380:, The Collective for Living Cinema and The Kitchen Center for Experimental Art. In March and April 2018, along with Gwendolyn Audrey Foster, the BWA Contemporary Art Gallery in Katowice, Poland, presented a month long retrospective of Foster and Dixon's new video work. In May 2018, he presented a screening of his videos, along with the work of Gwendolyn Audrey Foster and Bill Domonkos at The Museum of Human Achievement in Austin, Texas. In the summer of 2018, he had a one-person show at Filmhuis Cavia in Amsterdam, and his "Catastrophe Series" of ten videos were screened as part of a group show at Studio 44 Gallery in Stockholm, Sweden. In the fall of 2018, he had a one-person show at La Lumière Collective in Montreal, Canada. In December 2018, he had a one-person show at Studio 44 in Stockholm, and a one-person show at the OT301 Gallery in Amsterdam. In January 2019, his complete video work was collected in the UCLA Film and Television Archive in Los Angeles. On June 23, 2019, he had an invited one person screening of his new digital video work at the Los Angeles Filmforum at the Spielberg Theater.
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500:(The corporate rulers of film) all figured they’d be immortal...They couldn’t envision a world where they didn’t exist. They couldn’t envision a world in which they were not the head of 20th Century Fox or the head of Columbia or the head of Paramount or the head of MGM or the head of Universal. When they died, a huge corporate scramble began.”
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trends in filmmaking; for example, in 2013, he described the current decade as a "postfilmic era" when "movie film will no longer exist and all movies will be shot digitally". He predicts that film will cease to exist, since all movies will be digitally delivered to theaters. He has been critical of filmmakers such as
481:
It's sheer exploitation filmmaking with no resonance, taste or value, but it delivers what the action crowd wants: violence, violence and more violence, all served up with a knowing wink in a very postmodern fashion. In short, Quentin
Tarantino movies are long, empty, derivative and junk food for the
472:
and 3-D, and public relations of movie stars and directors. He has been quoted about the film business, such as discussing firms such as
Miramax. His views have been quoted about particular movies. In addition, he has talked about late night television shows. He is regarded as an authority of future
534:
interviewed Dixon on the new wave of horror films from
Universal Studios, and why the more recent "Dark Universe" films were unsuccessful. Dixon noted that "there will be films about Dracula, Frankenstein, the Wolf Man, the Mummy, long after we’re gone. They’ll still be mining these things. But the
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on the demise of the DVD format, saying that "if you go on Amazon and you see some great black-and-white film, and it’s going for $ 3, or any kind of foreign or obscure film, buy it, because it’s going out of print, and they’re not going to put them back into print.”
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was reviewed by Martin A. David who criticized it as a compilation lacking a narrative structure, although David noted there were "generous and moving portraits" of horror masters such as
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1134:, Accessed Aug. 25, 2013, “This documentary by filmmakers Gwendolyn Foster and Wheeler Dixon pays homage to women directors and filmmakers throughout the history of cinema...”
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1397:, Accessed Aug. 25, 2013, Quote = “...The result is not so much a book as a compiled, and quite extensive, laundry list of, as the title promises, a history of horror ...”
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that the exposure of confidential studio emails and films served as a "wake-up call to the entire industry." In
December 2015, he was quoted by Manohla Dargis in the
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During the course of several decades, Dixon made numerous experimental films. In 1991, along with filmmaker
Gwendolyn Audrey Foster, he made a documentary entitled
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1471:
1029:
1118:, Accessed Aug. 25, 2013, Quote = “Die Nibelungen: Siegfried (1924)...Highly recommended by Wheeler Winston Dixon, editor of Quarterly Review of Film and Video.”
1474:, Accessed Aug. 25, 2013, Quote = “Converting a film to 3-D "undercuts the quality of the film and the verisimilitude of the film," said Wheeler Winston Dixon.”
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1487:, Accessed Aug. 25, 2013, Quote = “...to slow the endless speculation about the circumstances and reasons behind the breakup, says Wheeler Winston Dixon.”
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in Drury Lane, making and screening short films. Returning to the United States, he worked with an experimental Los
Angeles-based video collective called
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1577:, Accessed Aug. 25, 2013, Quote = “To handicap the weeknight competitors, we canvassed interested industry observers, including: Wheeler Winston Dixon. ”
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1058:, Accessed Aug. 25, 2013, Quote = “...Wheeler Winston Dixon ... has also been making experimental films of his own for the past three decades. ...”
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ones that will be effective will be made by people who are sincerely invested in the material and treat these creatures with deadly seriousness."
