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Whistlin' Alex Moore

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219:, but returned to Dallas three years later for his father's job, who was a professional candy maker. Although his family did not own a piano Moore learned the instrument by watching others, including a female cousin, and practicing on instruments he found around town. He also learned to play harmonica as a boy, and was a tap dancer and whistler. He took a more serious interest in playing piano in his mid-teens, although he never learned how to read music. In 1915 he performed on Dallas radio station WWR, and continued to play for tips at various social gathering places, including chockhouses (homes or stores where home-brewed alcohol was served) and 33: 337:
Although Moore played the piano for audiences around the world, he never considered himself a professional musician. Throughout the course of his adult life, his nonmusical jobs included hauling gravel, driving mule teams, washing dishes, working as a hotel porter, and as a custodian at office
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Tony Russell wrote that "Moore was so odd a performer that some newcomers to the blues have been uncertain whether to take him seriously. By the time he became moderately well-known on the international blues scene of the 1960s and 1970s; his always singular style had burgeoned into florid
308:. He did not record again in either the 1970s or 1980s, but he continued to give live performances until his death. He remembered and sang again the blues he had recorded in the 1920s and 1930s, such as "West Texas Woman" and "Blue Bloomer Blues", with their touching and poetic 203:. He is best remembered for his recordings of "Blue Bloomer Blues" (which he first recorded in 1929, as well as later in life), "Across the Atlantic Ocean" and "Black Eyed Peas and Hog Jowls". 346:
Moore died of a heart attack on January 20, 1989 in Dallas, aged 89. He never married; he was survived by a son and daughter. He was interred at the Lincoln Memorial Cemetery in Dallas.
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After his father's death, he dropped out of school to support his mother and two siblings. He had become proficient on the piano before entering the
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eccentricity, and he would reminisce tirelessly in a foggy half-shout about youthful high times in his hometown, over skipping blues and
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he made did not sell in great quantities, and Moore did not record again until 1937, when a few of his songs were issued by
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signed him to a recording contract in 1960, and the subsequent recordings brought him nationwide recognition.
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in 1916. His overall sound during the 1920s combined elements of the blues,
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in the United States and a few festivals in Europe. He toured with the
231: 323:, becoming the first African-American Texan to receive such an honor. 309: 212: 70: 506:. Vol. 2 (K-Z). Santa Barbara, CA: ABC-Clio. pp. 456ā€“458. 196: 98: 549:. Texas State Historical Association (TSHA). Tshaonline.org. n.d 195:(November 22, 1899 – January 20, 1989), was an American 338:
buildings. He retired from the last of those jobs in 1965.
273:. However, throughout the 1940s and 1950s, he performed in 663:. National Endowment for the Arts. n.d. Archived from 504:
Masters of Traditional Arts: A Biographical Dictionary
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Govenar, Alan, ed. (2001). "Alexander H. Moore, Sr.".
