1573:"Rolling Stone - Deutsche Ausgabe - Popular Music Best-Of-Lists List - zur 100. Ausgabe des ROLLING STONE: Das Special zum Jubilä - die 100 besten alben;um - hartbeat! Die besten, CDS, album, alben, records, songs, singles, langspielplatten, LPS, schallplatten, charts, kritiker, kritiker charts, kritiker listen, best of lists, bestenlisten, besten-listen, jahresrückblicke, musikzeitschriften, musik-zeitschriften, musik-magazine, musikmagazine, pop-polls, pop polls, polls, pop, leser, leser polls, music, pop-music, musik, pop-musik, popmusik, die besten platten aller zeiten, popular music best of lists list, hartbeat!, the best, CDS, albums, alben, records, songs, singles, LPS, charts, critics, critics charts, best of lists, bestenlisten, year-end-lists, yearendlists, music-magazines, music magazines, musicmagazines, pop-polls, pop polls, polls, pop, readers, readers polls, music, pop-music, all time best records, all time best albums, popular music best of lists list"
952:
canceled her tour shortly after the album was released, causing
Atlantic's legal department to send her several letters demanding her to tour or risk defaulting on her contract. Phair stated, "Basically they wanted me to be public, I wanted to be private. All these people wanted me to be really big and I felt like this tiny pea in the center of all this chaos. I didn't want this success. I kept thinking this is wrong. Why do all these people want it so much more than I do?"
512:, with the assistance of Casey Rice. Wood characterized the recording process as very much spontaneous, saying that " bring in a song and we'd record the whole thing that day. I'd have to write a drum and bass part right on the spot." There was, however, pressure to improve on the sound of the previous record, to meet the expectations of Phair's newly formed fanbase.
860:
827:
822:
789:
751:
746:
656:
590:
855:
850:
845:
817:
812:
807:
784:
779:
774:
769:
741:
736:
731:
701:
696:
691:
686:
651:
646:
641:
623:
618:
613:
608:
585:
580:
575:
570:
469:
as particularly difficult to make because at the time she didn't have many songs that weren't about the music industry, which displeased her manager. In fact, a substantial number of tracks on the final album (namely, "Chopsticks," "Shane," "Go West," "Whip-Smart," and parts of "Jealousy", previously
488:
Guitarist Casey Rice described the initial sessions at Idful
Studios in Chicago as subject to many distractions, such as "the phone ringing, people dropping by the studio, and so on". Phair wanted to move recording to New York City, but due to financial constraints, the band ended up continuing with
519:
as a chronicle of the beginning, middle and end of a relationship: "a rock fairy tale, from meeting the guy, falling for him, getting him and not getting him, going through the disillusionment period, saying 'Fuck it,' and leaving, coming back to it." Phair also described the sound of the album as
951:
quickly departed the charts. Even though the second single and title track "Whip-Smart" was also successful, it failed to capture the same amount of attention of "Supernova", and by the time the third single "Jealousy" was released, the interest in the album was much smaller. Besides this, Phair
893:
packs all of that album's rough-hewn charms into a more pulled together package that exudes new confidence, yet still oozes a basement - session bent and those sharp talking edges. The result is plain stunning, cementing Phair's place as a songwriter for the '90s and assuring her an even wider
902:
awarded the album their 'Pick of the Week' with the reviewer commenting that "this must have been how people 20 years ago felt listening to Bruce
Springsteen’s early works. It’s not so much how great Liz Phair is now, as the awesome idea of how brilliant she’s likely to become...
881:, a record of such unexpected impact that most anything Phair could have done may have been found lacking" and that "there's no question that Phair is a major songwriter and artist, but this album is more a solidification of her talents than a breakthrough statement."
31:
338:
Poll. Although obscured by its famous predecessor, the album has gained more recognition with time and is largely considered a key record to Phair's legacy as an artist, along with her other two
1598:
889:
praised the album, stating "leave it to the phenomenal Phair to pull off the seemingly impossible. Her keenly awaited follow-up to last year's college crowd essential
445:
was one of the most anticipated albums of the year. Danny
Goldberg, then-president of Atlantic Records, predicted that the record would "hit gold quickly", and both
1443:
481:
took about one month to record. The album was recorded in two distinct sessions: the first in August 1993 in
Chicago, and the second in February 1994 in the
1681:
2138:
2400:
426:, expectations ran high for Liz Phair's sophomore release. Phair's debut album had sold over 200,000 units by the spring of 1994 and was
2176:
405:
1970:
2390:
2333:
1572:
387:
381:
1249:– synthesizer, bass, guitar, percussion, drums, saxophone, background vocals, recording, production, engineering, and mixing
907:
is, quite simply, a stunning work from an artist that should have all music lovers in ecstasy at her arrival on the scene."
