Wedgwood - Knowledge (XXG)

729: 1358: 1615: 607: 714: 1001: 1218: 641: 841: 794: 1013: 619: 958: 749: 588: 489:, and completed in 1774. The service had fifty settings, and 944 pieces were ordered, 680 for the dinner service and 264 for the dessert. Although Wedgwood was already transfer printing many tablewares, this was entirely hand-painted in Chelsea in monochrome, with English views copied from prints and drawings; the final appearance was not dissimilar to transfer printing, but each image was unique. Also at Catherine's request, each piece carries a green frog. Although Wedgwood was paid just over £2,700 he barely made a profit, but milked the prestige of the commission, exhibiting the service in his London showroom before delivery. 4680: 404:, had followed a similar career path, training with Whieldon and then starting his own firm around 1762. He was a fine modeller, especially of moulds for tablewares, and probably did most of Wedgwood's earlier moulds as an outside contractor. After some twenty years, Greatbatch's firm went under in 1782, and by 1786 he was a Wedgwood employee, continuing for over twenty years until he retired in 1807, on generous terms specified in Wedgwood's will. In the early period he seems also to have acted as agent for Wedgwood on trips to London, and after Wedgwood's retirement he may have in effect managed the Etruria works. 1292: 4688: 1254: 772: 985: 1032: 274: 1202: 973: 1238: 1627: 1115: 901: 573: 365: 541:. Many motifs were taken from ancient mythologies: Roman, Greek and Egyptian. Meanwhile, archaeological fever caught the imagination of many artists. Nothing could have been more suitable to satisfy this huge business demand than to produce replicas of ancient artefacts. From 1787 to 1794 Wedgwood even ran a studio in Rome, where young Neoclassical artists were in abundance, producing wax models for reliefs, often to designs sent from England. The most famous design is Wedgwood's copy of the 814: 413: 1269: 397:, who soon moved to London and ran the operations there. Only the "ornamental" wares such as vases are marked "Wedgwood & Bentley" and those so marked are at an extra level of quality. The extensive correspondence between Wedgwood and Bentley, who was from a landowning background, show Wedgwood often relied on his advice on artistic questions. Wedgwood felt the loss keenly when Bentley died in 1780. 493: 150: 1500: 728: 872:. After Waterloo in 1815, there was a dramatic drop in the vital exports to America. Byerley's death in 1810 forced the brothers to confront the reality of the financial situation, as they needed to buy out his widow. Between the partners and other debtors, the firm was owed some £67,000, a huge sum. Joss bought Jack out, and continued as sole owner. 127: 879:, and by 1859 the factory had 445 employees. As well as updated versions of wares from the previous century, bathroom ceramics such as sinks and lavatories had been important in recent decades, and Wedgwood's reputation for technical and design innovation had sunk considerably. However, they did introduce porcelain (see below), 713: 1634:

Wedgwood's founder wrote as early as 1774 that he wished he had preserved samples of all the company's works, and he began to do so. The first formal museum was opened in May 1906, with a curator named Isaac Cook, at the main (Etruria) works. The contents of the museum were stored for the duration of

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By 1811 Byerley, as manager of the London shop, wrote back to Stoke that "Every day we are asked for China Tea Ware—our sales of it would be immense if we had any—Earthenware Teaware is quite out of fashion...", and in response in 1812 Wedgwood first produced their own bone china, with hand-painting.

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most production to Indonesia to reduce costs, while Waterford production moved to Eastern Europe. By 2009 the Jakarta factory employed 1,500 persons producing bone china under both Wedgwood and Royal Doulton brands. Annual production was reported to be 5 to 7 million pieces. In order to reduce costs

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Wedgwood developed other dry-bodied stonewares, meaning that they were sold unglazed. The first of these was what he called "basaltes", now more often "black basalt ware" or just basalt ware, perfected by 1769. This was a tough body in solid black, much used for classical revival styles. Wedgwood

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In 1986, Waterford Glass Group plc purchased Wedgwood plc for US$ 360 million, with Wedgwood delivering a US$ 38.7 million profit in 1998 (while Waterford itself lost $ 28.9 million), after which the group was renamed Waterford Wedgwood plc. From early 1987 to early 1989, the CEO was Patrick Byrne,

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In the later 19th century, it returned to being a leader in design and technical innovation, as well as continuing to make many of the older styles. Despite increasing local competition in its export markets, the business continued to flourish in the 19th and early 20th centuries, remaining in the

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and relaunched in a gallery at the new Barlaston factory in 1952. A new purpose-built visitor centre and museum was built in Barlaston in 1975 and remodelled in 1985, with pieces displayed near items from the old factory works in cabinets of similar period. A video theatre was added and a new gift

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in contrasting colours, and in particular that in "Wedgwood blue" and white, always much the most popular colours, though there are several others. Jasperware has been made continuously by the firm since 1775, and also much imitated. In the 18th century, however, it was table china in the refined

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Instead Wedgwood concentrated on more sculptural figures, and produced many busts or small relief portrait plaques of celebrities, both types of high quality. The subjects were generally notably serious: politicians and royalty, famous scientists and writers. Many were small, with the oval shape

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he joined Wedgwood. His speciality was enamel paintings, mostly landscapes, on plaques, which fetched very high prices. He and his family did not like living in Staffordshire and in 1867 he returned to France, but Wedgwood continued to use him, sending blanks to be returned for firing, until his

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Wedgwood's first decades of success came from producing wares that looked very like porcelain, and had broadly the same qualities, though not quite as tough, nor as translucent. During Josiah's lifetime and some time afterwards Wedgwood did not make porcelain itself. European factories had

1599:, a Finnish maker of home products, agreed to buy 100% of the holdings of WWRD. On 2 July 2015, the acquisition of WWRD by Fiskars was completed, including the brands Waterford, Wedgwood, Royal Doulton, Royal Albert and Rogaška. The acquisition was approved by the US antitrust authorities. 1046:

From very early on Josiah Wedgwood was determined to maintain high artistic standards, which was an important part of his efforts to appeal to the top end of the market with pottery rather than porcelain wares. He relied considerably on Bentley in London in this, as is clear from their

662:, a style which by about 1770 was being produced by the majority of porcelain factories, on the continent and in Britain. Though Staffordshire figures fell precipitously in price and quality after about 1820, in the 18th century many were still well-modelled and carefully painted. 640: 945:

taste did not perhaps represent all of Wedgwood's markets, and it was not the huge commercial success promised, and after thinking of doing so in 1814, the firm finally stopped making it in 1822. But when revived in 1878 it eventually became an important part of production.

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from c. 1790 until probably 1796, marked "Wedgwood & Co", a name never used by the main firm. He then joined William Tomlinson & Co., a firm in Yorkshire, who promptly dropped their own name, using "Wedgwood & Co" until he left in 1801. That name was revived by

474:. Painting included border patterns or bands and relatively straightforward floral motifs on tableware. Complicated figure scenes and landscapes in painted enamels were generally reserved for the most expensive "ornaments" like vases, but transfer printed items had these. 447:, which allowed printed designs, for long only in a single colour, that were far cheaper than hand-painting. Hand-painting was still used, the two techniques often being combined, with painted borders surrounding a printed figure scene. From 1761 wares were shipped to 1217: 606: 793: 338:(from 1780), sold extremely well across Europe, and to America. It had the additional advantage of being relatively light, saving on transport costs and import tariffs in foreign markets. It caused considerable disruption to the makers of European 1575:

had purchased certain Irish and UK assets of Waterford Wedgwood, and the assets of its Irish and UK subsidiaries. KPS Capital Partners placed Wedgwood into a group of companies known as WWRD, an abbreviation for "Waterford Wedgwood Royal Doulton".

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was not employed by Wedgwood, but late in his career developed an interest in painting in enamels, and persuaded Wedgwood to make new, large plaques for him to use. His paintings on these were not successful at the time, but are now very highly

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The main Wedgwood motifs in jasperware, and the other dry-bodied stonewares, were decorative designs that were highly influenced by the ancient cultures being studied and rediscovered at that time, especially as Great Britain was expanding its

194:, "a firm that has done more to spread the knowledge and enhance the reputation of British ceramic art than any other manufacturer", exporting across Europe as far as Russia, and to the Americas. It was especially successful at producing fine 1490:

in the United States. The Los Angeles plant closed in 1984 and production of the Franciscan brand was moved to Johnson Brothers in Britain. In 1986, Waterford Glass Group plc purchased Wedgwood plc, forming the company Waterford Wedgwood plc.

