 921: 915: 914: 911: 905: 904: 901: 896: 892: 891: 888: 885: 878: 875: 874: 873: 870: 867: 860: 859: 855: 854: 848: 842: 839: 825: 819: 809: 795: 792:backing vocals 775: 772: 768: 767: 764: 758: 752: 737: 733: 732: 729: 726: 723: 720: 709: 705: 704: 701: 695: 689: 676: 672: 671: 668: 665: 662: 651: 647: 646: 643: 640: 637: 634: 623: 619: 618: 615: 612: 609: 598: 594: 593: 590: 587: 581: 578: 574: 573: 570: 567: 564: 561: 550: 546: 545: 542: 539: 536: 523: 519: 518: 515: 509: 506: 495: 491: 490: 487: 481: 478: 465: 461: 460: 457: 454: 451: 448: 437: 433: 432: 429: 426: 416: 405: 401: 400: 397: 394: 381: 366: 362: 361: 358: 352: 346: 333: 329: 328: 325: 322: 319: 316: 305: 303: 300: 291:We Want Moore! 285: 284: 281: 273: 272: 243: 237: 236: 233: 229: 228: 217: 216: 213: 212: 203: 198:We Want Moore! 194: 180: 179: 172: 171: 165: 159: 158: 149: 143: 142: 131: 127: 126: 117: 111: 110: 109: 108: 105: 99: 93: 90:Nippon Budokan 87: 79: 75: 74: 71: 67: 66: 65:1 October 1984 63: 59: 58: 53: 46: 45: 37: 36: 35:We Want Moore! 28: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1693: 1682: 1679: 1677: 1674: 1672: 1669: 1667: 1664: 1662: 1659: 1658: 1656: 1645: 1640: 1638: 1633: 1631: 1626: 1625: 1619: 1617: 1613: 1609: 1604: 1601: 1597: 1592: 1581: 1578: 1576: 1573: 1571: 1568: 1566: 1563: 1561: 1558: 1556: 1553: 1551: 1548: 1546: 1543: 1542: 1540: 1536: 1529: 1525: 1522: 1518: 1515: 1511: 1508: 1504: 1503: 1501: 1497: 1491: 1490: 1486: 1484: 1483: 1479: 1477: 1476: 1472: 1470: 1469: 1465: 1464: 1462: 1458: 1452: 1451: 1447: 1445: 1444: 1440: 1438: 1437: 1433: 1431: 1430: 1426: 1424: 1423: 1419: 1418: 1416: 1412: 1406: 1405: 1401: 1399: 1398: 1394: 1392: 1391: 1387: 1385: 1384: 1380: 1378: 1377: 1373: 1371: 1370: 1366: 1364: 1363: 1359: 1357: 1356: 1352: 1351: 1349: 1345: 1338: 1337: 1333: 1330: 1329: 1325: 1322: 1321: 1317: 1316: 1314: 1310: 1304: 1303: 1299: 1297: 1296: 1292: 1290: 1289: 1285: 1283: 1282: 1278: 1276: 1275: 1271: 1269: 1268: 1264: 1262: 1261: 1257: 1255: 1254: 1250: 1248: 1247: 1243: 1241: 1240: 1236: 1234: 1233: 1232:After the War 1229: 1227: 1226: 1225:Wild Frontier 1222: 1220: 1219: 1218:Run for Cover 1215: 1213: 1212: 1208: 1206: 1205: 1204:Dirty Fingers 1201: 1199: 1198: 1194: 1192: 1191: 1187: 1186: 1184: 1182:Studio albums 1180: 1176: 1169: 1164: 1162: 1157: 1155: 1150: 1149: 1146: 1128: 1125:(in German). 1124: 1120: 1114: 1111: 1099: 1095: 1089: 1086: 1074: 1070: 1066: 1060: 1057: 1044: 1038: 1035: 1030: 1028:9780862415419 1024: 1020: 1019: 1011: 1008: 995: 994: 989: 982: 979: 976: 972: 966: 963: 959:. p. 29. 955: 949: 946: 939: 930: 926: 920: 916: 910: 906: 900: 893: 882: 876: 871: 868: 865: 862: 861: 857: 856: 852: 849: 846: 845:Paul Thompson 843: 840: 837: 833: 829: 826: 823: 820: 817: 813: 810: 807: 806:rhythm guitar 803: 799: 796: 793: 789: 785: 781: 778: 777: 773: 765: 762: 759: 757: 753: 748: 742: 738: 734: 715: 702: 699: 696: 694: 690: 685: 684: 677: 673: 669: 666: 663: 658: 652: 648: 629: 616: 613: 611:Moore, Carter 610: 605: 599: 595: 591: 588: 586:, Ray Russell 585: 582: 580:"So Far Away" 579: 575: 556: 543: 540: 537: 532: 531: 524: 520: 516: 513: 510: 507: 502: 496: 492: 488: 485: 484:Tokyo Budokan 482: 479: 474: 473: 466: 462: 443: 430: 427: 425: 421: 417: 412: 406: 402: 398: 395: 393: 389: 385: 382: 377: 371: 367: 363: 359: 356: 353: 351: 347: 342: 341: 334: 330: 311: 302:Track listing 301: 299: 297: 293: 292: 282: 280: 279: 275: 274: 244: 242: 239: 238: 230: 227:Review scores 225: 209: 208: 207:Run for Cover 204: 200: 199: 195: 191: 190: 186: 185: 181: 177: 173: 170: 166: 164: 160: 157: 153: 150: 148: 144: 132: 128: 125: 121: 118: 116: 112: 106: 