Knowledge (XXG)

Welcome Mr. Marshall!

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anticipated that the film would "do big things" for what she referred to as "Spain's slumbering film industry" as well as for the future careers of Berlanga and Bardem. In 1993, film critic Stephen Holden observed that "although more than 40 years old, this funny compassionate little fable has an
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Berlanga publicly claimed to offer a human picture of what the Spanish peasant, interested more in crops than in politics, might feel about the American people and their role in the post-war world. Underneath the surface, the film is an anti-Francoist satire despite receiving approval because the
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The day of the Americans' visit arrives and the whole town is prepared to put on a show. However, the American motorcade speeds through the village without stopping. The locals are left to remove the decorations and pay for the expenses with their personal belongings, including the flamenco
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received positive reviews by critics and was immensely popular among Spanish audiences, garnering enough praise to gain entry to the Cannes Film Festival. According to Peter Besas, a Madrid correspondent for
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On the eve of the Americans' visit, three of the central characters dream of stereotypical American culture and history, based uniquely on their lives and experiences. The mayor dreams of a
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is alerted to an upcoming visit of American diplomats; the town begins preparations to impress the American visitors, in the hopes of benefiting under the
239:. Hoping to demonstrate the side of Spanish culture with which the visiting American officials will be most accustomed, the citizens don unfamiliar 633: 964: 984: 954: 782: 519: 211:(showing a typical Spanish village, with typical inhabitants: a priest, the majority of the population that are peasants, the mayor, and a 279: 333:
The title is often mentioned in discussions of American investment in Spain as a caveat against delusion. An example is the 2012-2013
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Initially, Berlanga was commissioned to make a film to serve as a vehicle for the budding flamenco singer
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The location of Guadalix has a sculpture depicting Andalusians with welcome signs as in the film.
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Shooting lasted ten weeks with a production budget of $ 70,000 ($ 780,000 in 2022 dollars).
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accompanied by jazz music. Also, a poorer man dreams that the Americans, shown as the
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Luis PĂ©rez de LeĂłn as Don Cosme, the priest, concerned about the American heretics
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performer, and re-decorate their town in Andalusian style. A flamenco impresario (
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Eurovegas No protesta contra el complejo proyectando 'Bienvenido Mr. Marshall'
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impresario who gives up a gold ring given to him by the Americans in Boston.
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Popular Spanish Film under Franco: Comedy and the Weakening of the State
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advises the locals to think of what they will ask from the Americans.
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Behind the Spanish Lens: Spanish Cinema Under Fascism and Democracy
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The film is one of the influences on the 2019 Spanish comedy film
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ebullience and freshness that transcend its historical context."
