283:
734:
696:
658:
584:
501:
729:
724:
719:
714:
691:
686:
681:
676:
653:
648:
643:
638:
579:
574:
569:
564:
546:
541:
536:
531:
496:
491:
486:
481:
836:
thought "The Long Way Home" sounded silly. Brackpool agreed, writing " isolated from the rest of the album could easily pass for generic library music..." While Draper considered it a solid song, he decided it was a "little too saccharine for its own good". Hoffman enjoyed the song and wrote "the
804:
The album's title track was received favorably. Draper displayed particular fondness for the song and was amazed the music could stay fresh for its entire length. Hoffman also spoke highly of it, stating " contains only as many discernible musical ideas as your average five- to seven-minute techno
252:
Though a common theme was not purposefully established for the album, some journalists noted similar feelings of travel and adventure when listening to the record. Lindstrøm has recommended people listen while traveling, and believes his travels may have influenced the album: "I don't particularly
248:
was delayed during spring 2008. Typically, Lindstrøm would mix the record himself, but he felt overwhelmed by the album's scope and decided to seek outside help: "Iâve kind of discovered that Iâm not good at doing everything myself. The problem with involving other people is that sometimes all the
226:
and average length vocal pieces. He began giving the artists and labels mixes with slower tempos. Lindstrøm also felt he was unwisely incorporating musical ideas into remixes instead of original works, which led to experiments with lengthier tracks for an original album. Four to five tracks were
234:
The title track was a time-consuming project; Lindstrøm called it a "nightmare to finish." The song comprised over 70 layers of sound and spanned almost 30 minutes. Around half the sound consisted of live performances, which
Lindstrøm found difficult to merge with the electronic portions. After
805:
track but its luxurious length lets those ideas stretch out gloriously allowing a slow, fluid evolution that gestures towards a cosmic infinity." Finney praised the title track for its "shimmering, strobing synthesizer melodies" and ability to expand and surprise. A favorable comparison to
204:, a compilation of singles. Lindstrøm had become dissatisfied with simply producing remixes and average length songs, which led to experimentation with lengthy tracks. The album received positive reviews from critics, who praised its slick production values and epic scope. At the 2009
786:
felt audience reactions would be polarized; some would find it "sophisticated and lovingly crafted", while others might be put off by its "unabashed opulence". No
Ripcord writer Sam Draper christened the record "one of the finest pieces of music heard in years."
764:
writer K. Ross
Hoffman declared the record an "entirely satisfying display" of Lindstrøm's talents and positively commented on the textured instrumentation. Hoffman concluded the music was an "expansive, exploratory journey" worth experiencing. Andy Battaglia of
253:
like traveling, but I've realised that it's perfect for listening to whole albums... I'm sure the way I'm listening to music now ... has something to do with the music I'm writing." The song titles were left "open" so "the listener could make up his own story."
36:
235:
changing the music, he would usually listen to the entire song and evaluate the change. The repeated listens took a toll: "I needed to listen to 30 minutes of music every time I did something," said
Lindstrom "So I'll never gonna [
327:
comprises three tracks, roughly 30, 10, and 15 minutes in duration, which seamlessly flow into each other in transitions that were described as "gradual and subtle". The songs grow and develop independent musical traits, such as
830:, while Hoffman named it the most danceable track on the album. Though Battaglia felt the song kept repeating the same chord progression, he believed the "accents and shifts in pitch" strengthened it. Jeff Rovinelli writing for
175:. It was first released in the United Kingdom on 18 August 2008 and was subsequently released the next day in the United States. The album comprises three tracks, roughly 30, 10, and 15 minutes in length.