103: 100: 97: 94: 91: 88: 85: 82: 81: 80: 76: 72: 68: 64: 60: 56: 51: 47: 43: 38: 33: 27: 19: 18:We Want Moore 1616:expanding it 1605: 1590: 1565:Colosseum II 1487: 1480: 1473: 1466: 1448: 1441: 1434: 1427: 1420: 1414:Video albums 1402: 1395: 1388: 1381: 1374: 1368: 1367: 1360: 1353: 1334: 1331:(w/ G-Force) 1326: 1318: 1300: 1293: 1286: 1279: 1272: 1265: 1258: 1251: 1244: 1237: 1230: 1223: 1216: 1209: 1202: 1195: 1188: 1130:. Retrieved 1122: 1113: 1101:. Retrieved 1088: 1076:. Retrieved 1068: 1059: 1047:. Retrieved 1037: 1017: 1010: 998:. Retrieved 991: 981: 965: 954:"Music Week" 948: 812:Craig Gruber 790:, producer, 746: 693:Mark Nauseef 681: 656: 603: 528: 500: 470: 410: 375: 338: 290: 289: 288: 276: 205: 197: 196: 187: 26: 1606:This 1980s 1560:Phil Lynott 1545:Discography 1376:Blues Alive 1347:Live albums 1246:After Hours 822:Phil Lynott 798:Neil Carter 788:lead guitar 784:lead vocals 761:Ulster Hall 756:Phil Lynott 728:Recorded at 642:Recorded at 569:Recorded at 456:Recorded at 424:Neil Murray 392:Jim McCarty 350:Neil Carter 324:Recorded at 124:heavy metal 1655:Categories 1555:Thin Lizzy 1339:(w/ Scars) 1175:Gary Moore 940:References 864:Tony Platt 858:Production 851:Jimmy Nail 836:percussion 780:Gary Moore 553:Side three 512:The Apollo 388:Keith Relf 296:Gary Moore 178:chronology 176:Gary Moore 169:Tony Platt 96:The Apollo 55:Gary Moore 50:Live album 1608:hard rock 1570:Greg Lake 1123:Charts.de 993:Rock Hard 890:Position 828:Ian Paice 802:keyboards 774:Personnel 725:Writer(s) 639:Writer(s) 626:Side four 584:Mo Foster 566:Writer(s) 453:Writer(s) 420:Ian Paice 321:Writer(s) 278:Rock Hard 120:Hard rock 98:(Glasgow) 86:(Detroit) 1550:Skid Row 975:AllMusic 440:Side two 308:Side one 241:AllMusic 163:Producer 104:(London) 70:Recorded 62:Released 52: by 1328:G-Force 1132:19 June 1078:19 June 1000:25 June 754:Moore, 691:Moore, 683:G-Force 348:Moore, 211:(1985) 202:(1984) 193:(1984) 92:(Tokyo) 1580:Greeny 1103:9 June 1049:9 June 1025:  887:Chart 877:Charts 749:, 1979 731:Length 686:, 1980 659:, 1982 645:Length 606:, 1984 572:Length 533:, 1979 503:, 1982 475:, 1982 459:Length 413:, 1984 378:, 1984 343:, 1984 327:Length 283:9.0/10 235:Rating 232:Source 156:Virgin 130:Length 1499:Songs 1336:Scars 957:(PDF) 895:1984 884:Year 832:drums 745:from 722:Title 680:from 664:Moore 655:from 636:Title 602:from 563:Title 538:Moore 527:from 508:Moore 499:from 489:10:37 480:Moore 469:from 450:Title 409:from 374:from 337:from 318:Title 147:Label 115:Genre 78:Venue 1612:stub 1134:2018 1105:2018 1080:2018 1051:2018 1023:ISBN 1002:2018 834:and 816:bass 794:on 2 766:7:04 703:6:38 670:5:49 617:8:28 592:2:41 544:5:27 517:4:33 431:8:28 399:8:16 360:5:32 1575:BBM 973:at 933:52 923:32 913:21 903:21 743:" ( 736:11. 718:No. 632:No. 559:No. 446:No. 372:" ( 314:No. 1657:: 1121:. 1096:. 1071:. 1067:. 990:. 830:– 814:– 804:, 800:– 786:, 782:– 675:4. 650:3. 597:2. 577:1. 522:6. 494:5. 464:4. 422:, 404:3. 390:, 386:, 365:2. 332:1. 152:10 139:02 135:66 122:, 1643:e 1636:t 1629:v 1618:. 1530:" 1526:" 1523:" 1519:" 1516:" 1512:" 1509:" 1505:" 1167:e 1160:t 1153:v 1136:. 1107:. 1082:. 1053:. 1031:. 1004:. 751:) 739:" 688:) 661:) 608:) 535:) 505:) 477:) 415:) 380:) 368:" 345:) 154:/ 137:: 20:)

Index

We Want Moore

Live album
Gary Moore
Harpos Concert Theatre
Nippon Budokan
The Apollo
Hammersmith Odeon
Genre
Hard rock
heavy metal
Label
10
Virgin
Producer
Tony Platt
Gary Moore
Victims of the Future
Run for Cover
AllMusic
Rock Hard
Gary Moore
Victims of the Future
Neil Carter
Harpos Concert Theatre
Shapes of Things
Paul Samwell-Smith
Keith Relf
Jim McCarty
Ian Paice

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.