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anticipated that the film would "do big things" for what she referred to as "Spain's slumbering film industry" as well as for the future careers of
Berlanga and Bardem. In 1993, film critic Stephen Holden observed that "although more than 40 years old, this funny compassionate little fable has an
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Berlanga publicly claimed to offer a human picture of what the
Spanish peasant, interested more in crops than in politics, might feel about the American people and their role in the post-war world. Underneath the surface, the film is an anti-Francoist satire despite receiving approval because the
289:
The day of the
Americans' visit arrives and the whole town is prepared to put on a show. However, the American motorcade speeds through the village without stopping. The locals are left to remove the decorations and pay for the expenses with their personal belongings, including the flamenco
314:, fifty miles north of Madrid. Villagers were cast as themselves, taking all but the principal roles and changing many of the scenes. During the scene in which townspeople lined up to state their hearts' desires, they ignored the script and asked for what they actually wanted.
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received positive reviews by critics and was immensely popular among
Spanish audiences, garnering enough praise to gain entry to the Cannes Film Festival. According to Peter Besas, a Madrid correspondent for
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On the eve of the
Americans' visit, three of the central characters dream of stereotypical American culture and history, based uniquely on their lives and experiences. The mayor dreams of a
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207:. The film highlights the stereotypes held by both the Spanish and the Americans regarding the culture of the other, as well as displays social criticism of 1950s
235:
is alerted to an upcoming visit of
American diplomats; the town begins preparations to impress the American visitors, in the hopes of benefiting under the
239:. Hoping to demonstrate the side of Spanish culture with which the visiting American officials will be most accustomed, the citizens don unfamiliar
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211:(showing a typical Spanish village, with typical inhabitants: a priest, the majority of the population that are peasants, the mayor, and a
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The title is often mentioned in discussions of
American investment in Spain as a caveat against delusion. An example is the 2012-2013
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Initially, Berlanga was commissioned to make a film to serve as a vehicle for the budding flamenco singer
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The location of
Guadalix has a sculpture depicting Andalusians with welcome signs as in the film.
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709:"Forgetting Mister Marshall: The Re-Emergence of Spanish-American Relations in the Post-War Era"
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Shooting lasted ten weeks with a production budget of $ 70,000 ($ 780,000 in 2022 dollars).
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accompanied by jazz music. Also, a poorer man dreams that the
Americans, shown as the
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Luis PĂ©rez de LeĂłn as Don Cosme, the priest, concerned about the
American heretics
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performer, and re-decorate their town in Andalusian style. A flamenco impresario (
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Eurovegas No protesta contra el complejo proyectando 'Bienvenido Mr. Marshall'
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impresario who gives up a gold ring given to him by the Americans in Boston.
571:"Irony, esperpento, and Parody in the Music of ¡Bienvenido Mister Marshall!"
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271:
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634:"'La pequeña Suiza', Berlanga inspira una comedia sobre los nacionalismos"
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Popular Spanish Film under Franco: Comedy and the Weakening of the State
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advises the locals to think of what they will ask from the Americans.
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Behind the Spanish Lens: Spanish Cinema Under Fascism and Democracy
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The film is one of the influences on the 2019 Spanish comedy film
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ebullience and freshness that transcend its historical context."
443:, the film was denied an award at Cannes when a judge, the actor
286:, fly over his field and parachute a new tractor into his field.
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censorship board understood it to be an anti-American satire.
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Nicolás D. Perchicot as the pharmacist (as Nicolás Perchicot)
219:. It was the first full-length film Berlanga directed alone.
661:"Bienvenido, MĂster Marshall (Luis GarcĂa Berlanga, 1952)"
575:
Journal of the Center for Iberian and Latin American Music
262:-like bar brawl, the hidalgo dreams of the arrival of a
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as Don Pablo, the mayor, a hearing-impaired old man
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370:as Carmen Vargas, a flamenco artist from Andalusia
385:as Manolo, the scheming agent for Carmen Vargas
310:Berlanga chose to film in the small village of
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8:
544:"The Spanish Peasant's View on Marshall Aid"
451:, vetoed it as anti-American. Despite this,
203:, and considered one of the masterpieces of
199:) is a 1953 Spanish comedy film directed by
713:Rutgers, the State University of New Jersey
483:"Festival de Cannes: Welcome Mr. Marshall!"
397:Félix Fernández as Don Emiliano, the doctor
270:shores, and the priest sees the hoods of a
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514:. Palgrave Macmillan London. p. 103.