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they called "Carrara" in 1848, and a "Stone China" from about 1827, the last of which was not especially successful. Neoclassicism was now less fashionable, and one response was to add floral enamels to black basalt wares from around 1805.

1421:, was managing director of the firm from 1930 until 1968 and credited with turning the company's fortunes around. He was responsible for the enlightened decision to move production to a modern purpose built factory in a rural setting at 692:, the basic design of which is usually credited to Wedgwood, although others drew and sculpted the final versions. This appeared in many formats in print and pottery from about 1786, and was very widely distributed, often given away. 1341:, son of Josiah II, was a partner in the firm from 1827 and sole proprietor following his father's death until joined by his own sons. Financial difficulties caused him to offer for sale soon after taking over the firm its factory at 1000: 521:. The most popular jasperware colour has always been "Wedgwood blue" (a darker shade is sometimes called "Portland Blue"), an innovation that required experiments with more than 3,000 samples. In recognition of the importance of his 748: 2500: 1643:

Adjacent to the museum and visitor centre are a restaurant and tea room, serving on Wedgwood ware. The museum, managed by a dedicated trust, closed in 2000 and on 24 October 2008, it reopened in a new multimillion-pound building.

658:, white earthenware standing figurines of people or animals that by about 1770 were usually brightly painted, though sometimes sold in plain glazed white. These imitated rather successfully the porcelain figures pioneered by 1069:

in wax on pieces of slate or glass to Stoke. The "Dancing Hours" may be his most well known design. His father, John Flaxman Senior, made and sold plaster casts in a shop in London, and was supplying Wedgwood with some by

771: 1518:, who then became CEO of the whole group. During this time, he sold off non-core businesses and reduced the range of Wedgwood patterns from over 400 to around 240. In the late 1990s, the CEO was Brian Patterson. From 1 1526:, who was appointed CEO in November of the same year and resigned in September 2005. He was succeeded by the then-president of Wedgwood USA, Moira Gavin, up until the company went into administration in January 2009. 3508: 1662:

The collection with 80,000 works of art, ceramics, manuscripts, letters and photographs faced being sold off to help satisfy pension debts inherited when Waterford Wedgwood plc went into receivership in 2009. The

3430: 1841: 1405:(1873–1949), son of Laurence Wedgwood, was a partner. In 1906 he went to the United States and set up the firm's New York office, which became Josiah Wedgwood and Sons USA, an incorporated subsidiary, in 1919. 1640:

shop, as well as an expanded demonstration area, where visitors could watch pottery being made. A further renovation costing £4.5 million was carried out in 2000, including access to the main factory itself.

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worked for Wedgwood from 1769 until 1832, starting at around 13, but after some years becoming the main modeller in the factory, finishing and making the moulds for the designs of others, and sculpting his

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for the young man, and also to look at establishing a modelling studio in Rome, which was set up by Webber in 1788. Flaxman, remaining in Rome as an independent artist, agreed to supervise it part-time.

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The firm lost some momentum after the deaths of Bentley in 1780 and the retirement of Josiah Wedgwood in 1790 (he died in 1795). By 1800 it had about 300 employees in Staffordshire. The

587: 892:, Josiah I's great-grandson became a partner in 1859, and had considerable success reviving the firm in both these areas, in what was generally a successful period for British pottery. 2151: 1201: 1695:

group. In the event, the Archive was presented by the Art Fund to the City of Stoke-on-Trent, but it was envisaged that some material would be displayed at Barlaston as well as the

4679: 1253: 840: 3530: 3415: 618: 1437:(later Sir Arthur), who was the first non-member of the Wedgwood family to run the firm, and also by Wilson. Bryan persuaded the Wedgwood family to float the company on the 3448: 1099:, becoming chief sculptor in 1785, a position he held until 1806. He worked on the replica Portland Vase, and with Flaxman and "Jack" (Josiah II) was sent to Italy on a 1065:, was employed as a modeller and designer from 1775, mainly of reliefs in both cases. He worked for the next 12 years mostly for Wedgwood, staying in London and sending 3420: 3410: 813: 703:'s factory, and larger sizes might be framed for hanging, or inset in architectural features like fireplace mantels, mouldings and furniture. Smallest of all were many 1237: 3908: 1167:

joined Wedgwood as an apprentice painter in 1909, and in 1915 her "Fairyland Lustre" range launched. This was very popular on both sides of the Atlantic until the

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the majority of production of both brands has been transferred to Indonesia, with only a small number of high-end products continuing to be made in the UK.

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Josiah Wedgwood (1730–1795), came from an established family of potters, and trained with his elder brother. He was in partnership with the leading potter,

4839: 4824: 1459:(1813–1879), a distant cousin of the first Josiah, who used Wedgwood & Co, starting in 1860. It was taken over by Josiah Wedgwood & Sons in 1980. 5357: 5347: 5278: 3970: 984: 1671:, various trusts and businesses contributed donations to purchase the collection. On 1 December 2014, the collection was purchased and donated to the 699:, with a great variety of classical subjects, but mostly avoiding nudity. The smaller ones were intended to be set in jewellery, sometimes in steel by 5352: 4347: 3950: 2986: 2162: 1998: 5249: 3483: 3071: 1325:

or "Jack" (1769–1843), second son of Josiah I, succeeded his father as proprietor in 1795 and introduced the production by the Wedgwood company of

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acquired the Waterford Wedgwood group assets. Assets including Wedgwood, Waterford and Royal Doulton were placed into WWRD Holdings Limited.

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and often modelled to look as though objects were made of the plant; first introduced in 1770, but mostly used between 1785 and 1810.

295:, in the "Liverpool Birds" pattern. Fashionable but relatively cheap wares like these were the backbone of Wedgwood's early success. 5245: 4961: 4658: 4298: 3940: 3478: 2940: 353:

temperatures accurately, and several new ceramic bodies including the "dry-body" stonewares, "black basalt" (by 1769), caneware and

331: 3684: 2501:"Fiskars Corporation has completed the acquisition of WWRD and extended its portfolio with iconic luxury home and lifestyle brands" 1842:"Fiskars Corporation has completed the acquisition of WWRD and extended its portfolio with iconic luxury home and lifestyle brands" 1696: 1338: 1291: 876: 5382: 4185: 4146: 3629: 3089: 3020: 529:

in 1783. In recent years, the Wedgwood Prestige collection continued to sell replicas of the original designs, as well as modern

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hands of the Wedgwood family, but after World War II it began to contract, along with the rest of the English pottery industry.

5027: 5015: 3960: 3348: 1656: 1556: 562:("ancient red") This was often combined with black basalt. This was followed by caneware or bamboo ware, the same colour as 390:

factory was producing from 1769, initially making ornamental wares, while the "useful" tablewares were still made in Burslem.

5377: 4712: 4375: 3758: 3624: 3503: 2819:. "Josiah Wedgwood and the Commercialization of the Potteries", in: McKendrick, Neil; Brewer, John & Plumb, J.H. (1982), 2780: 2755: 2716: 1651:

for its displays of Wedgwood pottery, skills, designs and artefacts. In May 2011, the archive of the museum was inscribed in

330:, which was the main body used for his tablewares thereafter. After he supplied her with a teaset for twelve the same year, 5075: 2373: 1316: 861: 4985: 4652: 3918: 3773: 3639: 1426: 1175: 1119: 486: 394: 4370: 1411:(1867–1930), eldest son of Clement Wedgwood, was chairman and managing director from 1916 until his sudden death in 1930. 346:, then the main European tableware bodies; some went out of business and others adopted English-style bodies themselves. 202:

that were accepted as equivalent in quality to porcelain (which Wedgwood only made later) but were considerably cheaper.

5260: 5105: 4786: 3881: 3498: 3358: 3064: 2184: 687: 645: 2864: 2860: 462:, where skilled painters were easier to find. The pieces received a light second firing to fix the enamels in a small 5387: 5135: 4365: 3811: 5218: 3619: 3353: 2809:

Langton, John. "The ecological theory of bureaucracy: The case of Josiah Wedgwood and the British pottery industry."

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Godden (1992), 338; Young, 12–13 – it is Wedgwood's letters that survive essentially complete, with few of Bentley's.

1559:, Waterford Wedgwood was placed into administration on a "going concern" basis, with 1,800 employees remaining. On 27 1309: 292: 1675:. The collection will continue to be on display at the Wedgwood Museum on loan from the Victoria and Albert Museum. 1031: 5342: 5302: 5123: 4943: 3588: 3368: 3160: 2907: 2904: 2772: 2055: 1672: 670:; others were larger. They were probably generally intended for framing; many examples still retain their frames. 2845:

McKendrick, Neil. "Josiah Wedgwood: an eighteenth-century entrepreneur in salesmanship and marketing techniques."