2006:
1759:
2108:
2035:
1952:
798:
1462:
1544:
2143:
2312:
1026:
926:
317:
received generally favorable reviews from music critics, figuring inside end of year lists, including those by the
238:
2385:
1824:
1685:
354:
348:
877:
states that "if there are flaws in this generally first-rate follow-up, they mostly arise in comparison with
2169:
74:
1491:
2227:
973:. As of July 2003, the album had sold 600,000 globally, making it her most commercially successful album.
203:
1859:
2196:
490:
379:
was released, and by 1994 and 1995, she made a frequent number of television appearances, including the
80:
2241:
2064:
1921:
2395:
2093:
1833:
1549:
885:
665:
2065:"Mesmerizing – Liz Phair Remembers Whip-Smart plus the current state of Liz (September 20th, 2011)"
1958:
1301:
531:' in-house art designer Mark Ohe, with the album's art and layout. The cover image incorporates a
2162:
2116:
1645:
1391:
1352:
957:
934:
898:
870:
352:
magazine placed the record at 95 on its list of greatest records since Autumn of 1994. In 2014,
2085:
535:
poster. The inner liner notes feature a series of
Polaroid photographs taken by Phair herself.
2319:
2234:
2213:
1966:
1962:
1864:
1764:
1454:
1370:
1142:
938:
677:
599:
532:
422:
319:
295:
251:
185:
2340:
2326:
1519:
435:
363:
142:
1797:
1802:
1478:"Whip-Smart," a confident mix of old and new sounds from Phair, is due in stores Sept. 20.
1152:
632:
528:
494:
453:
427:
339:
151:
137:
84:
1649:
362:
the 18th greatest album of its year – considered by the magazine the peak of mainstream
2273:
1986:
1312:
1166:
264:
221:
30:
929:" received somewhat heavy rotation on radio stations and the music video was aired on
2379:
2347:
1926:
1755:
1603:
1287:
919:
760:
447:
409:
371:
331:
304:
1618:
470:
known as "Thrax") were songs already written in 1991, when Phair recorded under the
434:
prompted many major labels to seek a distribution deal with
Matador, most saliently
293:, released in 1994, the follow-up to Phair's critically well received debut, 1993's
2305:
2280:
1905:
1855:
722:
335:
325:
130:
1576:
310:
and ultimately achieved gold status. As of July 2010, it had sold 412,000 copies.
1729:
2364:
1828:
1770:
471:
397:
343:
105:
93:
2298:
1707:
100:
1458:
2185:
1991:
1246:
1240:
1148:
983:
966:
836:
509:
290:
172:
163:
158:
43:
520:
more confident and playful – and less frustrated, tense, and sexual – than
2255:
2248:
1948:
1793:
1654:
874:
562:
299:. Despite not being as critically well received as her previous record,
1682:"Whip-Smart Is The Best-Selling LP By An Artist Of The Matador Records"
482:
1951:(2004). "Liz Phair". In Brackett, Nathan; Hoard, Christian (eds.).
38:
970:
2158:
1492:"'Whip-Smart': Revisiting Liz Phair's Standout Sophomore Album"
1888:
930:
710:
392:
2154:
1453:. New York City, New York: BPI Communications. p. 14.
1444:"Atlantic Whips Up Mainstream Support For Phair's 2nd Set"
2109:"Cash Box Top 200 Albums – Week ending February 26, 1994"
1619:"Grammy Awards: Best Rock Vocal Performance – Female"
329:. The album was ranked sixth for its year inside The
1243:– guitar, piano, synthesizer, vocals, artwork design
457:
were interested in featuring Phair on their covers.
2357:
2290:
2265:
2205:
1002:
991:
925:
and spent 17 weeks on the charts. The lead single "
220:
171:
150:
129:
113:
92:
68:
58:
50:
37:
23:
1769:
430:'s most successful release so far. The success of
289:is the second album by American singer-songwriter
1760:"Liz Phair Makes 'Whip-Smart' Musical Memories"
567:
2170:
8:
1514:
1512:
869:Critical reception was generally favorable.