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censorship board understood it to be an anti-American satire.
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Nicolás D. Perchicot as the pharmacist (as Nicolás Perchicot)
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Journal of the Center for Iberian and Latin American Music
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as Don Pablo, the mayor, a hearing-impaired old man
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Palgrave Macmillan London. p. 103. 29: 20: 16:1953 Spanish film by Luis GarcĂ­a Berlanga 728:"Review/Film; Audacious Spanish Comedy" 474: 970:Films directed by Luis GarcĂ­a Berlanga 671:from the original on 13 December 2022. 458:In April 1953, Jane Cianfarra of the 7: 726:Holden, Stephen (19 November 1993). 659:MacDonald, Darla (20 January 2013). 537: 535: 533: 531: 505: 503: 424:Matilde LĂłpez Roldán as Doña Matilde 409:JosĂ© Franco as the general delegate 280:Committee on Un-American Activities 14: 406:Fernando Aguirre as the secretary 215:). The film was entered into the 632:JimĂ©nez, JesĂşs (26 April 2019). 542:Cianfarra, Jane (5 April 1953). 1: 965:Spanish black-and-white films 873:Long Live the Bride and Groom 707:Whelan, John; Kaplan, Temma. 403:JoaquĂ­n Roa as the town crier 196:¡Bienvenido, Mister Marshall! 35:Theatrical release poster by 985:Films about the Ku Klux Klan 955:1950s Spanish-language films 455:received a Special Mention. 447:, under threat from Senator 418:JosĂ© MarĂ­a RodrĂ­guez as JosĂ© 686:. Arden Press. p. 38. 600:. The title is changed for 421:Elisa MĂ©ndez as Doña Raquel 394:as Miss EloĂ­sa, the teacher 1011: 758:Bienvenido Mister Marshall 589:Bienvenido, MĂ­ster Adelson 243:costumes, hire a renowned 806: 217:1953 Cannes Film Festival 37:Francisco Fernández Zarza 28: 833:The Rocket from Calabuch 278:dragging him before the 180:Commemorative plaque in 929:El sueño de la maestra 510:Marsh, Steven (2006). 343:The Little Switzerland 330: 304:Welcome Mr. Marshall!, 194: 185: 134:4 April 1953 819:Welcome Mr. Marshall! 682:Besas, Peter (1985). 453:Welcome Mr. Marshall! 434:Welcome Mr. Marshall! 328: 312:Guadalix de la Sierra 274:procession turn into 190:Welcome Mr. Marshall! 182:Guadalix de la Sierra 179: 24:Welcome Mr. Marshall! 980:Spanish comedy films 918:Everyone Off to Jail 885:La escopeta nacional 854:Three Fables of Love 840:Miracles of Thursday 800:Luis GarcĂ­a Berlanga 569:Arce, Julio (2011). 251:) who spent time in 201:Luis GarcĂ­a Berlanga 61:Luis GarcĂ­a Berlanga 48:Luis GarcĂ­a Berlanga 995:1950s Spanish films 990:Films set in Madrid 487:festival-cannes.com 358:as Narrator (voice) 58:Juan Antonio Bardem 912:Moros y Cristianos 826:Boyfriend in Sight 798:Films directed by 445:Edward G. Robinson 331: 186: 960:1953 comedy films 937: 936: 892:National Heritage 812:That Happy Couple 521:978-0-230-51187-3 376:as Don Luis, the 174: 173: 120:JesĂşs GarcĂ­a Leoz 1002: 975:Spain in fiction 792: 785: 778: 769: 744: 743: 741: 739: 723: 717: 716: 704: 698: 697: 679: 673: 672: 656: 650: 649: 647: 645: 629: 623: 620:El Mundo (Spain) 611: 605: 596:, 26 June 2012, 585: 579: 578: 566: 560: 559: 539: 526: 525: 507: 498: 497: 495: 493: 479: 392:Elvira Quintillá 141: 139: 100:Manuel Berenguer 33: 21: 1010: 1009: 1005: 1004: 1003: 1001: 1000: 999: 940: 939: 938: 933: 861:The Executioner 802: 796: 753: 748: 747: 737: 735: 725: 724: 720: 706: 705: 701: 694: 681: 680: 676: 658: 657: 653: 643: 641: 631: 630: 626: 612: 608: 602:Sheldon Adelson 586: 582: 568: 567: 563: 550:. pp. x6. 