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January 2009, following years of financial problems at group level, and after a share placement failed during the

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Aristocratic ladies who produced designs, many in a softer "Romantic" version of Neoclassical style, were Lady

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Other potters used blatantly misleading marks: "Wedgewood", "Vedgwood", "J Wedg Wood", all on inferior wares.

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DSO (1863–1916), son of Godfrey Wedgwood, partner from 1884, first Mayor of the federated County Borough of

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Wedgwood developed a number of further industrial innovations for his company, notably a way of measuring

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Wedgwood led "an extensive and systematic programme of experiment", and in 1765 created a new variety of

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comprises papers and drawings of the designs, manufacture and production of the defunct pottery company

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designed a number of popular pieces such as mugs from 1936 until World War II (during which he died).

1092: 1082: 1074: 918: 914: 905: 466:; this work was also later moved to Stoke. There was also a showroom and shop in Portland House, 12 254: 2214:

Michael Davis, William Blake: A New Kind of Man, University of California Press, 1977, pages 140–141

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Jasper trial pieces, with numbers keyed to Wedgwood's Experiment Book, 1773–1776, Wedgwood Museum,

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gave official permission to call it "Queen's Ware" (from 1767). This new form, perfected as white

246: 139: 2526: 1319:, eldest son of Josiah I, was a partner in the firm from 1790 to 1793 and again from 1800 to 1812. 868:, who joined the firm only on Josiah I's retirement, had developed other interests, in particular 182:

and luxury accessories manufacturer that was founded on 1 May 1759 by the potter and entrepreneur

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The Wedgwood medallion was the most famous image of a black person in all of 18th-century art.

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In 2015 there were complaints of misleading labelling, in that products made in the company's

1479: 1414: 1399:(1910–1911), was chairman and managing director of Wedgwood until his death in battle in 1916. 1385: 1133: 860:, Josiah's nephew, became a partner and was mainly in charge for some years, as Josiah's sons 739: 722:

in black basalt, modelled by Anthony Keeling, c. 1779. One of relatively few standing figures.

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he had developed encouraged him to start a new business on his own. Relatives leased him the

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After buying a number of other Staffordshire ceramics companies, in 1987 Wedgwood merged with

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for the specialist firm of Sadler and Green to print; later this was done in-house at Stoke.

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made exporting to Europe impossible for long periods, and left export markets in disarray.

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earthenware memorial jug, 1881. The floral decoration is hand-painted on a printed outline.

261:, an initialism for "Waterford Wedgwood Royal Doulton". This was acquired in July 2015 by 5266: 5087: 4979: 4877: 4739: 4634: 4466: 4451: 4337: 4332: 4277: 4235: 4161: 4126: 4005: 3990: 3898: 3763: 3753: 3563: 3275: 2816: 2582: 2404: 2330: 1296: 1154: 853: 804: 700: 581:

coffee-pot, with Wedgwood's green lead glaze, c. 1760, Thomas Whieldon and Josiah Wedgwood

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Dawson, Aileen, "The Growth of the Staffordshire Ceramic Industry", in: Freestone, Ian,

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correspondence. As with other potteries, the designs of prints were very often copied.

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McKendrick, Neil. "Josiah Wedgwood and cost accounting in the Industrial Revolution."

315:, Stoke-on-Trent, and his marriage to Sarah Wedgwood, a distant cousin with a sizable 5336: 5093: 4854: 4580: 4562: 4272: 4080: 4070: 4025: 3985: 3865: 3826: 3593: 3473: 3330: 3135: 3028: 2968: 2901: 2799: 2578: 1692: 1568: 1530: 1349:, but only the hall was sold. He continued as senior partner until his retirement to 1342: 1244: 1194:, who first designed for Wedgwood in 2001, was one of two Artistic Directors in 2019. 1191: 1158: 1145: 1139: 1106: 1062: 1035: 930: 696: 542: 530: 526: 421: 387: 304: 250: 2821:

The Birth of a Consumer Society: The commercialization of Eighteenth-century England

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came to England in 1858 as an established ceramic painter and after a few months at

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The Grove Encyclopedia of Decorative Arts, ed. Campbell, OUP 2006, Volume 2, p547

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In addition plaques of varying sizes, most in jasperware, caught the fashion for

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respectively, in particular what is probably the best-known Wedgwood relief, the

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Wedgwood's best known product is Jasperware, created to look like ancient Roman

501: 463: 425: 327: 195: 149: 1691:. It was acquired by Waterford Wedgwood in 2005 along with other assets of the 17: 5172: 4734: 4327: 3578: 3320: 3245: 3200: 1752: 1588: 1373: 1326: 1279: 1224: 1100: 1078: 991: 934: 820: 800: 497: 354: 206: 190:. It was rapidly successful and was soon one of the largest manufacturers of 131: 2568:", United Kingdom National Commission for UNESCO, 2011. Accessed 4 June 2011. 1429:

in 1936 and built with the assistance of Norman Wilson (father of the writer

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Wedgwood is especially associated with the "dry-bodied" (unglazed) stoneware

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In 1968, Wedgwood purchased many other Staffordshire potteries including

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In 1766, Wedgwood bought a large Staffordshire estate, which he renamed

229:, an Ireland-based luxury brands group. In 1995 Wedgwood was granted a 5272: 5117: 5081: 4586: 4065: 4055: 3806: 3295: 3150: 3130: 3004: 2994: 2949: 2850: 2840: 2830: 1688: 1596: 1580: 1451: 1149: 1066: 762: 339: 312: 262: 92: 4131: 4015: 3210: 2804:

The Radical Potter: Josiah Wedgwood and the Transformation of Britain

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Many subjects reflected Wedgwood's religious and political views,

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as an alternative to translucent and delicate Chinese porcelain.

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Ralph Wedgwood, presumably a cousin, made high quality wares in

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In 1995 Royal Doulton commissioned a new factory just outside

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An Illustrated Encyclopaedia of British Pottery and Porcelain

761:, Wedgwood & Bentley. Earthenware with paint effects and 4686: 4678: 4495: 2825:

McKendrick, Neil. "Josiah Wedgwood and Factory Discipline."

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Godden (1992), 339–340; Hughes, 310–311; Dolan, 275–276, 387

1142:

worked on engraving for Wedgwood's china catalogues in 1815.

2891: 2918: 443:

Wedgwood was an early adopter of the English invention of

2914:

Sydney Cove Medallion at the National Museum of Australia

2326:"Waterford Wedgwood bought by US equity firm KPS Capital" 1529:

In 2001, Wedgwood launched a collaboration with designer

1482:

and Crown Staffordshire. In 1979, Wedgwood purchased the

1772:

Gooden (1992), 337–338; Dawson, 202–203; Hughes, 308–311

2659:"Art Fund helps save the Minton Archive for the nation" 2476:"Fiskars Agrees to Buy Owner of Waterford and Wedgwood" 2045:

Though the term "Radical" seems to post-date his death.

30:

This article is about the company. For other uses, see

1503:

Wedgwood teawares in a Japanese department store, 2011

115: 2056:"British History – Abolition of the Slave Trade 1807" 1817:"BBC Four - Handmade: By Royal Appointment, Wedgwood" 1417:(1899–1968), grandson of Clement Wedgwood and son of 3509:

Our Lady of the Angels and St Peter in Chains Church

2634:"Loan of Wedgwood Collection to Barlaston finalised" 2596:

Unesco recognises Wedgwood Museum archive collection

1710:

was opened in 1940 to serve the Wedgwood complex in

1388:(1844–1913), son of Francis Wedgwood, was a partner. 1382:(1840–1889), son of Francis Wedgwood, was a partner. 558:

developed an attractive reddish stoneware he called

5237: 5201: 5155: 4864: 4832: 4823: 4796: 4779: 4772: 4727: 4705: 4698: 4573: 4540: 4533: 4434: 4389: 4346: 4320: 4297: 4290: 4265: 4244: 4193: 4184: 4119: 3978: 3969: 3931: 3891: 3858: 3849: 3787: 3719: 3698: 3648: 3607: 3529: 3522: 3466: 3429: 3403: 3392: 3339: 3088: 2956: 2441:"Waterford Wedgwood shifts to Asia to save company" 921:mostly in Germany, which were still competing with 525:beads, Josiah Wedgwood was elected a member of the 110: 98: 88: 72: 62: 54: 44: 2723:Josiah Wedgwood: Entrepreneur to the Enlightenment 875:Wedgwood continued to grow under Jack and his son 2725:, 2004, HarperCollins (UK title, used here), aka 978:Black basalt teapot with Chinese Flowers, c. 1820 357:(1770s), all designed to be sold unglazed, like " 4683:Ming plate 15th century Jingdezhen kilns Jiangxi 3909:Greatest Hits Radio Staffordshire & Cheshire 2269:"BBC Radio 4 - Wedgwood: A Very British Tragedy" 1211:, mixing printed and painted decoration, 1900–01 1085:; these were also mostly for jasperware reliefs. 393:In 1769 Wedgwood established a partnership with 214:that represented most of the sales and profits. 2729:(US title, page numbers 2 higher), 2004, Viking 2709:Pottery in the Making: World Ceramic Traditions 1606:factory were sold labelled "Wedgwood England". 654:Generally Wedgwood avoided the typical type of 2527:"UK ceramics industry in battle over heritage" 4511: 3065: 2934: 2081:"Belt Clasp with a Female Making a Sacrifice" 1563:February 2009, Waterford Wedgwood's receiver 454:From 1769 Wedgwood maintained a workshop for 8: 2579:Wedgwood Museum archive recognised by UNESCO 1649:Art Fund Prize for Museums and Art Galleries 1308:Josiah Wedgwood was also a patriarch of the 1136:, an Italian sculptor, in England 1773–1781. 39: 1647:In June 2009, the Wedgwood Museum won a UK 784:, using a variety of techniques to imitate 378:, the other decoration hand-painted. 1770s. 372:plates, transfer printed with stories from 4829: 4776: 4702: 4537: 4518: 4504: 4496: 4294: 4190: 3975: 3855: 3526: 3400: 3072: 3058: 3050: 2941: 2927: 2919: 2902:Wedgwood buttons, made 1785–1800, from the 2598:", BBC, 24 May 2011. Accessed 4 June 2011. 1478:, Royal Tuscan, William Adams & Sons, 1153:death in 1876. Two of his granddaughters, 799:Belt clasp designed by Lady Templeton and 38: 27:English pottery and porcelain manufacturer 3951:City of Stoke-on-Trent Sixth Form College 2987:Gerber 31-001901 Bear Grylls Ultimate Pro 1753:History of Josiah Wedgwood & Sons Ltd 1042:, enamels on an earthenware plaque, 1795. 786:ancient Athenian red-figure vase painting 458:painting by hand in Little Cheyne Row in 303:, from 1754 until 1759, when a new green 2609:"Wedgwood collection 'saved for nation'" 1902:Dawson, 202–203; Godden (1992), 337, 340 1441:in 1967, a decision that Wilson opposed. 913:increasing success with porcelain, both 899: 2354:"Doulton PT - Company Profile and News" 1723: 1587:. From 2006 to 2008, Wedgwood began to 1197: 953: 709: 568: 386:, as both a home and factory site; the 4850:Chinese porcelain in European painting 2106:Dolan, 389–390; Godden (1992), 339–340 2009:, The Gardens Trust, 2014; Dawson, 204 1262:, Wedgwood alphabet cup, designed 1937 1243:One of the animal figures designed by 1021:dish and cover (for cheese?), c. 1880 844:Teapot, 1805–1815, Rosso Antico ware, 742:, plaque 10.5 x 8.2 cm; 4¼" x 3¼" 549:, which was lent to Wedgwood to copy. 186:and was first incorporated in 1895 as 5398:British companies established in 1759 4558:Chinese influences on Islamic pottery 2762:The Country Life Pocket Book of China 2711:, 1997, British Museum Publications, 2687:"Minton Archive saved for the nation" 2374:"Indonesia Company Move | AP Archive" 1610:Wedgwood Museums and the Museum Trust 439:with the elaborate view hand-painted. 408:Transfer printing and enamel painting 319:, helped him launch his new venture. 7: 2566:2011 UK Memory of the World Register 2427:"High hopes for Wedgwood in Jakarta" 803:, 1780-1800, the setting perhaps by 400:Wedgwood's slightly younger friend, 265:, a Finnish consumer goods company. 2876:(1992), a major scholarly biography 2312:"Wedgwood goes into administration" 1732:"Pottery firm marks 250th birthday" 1419:Josiah Wedgwood, 1st Baron Wedgwood 1006:"Portland blue" jasperware, c. 1840 5214:Ehrenfried Walther von Tschirnhaus 3685:Potteries Museum & Art Gallery 3379:Wedgwood Pottery in Stoke-on-Trent 2544:"Wedgwood wins £100,000 art prize" 2152:Wedgwood Museum: Hackwood's legacy 1848:. Fiskars Corporation. 2 July 2015 25: 5358:Companies based in Stoke-on-Trent 5348:Ceramics manufacturers of England 4659:Famille jaune, noire, rose, verte 2007:"Wedgwood, frogs and a hedgehog…" 1522:January 2001, the Deputy CEO was 545:, a famous Roman vase now in the 284:Wedgwood tea and coffee service. 153:Wedgwood pieces (left to right): 5353:Companies based in Staffordshire 5273:Kuskovo State Museum of Ceramics 4691:Meissen hard porcelain vase 1735 4147:Hanley Economic Building Society 3021:Royal Copenhagen 2010 plaquettes 2811:Administrative Science Quarterly 2794:Josiah Wedgwood: A New Biography 1986:Treasures of Catherine the Great 1697:Potteries Museum and Art Gallery 1267: 1252: 1236: 1216: 1200: 1027:Artists who worked with Wedgwood 1011: 999: 983: 971: 956: 812: 792: 770: 747: 727: 712: 617: 605: 586: 571: 241:alongside other Warrant holders 3961:Royal Stoke University Hospital 3349:Ceramic and Allied Trades Union 1988:. Harry N. Abrams. p. 184. 1875:Godden (1992), 337; Hughes, 310 1657:UK Memory of the World Register 1557:global financial crisis of 2008 966:jasperware tripod vase, c. 1805 5403:1759 establishments in England 4376:Stoke-on-Trent railway station 3759:Stoke-on-Trent Garden Festival 3504:Longton Methodist Central Hall 3080:City and unitary authority of 2771:(exhibition catalogue), 1995, 2750:, 1985, Barrie & Jenkins, 2398:Morgan, Tom (5 January 2009). 