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Agents of S.H.I.E.L.D. series finale

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713:". At the time, "The End" had been crafted as a series finale, and Whedon noted it "had its own feeling and its own flavor, and we felt like we had done a pretty good job with that." Coming up with the episode's ending sequence "was just blue sky" for Whedon after the first part of the episode had "so many moving parts" to it. Whedon acknowledged it was "just fun to think about" as there were "tons of great options" for the ending, saying, "We sort of tried to put everybody in a different-feeling thing and in a different place and separate them as much as possible." Maurissa Tancharoen added, "The emotional context of saying goodbye to this experience...is definitely something that's reflected in where we leave our characters at the end of the show. So it is very personal to us, and I do think there's a sense of hope for what's to come for each of them." Having the characters appear virtually, which was thought of by series writers 1076:
time. However, Kolpack and his team were working on the final four episodes of the season at once, and in order to meet the completion deadlines for the previous episodes, Kolpack requested an additional month to work on "What We're Fighting For" given the many visual effects in the episode. Visual effects for "What We're Fighting For" were completed on October 4, 2019, while the remaining post-production work was completed around October 7. 20 additional minutes of footage were cut from the episodes. While most were "unforgettable, humorous lines", some of the cut content was fight sequences and an origin scene in "The End Is at Hand" for the quantum machine. Regarding this cut content, Whedon said, "We really tried to preserve the end, and that end had to breathe, and have time to sit and be quiet and awkward... That was the thing that we tried most to preserve, and that's intact."
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episode just needed more across the board. We all got to have time to make sure we did our best work." McCreary attempted to give each character a musical send off in "What We're Fighting For". Writing the music for when Fitz and Simmons are reunited with their daughter was a stand out moment in the series for McCreary, one he said that "wrecked" him and would be a moment he would always remember. McCreary was "terrified" of approaching the ending, called it "a monster to score". He was unsure of how much music should be present, as he did not feel a lot of music was needed given what the actors were doing, yet it was the end of the episode and series. Instead of a steady build throughout the scene to the end, McCreary was "really surgical", building in moments that needed it, and then returning softer afterwards.
1219:, Dave Vitagliano gave the episode 4 out 5 stars. He said the finale "neatly ties up enough loose plot threads to keep even the staunchest critics happy and still leaves plenty of room for requisite fan service. Nevertheless, no one can accuse the writers of leaving any cards unplayed. The awakenings, the sacrifices, the reunions, and the redemptions were all completely earned and worthy of this final installment." The reunion of Fitz and Simmons was "one of the finale's highlights", and given the introduction of their daughter, Vitagliano felt it was "hard to be disappointed with the conclusion of their arc." Vitagliano felt the showrunners took "extra care" with the ending to satisfy the fans, with "the most poignant exchange" coming when Daisy and Coulson say goodbye. Dominic Patten of 1192:
weirdness") and Deke's fart noise interrupting Sousa to say he would stay behind. While Moore felt the final plan was "a bit convoluted and McGuffin-y", he realized the show went out on a big story to justify that. As for the ending, Moore said it mostly worked, adding, "It's hard to craft an ending, especially one with so many moving pieces and characters. But there's no doubt this is a good one. Fans should enjoy it, and most importantly it leaves the door open to where fans can imagine all the adventures and stories that could still spin out after the series has long-ended." Christian Holub, writing for
556: teleports in and begins setting up explosives around the base. Together, they trap Garrett with a power inhibiting device and contact Malick, hoping to stop the explosives from going off, but Malick detonates them anyway. Garrett is injured in the blast, but Coulson believes he may be an asset to them and saves him. Recovering from Malick's betrayal, Garrett decides to join S.H.I.E.L.D. Coulson identifies the signal as the location of an 0-8-4, and with Garrett's help, he, May, and Yo-Yo teleport to the speakeasy in  693:". Whedon stated the writers knew that the seventh season would deal with time travel, "so we planted little stuff that would be easily avoidable if we didn't end up tying up those loose ends." For example, the people in hazmat suits during that episode turn out to be members of the S.H.I.E.L.D. team who have returned from the alternate timeline. Whedon added figuring out how the events of the finale intersect with "New Life" became "a brain pretzel-twister". 792:. This career "made perfect sense" to the writers, with Tancharoen adding, "all of that just sums up her relationship with Coulson the reluctant teacher. She has always been the wise teacher amongst the group, the sort of mother figure". Wen called this ending for her character "very fitting" since she had been a superior officer to many of the members on the team and now can "continue the S.H.I.E.L.D. legacy for future S.H.I.E.L.D. agents." 1230:'s Brian Lowry said the finale was "an old-fashioned affair tinged with nostalgia", aimed at those who had watched the series from the beginning. Regarding the ending scene, Lowry called it "inadvertently timely", also likening it to a Zoom call, and concluded, "While providing some closure, the finale left the door open to utilize some of these characters again, although given Marvel's priorities, that seems less likely." 3490: 1271: 453: 1301:
had been gone for a long time, the new questions she felt allowed Henstridge to show confusion and frustration that "began building to the emotional climax to come". Additionally, "Henstridge powerfully communicated the rush of feelings" Simmons felt once she fully remembered her daughter, as the audience was also learning the truth alongside her. In 2022,
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being told". Each of the three storylines in the episode "adeptly balances action, humor, and heart, and allows for some meaningful discussions without feeling too much like it's hitting pause on all the high-intensity, clock-ticking action unfolding." As for the final scene in the bar, McLevy said having a young
564:'s instructions. Johnson, Mack, Simmons, Shaw, and Sousa arrive and the team reunite. Despite losing her memory, Simmons subconsciously constructs a portal device with the 0-8-4s and uses her wedding ring to activate it, bringing Fitz to their location, who soon realizes that Simmons's memory has been affected. 727:
it's a virtual room where they actually can't reach out and touch one another, or give each other a hug... I think in that feeling of longing for one another and that feeling of the loss of what once wasβ€”it really lands the bond that they will have forever, even if they won't be in each other's lives.