301:
771:
disagreed, believing the album to be narrow minded and a missed opportunity to exploit the lengthy tracks and deliver more musical depth. Praise was given by Alex
Macpherson of
292:
375:
described it as a "seamless combination of digital production, analog synthesizers and live instrumentation." Lindstrøm has been heavily influenced by music from the
746:
debuted at No. 11 on the
Norwegian music chart. The following week it fell to No. 27 before leaving the list. The record did not chart internationally. In 2009,
1405:
300:
1781:
267:
was issued on 23 December 2008. The album featured a bonus disc with edited versions of the original tracks by frequent
Lindstrøm collaborator
1786:
307:
Lindstrøm enjoyed the freedom that lengthier tracks allowed. In the title track, the drums do not enter until six minutes into the track.
1566:
1527:
241:] do it again." Despite this, he enjoyed working with extended songs because it allowed them to evolve and move at a slow pace.
754:
award for "best electronica album". The album was well received by critics and received an 82 out of 100 on the aggregate website
822:
Reviews of the other two tracks were generally positive. Brackpool wrote favorably about "Grand Ideas" and made comparisons to
1776:
1629:
939:
249:
progress gets slowed down, but as long as the results are good, Iâm happy... Leave the post-production to somebody else."
245:
1727:
1202:
16:
This article is about the studio album by Hans-Peter
Lindstrøm. For the live album by Brian & Jenn Johnson, see
218:
200:
129:
797:
showed signs of a masterpiece, but also possessed "bloat, excess, and splendor" reminiscent of disco revivalists.
1415:
1699:
346:, some musical changes are pronounced, such as the introduction of a synthesizer, while others, such as small
927:
172:
116:
109:
48:
1669:
1061:
837:
vibe is rangy and exultant as blissful and bemused as the vehemently unpretentious shot of
Lindstrøm."
1170:
1771:
260:
147:
97:
1595:
1704:
1338:
1285:
1276:
1207:
1137:
1023:
789:
605:
367:
350:, remain "almost insensible". Some critics have noted the album conjures the feeling of a journey.
1410:
522:
1466:
408:
362:
192:
188:
17:
1308:
1508:
1237:
751:
667:
354:
205:
1475:
1443:
1018:
1014:
948:
931:
827:
810:
629:
593:
392:
372:
264:
104:
1541:
953:
775:, who stated "Every aspect of the record seems tailor-made to produce maximum pleasure
1736:
1600:
1536:
1438:
832:
815:
705:
420:
412:
380:
376:
35:
1765:
1382:
767:
510:
329:
1637:
1246:
783:
555:
342:
268:
92:
1641:
1373:
299:
208:
award ceremony in Norway, the record won the award for "best electronica album".
404:
400:
271:. Lindstrøm toured in Austria, Germany, Spain, and the United States that fall.
184:
180:
168:
69:
64:
263:
on 18 August 2008 in the United
Kingdom, and 19 August in the United States. A
1346:
1179:
755:
617:
450:
416:
333:
316:
1741:
1092:
1313:
806:
779:
would make even the most hellish of journeys seem like a first-class trip."
1145:
935:
823:
761:
473:
871:
388:
358:
337:
384:
347:
223:
43:
845:
All songs written by Hans-Peter Lindstrøm except where noted.
237:
848:
281:
900:"Where You Go I Go Too Pt. 1" (Prins Thomas Edit) â 13:05
357:, characterized by synthesized melodies, layered sounds,
903:"Where You Go I Go Too Pt. 2" (Prins Thomas Edit) â 8:37
222:
in 2006, Lindstrøm had become tired of producing dance
1203:"Lindstrom Schedules Dates, Special Edition of New LP"
1093:"Where He Goes We Go Too: An Interview with Lindstrøm"
403:" due to these influences and because it possesses a "
1009:
1007:
1005:
1003:
1001:
999:
997:
995:
198:
Production of the album followed the 2006 release of
1663:
1661:
1659:
1164:
1162:
115:
103:
91:
75:
63:
55:
42:
28:
1270:
1268:
1266:
1264:
1086:
1084:
1082:
1055:
1053:
1051:
1049:
1047:
1045:
1043:
1041:
1231:
1229:
1227:
1225:
1131:
1129:
1127:
1125:
1123:
1121:
1119:
1117:
1115:
1113:
1367:
1365:
1363:
1623:
1621:
1619:
1561:
1559:
909:"The Long Way Home" (Prins Thomas Edit) â 12:32
906:"Grand Ideas" (Prins Thomas Radio Edit) â 5:14
711:
528:
1521:
1519:
1333:
1331:
8:
673:
635:
561:
478:
879:"Grand Ideas (Johan AgebjĂśrn Remix)" â 6:49
430:
34:
25:
801:named it one of the best albums of 2008.