842:
804:
766:
728:
683:
638:
605:
438:, which would form Phair's next album deal.
1676:
1674:
1672:
1490:Stavropoulous, Laura (September 15, 2020).
965:has sold 412,000 copies in the US based on
2177:
2163:
2155:
1909:. No. 99. December 1994. p. 139.
1640:
1638:
1636:
1266:
542:
29:
20:
1732:"We, soviet children, follow Lenin's way"
2016:. No. 24 September 1994. p. 72
1407:
1327:
988:
1434:
1220:
933:. The song went on to hit No. 6 on the
404:In 1995, "Supernova" was nominated for
1920:O'Dair, Barbara (September 22, 1994).
1252:Casey Rice – guitar, mixing, recording
508:. The album was recorded and mixed by
346:tapes. In 2003, the German version of
1221:
548:
7:
2045:. No. 1 October 1994. p. 9
969:sales, and is certified gold by the
947:However, despite its early success,
569:
369:Phair was featured on the cover of
1989:(November 4, 1994). "Phair Play".
1860:"The Second Time Just Gets Better"
504:worked again on what would become
406:Best Female Rock Vocal Performance
18:1994 studio album by Liz Phair
14:
1954:The New Rolling Stone Album Guide
844:
806:
768:
730:
685:
640:
607:
1442:Boehler, Eric (August 6, 1994).
858:
853:
848:
843:
825:
820:
815:
810:
805:
787:
782:
777:
772:
767:
749:
744:
739:
734:
729:
699:
694:
689:
684:
654:
649:
644:
639:
621:
616:
611:
606:
588:
583:
578:
573:
568:
2098:. Retrieved December 11, 2022.
1892:. October 1, 1994. p. 48.
1545:"Ask Billboard: Kylie 'Fever'"
992:
527:Phair is credited, along with
388:The Tonight Show with Jay Leno
382:Late Show with David Letterman
1:
799:The Rolling Stone Album Guide
500:The same team that worked on
2401:Albums produced by Brad Wood
1294:
2144:Library and Archives Canada
1599:"40 Best Records from 1994"
313:At the time of its release
257:Released: February 15, 1995
2417:
2086:"Liz Phair Chart History (
1710:. YouTube. January 7, 2006
982:All tracks are written by
2192:
1903:"Liz Phair: Whip-Smart".
1886:"Liz Phair: Whip-Smart".
1311:
1299:
1285:
1278:
1275:
1207:
1193:
1179:
1161:
1137:
1123:
1109:
1095:
1081:
1067:
1053:
1039:
1021:
1007:
999:
996:
918:debuted at No. 27 on the
556:
553:
303:debuted at No. 27 on the
278:
231:
216:
179:
28:
1650:"Whip-Smart – Liz Phair"
1520:"Whip-Smart – Liz Phair"
1258:Roger Seibel – mastering
937:chart and No. 78 on the
515:Liz Phair has described
270:Released: August 8, 1995
1255:Mark O – artwork design
244:Released: July 23, 1994
204:Whitechocolate spaceegg
75:Idful Music Corporation
2391:Matador Records albums
2228:Whitechocolatespaceegg
1858:(September 18, 1994).
1827:(September 23, 1994).
1796:(September 15, 1994).
1758:(September 11, 1994).
1268:Chart performance for
1708:"Liz Phair interview"
491:Compass Point Studios
420:After the success of
2067:. Mesmerizingtoo.com
2014:Billboard Music Week
1959:Simon & Schuster
1834:Entertainment Weekly
1774:on November 18, 2018
986:, except where noted
666:Entertainment Weekly
544:Professional ratings
1688:on October 27, 2009
1646:Unterberger, Richie
1313:Canada Albums Chart
1272:
545:
408:in the 37th Annual
77:, Chicago, Illinois
2242:Somebody's Miracle
1496:udiscovermusic.com
1392:Modern Rock Tracks
1353:Modern Rock Tracks
1267:
935:Modern Rock Tracks
871:Richie Unterberger
543:
54:September 20, 1994
2373:
2372:
2214:Exile in Guyville
1865:Los Angeles Times
1765:Chicago Sun-Times
1621:. Rock on the Net
1607:. April 17, 2014.