1984:Mikhail B. Piotrovsky (2000). 496:Wedgwood Portland Vase, black 1: 5279:Sèvres – Cité de la céramique 5224:François Xavier d'Entrecolles 2892:Official Wedgwood USA website 1466:1960s and 1970s consolidation 1171:; it is now keenly collected. 1161:, later painted for the firm. 1123: 908:; the London showroom in 1809 778: 755: 625: 500:, c. 1790, copying the Roman 487:Catherine the Great of Russia 485:made by Wedgwood for Empress 429: 285: 239:Handmade by Royal Appointment 161: 154: 5261:Dresden Porcelain Collection 3359:Federation of Stoke-on-Trent 2905:Victoria & Albert Museum 2887:Official Wedgwood UK website 2638:Save the Wedgwood Collection 2507:(Press release). 2 July 2015 2455:"The sad legacy of Wedgwood" 2400:"The Sad Legacy of Wedgwood" 2163:"John Flaxman snr (1726–95)" 765:, both now partly worn away. 688:Am I Not a Man and a Brother 646:Am I Not a Man and a Brother 293:Victoria & Albert Museum 188:Josiah Wedgwood and Sons Ltd 4366:North Staffordshire Railway 3812:Longton Cricket Club Ground 1999:"Plate", Curator's comments 1571:–based private equity firm 917:in England and France, and 553:Other dry-bodied stonewares 253:. After a 2009 purchase by 5424: 5303:Victoria and Albert Museum 4194:Association football teams 3369:History of Stoke City F.C. 2857:Life and Works of Wedgwood 2773:Victoria and Albert Museum 2727:Wedgwood: The First Tycoon 2474:Bray, Chad (11 May 2015). 2185:"Henry Webber (1754–1826)" 1673:Victoria and Albert Museum 1544: 1506: 994:teapot, early 19th century 904:Wedgwood & Byerley in 734:Relief portrait plaque of 612:Caneware teapot, 1779-1780 483:dinner and dessert service 29: 5309:Museum of Royal Worcester 5285:Musée des Arts Décoratifs 5250:Percival David Foundation 5244:British Museum (London): 4718:Japanese export porcelain 4676: 4036:James Sadler and Sons Ltd 3711:Potteries Shopping Centre 3680:Montagu C. Butler Library 3670:Etruria Industrial Museum 3499:St James' Church, Longton 3484:St John's Church, Burslem 3479:Bethesda Methodist Chapel 3364:History of Port Vale F.C. 2874:Josiah Wedgwood 1730–1795 2746:Godden, Geoffrey (1885), 2732:Godden, Geoffrey (1992), 2205:Dolan, 352–353; Young, 55 1409:Francis Hamilton Wedgwood 1403:Kennard Laurence Wedgwood 1299:in dry stoneware, 1830–50 1223:Plate in the "Fairyland" 933:manufacturers introduced 825:Palais Erzherzog Albrecht 32:Wedgwood (disambiguation) 5219:Johann Friedrich Böttger 4553:Chinese export porcelain 4371:Stafford–Manchester line 4356:Longport railway station 3956:Staffordshire University 3904:Cross Rhythms City Radio 3675:Gladstone Pottery Museum 2764:, 1965, Country Life Ltd 2244:"A.N. Wilson's Wedgwood" 1866:Dawson, 200; Hughes, 308 1796:members.royalwarrant.org 1708:Wedgwood railway station 1630:Wedgwood Museum exterior 1446:Other "Wedgwood" pottery 927:Chinese export porcelain 130:Typical "Wedgwood blue" 4361:Longton railway station 3817:Meir Heath Cricket Club 3769:Victoria Park, Tunstall 3514:Christ Church, Tunstall 3374:Staffordshire Potteries 2974:Gerber Legendary Blades 2847:Economic History Review 2837:Economic History Review 2585:. Accessed 4 June 2011. 1893:Dolan, 158–164, 168–169 416:Serving-plate from the 4692: 4684: 4312:Trent and Mersey Canal 3946:Stoke-on-Trent College 3569:Old Town Hall, Burslem 3416:Stoke-on-Trent Central 3354:Darwin–Wedgwood family 2849:12.3 (1960): 408–433. 2769:The Genius of Wedgwood 2505:NASDQ Global News Wire 2314:. BBC. 5 January 2009. 2248:Bible of British Taste 2223:Godden (1992), 340–341 2085:The Walters Art Museum 1956:Dolan, 82–83, 101, 129 1920:Godden (1992), 337–338 1781:Godden (1992), 337–339 1631: 1623: 1504: 1365: 1310:Darwin–Wedgwood family 1300: 1178:designed in a broadly 1129: 1043: 909: 849: 651: 505: 440: 435:. Unusually, this is 379: 296: 227:Waterford Wedgwood plc 168: 146: 5378:Staffordshire pottery 4690: 4682: 3660:Burslem School of Art 3489:Christ Church, Fenton 2767:Young, Hilary (ed.), 2736:, 1992, Magna Books, 2705:Gaimster, David R. M. 2242:bibleofbritishtaste. 2187:. The Wedgwood Museum 1665:Heritage Lottery Fund 1629: 1617: 1547:WWRD Holdings Limited 1541:WWRD Holdings Limited 1524:Tony O'Reilly, Junior 1502: 1439:London Stock Exchange 1425:. It was designed by 1360: 1294: 1117: 1034: 903: 843: 666:usual in the painted 656:Staffordshire figures 643: 495: 415: 367: 276: 259:WWRD Holdings Limited 192:Staffordshire pottery 152: 129: 105:WWRD Holdings Limited 5383:Tony O'Reilly family 5255:The David Collection 5178:Overglaze decoration 5168:Hard-paste porcelain 5163:Soft-paste porcelain 3665:Chatterley Whitfield 3615:Mitchell Arts Centre 3598:North Stafford Hotel 3421:Stoke-on-Trent South 3411:Stoke-on-Trent North 2908:jewellery collection 2839:23.1 (1970): 45–67. 1573:KPS Capital Partners 1535:KPS Capital Partners 1345:and the family home 1247:, early 20th century 1093:Sir William Chambers 1075:Elizabeth Templetown 777:Volute Krater Vase, 600:by Sadler and Green. 255:KPS Capital Partners 5112:Bing & Grøndahl 5076:Dihl & Guérhard 4974:Villeroy & Boch 4462:Owd Grandad Piggott 4422:Longton Interchange 4381:Stoke railway works 4201:Abbey Hulton United 4076:Portmeirion Pottery 3822:Shelley's Laserdome 3554:Burslem Market Hall 2829:4.1 (1961): 30–55. 2760:Hughes, G Bernard, 2546:. BBC. 18 June 2009 2525:John Murray Brown, 2443:. 31 December 2008. 2115:Dolan, 275–276, 387 1567:announced that the 1484:Franciscan Ceramics 1333:Josiah Wedgwood III 1227:range, designed by 1097:Sir Joshua Reynolds 883:by 1810, a form of 862:John, known as Jack 819:Wedgwood Room with 624:Jasperware teacup, 517:, itself imitating 247:John Lobb Bootmaker 138:) plate with white 41: 5388:Waterford Wedgwood 5321:Ludwigsburg Palace 5315:Walters Art Museum 4713:Japanese porcelain 4693: 4685: 4583:(16th century BCE) 4046:J. & G. Meakin 3584:Wedgwood Institute 3574:Trentham Mausoleum 3384:1842 Pottery Riots 2827:Historical Journal 2480:The New York Times 2429:. 19 January 2009. 2334:. 