964:
991:
758:, which signifies "universal acclaim".
167:is the first studio album by Norwegian
1060:Rauscher, William (3 September 2008).
314:
870:iTunes bonus song (also available on
459:
436:
7:
1700:"The 50 Best Albums of 2008: 20â11"
1594:Riiber, Kjersti (25 January 2009).
1236:Macpherson, Alex (15 August 2008).
713:
530:
1596:"Lindstrøm fikk elektronikaprisen"
1437:Boles, Benjamin (27 August 2008).
1372:Battaglia, Andy (25 August 2008).
1201:Thompson, Paul (7 November 2008).
23:2008 studio album by Lindstrøm
14:
1668:Draper, Sam (20 September 2008).
1628:Brackpool, Jim (6 January 2009).
675:
637:
563:
480:
1526:Newman, Jason (25 August 2008).
1307:Stout, Andrew (12 August 2008).
732:
727:
722:
717:
712:
694:
689:
684:
679:
674:
656:
651:
646:
641:
636:
582:
577:
572:
567:
562:
544:
539:
534:
529:
499:
494:
489:
484:
479:
315:Problems playing this file? See
297:
891:"Where You Go I Go Too" â 28:58
859:"Where You Go I Go Too" â 28:58
411:" sound. Lindstrøm listened to
1275:Finney, Tim (20 August 2008).
813:" was made by Jason Newman of
231:, but only three were chosen.
1:
1465:Beta, Andy (September 2008).
1169:Raper, Dan (26 August 2008).
978:
275:Musical style and influences
1787:Smalltown Supersound albums
1782:Hans-Peter Lindstrøm albums
1404:Ubl, Sam (12 August 2008).
1091:Masterson, Patrick (2008).
897:"The Long Way Home" â 15:58
865:"The Long Way Home" â 15:58
809:'s similarly lengthy song "
793:editor Tim Finney believed
1803:
1698:staff (19 December 2008).
353:The music is a collage of
227:originally envisioned for
15:
467:
464:
444:
441:
423:while writing the album.
216:Following the release of
212:Background and production
123:
33:
1726:Rovinelli, Jeff (2008).
1672:Where You Go To I Go Too
1571:Norwegian chart listing"
1512:(137): 96. October 2008.
1238:"Pop review: Lindstrøm,
399:is often classified as "
1019:"Interviews: Lindstrøm"
363:four-to-the-floor beats
293:"Where You Go I Go Too"
219:It's a Feedelity Affair
201:It's a Feedelity Affair
130:It's a Feedelity Affair
1062:"Lindstrom: Interview"
286:
1777:Ambient techno albums
1730:Where You Go I Go Too
1632:Where You Go I Go Too
1569:Where You Go I Go Too
1530:Where You Go I Go Too
1504:Where You Go I Go Too
1469:Where You Go I Go Too
1376:Where You Go I Go Too
1341:Where You Go I Go Too
1279:Where You Go I Go Too
1240:Where You Go I Go Too
1173:Where You Go I Go Too
1140:Where You Go I Go Too
1017:(28 September 2008).