1579:on March 24, 2012
1426:
1425:
1401:
1400:
1321:
1320:
1270:Exile in Guyville
1231:
1230:
891:Exile In Guyville
867:
866:
678:Los Angeles Times
600:Chicago Sun-Times
533:Soviet propaganda
522:Exile in Guyville
432:Exile in Guyville
423:Exile in Guyville
342:releases and the
320:Los Angeles Times
296:Exile in Guyville
282:
281:
212:
211:
186:Exile in Guyville
2408:
2386:Liz Phair albums
2358:Related articles
2179:
2172:
2165:
2156:
2149:
2148:
2147:. July 17, 2013.
2135:
2129:
2128:
2126:
2124:
2113:
2105:
2099:
2083:
2077:
2076:
2074:
2072:
2061:
2055:
2054:
2052:
2050:
2040:
2032:
2026:
2025:
2023:
2021:
2011:
2003:
1997:
1996:
1983:
1977:
1976:
1957:(4th ed.).
1945:
1939:
1938:
1936:
1934:
1917:
1911:
1910:
1900:
1894:
1893:
1883:
1877:
1876:
1874:
1872:
1852:
1846:
1845:
1843:
1841:
1821:
1815:
1814:
1812:
1810:
1790:
1784:
1783:
1781:
1779:
1773:
1768:. Archived from
1752:
1746:
1745:
1743:
1741:
1726:
1720:
1719:
1717:
1715:
1704:
1698:
1697:
1695:
1693:
1684:. Archived from
1678:
1667:
1666:
1664:
1662:
1642:
1631:
1630:
1628:
1626:
1615:
1609:
1608:
1595:
1589:
1588:
1586:
1584:
1575:. Archived from
1569:
1563:
1562:
1560:
1558:
1541:
1535:
1534:
1532:
1530:
1516:
1507:
1506:
1504:
1502:
1487:
1481:
1480:
1475:
1473:
1468:on March 7, 2021
1467:
1461:. Archived from
1448:
1439:
1408:
1328:
1273:
1224:
1043:"Support System"
994:
989:
863:
862:
861:
857:
856:
852:
851:
847:
846:
830:
829:
828:
824:
823:
819:
818:
814:
813:
809:
808:
792:
791:
790:
786:
785:
781:
780:
776:
775:
771:
770:
754:
753:
752:
748:
747:
743:
742:
738:
737:
733:
732:
704:
703:
702:
698:
697:
693:
692:
688:
687:
659:
658:
657:
653:
652:
648:
647:
643:
642:
626:
625:
624:
620:
619:
615:
614:
610:
609:
593:
592:
591:
587:
586:
582:
581:
577:
576:
572:
571:
546:
465:Phair described
436:Atlantic Records
364:alternative rock
271:
268:
258:
255:
245:
242:
181:
180:
125:
124:
120:
33:
21:
2416:
2415:
2411:
2410:
2409:
2407:
2406:
2405:
2376:
2375:
2374:
2369:
2353:
2286:
2261:
2201:
2188:
2183:
2153:
2152:
2137:
2136:
2132:
2122:
2120:
2111:
2107:
2106:
2102:
2084:
2080:
2070:
2068:
2063:
2062:
2058:
2048:
2046:
2038:
2034:
2033:
2029:
2019:
2017:
2009:
2007:"Album Reviews"
2005:
2004:
2000:
1987:Gundersen, Edna
1985:
1984:
1980:
1973:
1947:
1946:
1942:
1932:
1930:
1919:
1918:
1914:
1902:
1901:
1897:
1885:
1884:
1880:
1870:
1868:
1854:
1853:
1849:
1839:
1837:
1823:
1822:
1818:
1808:
1806:
1803:Chicago Tribune
1798:"Snappy Sequel"
1792:
1791:
1787:
1777:
1775:
1754:
1753:
1749:
1739:
1737:
1728:
1727:
1723:
1713:
1711:
1706:
1705:
1701:
1691:
1689:
1680:
1679:
1670:
1660:
1658:
1644:
1643:
1634:
1624:
1622:
1617:
1616:
1612:
1597:
1596:
1592:
1582:
1580:
1571:
1570:
1566:
1556:
1554:
1553:. July 16, 2010
1543:
1542:
1538:
1528:
1526:
1518:
1517:
1510:
1500:
1498:
1489:
1488:
1484:
1471:
1469:
1465:
1446:
1441:
1440:
1436:
1431:
1406:
1326:
1280:
1265:
1237:
1232:
1222:
1197:"Alice Springs"
1153:Malcolm McLaren
1113:"Cinco de Mayo"
979:
955:According to a
913:
859:
854:
849:
826:
821:
816:
811:
788:
783:
778:
773:
750:
745:
740:
735:
700:
695:
690:
655:
650:
645:
633:Chicago Tribune
622:
617:
612:
589:
584:
579:
574:
541:
529:Matador Records
495:Nassau, Bahamas
463:
418:
340:Matador Records
274:
269:
262:
261:
256:
249:
248:
243:
236:
235:
207:
198:
189:
122:
118:
117:
85:Nassau, Bahamas
63:
46:
19:
12:
11:
5:
2414:
2412:
2404:
2403:
2398:
2393:
2388:
2378:
2377:
2371:
2370:
2368:
2367:
2361:
2359:
2355:
2354:
2352:
2351:
2344:
2337:
2330:
2323:
2316:
2309:
2302:
2294:
2292:
2288:
2287:
2285:
2284:
2277:
2269:
2267:
2266:Extended plays
2263:
2262:
2260:
2259:
2252:
2245:
2238:
2231:
2224:
2217:
2209:
2207:
2203:
2202:
2200:
2199:
2193:
2190:
2189:
2184:
2182:
2181:
2174:
2167:
2159:
2151:
2150:
2130:
2100:
2078:
2056:
2027:
1998:
1978:
1971:
1940:
1912:
1895:
1878:
1847:
1816:
1785:
1756:DeRogatis, Jim
1747:
1721:
1699:
1668:
1632:
1610:
1590:
1564:
1536:
1508:
1482:
1433:
1432:
1430:
1427:
1424:
1423:
1420:
1416:
1415:
1412:
1405:
1404:Certifications
1402:
1399:
1398:
1395:
1388:
1385:
1381:
1380:
1377:
1367:
1364:
1360:
1359:
1356:
1349:
1346:
1342:
1341:
1338:
1335:
1332:
1325:
1322:
1319:
1318:
1315:
1309:
1308:
1305:
1297:
1296:
1293:
1283:
1282:
1277:
1264:
1261:
1260:
1259:
1256:
1253:
1250:
1244:
1236:
1233:
1229:
1228:
1225:
1219:
1218:
1215:
1212:
1209:
1205:
1204:
1201:
1198:
1195:
1191:
1190:
1187:
1184:
1181:
1177:
1176:
1173:
1170:
1163:
1159:
1158:
1155:
1146:
1139:
1135:
1134:
1131:
1128:
1127:"Dogs of L.A."
1125:
1121:
1120:
1117:
1114:
1111:
1107:
1106:
1103:
1100:
1097:
1093:
1092:
1089:
1086:
1083:
1079:
1078:
1075:
1072:
1069:
1065:
1064:
1061:
1058:
1055:
1051:
1050:
1047:
1044:
1041:
1037:
1036:
1033:
1030:
1023:
1019:
1018:
1015:
1012:
1009:
1005:
1004:
1001:
998:
995:
980:
978:
975:
912:
909:
865:
864:
840:
832:
831:
802:
794:
793:
764:
756:
755:
726:
718:
717:
714:
706:
705:
681:
673:
672:
669:
661:
660:
636:
628:
627:
603:
595:
594:
565:
559:
558:
555:
551:
550:
540:
537:
462:
459:
417:
414:
280:
279:
276:
275:
273:
272:
259:
246:
232:
229:
228:
218:
217:
214:
213:
210:
209:
200:
191:
177:
176:
169:
168:
167:
166:
161:
154:
148:
147:
146:
145:
140:
133:
127:
126:
115:
111:
110:
109:
108:
103:
96:
90:
89:
88:
87:
78:
70:
66:
65:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
2413:
2402:
2399:
2397:
2394:
2392:
2389:
2387:
2384:
2383:
2381:
2366:
2363:
2362:
2360:
2356:
2349:
2348:Spanish Doors
2345:
2342:
2338:
2335:
2334:Extraordinary
2331:
2328:
2324:
2321:
2317:
2314:
2310:
2307:
2303:
2300:
2296:
2295:
2293:
2289:
2283:
2282:
2278:
2276:
2275:
2271:
2270:
2268:
2264:
2258:
2257:
2253:
2251:
2250:
2246:
2244:
2243:
2239:
2237:
2236:
2232:
2230:
2229:
2225:
2223:
2222:
2218:
2216:
2215:
2211:
2210:
2208:
2206:Studio albums
2204:
2198:
2195:
2194:
2191:
2187:
2180:
2175:
2173:
2168:
2166:
2161:
2160:
2157:
2146:
2145:
2140:
2134:
2131:
2119:
2118:
2110:
2104:
2101:
2097:
2096:
2091:
2089:
2082:
2079:
2071:September 15,
2066:
2060:
2057:
2044:
2037:
2031:
2028:
2015:
2008:
2002:
1999:
1994:
1993:
1988:
1982:
1979:
1974:
1972:0-7432-0169-8
1968:
1964:
1960:
1956:
1955:
1950:
1944:
1941:
1933:September 24,
1929:
1928:
1927:Rolling Stone
1923:
1916:
1913:
1908:
1907:
1899:
1896:
1891:
1890:
1882:
1879:
1871:September 24,
1867:
1866:
1861:
1857:
1856:Ali, Lorraine
1851:
1848:
1840:September 24,
1836:
1835:
1830:
1826:
1825:Browne, David
1820:
1817:
1809:September 24,
1805:
1804:
1799:
1795:
1789:
1786:
1772:
1767:
1766:
1761:
1757:
1751:
1748:
1740:September 24,
1736:. Sovmusic.ru
1735:
1733:
1725:
1722:
1714:September 15,
1709:
1703:
1700:
1692:September 24,
1687:
1683:
1677:
1675:
1673:
1669:
1661:September 24,
1657:
1656:
1651:
1647:
1641:
1639:
1637:
1633:
1625:September 15,
1620:
1614:
1611:
1606:
1605:
1604:Rolling Stone
1600:
1594:
1591:
1578:
1574:
1568:
1565:
1552:
1551:
1546:
1540:
1537:
1529:September 24,
1525:
1524:Billboard.com
1521:
1515:
1513:
1509:
1497:
1493:
1486:
1483:
1479:
1472:September 20,
1464:
1460:
1456:
1452:
1445:
1438:
1435:
1428:
1421:
1418:
1417:
1413:
1411:Organization
1410:
1409:
1403:
1396:
1394:
1393:
1389:
1387:"Whip-Smart"
1386:
1383:
1382:
1378:
1376:
1375:
1373:
1368:
1365:
1362:
1361:
1357:
1355:
1354:
1350:
1347:
1344:
1343:
1339:
1336:
1333:
1330:
1329:
1323:
1316:
1314:
1310:
1306:
1303:
1298:
1292:
1290:
1284:
1276:Chart (1994)
1274:
1271:
1262:
1257:
1254:
1251:
1248:
1245:
1242:
1239:
1238:
1234:
1226:
1223:Total length:
1216:
1213:
1210:
1206:
1202:
1199:
1196:
1192:
1188:
1185:
1183:"Crater Lake"
1182:
1178:
1174:
1171:
1168:
1164:
1160:
1156:
1154:
1150:
1147:
1144:
1140:
1136:
1132:
1129:
1126:
1122:
1118:
1115:
1112:
1108:
1104:
1101:
1098:
1094:
1090:
1087:
1084:
1080:
1076:
1073:
1070:
1066:
1062:
1059:
1056:
1052:
1048:
1045:
1042:
1038:
1034:
1031:
1028:
1024:
1020:
1016:
1013:
1010:
1006:
990:
987:
985:
977:Track listing
976:
974:
972:
968:
964:
960:
959:
953:
950:
945:
943:
941:
936:
932:
928:
924:
922:
917:
910:
908:
906:
901:
900:
895:
892:
888:
887:
882:
880:
876:
872:
841:
839:
838:
834:
833:
803:
801:
800:
796:
795:
765:
763:
762:
761:Rolling Stone
758:
757:
727:
725:
724:
720:
719:
715:
713:
712:
708:
707:
682:
680:
679:
675:
674:
670:
668:
667:
663:
662:
637:
635:
634:
630:
629:
604:
602:
601:
597:
596:
566:
564:
561:
560:
552:
549:Review scores
547:
538:
536:
534:
530:
525:
523:
518:
513:
511:
507:
503:
498:
496:
492:
486:
484:
480:
475:
473:
468:
460:
458:
456:
455:
450:
449:
448:Rolling Stone
444:
441:As a result,
439:
437:
433:
429:
425:
424:
415:
413:
411:
410:Grammy Awards
407:
402:
400:
399:
394:
390:
389:
384:
383:
378:
374:
373:
372:Rolling Stone
367:
365:
361:
357:
356:
355:Rolling Stone
351:
350:
349:Rolling Stone
345:
341:
337:
334:
333:
332:Village Voice
328:
327:
322:
321:
316:
311:
309:
307:
302:
298:
297:
292:
288:
287:
277:
266:
260:
253:
247:
240:
234:
233:
230:
227:
223:
219:
215:
206:
205:
201:
197:
196:
192:
188:
187:
183:
182:
178:
174:
170:
165:
162:
160:
157:
156:
155:
153:
149:
144:
141:
139:
136:
135:
134:
132:
128:
116:
112:
107:
104:
102:
99:
98:
97:
95:
91:
86:
82:
81:Compass Point
79:
76:
73:
72:
71:
67:
64:February 1994
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
2327:Why Can't I?
