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Whirlpool (1970 film)

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256:. An inspector, Mr. Field, arrives and confronts Theo in search of Rhonda, who has disappeared. Theo claims Rhonda told him she planned to move to Italy after leaving Sarah's house. Theo brings Tulia to a local pub, where he offers a man a sum of money. Theo brings the man and Tulia to a secluded area in the woods and allows the man to initiate what is an apparent sexual assault on Tulia, as he photographs it. The man stops short of raping Tula, and, realizing that Theo staged this is a mere photo opportunity, Tulia is disgusted and demands to be returned to London. 248:
That evening, Tulia recounts to her hosts how her friend, Rhonda—also a model and acquaintance who spent time at Sarah's home—commented on being frightened while staying there. In particular, she was bothered by the nearby lake, which she found inexplicably ominous. Shortly after returning to London,
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Theo returns Tulia to the house, where Sarah calms her. Later that night, Sarah and Tulia have sex as Theo photographs it. This eventually culminates in a threesome. Meanwhile, Mr. Field cases Sarah's house, accidentally knocking over a bucket while attempting to look inside. The noise alerts Theo,
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with Theo, an aspiring photographer whom she has taken in. The pair refer to one another as aunt and nephew, respectively. While at the studio, Sara meets Tulia, a young fashion model, whom she invites to come stay at her home so that Theo can photograph her. Tulia and Theo have a photo session in
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wrote: "A Danish production filmed – somewhat surprisingly – in England, and emerging as a permissive updating of the best (or worst) Victorian melodrama, complete with over-emphatic gestures, pregnant pauses and sinister glances. Irrelevant appearances from one or two minor characters and the
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Rhonda apparently vanished. As the night draws on, the three have drinks and play a game of cards, which culminates in Tulia and Sarah undressing. Theo and Tulia begin to kiss, and Sarah retires to her bedroom, where she stares longingly at photographs of Rhonda.
276:. Just as he attempts to stab Tulia, she hits him with a developing tray and manages to flee the house, running into the woods. Theo eventually corners her, forcing her against a fallen tree, where he fondles and kisses her while viciously stabbing her to death. 357:
called it a "genuinely sickening film. It has to do with various varieties of sex, yes, but its main appeal seems to be its violence...  The violence is not, however, the cathartic sort to be found in
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While Theo disposes of Mr. Field's corpse, Sarah and Tulia are left alone, unaware of what has transpired. Sarah falls asleep, after which Tulia goes into the basement of the home to investigate Theo's
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generally erratic continuity are the result of substantial cutting in the version showing here, which – after a sluggish exposition – gains in speed and impact for the later lurid developments."
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or the comic strip spaghetti Westerns. It's a particularly grisly sort of violence, photographed for its own sake and deliberately relishing in its ugliness. It made me awfully uneasy."
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who resides in town. After killing Rhonda, the men disposed of her corpse in the lake. Theo returns to the house and confronts a horrified Tulia, confessing that he is a
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Tulia is tormented by nightmares involving Theo and Rhonda. In the morning, Sarah chastises Theo for not bringing Tulia into her room so that they could engage in a
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and Pia Andersson. Made in England by a Spanish director for a Danish production company (Athena Films), it was distributed in the USA by
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the woods, but it is aborted after Tulia witnesses a cloaked figure spying on her. The figure vanishes, and Tulia becomes frightened.
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who quickly goes outside to investigate. Theo chases Mr. Field into the woods to his car, where he stabs him to death.