27 February 2009 2301:Godden (1992), 334 2292:Godden (1992), 334 2232:Godden (1992), 341 2124:Godden (1992), 339 2036:Godden (1992), xxi 2018:Godden (1992), xix 1938:Godden (1992), 337 1911:Godden (1992), 337 1763:Godden (1992), 337 1632: 1624: 1509:Waterford Wedgwood 1505: 1495:Waterford Wedgwood 1480:J. & G. Meakin 1366: 1323:Josiah Wedgwood II 1301: 1229:Daisy Makeig-Jones 1207:Vases designed by 1165:Daisy Makeig-Jones 1130: 1044: 1019:Victorian majolica 910: 866:Josiah II ("Joss") 850: 668:portrait miniature 652: 650:medallion, c. 1786 533:style jasperware. 506: 441: 402:William Greatbatch 380: 297: 235:Queen Elizabeth II 169: 147: 5343:British porcelain 5330: 5329: 5229:Dmitry Vinogradov 5151: 5150: 5124:Wagner & Apel 4840:List of companies 4819: 4818: 4768: 4767: 4674: 4673: 4631:(14th century on) 4625:(14th century on) 4619:(11th century on) 4548:Chinese porcelain 4493: 4492: 4481:Start Up Citywide 4472:Potteries dialect 4430: 4429: 4286: 4285: 4245:Rugby union teams 4180: 4179: 4167:Twyford Bathrooms 4091:Shelley Potteries 4051:Midwinter Pottery 3927: 3926: 3845: 3844: 3729:Bagnall Road Wood 3462: 3461: 3047: 3046: 3034:Waterford Crystal 3023: 2989: 2982: 2855:Meteyard, Eliza. 2792:Burton, Anthony. 2463:. 5 January 2009. 2460:Independent.co.uk 2378:www.aparchive.com 2174:Young, 32, 41, 55 2165:, Wedgwood Museum 1734:. BBC. 1 May 2005 1472:Mason's Ironstone 1415:Josiah Wedgwood V 1386:Laurence Wedgwood 1134:Giuseppe Ceracchi 1118:Cigarette box by 906:St James's Square 740:Giuseppe Ceracchi 660:Meissen porcelain 445:transfer printing 359:biscuit porcelain 223:Waterford Crystal 124: 123: 16:(Redirected from 5415: 5393:Wedgwood pottery 4938:Saint Petersburg 4845:French porcelain 4830: 4787:Korean porcelain 4777: 4703: 4538: 4520: 4513: 4506: 4497: 4485:ST postcode area 4321:Public transport 4295: 4191: 4021:Emma Bridgewater 4011:Clayburn Pottery 3996:Burleigh Pottery 3976: 3856: 3779:Whitfield Valley 3734:Berryhill Fields 3539:Listed buildings 3527: 3454:Stoke-upon-Trent 3401: 3311:Stoke-upon-Trent 3191:Ford Green Brook 3101:Abbey Green ward 3074: 3067: 3060: 3051: 3019: 3015:Royal Copenhagen 2985: 2978: 2943: 2936: 2929: 2920: 2817:McKendrick, Neil 2813:(1984): 330–354. 2806:. 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5282: 5276: 5270: 5264: 5258: 5252: 5241: 5239: 5235: 5234: 5232: 5231: 5226: 5221: 5216: 5211: 5205: 5203: 5199: 5198: 5196: 5195: 5190: 5185: 5183:China painting 5180: 5175: 5170: 5165: 5159: 5157: 5153: 5152: 5149: 5148: 5146: 5145: 5139: 5133: 5127: 5121: 5115: 5109: 5103: 5097: 5091: 5085: 5079: 5073: 5067: 5061: 5055: 5049: 5043: 5037: 5031: 5025: 5019: 5013: 5007: 5001: 4995: 4989: 4983: 4977: 4971: 4965: 4959: 4953: 4947: 4941: 4935: 4929: 4923: 4917: 4911: 4905: 4899: 4893: 4887: 4881: 4875: 4868: 4866: 4862: 4861: 4859: 4858: 4852: 4847: 4842: 4836: 4834: 4827: 4821: 4820: 4817: 4816: 4814: 4813: 4812:(14th century) 4807: 4806:(10th century) 4800: 4798: 4794: 4793: 4791: 4790: 4783: 4781: 4774: 4770: 4769: 4766: 4765: 4763: 4762: 4757: 4752: 4747: 4742: 4737: 4731: 4729: 4725: 4724: 4722: 4721: 4715: 4709: 4707: 4700: 4696: 4695: 4677: 4675: 4672: 4671: 4669: 4668: 4667:(18th century) 4662: 4661:(17th century) 4656: 4655:(17th century) 4650: 4649:(17th century) 4644: 4643:(16th century) 4638: 4637:(16th century) 4632: 4629:Blanc de Chine 4626: 4623:Blue and white 4620: 4614: 4613:(12th century) 4608: 4607:(10th century) 4602: 4596: 4590: 4584: 4577: 4575: 4571: 4570: 4568: 4567: 4560: 4555: 4550: 4544: 4542: 4535: 4531: 4530: 4525: 4523: 4522: 4515: 4508: 4500: 4491: 4490: 4488: 4487: 4482: 4479: 4474: 4469: 4464: 4459: 4454: 4449: 4444: 4442:List of people 4438: 4436: 4432: 4431: 4428: 4427: 4425: 4424: 4419: 4414: 4409: 4404: 4399: 4393: 4391: 4387: 4386: 4384: 4383: 4378: 4373: 4368: 4363: 4358: 4352: 4350: 4344: 4343: 4341: 4340: 4335: 4330: 4324: 4322: 4318: 4317: 4315: 4314: 4309: 4303: 4301: 4292: 4288: 4287: 4284: 4283: 4281: 4280: 4275: 4269: 4267: 4266:Speedway teams 4263: 4262: 4260: 4259: 4257:Stoke-on-Trent 4254: 4248: 4246: 4242: 4241: 4239: 4238: 4233: 4228: 4223: 4218: 4213: 4208: 4206:Dresden United 4203: 4197: 4195: 4188: 4182: 4181: 4178: 4177: 4175: 4174: 4169: 4164: 4159: 4154: 4149: 4144: 4139: 4134: 4129: 4123: 4121: 4117: 4116: 4114: 4113: 4108: 4103: 4098: 4093: 4088: 4083: 4078: 4073: 4068: 4063: 4058: 4053: 4048: 4043: 4038: 4033: 4031:Gray's Pottery 4028: 4023: 4018: 4013: 4008: 4003: 3998: 3993: 3988: 3982: 3980: 3973: 3967: 3966: 3964: 3963: 3958: 3953: 3948: 3943: 3937: 3935: 3929: 3928: 3925: 3924: 3922: 3921: 3916: 3911: 3906: 3901: 3895: 3893: 3889: 3888: 3886: 3885: 3878: 3871: 3868: 3862: 3860: 3853: 3847: 3846: 3843: 3842: 3840: 3839: 3834: 3829: 3824: 3819: 3814: 3809: 3804: 3799: 3797:Bet365 Stadium 3793: 3791: 3785: 3784: 3782: 3781: 3776: 3771: 3766: 3761: 3756: 3751: 3749:Hartshill Park 3746: 3741: 3736: 3731: 3725: 3723: 3717: 3716: 3714: 3713: 3708: 3702: 3700: 3696: 3695: 3693: 3692: 3687: 3682: 3677: 3672: 3667: 3662: 3656: 3654: 3646: 3645: 3643: 3642: 3637: 3632: 3627: 3625:Regent Theatre 3622: 3617: 3611: 3609: 3605: 3604: 3602: 3601: 3591: 3586: 3581: 3576: 3571: 3566: 3561: 3556: 3551: 3546: 3535: 3533: 3524: 3520: 3519: 3517: 3516: 3511: 3506: 3501: 3496: 3491: 3486: 3481: 3476: 3470: 3468: 3464: 3463: 3460: 3459: 3457: 3456: 3451: 3449:Stoke-on-Trent 3446: 3441: 3435: 3433: 3427: 3426: 3424: 3423: 3418: 3413: 3407: 3405: 3398: 3396:constituencies 3390: 3389: 3387: 3386: 3381: 3376: 3371: 3366: 3361: 3356: 3351: 3345: 3343: 3337: 3336: 3334: 3333: 3328: 3323: 3318: 3313: 3308: 3303: 3298: 3293: 3288: 3283: 3278: 3273: 3268: 3263: 3258: 3253: 3248: 3243: 3238: 3233: 3228: 3223: 3218: 3213: 3208: 3203: 3198: 3193: 3188: 3183: 3178: 3173: 3168: 3163: 3158: 3153: 3148: 3143: 3138: 3133: 3128: 3123: 3118: 3113: 3111:Baddeley Green 3108: 3103: 3097: 3095: 3086: 3085: 3082:Stoke-on-Trent 3079: 3077: 3076: 3069: 3062: 3054: 3045: 3044: 3042: 3041: 3036: 3031: 3026: 3025: 3024: 3012: 3007: 3002: 2997: 2992: 2991: 2990: 2983: 2980:Gerber Mark II 2971: 2966: 2960: 2958: 2954: 2953: 2948: 2946: 2945: 2938: 2931: 2923: 2917: 2916: 2911: 2899: 2894: 2889: 2882: 2881:External links 2879: 2878: 2877: 2867: 2853: 2843: 2833: 2823: 2814: 2807: 2800:Hunt, Tristram 2797: 2788: 2785: 2784: 2783: 2765: 2758: 2744: 2730: 2721:Dolan, Brian, 