156: 146: 129: 112: 91: 77: 57: 47: 42: 23: 635:. Dubai: Carlton Books Limited. pp. 147ā€“148. 215:, Texas. At the age of three, his family moved to 326:The year before his death, he recorded the album 304:, Germany, which led to the release of the album 277:in Dallas and occasionally other parts of Texas. 362:piano patterns with occasional bursts of shrill 265:It was 1951 before Moore recorded again, with 633:The Blues: From Robert Johnson to Robert Cray 8: 569:"Alex Moore: African-American Blues Pianist" 284:During the 1960s, Moore played at clubs and 835:20th-century African-American male singers 31: 20: 687:"Whistlin' Alex Moore | Discography" 626: 624: 497: 495: 493: 300:. The same year he recorded a session in 657:"NEA National Heritage Fellowships 1987" 292:in 1969, performing on the same bill as 406: 193:Alexander Herman "Whistlin' Alex" Moore 575:. National Endowment for the Arts. n.d 541: 539: 537: 535: 533: 531: 470: 468: 444: 442: 418: 416: 414: 412: 410: 7: 820:National Heritage Fellowship winners 16:American blues musician (1899ā€“1989) 840:20th-century American male singers 476:"Whistlin' Alex Moore Discography" 388:From North Dallas to the East Side 14: 850:20th-century American songwriters 830:African-American male songwriters 425:"Whistlin' Alex Moore: Biography" 600:The Guinness Who's Who of Blues 321:National Endowment for the Arts 805:20th-century American pianists 1: 845:20th-century American singers 315:In 1987, Moore was granted a 689:. AllMusic. January 20, 1989 317:National Heritage Fellowship 290:American Folk Blues Festival 246:In 1929, he made his debut 866: 453:. TheDeadRockStarsClub.com 234:, barrelhouse boogie, and 760:African-American pianists 547:"Moore, Alexander Herman" 30: 825:Arhoolie Records artists 815:Columbia Records artists 731:Whistlin' Alex Moore 810:Rounder Records artists 765:American blues pianists 721:Illustrated discography 785:Boogie-woogie pianists 780:American blues singers 775:Songwriters from Texas 770:American male pianists 631:Russell, Tony (1997). 330:his final session for 53:Alexander Herman Moore 43:Background information 795:Texas blues musicians 790:Musicians from Dallas 423:O'Neal, Jim (n.d.). 382:Whistlin' Alex Moore 370:Selected discography 306:Alex Moore in Europe 199:pianist, singer and 25:Whistlin' Alex Moore 605:Guinness Publishing 603:(Second ed.). 87:Dallas, Texas, U.S. 228:United States Army 211:Moore was born in 449:Doc Rock (n.d.). 187: 186: 68:November 22, 1899 857: 699: 698: 696: 694: 683: 677: 676: 674: 672: 653: 647: 646: 628: 619: 618: 591: 585: 584: 582: 580: 565: 559: 558: 556: 554: 543: 526: 525: 499: 488: 487: 485: 483: 472: 463: 462: 460: 458: 446: 437: 436: 434: 432: 420: 355:Music journalist 279:Arhoolie Records 252:Columbia Records 149: 84: 81:January 20, 1989 67: 65: 50: 35: 21: 865: 864: 860: 859: 858: 856: 855: 854: 740: 739: 726:Grave headstone 714:discography at 708: 703: 702: 692: 690: 685: 684: 680: 670: 668: 667:on May 19, 2020 655: 654: 650: 643: 630: 629: 622: 615: 607:. p. 270. 593: 592: 588: 578: 576: 567: 566: 562: 552: 550: 545: 544: 529: 514: 501: 500: 491: 481: 479: 474: 473: 466: 456: 454: 448: 447: 440: 430: 428: 422: 421: 408: 403: 372: 352: 344: 332:Rounder Records 244: 209: 190: 183: 147: 142: 125: 108: 86: 82: 69: 63: 61: 48: 38: 26: 17: 12: 11: 5: 863: 861: 853: 852: 847: 842: 837: 832: 827: 822: 817: 812: 807: 802: 797: 792: 787: 782: 777: 772: 767: 762: 757: 752: 742: 741: 738: 737: 728: 723: 718: 707: 706:External links 704: 701: 700: 678: 648: 641: 620: 613: 597:, ed. (1995). 