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The film was first seen in the USA on 18 September 1970. In the UK, a 70-minute version, titled
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as part of a three-film set of director Larraz's early features, entitled "Blood Hunger", by
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Sarah, a middle-aged photographer, lives in the country outside
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was unavailable in home media formats until it was released on
383:. The Blu-ray edition was sourced from a print held by the 224:, in his directorial debut, and starring Karl Lanchbury, 692: 186: 178: 168: 140: 132: 118: 108: 100: 92: 72: 64: 56: 48: 38: 21: 603:: CS1 maint: bot: original URL status unknown ( 558:: CS1 maint: bot: original URL status unknown ( 516:(444): 207. 1 January 1971 – via ProQuest. 540:. Archived from the original on 21 January 2021 430:"Film 'Whirlpool' offers assorted vulgarities" 670: 585:. Archived from the original on 3 August 2021 8: 571: 569: 677: 663: 655: 27: 18: 475:Whirlpool' offers assorted vulgarities', 454:British Film Institute Collections Search 438:. p. 11 – via Newspapers.com. 420: 400: 596: 551: 7: 577:"Restoring the films of José Larraz" 337:, first appearing on 21 March 1971. 868:Films directed by José Ramón Larraz 428:Kelly, Kevin (19 September 1970). 14: 385:UCLA Film and Television Archive 310:Ernest C. Jennings as Old Tramp 298:Johanna Hegger as Rhonda Clive 16:1970 Danish film by José Ramón 1: 853:British horror thriller films 878:1970s English-language films 833:1970 directorial debut films 407:Credited as "J. R. Larrath". 873:Films set in country houses 858:British LGBTQ-related films 149:18 September 1970 919: 898:Danish LGBTQ-related films 848:British exploitation films 331:She Died With Her Boots On 204:She Died with Her Boots On 863:Films about photographers 509:The Monthly Film Bulletin 479:, 19 September 1970, p.11 347:The Monthly Film Bulletin 33:Theatrical release poster 26: 903:1970 LGBTQ-related films 838:1970s exploitation films 220:written and directed by 715:The House That Vanished 489:'Entertainment Guide', 295:Pia Andersson as Sarah 286:Karl Lanchbury as Theo 893:Danish thriller films 333:, was distributed by 230:Cinemation Industries 136:Cinemation Industries 493:, 20 March 1971, p.6 319:Alan Charles as Eric 96:Julio Pérez de Rozas 888:Danish horror films 883:1970s British films 843:1970 thriller films 530:(8 December 1970). 301:Andrew Grant as Tom 213:) is a 1970 Danish 778:The National Mummy 639:TCM Movie Database 815: 814: 743:The Coming of Sin 686:José Ramón Larraz 537:Chicago Sun-Times 222:José Ramón Larraz 194: 193: 127:Athena Films A.S. 52:José Ramón Larraz 43:José Ramón Larraz 910: 722:Emma, Dark Doors 679: 672: 665: 656: 609: 608: 602: 594: 592: 590: 573: 564: 563: 557: 549: 547: 545: 524: 518: 517: 500: 494: 487: 481: 477:The Boston Globe 471: 465: 464: 462: 460: 446: 440: 439: 435:The Boston Globe 425: 408: 405: 210:Whirlpool of Sex 156: 154: 113:Stelvio Cipriani 31: 19: 918: 917: 913: 912: 911: 909: 908: 907: 818: 817: 816: 811: 799:Edge of the Axe 750:The Golden Lady 688: 683: 618: 613: 612: 595: 588: 586: 575: 574: 567: 550: 543: 541: 526: 525: 521: 502: 501: 497: 491:Hull Daily Mail 488: 484: 472: 468: 458: 456: 448: 447: 443: 427: 426: 422: 417: 412: 411: 406: 402: 397: 370: 343: 335:Edwin J. Fancey 327: 322: 316:as Pub Landlord 282: 238: 201:(also known as 171: 164: 152: 150: 143: 128: 123: 121: 88: 34: 17: 12: 11: 5: 916: 914: 906: 905: 900: 895: 890: 885: 880: 875: 870: 865: 860: 855: 850: 845: 840: 835: 830: 820: 819: 813: 812: 810: 809: 802: 795: 792:Rest in Pieces 788: 781: 774: 767: 760: 753: 746: 739: 732: 725: 718: 711: 704: 696: 694: 690: 689: 684: 682: 681: 674: 667: 659: 653: 652: 641: 630: 617: 616:External links 614: 611: 610: 565: 519: 495: 482: 466: 441: 419: 418: 416: 413: 