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s "Performer of the Week" for the week of August 10, 2020, for her performance in these episodes. The site felt Henstridge "mined" Simmons' random memory revelations for moments of comedy, highlighting when the character asked Daisy for her own superhero costume, and once Simmons heard from Fitz they
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s Alex McLevy said the finale "managed to deliver a spectacle truly worthy of its outsized ambitions". For "The End Is at Hand", he felt the episode was "the best-looking, most visually sumptuous episode of the season", particularly the hangar interior which felt "epic in scale and scope to the story
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would feature the team trying to save the world from invasion by the Chronicoms. They use time travel to do this, allowing the season to explore the history of S.H.I.E.L.D. Later that month, one of the season's episodes was revealed to be titled "The End Is at Hand" and written by Bell, while another
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on August 12, 2020, and were watched by 1.46 million viewers. The episodes received critical acclaim and were praised for the writing, performances, and visual effects. Critics felt the episodes served as a satisfying conclusion to the series and commended the finale for its ambition and lower scale.
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fight, which is what many viewers "are hoping for when we sit down to watch a Marvel TV show". He felt the ending was "a surprisingly quiet, bittersweet note" that "is a little sad, a little funny, and feels over before it's really begun." Speaking more to the ending, McLevy said, "there's something
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In the United States, "The End Is at Hand" and "What We're Fighting For" received a 0.3 percent share among adults between the ages of 18 and 49, meaning that they were seen by 0.3 percent of all households in that demographic. The two episodes were watched by 1.46 million viewers. Within a week of
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One year later, the team virtually gather at the speakeasy to reminisce about their time together. Mack continues to lead S.H.I.E.L.D., with Yo-Yo as one of his top agents, May is a professor at S.H.I.E.L.D.'s Coulson Academy with Flint as one of her students, Fitz and Simmons have retired to raise
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felt "seeing Simmons process her scrambled memories and slowly remember her life, and Fitz, was some beautiful acting by Elizabeth Henstridge." Other enjoyable moments for Moore were Mack and Sousa creating the makeshift Chronicom missile with duct tape ("a great bit of classic, goofy S.H.I.E.L.D.
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appreciated the additional month gained in order to completed the episode's visual effects, as he was also realizing the large scope of the episode and would have asked for more time himself had it not already been granted for the visual effects to be completed. He said, "it was great because this
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Visual effects supervisor Mark Kolpack began working on some of the visual effects sequences in the final episode that would not need actors to be a part of weeks before anything had been filmed or the script had been written, in order to ensure what they wanted to accomplish could be completed on
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I do think the one-year jump serves to amplify that bittersweet quality, because we, as the audience, are aware that they've been in their new lives, separate from each other, for a year. They're established, they're starting to settle into it. But seeing them in that room, and then learning that
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Meanwhile, Coulson, May, Johnson, and Mack infiltrate the Chronicom ship to save Kora. While Johnson confronts Malick, Coulson tricks Sibyl into sending her Chronicom army to the Lighthouse. After May overpowers Sibyl, she combines her abilities with Kora's to magnify a beacon of empathy into the
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meeting and said "It's about as good an ending as you could hope for any of these characters β€” especially FitzSimmons!" Giving the finale a "B", he concluded, "despite my many qualms about this season, I think it did wrap up the show (which over seven seasons has spanned multiple eras of Marvel
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and the 0-8-4s allowed "for a nice trip down memory lane, evoking memories of this show's infancy". He gave the episode an "Aβˆ’". In "What We're Fighting For", McLevy enjoyed "how all-in this show went making a conclusion so proudly, unabashedly nerdy", and while the time-travel was the "most
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from Chronicoms and work on their escape plan. Aware of their presence, Sibyl orders Malick not to interfere with Johnson and Simmons' reunion as it will increase their chances of finding Fitz. As Sibyl predicted, Johnson reunites with Shaw and Simmons and jogs the latter's memory, but Kora
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Reunited, Fitz explains that Kora is the key to stopping the Chronicoms and that the team was operating in an alternate timeline. Using the time drive and the portal device, Fitz says they can return to their time and bring the Chronicoms with them. After making preparations, May navigates
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almost more downbeat about an ending acknowledging the fact that even after world-altering events that forge permanent bonds, life just...goes on, in all its prosaic reality, the day-to-day intimacy that once existed an ever-more-distant memory." He gave "What We're Fighting For" a "B+".