2306:Fuck and Run
2281:Comeandgetit
2279:
2272:
2254:
2247:
2240:
2233:
2226:
2220:
2219:
2212:
2142:
2133:
2121:. Retrieved
2115:
2103:
2094:
2087:
2081:
2069:. Retrieved
2059:
2047:. Retrieved
2042:
2036:"Pop Albums"
2030:
2018:. Retrieved
2013:
2001:
1990:
1981:
1953:
1943:
1931:. Retrieved
1925:
1922:"Whip-Smart"
1915:
1904:
1898:
1887:
1881:
1869:. Retrieved
1863:
1850:
1838:. Retrieved
1832:
1829:"Whip-Smart"
1819:
1807:. Retrieved
1801:
1788:
1776:. Retrieved
1771:the original
1763:
1750:
1738:. Retrieved
1731:
1724:
1712:. Retrieved
1702:
1690:. Retrieved
1686:the original
1659:. Retrieved
1653:
1623:. Retrieved
1613:
1602:
1593:
1581:. Retrieved
1577:the original
1567:
1557:February 17,
1555:. Retrieved
1548:
1539:
1527:. Retrieved
1523:
1499:. Retrieved
1495:
1485:
1477:
1470:. Retrieved
1463:the original
1450:
1437:
1419:RIAA – U.S.
1390:
1371:
1369:
1366:"Supernova"
1351:
1348:"Supernova"
1288:
1269:
1011:"Chopsticks"
981:
962:
956:
954:
948:
946:
939:
920:
915:
914:
904:
897:
896:
890:
884:
883:
878:
868:
835:
797:
759:
721:
709:
676:
664:
631:
598:
526:
521:
516:
514:
505:
501:
499:
487:
478:
476:
466:
464:
452:
446:
442:
440:
431:
421:
419:
403:
396:
386:
380:
376:
375:on the week
370:
368:
359:
353:
347:
336:Pazz and Jop
330:
324:
318:
314:
312:
305:
300:
294:
285:
284:
283:
225:
202:
194:
193:
184:
39:Studio album
15:
2396:1994 albums
2365:Girly-Sound
2197:Discography
1961:. pp.
1211:"May Queen"
1085:"Nashville"
1057:"X-Ray Man"
894:audience."
472:Girly-Sound
398:120 Minutes
344:Girly Sound
226:Whip-Smart
62:August 1993
2380:Categories
2320:Whip-Smart
2299:Never Said
2221:Whip-Smart
1429:References
1143:Whip-Smart
963:Whip-Smart
949:Whip-Smart
916:Whip-Smart
905:Whip-Smart
517:Whip-Smart
506:Whip-Smart
479:Whip-Smart
477:In total,
467:Whip-Smart
443:Whip-Smart
416:Background
377:Whip-Smart
360:Whip-Smart
326:Q Magazine
315:Whip-Smart
301:Whip-Smart
286:Whip-Smart
252:Whip-Smart
195:Whip-Smart
175:chronology
101:Indie rock
24:Whip-Smart
2341:Bollywood
2313:Supernova
2274:Juvenilia
2235:Liz Phair
2186:Liz Phair
2095:Billboard
2088:Billboard
1992:USA Today
1949:Kot, Greg
1794:Kot, Greg
1583:April 18,
1550:Billboard
1459:0006-2510
1451:Billboard
1372:Billboard
1340:Position
1304:Top 200
1289:Billboard
1281:position
1247:Brad Wood
1241:Liz Phair
1235:Personnel
1149:Liz Phair
1099:"Go West"
1027:Supernova
1000:Writer(s)
984:Liz Phair
967:SoundScan
961:article,
958:Billboard
940:Billboard
927:Supernova
921:Billboard
886:Billboard
837:USA Today
539:Reception
510:Brad Wood
497:instead.