894:"Grand Ideas" â 10:10
862:"Grand Ideas" â 10:10
795:Where You Go I Go Too
777:Where You Go I Go Too
748:Where You Go I Go Too
744:Where You Go I Go Too
397:Where You Go I Go Too
325:Where You Go I Go Too
285:
257:Where You Go I Go Too
229:Where You Go I Go Too
177:Where You Go I Go Too
164:Where You Go I Go Too
139:Where You Go I Go Too
29:Where You Go I Go Too
928:Hans-Peter Lindstrøm
432:Professional ratings
261:Smalltown Supersound
179:is usually labeled "
173:Hans-Peter Lindstrøm
148:Real Life Is No Cool
98:Smalltown Supersound
1575:norwegiancharts.com
944:Knut SĂŚvik â mixing
433:
1744:on August 19, 2008
1544:on August 29, 2008
1411:The Boston Phoenix
1136:Hoffman, K. Ross.
523:The Boston Phoenix
431:
287:
1418:on 22 August 2016
983:
982:
918:
917:
782:Jim Brackpool of
741:
740:
389:Jean-Marc Cerrone
359:live performances
302:
193:four-to-the-floor
160:
159:
156:
155:
18:Where You Go I Go
1794:
1754:
1753:
1751:
1749:
1740:. Archived from
1723:
1717:
1716:
1714:
1712:
1692:
1686:
1685:
1683:
1681:
1665:
1654:
1653:
1651:
1649:
1644:on June 13, 2011
1640:. Archived from
1625:
1614:
1613:
1611:
1609:
1591:
1585:
1584:
1582:
1581:
1563:
1554:
1553:
1551:
1549:
1540:. Archived from
1523:
1514:
1513:
1499:
1493:
1492:
1490:
1488:
1462:
1456:
1455:
1453:
1451:
1434:
1428:
1427:
1425:
1423:
1414:. Archived from
1401:
1395:
1394:
1392:
1390:
1369:
1358:
1357:
1355:
1353:
1335:
1326:
1325:
1323:
1321:
1304:
1298:
1297:
1295:
1293:
1272:
1259:
1258:
1256:
1254:
1233:
1220:
1219:
1217:
1215:
1198:
1192:
1191:
1189:
1187:
1166:
1157:
1156:
1154:
1152:
1133:
1108:
1107:
1105:
1103:
1088:
1077:
1076:
1074:
1072:
1057:
1036:
1035:
1033:
1031:
1015:Leone, Dominique
1011:
965:
854:Original release
849:
752:Spellemannprisen
737:
736:
735:
731:
730:
726:
725:
721:
720:
716:
715:
699:
698:
697:
693:
692:
688:
687:
683:
682:
678:
677:
661:
660:
659:
655:
654:
650:
649:
645:
644:
640:
639:
587:
586:
585:
581:
580:
576:
575:
571:
570:
566:
565:
549:
548:
547:
543:
542:
538:
537:
533:
532:
504:
503:
502:
498:
497:
493:
492:
488:
487:
483:
482:
437:Aggregate scores
434:
355:electronic music
304:
303:
284:
259:was released by
206:Spellemannprisen
125:
124:
87:
86:
82:
38:
26:
1802:
1801:
1797:
1796:
1795:
1793:
1792:
1791:
1762:
1761:
1758:
1757:
1747:
1745:
1725:
1724:
1720:
1710:
1708:
1694:
1693:
1689:
1679:
1677:
1667:
1666:
1657:
1647:
1645:
1627:
1626:
1617:
1607:
1605:
1593:
1592:
1588:
1579:
1577:
1565:
1564:
1557:
1547:
1545:
1525:
1524:
1517:
1501:
1500:
1496:
1486:
1484:
1464:
1463:
1459:
1449:
1447:
1436:
1435:
1431:
1421:
1419:
1403:
1402:
1398:
1388:
1386:
1371:
1370:
1361:
1351:
1349:
1337:
1336:
1329:
1319:
1317:
1306:
1305:
1301:
1291:
1289:
1274:
1273:
1262:
1252:
1250:
1235:
1234:
1223:
1213:
1211:
1200:
1199:
1195:
1185:
1183:
1168:
1167:
1160:
1150:
1148:
1135:
1134:
1111:
1101:
1099:
1097:Dusted Magazine
1090:
1089:
1080:
1070:
1068:
1066:Prefix Magazine
1059:
1058:
1039:
1029:
1027:
1013:
1012:
993:
988:
963:
947:Chris Sansom â
924:
919:
886:Special edition
843:
828:Tangerine Dream
733:
728:
723:
718:
695:
690:
685:
680:
657:
652:
647:
642:
583:
578:
573:
568:
545:
540:
535:
500:
495:
490:
485:
429:
393:Giorgio Moroder
383:, particularly
373:Dominique Leone
340:. According to
322:
321:
313:
311:
310:
309:
308:
305:
298:
295:
288:
282:
277:
265:special edition
214:
151:
142:
133:
84:
80:
79:
51:
24:
21:
12:
11:
5:
1800:
1798:
1790:
1789:
1784:
1779:
1774:
1764:
1763:
1756:
1755:
1737:Tiny Mix Tapes
1718:
1687:
1655:
1615:
1604:(in Norwegian)
1601:Rogalands Avis
1586:
1555:
1515:
1494:
1457:
1429:
1396:
1359:
1327:
1299:
1260:
1221:
1193:
1158:
1109:
1078:
1037:
990:
989:
987:
984:
981:
980:
977:
973:
972:
969:
962:
959:
958:
957:
951:
945:
942:
923:
920:
916:
915:
911:
910:
907:
904:
901:
898:
895:
892:
882:
881:
880:
867:
866:
863:
860:
847:
842:
839:
833:Tiny Mix Tapes
739:
738:
709:
701:
700:
671:
663:
662:
633:
625:
624:
621:
613:
612:
609:
601:
600:
597:
589:
588:
559:
551:
550:
526:
518:
517:
514:
506:
505:
476:
470:
469:
466:
462:
461:
457:
456:
453:
447:
446:
443:
439:
438:
428:
425:
421:Kirsty MacColl
413:the Beach Boys
312:
306:
296:
291:
290:
289:
280:
279:
278:
276:
273:
213:
210:
183:" due to its "
158:
157:
154:
153:
144:
135:
121:
120:
113:
112:
107:
101:
100:
95:
89:
88:
77:
73:
72:
67:
61:
60:
59:18 August 2008
57:
53:
52:
47:
40:
39:
31:
30:
22:
13:
10:
9:
6:
4:
3:
2:
1799:
1788:
1785:
1783:
1780:
1778:
1775:
1773:
1770:
1769:
1767:
1760:
1743:
1739:
1738:
1733:
1731:
1728:"Lindstrom â
1722:
1719:
1707:
1706:
1701:
1697:
1691:
1688:
1675:
1673:
1664:
1662:
1660:
1656:
1643:
1639:
1635:
1633:
1630:"Lindstrøm â
1624:
1622:
1620:
1616:
1603:
1602:
1597:
1590:
1587:
1576:
1572:
1570:
1567:"Lindstrøm â
1562:
1560:
1556:
1543:
1539:
1538:
1533:
1531:
1522:
1520:
1516:
1511:
1510:
1505:
1498:
1495:
1482:
1478:
1477:
1472:
1470:
1461:
1458:
1446:
1445:
1440:
1433:
1430:
1417:
1413:
1412:
1407:
1400:
1397:
1385:
1384:
1383:The A.V. Club
1379:
1377:
1368:
1366:
1364:
1360:
1348:
1344:
1343:by Lindstrom"
1342:
1339:"Reviews for
1334:
1332:
1328:
1316:
1315:
1310:
1303:
1300:
1288:
1287:
1282:
1280:
1271:
1269:
1267:
1265:
1261:
1249:
1248:
1243:
1241:
1232:
1230:
1228:
1226:
1222:
1210:
1209:
1204:
1197:
1194:
1182:
1181:
1176:
1174:
1165:
1163:
1159:
1147:
1143:
1141:
1132:
1130:
1128:
1126:
1124:
1122:
1120:
1118:
1116:
1114:
1110:
1098:
1094:
1087:
1085:
1083:
1079:
1067:
1063:
1056:
1054:
1052:
1050:
1048:
1046:
1044:
1042:
1038:
1026:
1025:
1020:
1016:
1010:
1008:
1006:
1004:
1002:
1000:
998:
996:
992:
985:
975:
974:
970:
968:Chart (2008)
967:
966:
960:
956:â photography
955:
952:
950:
946:
943:
941:
937:
933:
929:
926:
925:
921:
914:
908:
905:
902:
899:
896:
893:
890:
889:
888:
887:
883:
878:
877:
876:
875:
873:
864:
861:
858:
857:
856:
855:
851:
850:
846:
841:Track listing
840:
838:
835:
834:
829:
825:
820:
818:
817:
812:
808:
802:
800:
796:
792:
791:
785:
780:
778:
774:
770:
769:
768:The A.V. Club
763:
759:
757:
753:
749:
745:
710:
708:
707:
703:
702:
672:
670:
669:
665:
664:
634:
632:
631:
627:
626:
622:
620:
619:
615:
614:
610:
608:
607:
603:
602:
598:
596:
595:
591:
590:
560:
558:
557:
553:
552:
527:
525:
524:
520:
519:
515:
513:
512:
511:The A.V. Club
508:
507:
477:
475:
472:
471:
463:
460:Review scores
458:
454:
452:
449:
448:
440:
435:
426:
424:
422:
418:
414:
410:
406:
402:
398:
394:
390:
386:
382:
378:
374:
370:
369:
364:
360:
356:
351:
349:
348:tempo changes
345:
344:
339:
335:
331:
326:
320:
318:
294:
274:
272:
270:
266:
262:
258:
254:
250:
247:
242:
240:
239:
232:
230:
225:
221:
220:
211:
209:
207:
203:
202:
196:
194:
190:
186:
182:
178:
174:
170:
166:
165:
150:
149:
145:
141:
140:
136:
132:
131:
127:
126:
122:
118:
114:
111:
108:
106:
102:
99:
96:
94:
90:
78:
74:
71:
68:
66:
62:
58:
54:
50:
45:
41:
37:
32:
27:
19:
1759:
1746:. Retrieved
1742:the original
1735:
1729:
1721:
1709:. Retrieved
1703:
1695:
1690:
1678:. Retrieved
1676:. No Ripcord
1671:
1670:"Lindstrom:
1646:. Retrieved
1642:the original
1638:Yahoo! Music
1631:
1606:. Retrieved
1599:
1589:
1578:. Retrieved
1574:
1568:
1546:. Retrieved
1542:the original
1535:
1529:
1528:"Lindstrom:
1507:
1503:
1502:"Lindstrøm:
1497:
1485:. Retrieved
1480:
1474:
1468:
1467:"Lindstrøm:
1460:
1448:. Retrieved
1442:
1432:
1420:. Retrieved
1416:the original
1409:
1399:
1387:. Retrieved
1381:
1375:
1374:"Lindstrøm:
1350:. Retrieved
1340:
1318:. Retrieved
1312:
1302:
1290:. Retrieved
1284:
1278:
1277:"Lindstrøm:
1251:. Retrieved
1247:The Guardian
1245:
1239:
1212:. Retrieved
1206:
1196:
1184:. Retrieved
1178:
1172:
1171:"Lindstrøm:
1149:. Retrieved
1142:â Lindstrøm"
1139:
1100:. Retrieved
1096:
1069:. Retrieved
1065:
1028:. Retrieved
1022:
954:Kim Hiorthøy
912:
885:
884:
869:
868:
853:
852:
844:
831:
821:
814:
803:
798:
794:
788:
784:Yahoo! Music
781:
776:
773:The Guardian
772:
766:
760:
747:
743:
742:
704:
666:
628:
616:
604:
592:
556:The Guardian
554:
521:
509:
396:
387:progenitors
366:
352:
343:The Guardian
341:
324:
323:
269:Prins Thomas
256:
255:
251:
243:
236:
233:
228:
217:
215:
199:
197:
176:
163:
162:
161:
146:
138:
137:
128:
44:Studio album
1772:2008 albums
1439:"Lindtsrøm"
1406:"Lindtsrøm"
1309:"Lindstrøm"
930:â writing,
750:received a
409:psychedelic
401:space disco
334:polyrhythms
191:" feel and
189:psychedelic
181:space disco
169:electronica
70:Space disco
1766:Categories
1580:2009-06-11
1347:Metacritic
1180:PopMatters
986:References
936:performing
756:Metacritic
618:PopMatters
451:Metacritic
417:the Eagles
317:media help
244:The album
119:chronology
1705:Pitchfork
1696:Pitchfork
1320:22 August
1314:SF Weekly
1286:Pitchfork
1214:20 August
1208:Pitchfork
1024:Pitchfork
949:mastering
932:producing
922:Personnel
807:Kraftwerk
799:Pitchfork
790:Pitchfork
606:Pitchfork
427:Reception
368:Pitchfork
117:Lindstrøm
110:Lindstrøm
49:Lindstrøm
1483:(9): 118
1146:AllMusic
824:Vangelis
811:Autobahn
762:AllMusic
474:AllMusic
338:melodies
105:Producer
56:Released
46: by
1748:10 June
1711:23 June
1680:10 June
1648:11 June
1608:25 June
1548:11 June
1487:10 June
1450:10 June
1422:10 June
1389:11 June
1352:22 June
1292:10 June
1253:10 June
1186:10 June
1151:10 June
1102:24 July
1071:28 June
1030:28 June
976:Norway
872:Spotify
371:editor
224:remixes
195:beats.
171:artist
152:(2010)
143:(2008)
134:(2006)
961:Charts
940:mixing
913:
611:8.6/10
468:Rating
465:Source
455:82/100
445:Rating
442:Source
419:, and
405:spacey
361:, and
336:, and
330:motifs
246:mixing
185:spacey
76:Length
1509:Uncut
971:Peak
668:Uncut
385:disco
381:1980s
377:1970s
93:Label
65:Genre
1750:2009
1713:2009
1682:2009
1650:2009
1610:2009
1550:2009
1489:2009
1476:Spin
1452:2009
1424:2009
1391:2009
1354:2009
1322:2009
1294:2009
1255:2009
1216:2009
1188:2009
1153:2009
1104:2009
1073:2009
1032:2009
826:and
630:Spin
623:7/10
391:and
379:and
1537:URB
1506:".
1444:Now
979:11
816:URB
706:URB
599:4/5
594:Now
238:sic
1768::
1734:.
1702:.
1658:^
1636:.
1618:^
1598:.
1573:.
1558:^
1534:.
1518:^
1481:24
1479:.
1473:.
1441:.
1408:.
1380:.
1362:^
1345:.
1330:^
1311:.
1283:.
1263:^
1244:.
1224:^
1205:.
1177:.
1161:^
1144:.
1112:^
1095:.
1081:^
1064:.
1040:^
1021:.
994:^
938:,
934:,
819:.
516:Bâ
415:,
407:,
395:.
365:.
332:,
187:,
85:06
81:55
1752:.
1732:"
1715:.
1684:.
1674:"
1652:.
1634:"
1612:.
1583:.
1552:.
1532:"
1491:.
1471:"
1454:.
1426:.
1393:.
1378:"
1356:.
1324:.
1296:.
1281:"
1257:.
1242:"
1218:.
1190:.
1175:"
1155:.
1138:"
1106:.
1075:.
1034:.
874:)
319:.
83::
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