2719: 2699: 2696: 2693: 2692: 2678: 2650: 2625: 2600: 2587: 2570: 2557: 2535: 2518: 2492: 2466: 2446: 2432: 2418: 2390: 2365: 2359:Bloomberg News 2345: 2317: 2303: 2294: 2285: 2260: 2234: 2225: 2216: 2207: 2198: 2176: 2167: 2155: 2144: 2135: 2126: 2117: 2108: 2099: 2097:Dolan, 385–389 2090: 2072: 2047: 2038: 2029: 2020: 2011: 2003:British Museum 1991: 1976: 1967: 1958: 1949: 1940: 1931: 1922: 1913: 1904: 1895: 1886: 1877: 1868: 1859: 1846:Press Releases 1833: 1808: 1783: 1774: 1765: 1756: 1745: 1722: 1721: 1719: 1716: 1704: 1701: 1685:Minton Archive 1680: 1679:Minton Archive 1677: 1611: 1608: 1545:Main article: 1542: 1539: 1514:previously of 1507:Main article: 1496: 1493: 1467: 1464: 1457:Enoch Wedgwood 1448: 1447: 1443: 1442: 1412: 1406: 1400: 1397:Stoke-on-Trent 1393:Cecil Wedgwood 1389: 1383: 1377: 1362:Thomas Carlyle 1355: 1354: 1351:Barlaston Hall 1336: 1330: 1320: 1305: 1302: 1288: 1285: 1284: 1283: 1273: 1266: 1264: 1260:Eric Ravilious 1258: 1251: 1249: 1242: 1235: 1233: 1222: 1215: 1213: 1206: 1199: 1196: 1195: 1189: 1186:Eric Ravilious 1183: 1172: 1162: 1143: 1137: 1112: 1111: 1104: 1086: 1071: 1056: 1028: 1025: 1024: 1023: 1017: 1010: 1008: 1005: 998: 996: 989: 982: 980: 977: 970: 968: 962: 955: 952: 951: 897: 894: 858:Thomas Byerley 837: 834: 833: 832: 818: 811: 809: 798: 791: 789: 776: 769: 767: 753: 746: 744: 733: 726: 724: 718: 711: 637: 634: 633: 632: 623: 616: 614: 611: 604: 602: 592: 585: 583: 577: 570: 554: 551: 547:British Museum 510: 507: 409: 406: 395:Thomas Bentley 375:Aesop's Fables 270: 267: 174:is an English 122: 121: 112: 108: 107: 102: 96: 95: 90: 86: 85: 82: 78:Stoke-on-Trent 76: 74: 70: 69: 64: 60: 59: 56: 52: 51: 46: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5420: 5409: 5406: 5404: 5401: 5399: 5396: 5394: 5391: 5389: 5386: 5384: 5381: 5379: 5376: 5374: 5373:Neoclassicism 5371: 5369: 5366: 5364: 5361: 5359: 5356: 5354: 5351: 5349: 5346: 5344: 5341: 5340: 5338: 5323:(Ludwigsburg) 5322: 5319: 5316: 5313: 5310: 5307: 5304: 5301: 5298: 5295: 5292: 5291:Palace Museum 5289: 5286: 5283: 5280: 5277: 5274: 5271: 5268: 5265: 5262: 5259: 5256: 5253: 5251: 5247: 5243: 5242: 5240: 5236: 5230: 5227: 5225: 5222: 5220: 5217: 5215: 5212: 5210: 5207: 5206: 5204: 5200: 5194: 5191: 5189: 5186: 5184: 5181: 5179: 5176: 5174: 5171: 5169: 5166: 5164: 5161: 5160: 5158: 5154: 5143: 5140: 5137: 5134: 5131: 5128: 5125: 5122: 5119: 5116: 5113: 5110: 5107: 5104: 5101: 5098: 5095: 5092: 5089: 5086: 5083: 5080: 5077: 5074: 5071: 5068: 5065: 5062: 5059: 5056: 5053: 5050: 5047: 5044: 5041: 5038: 5035: 5032: 5029: 5026: 5023: 5020: 5017: 5014: 5011: 5008: 5005: 5002: 4999: 4996: 4993: 4990: 4987: 4984: 4981: 4978: 4975: 4972: 4969: 4966: 4963: 4960: 4957: 4954: 4951: 4948: 4945: 4942: 4939: 4936: 4933: 4930: 4927: 4924: 4921: 4918: 4915: 4912: 4909: 4906: 4903: 4900: 4897: 4894: 4891: 4888: 4885: 4882: 4879: 4876: 4873: 4870: 4869: 4867: 4863: 4856: 4855:Armorial ware 4853: 4851: 4848: 4846: 4843: 4841: 4838: 4837: 4835: 4831: 4828: 4826: 4822: 4811: 4808: 4805: 4802: 4801: 4799: 4795: 4788: 4785: 4784: 4782: 4778: 4775: 4771: 4761: 4758: 4756: 4753: 4751: 4748: 4746: 4743: 4741: 4738: 4736: 4733: 4732: 4730: 4726: 4719: 4716: 4714: 4711: 4710: 4708: 4704: 4701: 4697: 4689: 4681: 4666: 4663: 4660: 4657: 4654: 4651: 4648: 4645: 4642: 4639: 4636: 4633: 4630: 4627: 4624: 4621: 4618: 4615: 4612: 4609: 4606: 4603: 4601:(6th century) 4600: 4597: 4595:(2nd century) 4594: 4591: 4589:(1st century) 4588: 4585: 4582: 4581:Proto-celadon 4579: 4578: 4576: 4572: 4564: 4563:Fonthill Vase 4561: 4559: 4556: 4554: 4551: 4549: 4546: 4545: 4543: 4539: 4536: 4532: 4528: 4521: 4516: 4514: 4509: 4507: 4502: 4501: 4498: 4486: 4483: 4480: 4478: 4475: 4473: 4470: 4468: 4465: 4463: 4460: 4458: 4455: 4453: 4450: 4448: 4445: 4443: 4440: 4439: 4437: 4435:Miscellaneous 4433: 4423: 4420: 4418: 4415: 4413: 4410: 4408: 4405: 4403: 4400: 4398: 4395: 4394: 4392: 4388: 4382: 4379: 4377: 4374: 4372: 4369: 4367: 4364: 4362: 4359: 4357: 4354: 4353: 4351: 4349: 4345: 4339: 4336: 4334: 4331: 4329: 4326: 4325: 4323: 4319: 4313: 4310: 4308: 4305: 4304: 4302: 4300: 4296: 4293: 4289: 4279: 4276: 4274: 4273:Stoke Potters 4271: 4270: 4268: 4264: 4258: 4255: 4253: 4250: 4249: 4247: 4243: 4237: 4234: 4232: 4229: 4227: 4226:Norton United 4224: 4222: 4219: 4217: 4214: 4212: 4209: 4207: 4204: 4202: 4199: 4198: 4196: 4192: 4189: 4187: 4183: 4173: 4170: 4168: 4165: 4163: 4160: 4158: 4155: 4153: 4150: 4148: 4145: 4143: 4140: 4138: 4135: 4133: 4130: 4128: 4125: 4124: 4122: 4118: 4112: 4109: 4107: 4104: 4102: 4099: 4097: 4094: 4092: 4089: 4087: 4084: 4082: 4081:Royal Doulton 4079: 4077: 4074: 4072: 4071:Paragon China 4069: 4067: 4064: 4062: 4059: 4057: 4054: 4052: 4049: 4047: 4044: 4042: 4039: 4037: 4034: 4032: 4029: 4027: 4026:Etruria Works 4024: 4022: 4019: 4017: 4014: 4012: 4009: 4007: 4004: 4002: 3999: 3997: 3994: 3992: 3989: 3987: 3986:Aynsley China 3984: 3983: 3981: 3977: 3974: 3972: 3968: 3962: 3959: 3957: 3954: 3952: 3949: 3947: 3944: 3942: 3939: 3938: 3936: 3934: 3930: 3920: 3917: 3915: 3912: 3910: 3907: 3905: 3902: 3900: 3897: 3896: 3894: 3890: 3884: 3883: 3879: 3877: 3876: 3872: 3869: 3867: 3866:Cross Rhythms 3864: 3863: 3861: 3857: 3854: 3852: 3848: 3838: 3835: 3833: 3830: 3828: 3827:The Sugarmill 3825: 3823: 3820: 3818: 3815: 3813: 3810: 3808: 3805: 3803: 3800: 3798: 3795: 3794: 3792: 3786: 3780: 3777: 3775: 3774:Westport Lake 3772: 3770: 3767: 3765: 3762: 3760: 3757: 3755: 3752: 3750: 3747: 3745: 3742: 3740: 3737: 3735: 3732: 3730: 3727: 3726: 3724: 3718: 3712: 3709: 3707: 3704: 3703: 3701: 3697: 3691: 3688: 3686: 3683: 3681: 3678: 3676: 3673: 3671: 3668: 3666: 3663: 3661: 3658: 3657: 3655: 3653:and libraries 3651: 3647: 3641: 3640:Victoria Hall 3638: 3636: 3635:Theatre Royal 3633: 3631: 3628: 3626: 3623: 3621: 3618: 3616: 3613: 3612: 3610: 3606: 3599: 3595: 3594:Winton Square 3592: 3590: 3587: 3585: 3582: 3580: 3577: 3575: 3572: 3570: 3567: 3565: 3562: 3560: 3557: 3555: 3552: 3550: 3547: 3544: 3540: 3537: 3536: 3534: 3532: 3528: 3525: 3521: 3515: 3512: 3510: 3507: 3505: 3502: 3500: 3497: 3495: 3492: 3490: 3487: 3485: 3482: 3480: 3477: 3475: 3474:Stoke Minster 