474:moniker.
461:Recording
306:Billboard
291:Liz Phair
239:Supernova
173:Liz Phair
164:Brad Wood
159:Liz Phair
44:Liz Phair
2256:Soberish
2249:Funstyle
2123:March 9,
2117:Cash Box
2049:July 23,
2043:Cash Box
2020:July 23,
1655:AllMusic
1501:June 25,
1302:Cash Box
1167:Jealousy
879:Guyville
875:AllMusic
563:AllMusic
502:Guyville
265:Jealousy
152:Producer
143:Atlantic
59:Recorded
51:Released
41: by
1778:May 28,
1374:Hot 100
1334:Single
1324:Singles
1071:"Shane"
942:Hot 100
899:Cashbox
483:Bahamas
428:Matador
222:Singles
208:(1998)
199:(1994)
190:(1993)
138:Matador
2139:"Item"
1969:
1963:633–34
1457:
1414:Level
1337:Chart
1263:Charts
1214:
1200:
1186:
1172:
1130:
1116:
1102:
1088:
1074:
1060:
1046:
1032:
1014:
1003:Length
911:Charts
557:Rating
554:Source
358:named
114:Length
69:Studio
2291:Songs
2112:(PDF)
2090:200)"
2039:(PDF)
2010:(PDF)
1466:(PDF)
1447:(PDF)
1422:Gold
1384:1995
1363:1994
1345:1994
1331:Year
1227:42:02
997:Title
224:from
131:Label
106:lo-fi
94:Genre
2125:2024
2073:2012
2051:2024
2022:2024
1967:ISBN
1935:2012
1873:2012
1842:2012
1811:2012
1780:2016
1742:2012
1716:2012
1694:2012
1663:2012
1627:2012
1585:2014
1559:2012
1531:2012
1503:2021
1474:2022
1455:ISSN
1279:Peak
1217:2:42
1203:1:50
1189:2:06
1175:3:37
1157:4:18
1133:2:21
1119:2:43
1105:3:17
1091:4:42
1077:4:12
1063:2:13
1049:2:58
1035:2:48
1017:2:05
971:RIAA
716:6/10
454:Spin
451:and
391:and
323:and
1889:NME
1397:24
1379:78
1317:35
1307:30
1300:US
1295:27
1291:200
1286:US
1208:14.
1194:13.
1180:12.
1162:11.
1138:10.
993:No.
931:MTV
923:200
873:of
711:NME
493:in
395:'s
393:MTV
308:200
2382::
2141:.
2114:.
2092:.
2041:.
2012:.
1965:.
1924:.
1862:.
1831:.
1800:.
1762:.
1671:^
1652:.
1648:.
1635:^
1601:.
1547:.
1522:.
1511:^
1494:.
1476:.
1449:.
1358:6
1151:,
1124:9.
1110:8.
1096:7.
1082:6.
1068:5.
1054:4.
1040:3.
1022:2.
1008:1.
944:.
524:.
485:.
412:.
401:.
385:,
366:.
123:02
119:42
83:,
2350:"
2346:"
2343:"
2339:"
2336:"
2332:"
2329:"
2325:"
2322:"
2318:"
2315:"
2311:"
2308:"
2304:"
2301:"
2297:"
2178:e
2171:t
2164:v
2127:.
2075:.
2053:.
2024:.
1995:.
1975:.
1937:.
1906:Q
1875:.
1844:.
1813:.
1782:.
1744:.
1734:"
1730:"
1718:.
1696:.
1665:.
1629:.
1587:.
1561:.
1533:.
1505:.
1169:"
1165:"
1145:"
1141:"
1029:"
1025:"
723:Q
671:B
267:"
263:"
254:"
250:"
241:"
237:"
121::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.