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550:. From 2010 to 2020, he coordinated film studies at the University of Nebraska. He has also written extensively on the films of the late
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1410:, Accessed Aug. 25, 2013, Quote = “...Wheeler Winston Dixon ... said: "Hammer broke into prominence by being a cutting-edge studio....”
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1500:, Accessed Aug. 25, 2013, Quote = “Wheeler Winston Dixon...said that Lynton's relatively long run atop a studio is a testament to...”
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Dixon was quoted commenting on horror films, women directors, Hollywood film moguls, new technologies for delivering movies such as
1423:, Accessed Aug. 25, 2013, Quote = ...The Bigamist (1953)...Film scholar Wheeler Winston Dixon...in an informative essay he wrote...
1631:
554:; Dixon and Downey were friends from the late 1960s up until Downey Sr.'s death in 2021. In 2022, Dixon participated in the BFI /
1441:, Accessed Aug. 25, 2013, Quote = “...Wheeler Winston Dixon...new book “Death of the Moguls: The End of Classical Hollywood,”..”
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in 1968. In the late 1960s, he was a member of New York's "underground" experimental film scene while working as a writer for
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369:
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Note: a rigorous, tender portrait of an elderly woman who holds dinner-party guests in thrall to her difficult family life.
1152:, Accessed Aug. 25, 2013, Quote = “...Texas Chainsaw 3D ... said Wheeler Winston Dixon, author of "A History of Horror"...”
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Rutgers
University Press, November 6, 2015, Black and White Cinema: A Short History, By Wheeler Winston Dixon, page xv,
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1513:, Accessed Aug. 25, 2013, Quote = “The problem that is going on right now with Miramax...said Wheeler Winston Dixon.”
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UNL professor
Wheeler Winston Dixon unearths realities of pre-1950s Hollywood contracts, corporate egos in new book
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became “the most eye-popping and action-packed version of the legend," according to
Wheeler Winston Dixon.”
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1543:, Accessed Aug. 25, 2013, Quote = “Wheeler Winston Dixon...aid social action campaigns for films such as
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Time to come clean as soon as possible: Crisis management requires fast action in era of social media
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1252:"Galeria BWA/Art Gallery/Katowice - Gwendolyn Audrey Foster / Wheeler Winston Dixon "New Video Works"
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Note: an examination of the
American lifestyle recut entirely from existing television advertisements
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1461:, Accessed Aug. 25, 2013, Quote = “...Tonight on Inquiry we welcome back WHEELER WINSTON DIXON...”
1102:, Accessed Aug. 25, 2013, Quote = "...long, involved chunks of onanistic, meaningless dialogue..."
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In 2014, when computer hackers infiltrated Sony Pictures Entertainment, Dixon was quoted in the
1084:, Accessed Aug. 25, 2013, Quote = “...A reboot is when a franchise has collapsed completely...”
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161:(born March 12, 1950) is an American filmmaker and scholar. He is an expert on film history,
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Tomorrow at the Portage, see one of the few female-directed Hollywood films of the 1950s
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In 2016, Dixon returned to experimental cinema working in HD video, with such films as
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252:, a city in New Jersey halfway between New York City and Philadelphia. He grew up in
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Un Petit Examen, and Not So Damned Petit Either, or, the Light Shining Over the Dark
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in the Netherlands, and as of May 2020, is the James E. Ryan professor emeritus of
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Merry men: Russell Crowe is the latest to inhabit the evolving role of Robin Hood
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Simon Oakes: 'It's a welcome return. We've managed to fire people's imaginations'
1306:"Filmhuis Cavia :: Wheeler Winston Dixon: An American Dream and Other Films"
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185:. He has written extensively on numerous aspects of film, including his books
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The Exploding Eye: A Re-Visionary History of the American Experimental Cinema
1274:"Foster & Dixon New Experimental Video Works (March 2 - April 15, 2018)"
1184:"Community, Loss, and Regeneration: An Interview with Wheeler Winston Dixon"
1164:"Community, Loss, and Regeneration: An Interview with Wheeler Winston Dixon"
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He is regarded as a top reviewer of films. In addition, he is notable as an
673:(Rutgers University Press, 2010; Second Revised and Expanded Edition, 2023)
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Museum of Modern Art, Film Exhibitions, Joshua Siegel, April 11–12, 2003,
689:, co-authored with Gwendolyn Audrey Foster (Rutgers University Press) and
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Disaster and Memory: Celebrity Culture and the Crisis of Hollywood Cinema
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Jessica Guynn and Dawn C. Chmielewski, May 25, 2013, Los Angeles Times,
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1377:"Los Angeles Filmforum presents: An Evening with Wheeler Winston Dixon"
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769:(State University of New York Press Series in Postmodern Culture, 1998)
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Visions of the Apocalypse: Spectacles of Destruction in American Cinema
1027:
Note: selected as an outstanding academic book of the year in 2011 by
280:. Dixon received a Ph.D. in English from Rutgers University in 1982.