29:
20:
16:1953 Spanish film by Luis GarcĂa Berlanga
728:"Review/Film; Audacious Spanish Comedy"
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970:Films directed by Luis GarcĂa Berlanga
671:from the original on 13 December 2022.
458:In April 1953, Jane Cianfarra of the
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726:Holden, Stephen (19 November 1993).
659:MacDonald, Darla (20 January 2013).
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535:
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424:Matilde López Roldán as Doña Matilde
409:José Franco as the general delegate
280:Committee on Un-American Activities
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406:Fernando Aguirre as the secretary
215:). The film was entered into the
632:Jiménez, Jesús (26 April 2019).
542:Cianfarra, Jane (5 April 1953).
1:
965:Spanish black-and-white films
873:Long Live the Bride and Groom
707:Whelan, John; Kaplan, Temma.
403:JoaquĂn Roa as the town crier
196:¡Bienvenido, Mister Marshall!
35:Theatrical release poster by
985:Films about the Ku Klux Klan
955:1950s Spanish-language films
455:received a Special Mention.
447:, under threat from Senator
418:JosĂ© MarĂa RodrĂguez as JosĂ©
686:. Arden Press. p. 38.
600:. The title is changed for
421:Elisa Méndez as Doña Raquel
394:as Miss EloĂsa, the teacher
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758:Bienvenido Mister Marshall
589:Bienvenido, MĂster Adelson
243:costumes, hire a renowned
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217:1953 Cannes Film Festival
37:Francisco Fernández Zarza
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833:The Rocket from Calabuch
278:dragging him before the
180:Commemorative plaque in
929:El sueño de la maestra
510:Marsh, Steven (2006).
343:The Little Switzerland
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304:Welcome Mr. Marshall!,
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134:4 April 1953
819:Welcome Mr. Marshall!
682:Besas, Peter (1985).
453:Welcome Mr. Marshall!
434:Welcome Mr. Marshall!
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312:Guadalix de la Sierra
274:procession turn into
190:Welcome Mr. Marshall!
182:Guadalix de la Sierra
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24:Welcome Mr. Marshall!
980:Spanish comedy films
918:Everyone Off to Jail
885:La escopeta nacional
854:Three Fables of Love
840:Miracles of Thursday
800:Luis GarcĂa Berlanga
569:Arce, Julio (2011).
251:) who spent time in
201:Luis GarcĂa Berlanga
61:Luis GarcĂa Berlanga
48:Luis GarcĂa Berlanga
995:1950s Spanish films
990:Films set in Madrid
487:festival-cannes.com
358:as Narrator (voice)
58:Juan Antonio Bardem
912:Moros y Cristianos
826:Boyfriend in Sight
798:Films directed by
445:Edward G. Robinson
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960:1953 comedy films
937:
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892:National Heritage
812:That Happy Couple
521:978-0-230-51187-3
376:as Don Luis, the
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120:JesĂşs GarcĂa Leoz
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861:The Executioner
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550:. pp. x6.
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734:. pp. C18
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415:as the enviado
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736:. Retrieved
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665:Madrid Blogs
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642:. Retrieved
640:(in Spanish)
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490:. Retrieved
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383:Manolo Morán
356:Fernando Rey
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264:conquistador
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249:Manolo Morán
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150:Running time
127:Release date
88:Manolo Morán
18:
738:12 December
644:15 February
362:José Isbert
284:Three Kings
84:José Isbert
70:Produced by
44:Directed by
950:1953 films
944:Categories
906:The Heifer
492:24 January
469:References
294:Production
241:Andalusian
193:(Spanish:
154:78 minutes
138:1953-04-04
54:Written by
556:112907556
429:Reception
337:project.
335:Eurovegas
321:Influence
272:Holy Week
268:New World
229:Castilian
106:Edited by
669:Archived
552:ProQuest
276:Klansmen
245:flamenco
227:A small
167:Language
116:Music by
80:Starring
847:Plácido
638:RTVE.es
598:PĂşblico
440:Variety
378:hidalgo
260:Western
213:hidalgo
184:, Spain
170:Spanish
159:Country
136: (
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554:
518:
253:Boston
231:town,
162:Spain
763:IMDb
740:2022
715:: 9.
688:ISBN
646:2022
516:ISBN
494:2009
350:Cast
223:Plot
761:at
266:on
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140:)
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