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called both episodes "rollicking affairs filled with action, heart, and humor". As for the ending, he felt it highlighted "how little the rest of the season meant" in that "it didn't really matter, overall, who the villains were, or what the threat to the planet was. The series has been
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was never perfect, but it was special, and the finale managed to nail the one thing we never remember about happy endings β€” no ending is happy forever. But that doesn't mean we shouldn't cherish the moments, while they last." Awarding the finale an 8 out of 10, Matt Fowler writing for
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Chronicom army, stopping the assault. Coulson, May, Mack, and Kora escape as Johnson stays behind to destroy the Chronicom ship, killing Sibyl and Malick. The team rescue Johnson from space and Kora revives her as Fitz and Simmons return to the temple and retrieve Alya.
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called the finale "an ambitious and ultimately successful conclusion for the very first live action Marvel television series and its longtime motto that 'not all heroes are super'," adding the episodes felt like a feature film opposed to two episodes of television.
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entertaining element" of the finale, it was "also the thing that causes it to be somewhat less impactful in its emotional resonance". He noted the episode featured "some exhilarating fight scenes and super-powered battles", particularly the Daisy and
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The ending was not easy to shoot, according to director Kevin Tancharoen, because "everyone was emotionally invested" in the lines the actors were saying, and the tone they created on the set "made everyone sad". Filming wrapped on July 30, 2019.
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remains in 1983 in the altered timeline "to embrace his inner rock god" and become the new S.H.I.E.L.D. leader for the remaining agents. Bell said this was done so Deke's sacrifice would "make sense" for why it had to be him to stay behind. Actor
608:. Once the time machine is complete, Enoch, Fitz, and Simmons return to the moment they left Piper and Flint, asking them to guard a pod with Fitz and Alya inside while Simmons leaves with Enoch to rescue the others, leading into the events of " 2272: 1068:, and director Chris Cheramie was afraid they would not be able to accommodate him with these devices, given his scene is set in the 1980s; a period appropriate walker was procured for him to use, though Cobbs chose not to use it. 810:
as "astral ambassadors". Whedon said "it felt right" to have Daisy in space since "it feels vast, and we wanted someone to be out exploring that". Additionally, having Daisy work with Kora mimics how Coulson first helped
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as an elderly S.H.I.E.L.D. agent. When writing the scene in which Cobbs appears, Bell asked for "somebody like Bill Cobbs" to play the part, and was later told they were able to hire him. For "What We're Fighting For",
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to say "the Cavalry is here", because she wanted the character "to finally accept that nickname and all of her emotional baggage that she'd been carrying" surrounding it, and "revel in it as opposed to being afraid".
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was revealed to have directed "What We're Fighting For". "The End Is at Hand" was the first time Cheramie directed an episode of the series, after serving as its post-production producer throughout the series.
1060:, when together, Malick was shown moving around constantly "like a caged tiger", while Sibyl was more stoic, showing her "complete control". Bell stated the day Cobbs came to film his scene, "it was like 1204:
vibes... but ultimately I feel like it pales in comparison to Daisy's climactic fight with Graviton from the end of season 5." As for the ending, Holub likened how the characters appeared virtually to a
1821: 774:. Whedon felt "for a long time, we had a sense that Fitz and Simmons would be sort of out of S.H.I.E.L.D. and living the simpler life β€” while secretly working with Daisy on the side". Simmons actress 1714: 849:
had pitched a post-credits scene for the episode that was not shot, that featured someone approaching Deke sitting in a S.H.I.E.L.D. office wearing an eye patch. Ward added, since it was unclear if
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interrupts the process when she confronts Johnson, who refuses to fight her. Conflicted, Kora lets Johnson escape and confides in Malick, who stuns her. Shaw, Simmons, and Johnson return to 
2264: 2231: 826:, Lola, from Mack. Having Coulson getting in Lola was "the promise for him of a new adventure", and as the final shot of the series, was a "book end" that brought back "an iconic image from 3551: 1111:(2019), to travel to the altered timeline and reunite with the S.H.I.E.L.D. team before bringing everyone back to the main timeline. A line stating how the realm could be used to survive 560:, where Garrett is killed on arrival. There, they meet several S.H.I.E.L.D. agents, who have also heard the signal and all brought a package containing an 0-8-4, per the late 2044: 1676: 853:
existed in the alternate timeline, Deke would have worn it because it is "a power and cool thing". The writers also considered showing a S.H.I.E.L.D. mission where Deke is performing "
3546: 1198:, called Garrett getting trapped at the Lighthouse "delicious" since Holub had found the character "quite insufferable". The fight between Daisy and Nathaniel Malick gave "some fun 2500: 3556: 3536: 1929: 581:
back to their timeline while Fitz works with Simmons to restore her memory. Choosing to stay behind, Shaw becomes the new director of S.H.I.E.L.D. in the alternate timeline.