3472: 3471: 3469: 3465: 3455: 3452: 3450: 3447: 3445: 3442: 3440: 3437: 3436: 3434: 3432: 3428: 3422: 3419: 3417: 3414: 3412: 3409: 3408: 3406: 3402: 3399: 3397: 3394:Parliamentary 3391: 3385: 3382: 3380: 3377: 3375: 3372: 3370: 3367: 3365: 3362: 3360: 3357: 3355: 3352: 3350: 3347: 3346: 3344: 3342: 3338: 3332: 3331:Weston Coyney 3329: 3327: 3324: 3322: 3319: 3317: 3314: 3312: 3309: 3307: 3304: 3302: 3299: 3297: 3294: 3292: 3289: 3287: 3284: 3282: 3279: 3277: 3274: 3272: 3269: 3267: 3264: 3262: 3259: 3257: 3254: 3252: 3249: 3247: 3244: 3242: 3239: 3237: 3234: 3232: 3229: 3227: 3224: 3222: 3219: 3217: 3214: 3212: 3209: 3207: 3204: 3202: 3199: 3197: 3194: 3192: 3189: 3187: 3184: 3182: 3179: 3177: 3174: 3172: 3169: 3167: 3164: 3162: 3159: 3157: 3154: 3152: 3149: 3147: 3144: 3142: 3139: 3137: 3136:Blythe Bridge 3134: 3132: 3129: 3127: 3124: 3122: 3119: 3117: 3114: 3112: 3109: 3107: 3104: 3102: 3099: 3098: 3096: 3091: 3087: 3083: 3075: 3070: 3068: 3063: 3061: 3056: 3055: 3052: 3040: 3037: 3035: 3032: 3030: 3029:Royal Doulton 3027: 3022: 3018: 3017: 3016: 3013: 3011: 3008: 3006: 3003: 3001: 2998: 2996: 2993: 2988: 2984: 2981: 2977: 2976: 2975: 2972: 2970: 2969:Brunton, Inc. 2967: 2965: 2962: 2961: 2959: 2955: 2951: 2944: 2939: 2937: 2932: 2930: 2925: 2924: 2921: 2915: 2912: 2909: 2906: 2903: 2900: 2898: 2895: 2893: 2890: 2888: 2885: 2884: 2880: 2875: 2871: 2870:Reilly, Robin 2868: 2866: 2862: 2859:(2 vol 1865) 2858: 2854: 2852: 2848: 2844: 2842: 2838: 2834: 2832: 2828: 2824: 2822: 2818: 2815: 2812: 2808: 2805: 2801: 2798: 2795: 2791: 2790: 2786: 2782: 2778: 2774: 2770: 2766: 2763: 2759: 2757: 2753: 2749: 2748:English China 2745: 2743: 2742:1 85422 333 X 2739: 2735: 2731: 2728: 2724: 2720: 2718: 2714: 2710: 2706: 2702: 2701: 2697: 2688: 2682: 2679: 2667: 2660: 2654: 2651: 2639: 2635: 2629: 2626: 2614: 2610: 2604: 2601: 2597: 2591: 2588: 2584: 2580: 2574: 2571: 2567: 2561: 2558: 2545: 2539: 2536: 2533:, 17 May 2015 2532: 2528: 2522: 2519: 2506: 2502: 2496: 2493: 2481: 2477: 2470: 2467: 2462: 2461: 2456: 2450: 2447: 2442: 2436: 2433: 2428: 2422: 2419: 2407: 2406: 2401: 2394: 2391: 2379: 2375: 2369: 2366: 2361: 2360: 2355: 2349: 2346: 2333: 2332: 2327: 2321: 2318: 2313: 2307: 2304: 2298: 2295: 2289: 2286: 2274: 2270: 2264: 2261: 2249: 2245: 2238: 2235: 2229: 2226: 2220: 2217: 2211: 2208: 2202: 2199: 2186: 2180: 2177: 2171: 2168: 2164: 2159: 2156: 2153: 2148: 2145: 2139: 2136: 2130: 2127: 2121: 2118: 2112: 2109: 2103: 2100: 2094: 2091: 2086: 2082: 2076: 2073: 2069: 2057: 2051: 2048: 2042: 2039: 2033: 2030: 2027:Hughes, 54–55 2024: 2021: 2015: 2012: 2008: 2004: 2000: 1995: 1992: 1987: 1980: 1977: 1971: 1968: 1962: 1959: 1953: 1950: 1944: 1941: 1935: 1932: 1926: 1923: 1917: 1914: 1908: 1905: 1899: 1896: 1890: 1887: 1881: 1878: 1872: 1869: 1863: 1860: 1847: 1843: 1837: 1834: 1822: 1818: 1812: 1809: 1797: 1793: 1787: 1784: 1778: 1775: 1769: 1766: 1760: 1757: 1754: 1749: 1746: 1733: 1727: 1724: 1717: 1715: 1713: 1709: 1702: 1700: 1698: 1694: 1693:Royal Doulton 1690: 1686: 1678: 1676: 1674: 1670: 1666: 1660: 1658: 1654: 1650: 1645: 1641: 1638: 1628: 1621: 1616: 1609: 1607: 1605: 1600: 1598: 1595:In May 2015, 1593: 1590: 1586: 1582: 1577: 1574: 1570: 1566: 1558: 1548: 1540: 1538: 1536: 1532: 1531:Jasper Conran 1527: 1525: 1517: 1510: 1501: 1494: 1492: 1489: 1485: 1481: 1477: 1473: 1465: 1463: 1460: 1458: 1453: 1445: 1444: 1440: 1436: 1432: 1428: 1424: 1420: 1416: 1413: 1410: 1407: 1404: 1401: 1398: 1394: 1390: 1387: 1384: 1381: 1378: 1375: 1371: 1368: 1367: 1363: 1359: 1352: 1348: 1344: 1340: 1337: 1334: 1331: 1328: 1324: 1321: 1318: 1317:John Wedgwood 1315: 1314: 1313: 1311: 1303: 1298: 1293: 1286: 1281: 1277: 1270: 1265: 1261: 1255: 1250: 1246: 1245:John Skeaping 1239: 1234: 1230: 1226: 1219: 1214: 1210: 1203: 1198: 1193: 1192:Jasper Conran 1190: 1187: 1184: 1181: 1177: 1174:In the 1930s 1173: 1170: 1166: 1163: 1160: 1159:Louise Powell 1156: 1151: 1147: 1146:Emile Lessore 1144: 1141: 1140:William Blake 1138: 1135: 1132: 1131: 1121: 1116: 1108: 1107:George Stubbs 1105: 1102: 1098: 1094: 1090: 1087: 1084: 1080: 1076: 1072: 1068: 1064: 1063:Royal Academy 1060: 1057: 1053: 1050: 1049: 1048: 1041: 1037: 1036:George Stubbs 1033: 1026: 1020: 1014: 1009: 1002: 997: 993: 986: 981: 974: 969: 965: 959: 954: 949: 948: 947: 944: 938: 936: 932: 931:Staffordshire 928: 924: 920: 916: 907: 902: 895: 893: 891: 886: 882: 878: 873: 871: 867: 863: 859: 855: 847: 842: 835: 830: 826: 822: 815: 810: 806: 802: 795: 790: 787: 773: 768: 764: 750: 745: 741: 737: 730: 725: 721: 715: 710: 708: 706: 702: 698: 697:Neoclassicism 693: 691: 689: 684: 680: 677:and somewhat 676: 671: 669: 663: 661: 657: 649: 647: 642: 635: 620: 615: 608: 603: 599: 595: 589: 584: 580: 574: 569: 567: 565: 561: 552: 550: 548: 544: 543:Portland Vase 540: 534: 532: 531:neo-classical 528: 527:Royal Society 524: 520: 516: 508: 503: 499: 494: 490: 488: 484: 480: 475: 473: 469: 465: 461: 457: 452: 450: 446: 438: 427: 423: 422:Ditchley Park 419: 414: 407: 405: 403: 398: 396: 391: 389: 388:Etruria Works 385: 377: 376: 371: 366: 362: 360: 356: 352: 347: 345: 341: 337: 333: 329: 325: 320: 318: 314: 310: 306: 305:ceramic glaze 302: 294: 283: 280: 275: 269:Early history 268: 266: 264: 260: 256: 252: 248: 244: 240: 236: 232: 231:Royal Warrant 228: 224: 219: 215: 213: 208: 203: 201: 197: 193: 189: 185: 181: 177: 173: 151: 144: 141: 137: 133: 128: 119: 113: 109: 106: 103: 101: 97: 94: 91: 87: 79: 75: 71: 68: 65: 61: 57: 53: 50: 47: 43: 37: 33: 19: 5257:(Copenhagen) 5193:Factory mark 5156:Technologies 5064:Clignancourt 5021: 4307:Caldon Canal 4172:Wrights Pies 4157:SONS Records 4137:Clay Records 4111:W H Grindley 4105: 4086:Royal Winton 4001:Carlton Ware 3882:The Sentinel 3880: 3873: 3802:Golden Torch 3790:music venues 3739:Burslem Park 3706:City Sentral 3690:Spode Museum 3559:Etruria Hall 3549:Bottle ovens 3494:Hulton Abbey 3378: 3196:Fowlea Brook 3126:Birches Head 3106:Abbey Hulton 3038: 2957:Subsidiaries 2873: 2865:vol 2 online 2861:vol 1 online 2856: 2846: 2836: 2826: 2820: 2810: 2803: 2793: 2768: 2761: 2747: 2733: 2726: 2722: 2708: 2681: 2669:. 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