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1526:, Accessed Aug. 25, 2013, Quote = “Wheeler Winston Dixon...called
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Note: featured a Fluxus group-performance piece and the poetry of
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Meg James, Ryan Faughnder, December 13, 2014, Los Angeles Times,
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Miramax chairman's exit adds another hurdle for firm's turnaround
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acquired all of his experimental films, including the following:
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There’s No Dark Universe Anymore, Just One Monster After Another
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Fallout from Sony hack may alter how Hollywood conducts business
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poll of the greatest films of all time, selecting Andy Warhol's
667:, with Gwendolyn Audrey Foster (Rutgers University Press, 2011)
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The Transparency of Spectacle: Meditations on the Moving Image
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Note: about a fictional Caroline recuperating from a hangover
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Sarah McBride of Reuters, January 11, 2013, Chicago Tribune,
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As a film historian, he wrote about the moguls of the 1950s:
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Participant Media hopes more filmgoers will get its messages
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In spite of violent national tragedies, horror films endure
745:, co-edited with Gwendolyn Audrey Foster (Routledge, 2002).
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21st Century Hollywood: Movies in the Era of Transformation
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How to watch your dragons: 10 fire-breathing beasts on DVD
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Madagascar, or, Caroline Kennedy's Sinful Life in London
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Straight: Constructions of Heterosexuality in the Cinema
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Madagascar, or, Caroline Kennedy's Sinful Life in London
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What the Michael Lynton contract renewal means for Sony
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Stephanie Steinberg, August 2, 2012, The Boston Globe,
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Rebecca Keegan, September 25, 2011, Los Angeles Times,
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Cameron Mount, October 5, 2012, The Daily Nebraskan,
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Nick Clark, 20 February 2012, The Independent (UK),
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It Looks at You: Notes on the Returned Gaze of Cinema
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The Films of Terence Fisher: Hammer Horror and Beyond
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Wheeler Winston Dixon and Robert Downey Sr. in 2016.
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3-D makeover coming to aging Hollywood blockbusters
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American Cinema of the 1940s: Themes and Variations
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Death of the Moguls: The End of Classical Hollywood
268:magazine. In 1970, he co-founded the musical group
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1599:Manohla Dargis, December 9, 2015, New York Times,
1539:Daniel Miller, March 13, 2013, Los Angeles Times,
1496:Daniel Miller, April 9, 2013, Los Angeles Times,
1509:Daniel Miller, July 08, 2013, Los Angeles Times,
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1389:Martin A. David (book reviewer), August 3, 2010,
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715:Lost in the Fifties: Recovering Phantom Hollywood
703:Visions of Paradise: Images of Eden in the Cinema
693:, 2008; Second Edition 2013, Third Edition 2018 )
1098:Bill Goodykoontz, December 23, 2012, USA Today,
907:(1992), co-directed with Gwendolyn Audrey Foster
621:Hollywood in Crisis or: The Collapse of the Real
591:Synthetic Cinema: The 21st Century Movie Machine
1612:Robert Ito, February 27, 2020, New York Times,
1556:Ethan Gilsdorf, May 9, 2010, The Boston Globe,
1457:Hosted by Mark Lynch, July 31, 2013, WICN.ORG,
1196:"Commencement Speakers Stress Views of 'Quest'"
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189:(co-authored with Gwendolyn Audrey Foster) and
109:Film critic, film historian, filmmaker, scholar
1186:, Senses of Cinema. Accessed February 7, 2020.
1030:Choice: Current Reviews for Academic Libraries
388:Dixon writes extensively. He has published in
325:. In 1995, in France, he made a film entitled
204:with films made over several decades, and the
1768:Highland Park High School (New Jersey) alumni
785:The Early Film Criticism of François Truffaut
482:mind, with no substance or nutritional value.
169:. His scholarship has particular emphasis on
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1114:Susan Wloszczyna, April 2, 2010, USA TODAY,
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1202:, June 19, 1968. Accessed February 7, 2020.