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was revealed to be titled "What We're Fighting For" and written by Whedon. The two were confirmed to be the twelfth and thirteenth episodes of the season, as well as the
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system with a Time Stream Enoch stole from the Chronicoms for Fitz to study. During that time, they worked on building the time machine, Coulson's
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as a S.H.I.E.L.D. agent chasing 0-8-4s. Tancharoen commented the two "are still together in a relationship and working with one another β€” and
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liked that the relationship had stabilized, with both being comfortable professionally, individually, and within their relationship.
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A bittersweet feeling for each character was used in the final scene, which was done to differentiate the ending from that of the
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s Liz Shannon Miller called the series finale "a pretty lowkey affair, focused far more on character than plot". She concluded, "
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called using his rock persona to cover being the head of S.H.I.E.L.D. "the ultimate hiding-in-plain-sight tactic".
2921: 2100: 1357:"Agents of S.H.I.E.L.D. EPs Break Down Those Trippy Season-Ending Twists, How Final Season Will Tap Into History" 387: 1705:"'Agents of SHIELD' Says Goodbye to the Team in Series Finale: Where Everyone Ended Up in That Epic Final Scene" 3467: 2691: 1952: 1550: 972: 854: 2398:"The 'Agents of S.H.I.E.L.D' Series Finale Proved That All Endings (Including the Happy Ones) Are Bittersweet" 1388: 3474: 2949: 2858: 2199:"'Agents of S.H.I.E.L.D.' Showrunners Explain the Toughest (and Easiest) Choices Made for the Series Finale" 1275: 892: 823: 757: 625: 457: 429: 2134:"Agents of S.H.I.E.L.D. Team Shares Emotional Spy's Goodbyes as Filming on Next Year's Series Finale Wraps" 2997: 2636: 2522: 1121: 981: 647: 350: 219: 51: 3350: 3199: 1709: 1064:
was on set", with everyone being "so respectful". Cobbs arrived to set in a wheelchair and a modern-day
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has taken a sabbatical, seeing various parts of the world. He also receives a restored version of his
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The ending sees a one-year time jump with the S.H.I.E.L.D. team separated with new lives:
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after injecting Simmons with a serum to dissolve her memory implant to locate her husband
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and his team of S.H.I.E.L.D. agents returning to their timeline as they race to stop the
1515:"The Agents Of S.H.I.E.L.D. showrunners reveal the plan behind that grand series finale" 1425: 2299:"Marvel's Agents Of S.H.I.E.L.D. ends with massive spectacle and a bittersweet goodbye" 2236: 1017: 985: 714: 604:, and Simmons' implant, while also living their lives together and raising a daughter, 260: 223: 1233:
Compared to some of the more extravagant elements that have occurred over the series,
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Outstanding Achievement in Sound Editing – Episodic Short Form – Effects / Foley
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Outstanding Achievement in Sound Editing – Episodic Short Form – Effects / Foley
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and directed by Chris Cheramie, while "What We're Fighting For" was written by
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these characters for years now and the rest of it's just 'big bad' dressing."
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Outstanding Achievement in Sound Editing – Episodic Short Form – Dialogue/ADR
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is still a leader within S.H.I.E.L.D., supervising the construction of a new
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Outstanding Achievement in Sound Editing – Episodic Short Form – Dialogue/ADR
1887:"'Agents of S.H.I.E.L.D.': Behind the Scenes of the Emotional Series Finale" 1855: 1588:
Chloe Bennet, Clark Gregg, More Give 'Agents Of S.H.I.E.L.D.' Exit Interview
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felt this was "a fitting end but a beginning, of another life, as well."
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has become an instructor at the Coulson S.H.I.E.L.D. academy, teaching
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reprises his role as Coulson from the film series, starring alongside
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ranked the finale 29th on its list of the top 30 television finales.
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12th and 13th episodes of the 7th season of Agents of S.H.I.E.L.D.
1953:"Marvel's Agents of S.H.I.E.L.D. Gets Final Season Premiere Date" 778:
called the couple's ending "definitely earned", while Fitz actor
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release, the series finale was watched by 2.46 million viewers.
2608: 2435: 2369: 1920:"'Marvel's Agents Of S.H.I.E.L.D' Renewed For Season 7 By ABC" 1249: 1227: 624:, and Coulson travels the world in an upgraded version of his 1993:"Agents of S.H.I.E.L.D. Recap (S07E12): The End is at Hand" 1551:"Agents of S.H.I.E.L.D. series finale recap: One last job" 1426:"(#712/713) "The End is at Hand/What We're Fighting For"" 620:
Alya, Johnson explores the cosmos with Sousa and Kora on
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were confirmed to be returning from previous seasons as
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Marvel's Agents of S.H.I.E.L.D. | The Final Table Read!
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Additional guest stars in "The End Is at Hand" include
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consists of the twelfth and thirteenth episodes of the
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Andreeva, Nellie; Petski, Denise (November 16, 2018).