410: 409: 399: 398: 396: 393: 369: 366: 361:The Wild Bunch 342: 339: 326: 323: 321: 320: 317: 311: 308: 302: 299: 296: 293: 287: 283: 281: 278: 237: 234: 192: 191: 188: 184: 183: 180: 176: 175: 172: 169: 166: 165: 163: 162: 146: 144: 141: 138: 137: 134: 133:Distributed by 130: 129: 126: 124: 119: 116: 115: 110: 106: 105: 102: 98: 97: 94: 93:Cinematography 90: 89: 87: 86: 83: 80: 79:Karl Lanchbury 76: 74: 70: 69: 66: 62: 61: 58: 54: 53: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 915: 904: 901: 899: 896: 894: 891: 889: 886: 884: 881: 879: 876: 874: 871: 869: 866: 864: 861: 859: 856: 854: 851: 849: 846: 844: 841: 839: 836: 834: 831: 829: 826: 825: 823: 808: 807: 803: 801: 800: 796: 794: 793: 789: 787: 786: 785:Black Candles 782: 780: 779: 775: 773: 772: 768: 766: 765: 764:Lady Lucifera 761: 759: 758: 757:El Periscopio 754: 752: 751: 747: 745: 744: 740: 738: 737: 733: 731: 730: 726: 724: 723: 719: 717: 716: 712: 710: 709: 705: 703: 702: 698: 697: 695: 693:Feature films 691: 687: 680: 675: 673: 668: 666: 661: 660: 657: 651: 647: 646: 642: 640: 636: 635: 631: 629: 625: 624: 620: 619: 615: 606: 600: 584: 583: 578: 572: 570: 566: 561: 555: 539: 538: 533: 529: 523: 520: 515: 511: 510: 505: 499: 496: 492: 486: 483: 480: 476: 470: 467: 455: 451: 445: 442: 437: 436: 431: 424: 421: 414: 404: 401: 394: 392: 390: 386: 382: 378: 374: 367: 365: 363: 362: 356: 352: 349: 348: 340: 338: 336: 332: 324: 318: 315: 312: 309: 306: 303: 300: 297: 294: 291: 288: 285: 284: 279: 277: 275: 271: 267: 261: 257: 255: 250: 246: 243: 235: 233: 231: 227: 223: 219: 218:thriller film 216: 212: 211: 206: 205: 200: 199: 189: 185: 181: 177: 173: 167: 160: 148: 147: 145: 139: 135: 131: 125: 117: 114: 111: 107: 103: 99: 95: 91: 85:Pia Andersson 84: 81: 78: 77: 75: 71: 67: 63: 59: 55: 51: 49:Screenplay by 47: 44: 41: 37: 30: 25: 20: 806:Deadly Manor 804: 797: 790: 783: 776: 769: 762: 755: 748: 741: 734: 727: 720: 713: 706: 700: 699: 644: 633: 622: 587:. Retrieved 580: 542:. Retrieved 535: 528:Ebert, Roger 522: 513: 507: 498: 490: 485: 478: 474: 469: 457:. Retrieved 453: 444: 433: 423: 403: 372: 371: 359: 353: 345: 344: 330: 328: 307:as Mr. Field 290:Vivien Neves 262: 258: 251: 247: 239: 226:Vivian Neves 215:exploitation 209: 208: 203: 202: 197: 196: 195: 170:Running time 142:Release date 82:Vivian Neves 582:Arrow Films 532:"Whirlpool" 504:"Whirlpool" 450:"Whirlpool" 389:Los Angeles 381:Arrow Films 355:Roger Ebert 305:Edwin Brown 104:Carlo Reali 68:Sam Lomberg 65:Produced by 60:Sam Lomberg 39:Directed by 828:1970 films 822:Categories 544:18 January 415:References 368:Home media 314:Larry Dann 174:87 minutes 153:1970-09-18 120:Production 708:Deviation 701:Whirlpool 645:Whirlpool 634:Whirlpool 623:Whirlpool 589:8 October 554:cite news 459:10 August 373:Whirlpool 341:Reception 254:threesome 198:Whirlpool 101:Edited by 22:Whirlpool 736:Vampyres 729:Symptoms 650:AllMovie 599:cite web 292:as Tulia 266:darkroom 187:Language 109:Music by 73:Starring 57:Story by 637:at the 377:Blu-ray 325:Release 190:English 182:Denmark 179:Country 151: ( 122:company 771:Stigma 473:'Film 274:sadist 242:London 159:Boston 157: ( 395:Notes 270:tramp 628:IMDb 605:link 591:2022 560:link 546:2021 461:2024 280:Cast 236:Plot 207:and 648:at 626:at 387:in 824:: 601:}} 597:{{ 579:. 568:^ 556:}} 552:{{ 534:. 514:38 512:. 506:. 452:. 432:. 391:. 678:e 671:t 664:v 607:) 593:. 562:) 548:. 463:. 161:) 155:)

Index


José Ramón Larraz
Stelvio Cipriani
Boston
exploitation
thriller film
José Ramón Larraz
Vivian Neves
Cinemation Industries
London
threesome
darkroom
tramp
sadist
Vivien Neves
Edwin Brown
Larry Dann
Edwin J. Fancey
The Monthly Film Bulletin
Roger Ebert
The Wild Bunch
Blu-ray
Arrow Films
UCLA Film and Television Archive
Los Angeles
"Film 'Whirlpool' offers assorted vulgarities"
The Boston Globe
"Whirlpool"
"Whirlpool"
The Monthly Film Bulletin

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