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1080:Bill Goodykoontz, May 13, 2013, USA Today,
791:The Cinematic Vision of F. Scott Fitzgerald
649:Streaming: Movies, Media and Instant Access
1657:Public Catalog -- Mysteries from the Bible
1419:Ben Sachs, April 9, 2013, Chicago Reader,
781:(State University of New York Press, 1994)
775:(State University of New York Press, 1995)
763:(State University of New York Press, 1997)
757:(State University of New York Press, 1997)
739:(State University of New York Press, 2003)
314:A still from Wheeler Winston Dixon's film
303:A still from Wheeler Winston Dixon's film
292:A still from Wheeler Winston Dixon's film
208:exhibited his works in 2003. He taught at
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1679:Public Catalog -- Attack from Outer Space
627:Black & White Cinema: A Short History
586:His books (as author or editor) include:
364:His films have also been screened at the
1573:Bill Keveney, Jan. 23, 2010, USA Today,
1530:an "epic piece of branding" for Google.”
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1773:People from Highland Park, New Jersey
1524:The Internship, now starring...Google
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779:Re-Viewing British Cinema: 1900-1992
743:Experimental Cinema: The Film Reader
727:(editor, Southern Illinois UP, 2004)
677:Film Noir and The Cinema of Paranoia
611:A Brief History of Comic Book Movies
1560:, Accessed Aug. 25, 2013, Quote = "
683:and Rutgers University Press, 2009)
505:Wheeler Winston Dixon, October 2012
1783:21st-century American male writers
1690:Public Catalog -- World of Mystery
1547:are essentially marketing tools..”
1130:The New York Times, 1991, review,
574:Dixon is the nephew of the artist
376:, The San Francisco Cinématheque,
196:Quarterly Review of Film and Video
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1758:American male non-fiction writers
1668:Public Catalog -- UFO: Top Secret
1575:Conan vs. Jay vs. David vs. Jimmy
751:(Columbia University Press, 1999)
1753:21st-century American historians
1748:American experimental filmmakers
1459:Wheeler Winston Dixon: STREAMING
1200:The Central New Jersey Home News
1162:Gwendolyn Audrey Foster (2003).
1132:Women Who Made the Movies (1991)
815:Quick Constant and Solid Instant
787:(Indiana University Press, 1993)
711:(Rutgers University Press, 2006)
705:(Rutgers University Press, 2006)
699:(Rutgers University Press, 2007)
661:(Rutgers University Press, 2012)
637:Dark Humor in Films of the 1960s
487:Wheeler Winston Dixon, 2012, in
338:Quick Constant and Solid Instant
272:. In London, he participated in
1349:"An Ordinary Day Film Festival"
1324:"An Ordinary Day Film Festival"
202:experimental American filmmaker
1288:"Experimental Response Cinema"
863:An Evening with Chris Jangaard
725:Film and Television After 9/11
384:Scholarship and film criticism
370:Whitney Museum of American Art
305:An Evening with Chris Jangaard
27:American filmmaker and scholar
1:
1616:, Retrieved February 27, 2020
1603:, Retrieved December 27, 2015
1590:, Retrieved December 14, 2014
452:and other journals. His book
46:Wheeler Winston Dixon in 2016
1630:Greatest Films of All Time,
1562:The Adventures of Robin Hood
761:The Films of Jean-Luc Godard
697:Film Talk: Directors at Work
653:University Press of Kentucky
645:(Anthem Press, London, 2013)
179:American experimental cinema
1363:"OT301 Cinema of the Dam'd"
1809:
1778:Historians from New Jersey
1633:, Retrieved April 12, 2023
793:(UMI Research Press, 1986)
681:Edinburgh University Press
639:(Palgrave Macmillan, 2015)
623:(Palgrave Macmillan, 2016)
248:Dixon was born in 1950 in
1391:New York Journal of Books
1182:Foster, Gwendolyn Audrey
905:Women Who Made the Movies
821:The DC Five Memorial Film
605:Columbia University Press
427:Journal of Film and Video
414:Literature/Film Quarterly
323:Women Who Made the Movies
258:Highland Park High School
254:Highland Park, New Jersey
70:New Brunswick, New Jersey
39:
1793:American film historians
1071:, Retrieved May 29, 2016
990:Mysteries from the Bible
631:Rutgers University Press
1601:The Best Movies of 2015
1002:Attack from Outer Space
978:Amazing World of Ghosts
687:A Short History of Film
613:, with Richard Graham (
218:University of Amsterdam
187:A Short History of Film
137:Gwendolyn Audrey Foster
120:A Short History of Film
1723:Dixon's films on Vimeo
1082:Reloading with reboots
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366:British Film Institute
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226:University of Nebraska
1714:Wheeler Winston Dixon
1337:La Lumiere Collective
1056:Wheeler Winston Dixon
643:Cinema at The Margins
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256:, and graduated from
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159:Wheeler Winston Dixon
34:Wheeler Winston Dixon
941:The Shapes of Things
719:Southern Illinois UP
331:Museum of Modern Art
206:Museum of Modern Art
1395:A History of Horror
1256:www.bwa.katowice.pl
671:A History of Horror
454:A History of Horror
450:Film and Philosophy
191:A History of Horror
148:wheelerwinstondixon
125:A History of Horror
1788:Collage filmmakers
1100:Defining Tarantino
833:Serial Metaphysics
733:(Wallflower, 2003)
615:Palgrave Macmillan
595:Palgrave Macmillan
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445:Film International
439:New Orleans Review
351:Serial Metaphysics
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294:Serial Metaphysics
284:Experimental films
264:and Andy Warhol's
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210:Rutgers University
128:Experimental films
91:Rutgers University
923:An American Dream
803:Independent films
576:Nina Barr Wheeler
566:as his top pick.