1805: 1803: 1801: 1698: 1696: 1694: 1660: 1658: 1656: 1654: 1652: 1650: 1648: 1646: 3445: 3387: 3284: 3264: 3230: 3147: 2980: 2820: 2653: 2644: 1508: 1506: 1504: 1502: 290: 176: 168: 153: 138: 123: 102: 84: 71: 34: 3337:The Totally Excellent Adventures of Mack and The D 588:", Fitz and Simmons escaped with Enoch onto Agent 540:At S.H.I.E.L.D.'s remaining base, the Lighthouse, 537: and successfully escape the Chronicom ship. 1880: 1878: 3552:Television episodes directed by Kevin Tancharoen 1845: 1843: 1841: 1839: 386:from succeeding in their plan. It is set in the 2292: 2290: 1612: 1610: 770:are retired, spending time with their daughter 724: 3547:Television episodes directed by Chris Cheramie 1470: 1468: 2620: 1481:Live with you! Agents of SHIELD Series Finale 1466: 1464: 1462: 1460: 1458: 1456: 1454: 1452: 1450: 1448: 8: 1266:"What We're Fighting For" was nominated for 1016:, and returning from earlier in the series, 946:, and returning from earlier in the season, 448:"What We're Fighting For" was nominated for 3557:Television episodes written by Jeffrey Bell 3537:Television episodes set in New York (state) 1420: 1418: 1416: 1052:To highlight the different dynamic between 875:With the season renewal, main cast members 2650: 2627: 2613: 2605: 2431:"Agents of SHIELD: Season 7 Finale Review" 1210:superhero fiction) in a nice little bow." 552: initiate lockdown protocols as  60: 31: 3562:Television episodes written by Jed Whedon 1767: 1765: 1544: 1542: 871:List of Agents of S.H.I.E.L.D. characters 3527:Agents of S.H.I.E.L.D. season 7 episodes 3522:2020s American television series finales 66:Title card for "What We're Fighting For" 2396:Miller, Liz Shannon (August 13, 2020). 2332:"Agents of SHIELD Series Finale Review" 1736:Mitovich, Matt Webb (August 12, 2020). 1665:Mitovich, Matt Webb (August 12, 2020). 1314: 3542:Television episodes set in outer space 2171:Live with Lil! Agents of SHIELD ep 701 1951:Mitovich, Matt Webb (April 14, 2020). 1932:from the original on November 16, 2018 1885:Vineyard, Jennifer (August 12, 2020). 1355:Mitovich, Matt Webb (August 2, 2019). 1012:returns from earlier in the season as 394:. "The End Is at Hand" was written by 2845:Making Friends and Influencing People 2197:Radish, Christina (August 12, 2020). 2132:Mitovich, Matt Webb (July 30, 2019). 2099:Gunderson, Alexis (August 13, 2020). 1772:Agard, Chancellor (August 12, 2020). 1703:Kile, Meredith B. (August 12, 2020). 1617:Agard, Chancellor (August 12, 2020). 7: 2535:from the original on August 24, 2022 2503:from the original on August 15, 2020 2443:from the original on August 13, 2020 2410:from the original on August 13, 2020 2377:from the original on August 13, 2020 2344:from the original on August 13, 2020 2330:Vitagliano, Dave (August 12, 2020). 2311:from the original on August 13, 2020 2275:from the original on August 27, 2020 2211:from the original on August 13, 2020 2113:from the original on August 13, 2020 2066:Agard, Chancellor (April 15, 2020). 2047:from the original on August 13, 2020 2003:from the original on August 13, 2020 1899:from the original on August 13, 2020 1863:from the original on August 13, 2020 1824:from the original on August 13, 2020 1786:from the original on August 13, 2020 1750:from the original on August 13, 2020 1717:from the original on August 13, 2020 1679:from the original on August 13, 2020 1631:from the original on August 14, 2020 1563:from the original on August 13, 2020 1549:Holub, Christian (August 12, 2020). 1527:from the original on August 13, 2020 1410:Episodes with a credit date in 2019. 1400:from the original on August 25, 2019 1322:Agard, Chancellor (August 2, 2019). 577:and the Chronicom ships through the 2080:from the original on April 15, 2020 1965:from the original on April 14, 2020 1810:Patten, Dominic (August 12, 2020). 