541: 540: 529: 522: 509: 508: 501: 491: 489: 481: 480: 476: 471: 449:Joseph McCarthy 431: 352: 323: 296: 225: 209:Francoist Spain 151: 144: 137: 135: 128: 90: 86: 74:Vicente Sempere 62: 60: 39: 17: 12: 11: 5: 1008: 1006: 998: 997: 992: 987: 982: 977: 972: 967: 962: 957: 952: 942: 941: 935: 934: 932: 931: 926: 924:ParĂ­s-TombuctĂş 921: 914: 909: 902: 895: 888: 881: 879:Tamaño natural 876: 869: 864: 857: 850: 843: 836: 829: 822: 815: 807: 804: 803: 797: 795: 794: 787: 780: 772: 766: 765: 752: 751:External links 749: 746: 745: 734:. pp. C18 732:New York Times 718: 699: 692: 674: 651: 624: 606: 594:Eduardo Muriel 580: 561: 548:New York Times 527: 520: 499: 473: 472: 470: 467: 461:New York Times 430: 427: 426: 425: 422: 419: 416: 415:as the enviado 410: 407: 404: 401: 398: 395: 389: 386: 380: 371: 368:Lolita Sevilla 365: 359: 351: 348: 322: 319: 300:Lolita Sevilla 295: 292: 233:Villar del RĂ­o 224: 221: 205:Spanish cinema 172: 171: 168: 164: 163: 160: 156: 155: 152: 149: 146: 145: 143: 142: 131: 129: 126: 123: 122: 117: 113: 112: 107: 103: 102: 97: 96:Cinematography 93: 92: 91:Lolita Sevilla 81: 77: 76: 71: 67: 66: 55: 51: 50: 45: 41: 40: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 1007: 996: 993: 991: 988: 986: 983: 981: 978: 976: 973: 971: 968: 966: 963: 961: 958: 956: 953: 951: 948: 947: 945: 930: 927: 925: 922: 920: 919: 915: 913: 910: 908: 907: 903: 901: 900: 896: 894: 893: 889: 887: 886: 882: 880: 877: 875: 874: 870: 868: 865: 863: 862: 858: 856: 855: 851: 849: 848: 844: 842: 841: 837: 835: 834: 830: 828: 827: 823: 821: 820: 816: 814: 813: 809: 808: 805: 801: 793: 788: 786: 781: 779: 774: 773: 770: 764: 760: 759: 755: 754: 750: 733: 729: 722: 719: 714: 710: 703: 700: 695: 693:9780912869063 689: 685: 678: 675: 670: 666: 662: 655: 652: 639: 635: 628: 625: 621: 617: 616: 610: 607: 603: 599: 595: 591: 590: 584: 581: 576: 572: 565: 562: 557: 553: 549: 545: 538: 536: 534: 532: 528: 523: 517: 513: 506: 504: 500: 488: 484: 478: 475: 468: 466: 463: 462: 456: 454: 450: 446: 442: 441: 435: 428: 423: 420: 417: 414: 413:Rafael Alonso 411: 408: 405: 402: 399: 396: 393: 390: 387: 384: 381: 379: 375: 374:Alberto Romea 372: 369: 366: 363: 360: 357: 354: 353: 349: 347: 345: 344: 338: 336: 327: 320: 318: 315: 313: 308: 305: 301: 293: 291: 287: 285: 281: 277: 273: 269: 265: 261: 256: 254: 250: 246: 242: 238: 237:Marshall Plan 234: 230: 222: 220: 218: 214: 210: 206: 202: 198: 197: 192: 191: 183: 178: 169: 165: 161: 157: 153: 147: 133: 132: 130: 124: 121: 118: 114: 111: 110:Pepita Orduna 108: 104: 101: 98: 94: 89: 85: 82: 78: 75: 72: 68: 65: 64:Miguel Mihura 59: 56: 52: 49: 46: 42: 38: 32: 27: 22: 19: 928: 923: 916: 911: 904: 899:Nacional III 897: 890: 883: 878: 871: 867:The Boutique 866: 859: 852: 845: 838: 831: 824: 818: 817: 810: 757: 736:. 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Retrieved 486: 477: 459: 457: 452: 438: 433: 432: 383:Manolo Morán 356:Fernando Rey 341: 339: 332: 316: 309: 303: 297: 288: 264:conquistador 257: 249:Manolo Morán 226: 195: 189: 188: 187: 150:Running time 127:Release date 88:Manolo Morán 18: 738:12 December 644:15 February 362:JosĂ© Isbert 284:Three Kings 84:JosĂ© Isbert 70:Produced by 44:Directed by 950:1953 films 944:Categories 906:The Heifer 492:24 January 469:References 294:Production 241:Andalusian 193:(Spanish: 154:78 minutes 138:1953-04-04 54:Written by 556:112907556 429:Reception 337:project. 335:Eurovegas 321:Influence 272:Holy Week 268:New World 229:Castilian 106:Edited by 669:Archived 552:ProQuest 276:Klansmen 245:flamenco 227:A small 167:Language 116:Music by 80:Starring 847:Plácido 638:RTVE.es 598:PĂşblico 440:Variety 378:hidalgo 260:Western 213:hidalgo 184:, Spain 170:Spanish 159:Country 136: ( 690:  554:  518:  253:Boston 231:town, 162:Spain 763:IMDb 740:2022 715:: 9. 688:ISBN 646:2022 516:ISBN 494:2009 350:Cast 223:Plot 761:at 266:on 946:: 730:. 711:. 667:. 663:. 636:. 618:, 592:, 573:. 546:. 530:^ 502:^ 485:. 346:. 791:e 784:t 777:v 742:. 696:. 648:. 604:. 577:. 558:. 524:. 496:. 140:)

Index


Francisco Fernández Zarza
Luis GarcĂ­a Berlanga
Juan Antonio Bardem
Miguel Mihura
Vicente Sempere
José Isbert
Manolo Morán
Manuel Berenguer
Pepita Orduna
JesĂşs GarcĂ­a Leoz

Guadalix de la Sierra
Luis GarcĂ­a Berlanga
Spanish cinema
Francoist Spain
hidalgo
1953 Cannes Film Festival
Castilian
Villar del RĂ­o
Marshall Plan
Andalusian
flamenco
Manolo Morán
Boston
Western
conquistador
New World
Holy Week
Klansmen

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