563:The Chelsea Girls
552:Robert Downey Sr.
540:An American Dream
520:Los Angeles Times
475:Quentin Tarantino
216:in New York, the
171:François Truffaut
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270:Figures of Light
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418:Films in Review
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175:Jean-Luc Godard
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1644:"Book Details"
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1528:The Internship
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1312:on 2018-10-07.
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1294:on 2018-04-09.
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1262:on 2018-03-05.
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1213:Gerard Malanga
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947:Closed Circuit
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911:What Can I Do?
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548:Closed Circuit
532:New York Times
524:New York Times
502:
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466:Lon Chaney Jr.
433:Film Criticism
409:Film Quarterly
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358:What Can I Do?
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244:Dixon in 1969.
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869:Dana Can Deal
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570:Personal life
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530:In 2020, the
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374:Jewish Museum
371:
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329:In 2003, the
328:
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316:London Clouds
312:
306:
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283:
281:
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250:New Brunswick
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106:Occupation(s)
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71:
64:(age 74)
54:
50:
43:
38:
31:
19:
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1608:
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1415:
1402:
1390:
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1371:
1357:
1343:
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1318:
1310:the original
1300:
1292:the original
1282:
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1260:the original
1255:
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1199:
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1007:
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989:
983:
977:
965:Acceleration
964:
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946:
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934:
929:Summer Storm
928:
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839:Waste Motion
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582:Publications
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265:
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247:
222:film studies
194:
190:
186:
183:horror films
158:
157:
124:
119:
115:Notable work
1738:1950 births
893:The Diaries
798:Filmography
691:I.B. Tauris
458:Bela Lugosi
422:Post Script
236:Early years
79:Nationality
1732:Categories
1015:References
935:Still Life
603:(Auteur /
544:Still Life
327:Squatters.
58:1950-03-12
917:Squatters
851:Stargrove
845:Tightrope
489:USA Today
470:streaming
403:Interview
266:Interview
167:criticism
899:Distance
503:—
485:—
397:Cinéaste
378:Arts Lab
274:Arts Lab
82:American
809:Wedding
721:, 2005)
655:, 2013)
633:, 2015)
617:, 2017)
607:, 2017)
597:, 2019)
230:Lincoln
224:at the
143:Website
133:Partner
1545:Snitch
1010:(1979)
1004:(1979)
998:(1979)
992:(1979)
986:(1978)
980:(1978)
967:(2016)
961:(2016)
955:(2016)
949:(2016)
943:(2016)
937:(2016)
931:(2016)
925:(2016)
919:(1995)
913:(1994)
901:(1987)
895:(1986)
889:(1974)
883:(1974)
877:(1974)
875:Damage
871:(1974)
865:(1974)
859:(1974)
853:(1974)
847:(1974)
841:(1974)
835:(1972)
829:(1970)
823:(1969)
817:(1969)
811:(1969)
546:, and
464:, and
372:, the
368:, the
360:(1993)
354:(1972)
346:(1976)
340:(1969)
163:theory
72:, U.S.
1718:IMDb
953:City
857:Gaze
278:TVTV
181:and
165:and
150:.com
52:Born
1716:at
228:in
99:PhD
1734::
1446:^
1428:^
1393:,
1254:.
1198:,
1166:.
1139:^
1123:^
1107:^
1089:^
1037:^
578:.
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477::
460:,
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420:,
416:,
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1379:.
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1326:.
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122:,
101:)
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20:)
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