1369:from the original on August 3, 2019 1336:from the original on August 3, 2019 567: 324: 294: 2263:Pucci, Douglas (August 21, 2020). 2230:Metcalf, Mitch (August 13, 2020). 2146:from the original on July 31, 2019 2035:Harjo, Noretta (August 12, 2020). 1991:Harjo, Noretta (August 12, 2020). 1129:, was planned but ultimately cut. 938:Guest stars in the finale include 651:aired in August 2019, showrunners 348:of the American television series 25: 3517:2020 American television episodes 1389:"Marvel's Agents Of S.H.I.E.L.D." 1093:Marvel Cinematic Universe tie-ins 845:Ward revealed that series writer 443:The episodes originally aired on 440:also guest stars in the episode. 3489: 3488: 2429:Fowler, Matt (August 12, 2020). 2363:Lowry, Brian (August 12, 2020). 2297:McLevy, Alex (August 12, 2020). 1850:Moore, Trent (August 12, 2020). 1513:McLevy, Alex (August 12, 2020). 988:, and Rachele Schank as a young 935:(LMD) version of the character. 73: 3375: "What We're Fighting For" 3309:Alien Commies from the Future! 3179:Let Me Stand Next to Your Fire 2790:The Only Light in the Darkness 1044:, Fitz and Simmon's daughter. 1040:. Harlow Happy Hexum portrays 927:also returns as his character 806:work with S.H.I.E.L.D. aboard 756:of one another. Yo-Yo actress 1: 2462:Pond, Steve (March 1, 2021). 1393:Writers Guild of America West 3207:The Laws of Inferno Dynamics 923:, respectively. Series star 18:What We're Fighting For 1048:Filming and post-production 3578: 3371:"The End Is at Hand"  868: 3532:Fiction about flying cars 3484: 2922:Love in the Time of Hydra 2585:"What We're Fighting For" 2567:"What We're Fighting For" 1213:Reviewing the finale for 913:Alphonso "Mack" Mackenzie 742:Alphonso "Mack" Mackenzie 568:"What We're Fighting For" 483:Alphonso "Mack" Mackenzie 473:Following the events of " 388:Marvel Cinematic Universe 335: 325: 295: 183: 157:August 12, 2020 59: 49: 2692:Girl in the Flower Dress 2174:. Event occurs at 48:18 954:, Thomas E. Sullivan as 493:'s mobile headquarters, 2950:The Frenemy of My Enemy 2873:The Writing on the Wall 2859:A Hen in the Wolf House 1591:. Event occurs at 3:00 1276:Golden Reel Awards 2020 917:Elena "Yo-Yo" Rodriguez 893:Natalia Cordova-Buckley 824:1962 Chevrolet Corvette 758:Natalia Cordova-Buckley 750:Elena "Yo-Yo" Rodriguez 626:1962 Chevrolet Corvette 550:Elena "Yo-Yo" Rodriguez 501:ship. Chronicom leader 458:Golden Reel Awards 2020 430:Natalia Cordova-Buckley 390:(MCU) and acknowledges 364:What We're Fighting For 328:Agents of S.H.I.E.L.D. 42:What We're Fighting For 2998:Purpose in the Machine 2637:Agents of S.H.I.E.L.D. 1288:" in both categories. 1244:Agents of S.H.I.E.L.D. 1122:Avengers: Infinity War 729: 648:Agents of S.H.I.E.L.D. 584:Amidst the events of " 351:Agents of S.H.I.E.L.D. 195:Thomas E. Sullivan as 52:Agents of S.H.I.E.L.D. 3351:As I Have Always Been 3200:Deals with Our Devils 2166:Henstridge, Elizabeth 1710:Entertainment Tonight 1476:Henstridge, Elizabeth 1291:Henstridge was named 980:. They are joined by 905:Daisy Johnson / Quake 869:Further information: 859:Madison Square Garden 392:the franchise's films 144:Kelly Stuyvesant (12) 3475:Marvel's Most Wanted 3040:Many Heads, One Tale 2957:The Dirty Half Dozen 2887:...Ye Who Enter Here 2811:Beginning of the End 2769:End of the Beginning 2576:"The End Is at Hand" 2558:"The End Is at Hand" 2073:Entertainment Weekly 1779:Entertainment Weekly 1624:Entertainment Weekly 1583:Entertainment Weekly 1556:Entertainment Weekly 1329:Entertainment Weekly 1286:Chapter 13: The Jedi 1195:Entertainment Weekly 1141:on August 12, 2020. 885:Elizabeth Henstridge 776:Elizabeth Henstridge 732:β€”Maurissa Tancharoen 469:"The End Is at Hand" 422:Elizabeth Henstridge 132:Allan Westbrook (13) 3323:A Trout in the Milk 2531:. August 24, 2022. 2499:. August 15, 2020. 2269:Programming Insider 2041:Geek Girl Authority 1997:Geek Girl Authority 1585:(August 12, 2020). 1478:(August 12, 2020). 1028:as an LMD of Agent 657:Maurissa Tancharoen 90:Chris Cheramie (12) 3193:The Good Samaritan 3117:Failed Experiments 3005:A Wanted (Inhu)man 2908:Who You Really Are 2880:The Things We Bury 2244:on August 13, 2020 1925:Deadline Hollywood 1892:The New York Times 1817:Deadline Hollywood 1222:Deadline Hollywood 1097:Fitz utilizes the 1026:Maximilian Osinski 940:Iain De Caestecker 780:Iain De Caestecker 663:revealed that the 438:Iain De Caestecker 360:The End Is at Hand 291:Episode chronology 270:Maximilian Osinski 243:Iain De Caestecker 80:Episodes 12 and 13 37:The End Is at Hand 3504: 3503: 3383: 3382: 3165:Meet the New Boss 2866:A Fractured House 2838:Heavy Is the Head 2734:The Magical Place 1159:Critical response 1127:Avengers: Endgame 1108:Avengers: Endgame 855:Money for Nothing 697:had the idea for 342: 341: 321: 320: 178:Guest appearances 172:43 minutes (each) 154:Original air date 124:Cinematography by 16:(Redirected from 3569: 3492: 3491: 3302:Know Your Onions 3026:Among Us Hide... 2894:What They Become 2797:Nothing Personal 2776:Turn, Turn, Turn 2651: 2629: 2622: 2615: 2606: 2596: 2545: 2544: 2542: 2540: 2519: 2513: 2512: 2510: 2508: 2487: 2481: 2480: 2478: 2476: 2459: 2453: 2452: 2450: 2448: 2426: 2420: 2419: 2417: 2415: 2393: 2387: 2386: 2384: 2382: 2360: 2354: 2353: 2351: 2349: 2327: 2321: 2320: 2318: 2316: 2294: 2285: 2284: 2282: 2280: 2260: 2254: 2253: 2251: 2249: 2240:. Archived from 2227: 2221: 2220: 2218: 2216: 2194: 2188: 2187: 2181: 2179: 2168:(May 27, 2020). 2162: 2156: 2155: 2153: 2151: 2129: 2123: 2122: 2120: 2118: 2096: 2090: 2089: 2087: 2085: 2063: 2057: 2056: 2054: 2052: 2032: 2013: 2012: 2010: 2008: 1988: 1975: 1974: 1972: 1970: 1948: 1942: 1941: 1939: 1937: 1915: 1909: 1908: 1906: 1904: 1882: 1873: 1872: 1870: 1868: 1847: 1834: 1833: 1831: 1829: 1807: 1796: 1795: 1793: 1791: 1769: 1760: 1759: 1757: 1755: 1733: 1727: 1726: 1724: 1722: 1700: 1689: 1688: 1686: 1684: 1662: 1641: 1640: 1638: 1636: 1614: 1605: 1604: 1598: 1596: 1579: 1573: 1572: 1570: 1568: 1546: 1537: 1536: 1534: 1532: 1510: 1497: 1496: 1490: 1488: 1472: 1443: 1442: 1440: 1438: 1431:The Futon Critic 1422: 1411: 1409: 1407: 1405: 1385: 1379: 1378: 1376: 1374: 1352: 1346: 1345: 1343: 1341: 1319: 1299: 1241: 1179:Nathaniel Malick 1170: 1054:Nathaniel Malick 956:Nathaniel Malick 933:Life Model Decoy 816:Life Model Decoy 733: 674:Kevin Tancharoen 507:Nathaniel Malick 404:Kevin Tancharoen 402:and directed by 376:Life Model Decoy 366:". Based on the 337:List of episodes 297: 296: 197:Nathaniel Malick 179: 164: 162: 147:Eric Litman (13) 129:Kyle Jewell (12) 94:Kevin Tancharoen 75: 64: 43: 32: 21: 3577: 3576: 3572: 3571: 3570: 3568: 3567: 3566: 3507: 3506: 3505: 3500: 3480: 3441: 3379: 3316:Out of the Past 3280: 3260: 3226: 3214:Broken Promises 3143: 3110:The Singularity 3012:Devils You Know 2976: 2929:One Door Closes 2816: 2640: 2633: 2594: 2554: 2549: 2548: 2538: 2536: 2521: 2520: 2516: 2506: 2504: 2489: 2488: 2484: 2474: 2472: 2461: 2460: 2456: 2446: 2444: 2428: 2427: 2423: 2413: 2411: 2395: 2394: 2390: 2380: 2378: 2362: 2361: 2357: 2347: 2345: 2329: 2328: 2324: 2314: 2312: 2296: 2295: 2288: 2278: 2276: 2262: 2261: 2257: 2247: 2245: 2229: 2228: 2224: 2214: 2212: 2196: 2195: 2191: 2177: 2175: 2164: 2163: 2159: 2149: 2147: 2131: 2130: 2126: 2116: 2114: 2098: 2097: 2093: 2083: 2081: 2065: 2064: 2060: 2050: 2048: 2034: 2033: 2016: 2006: 2004: 1990: 1989: 1978: 1968: 1966: 1950: 1949: 1945: 1935: 1933: 1917: 1916: 1912: 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Club 2300: 2293: 2291: 2287: 2274: 2270: 2266: 2259: 2256: 2243: 2239: 2238: 2233: 2226: 2223: 2210: 2206: 2205: 2200: 2193: 2190: 2185: 2173: 2172: 2167: 2161: 2158: 2145: 2141: 2140: 2135: 2128: 2125: 2112: 2108: 2107: 2102: 2095: 2092: 2079: 2075: 2074: 2069: 2062: 2059: 2046: 2042: 2038: 2031: 2029: 2027: 2025: 2023: 2021: 2019: 2015: 2002: 1998: 1994: 1987: 1985: 1983: 1981: 1977: 1964: 1960: 1959: 1954: 1947: 1944: 1931: 1927: 1926: 1921: 1914: 1911: 1898: 1894: 1893: 1888: 1881: 1879: 1875: 1862: 1858: 1857: 1853: 1846: 1844: 1842: 1840: 1836: 1823: 1819: 1818: 1813: 1806: 1804: 1802: 1798: 1785: 1781: 1780: 1775: 1768: 1766: 1762: 1749: 1745: 1744: 1739: 1732: 1729: 1716: 1712: 1711: 1706: 1699: 1697: 1695: 1691: 1678: 1674: 1673: 1668: 1661: 1659: 1657: 1655: 1653: 1651: 1649: 1647: 1643: 1630: 1626: 1625: 1620: 1613: 1611: 1607: 1602: 1590: 1589: 1584: 1578: 1575: 1562: 1558: 1557: 1552: 1545: 1543: 1539: 1526: 1522: 1521: 1520:The A.V. Club 1516: 1509: 1507: 1505: 1503: 1499: 1494: 1483: 1482: 1477: 1471: 1469: 1467: 1465: 1463: 1461: 1459: 1457: 1455: 1453: 1451: 1449: 1445: 1433: 1432: 1427: 1421: 1419: 1417: 1413: 1399: 1395: 1394: 1390: 1384: 1381: 1368: 1364: 1363: 1358: 1351: 1348: 1335: 1331: 1330: 1325: 1318: 1315: 1308: 1306: 1304: 1296: 1295: 1289: 1287: 1283: 1282: 1277: 1273: 1269: 1261: 1259: 1255: 1252: 1251: 1245: 1238: 1237: 1231: 1229: 1224: 1223: 1218: 1217: 1211: 1208: 1203: 1202: 1201:Dragon Ball Z 1197: 1196: 1190: 1189: 1183: 1180: 1175: 1174:Victoria Hand 1167: 1166: 1165:The A.V. Club 1158: 1156: 1149: 1144: 1142: 1140: 1132: 1130: 1128: 1124: 1123: 1119:, as seen in 1118: 1114: 1110: 1109: 1104: 1100: 1099:Quantum Realm 1092: 1090: 1087: 1086:Bear McCreary 1079: 1077: 1073: 1069: 1067: 1063: 1059: 1055: 1047: 1045: 1043: 1039: 1035: 1031: 1027: 1023: 1019: 1015: 1011: 1006: 1002: 998: 993: 991: 990:Victoria Hand 987: 983: 979: 975: 974: 969: 965: 961: 957: 953: 949: 948:Tamara Taylor 945: 941: 936: 934: 930: 926: 922: 918: 914: 910: 909:Jemma Simmons 906: 902: 898: 894: 890: 889:Henry Simmons 886: 882: 878: 872: 864: 862: 860: 856: 852: 848: 840: 835: 832: 829: 825: 821: 817: 813: 809: 805: 801: 798:, her sister 797: 796:Daisy Johnson 794: 791: 787: 784: 781: 777: 773: 769: 768:Jemma Simmons 765: 762: 759: 753: 751: 747: 743: 740: 739: 738: 734: 728: 722: 720: 716: 712: 708: 703: 700: 696: 692: 688: 680: 678: 675: 671: 670:series finale 666: 662: 658: 654: 650: 649: 644: 636: 631: 629: 627: 623: 617: 613: 611: 607: 603: 599: 595: 591: 587: 582: 580: 579:Quantum Realm 576: 565: 563: 559: 555: 551: 547: 543: 538: 536: 531: 527: 523: 522:Jemma Simmons 519: 515: 512: 508: 504: 500: 496: 492: 488: 484: 480: 479:Daisy Johnson 476: 475:Brand New Day 468: 463: 461: 459: 455: 451: 446: 441: 439: 435: 431: 427: 426:Henry Simmons 423: 419: 415: 411: 407: 405: 401: 397: 393: 389: 385: 381: 377: 373: 370:organization 369: 368:Marvel Comics 365: 361: 357: 353: 352: 347: 346:series finale 344:The two-part 338: 334: 331: 329: 314: 311: 308: 307:Brand New Day 303: 299: 298: 289: 284: 280: 277: 275: 271: 268: 266: 262: 259: 257: 253: 250: 248: 244: 241: 239: 235: 232: 230: 227: 225: 221: 218: 216: 212: 209: 207: 203: 200: 198: 194: 192: 188: 187:Tamara Taylor 185: 184: 182: 175: 171: 167: 156: 152: 146: 143: 142: 141: 137: 131: 128: 127: 126: 122: 116: 113: 110: 107: 106: 105: 101: 95: 92: 89: 88: 87: 83: 78:Season 7 77: 70: 63: 58: 54: 53: 48: 44: 38: 33: 27: 19: 3493: 3473: 3468:Agent Carter 3466: 3457: 3432:Daniel Sousa 3402:Phil Coulson 3397:Peggy Carter 3372: 3370: 3330:Adapt or Die 3295:The New Deal 3221:Self Control 3124:Emancipation 3075:Parting Shot 3033:Chaos Theory 2755:T.A.H.I.T.I. 2748:T.R.A.C.K.S. 2635: 2537:. 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Index

What We're Fighting For
Agents of S.H.I.E.L.D.

Kevin Tancharoen
Jeffrey Bell
Jed Whedon
Tamara Taylor
Sibyl
Nathaniel Malick
Dianne Doan
Kora
James Paxton
John Garrett
Stephen Bishop
Brandon Gamble
Bill Cobbs
Enver Gjokaj
Daniel Sousa
Iain De Caestecker
Leo Fitz
Joel Stoffer
Enoch
Briana Venskus
Piper
Maximilian Osinski
Davis
Coy Stewart
Flint
Brand New Day
Agents of S.H.I.E.L.D. season 7

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