586: 560: 527: 512: 489: 464: 438: 405: 404: 402: 399: 398: 397: 394:Ice Pick Blues 391: 385: 379: 371: 368: 351: 348: 343: 340: 243: 240: 217:El Paso, Texas 208: 205: 189:Musical artist 188: 185: 184: 182: 181: 176: 171: 166: 160: 158: 154: 153: 150: 144: 143: 141: 140: 137: 133: 131: 127: 126: 124: 123: 120: 116: 114: 110: 109: 107: 106: 101: 95: 93: 89: 88: 85:(aged 89) 79: 75: 74: 59: 55: 54: 51: 45: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 862: 851: 848: 846: 843: 841: 838: 836: 833: 831: 828: 826: 823: 821: 818: 816: 813: 811: 808: 806: 803: 801: 798: 796: 793: 791: 788: 786: 783: 781: 778: 776: 773: 771: 768: 766: 763: 761: 758: 756: 753: 751: 748: 747: 745: 736: 732: 729: 727: 724: 722: 719: 717: 713: 710: 709: 705: 688: 682: 679: 666: 662: 658: 652: 649: 644: 642:1-85868-255-X 638: 634: 627: 625: 621: 616: 614:0-85112-673-1 610: 606: 602: 601: 596: 590: 587: 574: 570: 564: 561: 548: 542: 540: 538: 536: 534: 532: 528: 523: 519: 515: 509: 505: 498: 496: 494: 490: 477: 471: 469: 465: 452: 445: 443: 439: 426: 419: 417: 415: 413: 411: 407: 400: 395: 392: 389: 386: 383: 380: 377: 374: 373: 369: 367: 365: 361: 360:boogie-woogie 356: 349: 347: 341: 339: 335: 333: 329: 324: 322: 318: 313: 311: 307: 303: 299: 295: 291: 287: 282: 280: 276: 272: 268: 263: 261: 260:Decca Records 257: 253: 249: 241: 239: 237: 233: 229: 224: 222: 218: 214: 206: 204: 202: 198: 194: 180: 177: 175: 172: 170: 167: 165: 162: 161: 159: 155: 151: 145: 138: 135: 134: 132: 128: 121: 118: 117: 115: 111: 105: 104:boogie-woogie 102: 100: 97: 96: 94: 90: 80: 76: 73:, Texas, U.S. 72: 60: 56: 52: 46: 41: 37:Moore in 1969 34: 29: 22: 19: 735:Find a Grave 691:. Retrieved 681: 669:. Retrieved 665:the original 660: 651: 632: 598: 595:Colin Larkin 589: 577:. Retrieved 572: 563: 551:. Retrieved 503: 480:. Retrieved 455:. Retrieved 429:. Retrieved 393: 387: 381: 375: 353: 345: 336: 328:Wiggle Tail, 327: 325: 314: 305: 283: 264: 245: 225: 210: 192: 191: 148:Years active 83:(1989-01-20) 18: 755:1989 deaths 750:1899 births 693:January 31, 671:December 5, 579:December 5, 553:January 31, 482:January 31, 457:January 31, 451:"The 1980s" 431:January 31, 376:Wiggle Tail 294:Earl Hooker 267:RPM Records 223:in Dallas. 221:juke joints 130:Instruments 113:Occupations 744:Categories 712:Alex Moore 513:1576072401 427:. AllMusic 401:References 248:recordings 207:Early life 152:1920sā€“1989 122:songwriter 64:1899-11-22 49:Birth name 800:Whistlers 478:. Wirz.de 364:whistling 302:Stuttgart 298:Magic Sam 286:festivals 661:arts.gov 573:arts.gov 522:47644303 342:Personal 201:whistler 179:Columbia 169:Document 164:Arhoolie 119:Musician 716:Discogs 319:by the 256:records 232:ragtime 174:Rounder 639:  611:  520:  510:  396:(1995) 390:(1994) 384:(1994) 378:(1988) 350:Legacy 310:lyrics 254:. The 242:Career 236:stride 213:Dallas 157:Labels 139:vocals 92:Genres 71:Dallas 275:clubs 197:blues 136:Piano 99:Blues 695:2014 673:2020 637:ISBN 609:ISBN 581:2020 555:2014 518:OCLC 508:ISBN 484:2014 459:2014 433:2014 296:and 271:Kent 250:for 78:Died 58:Born 733:at 366:." 746:: 659:. 623:^ 571:. 530:^ 516:. 492:^ 467:^ 441:^ 409:^ 312:. 262:. 697:. 675:. 645:. 617:. 583:. 557:. 524:. 486:. 461:. 435:. 269:/ 66:) 62:(

Index

Moore in 1969
Dallas
Blues
boogie-woogie
Arhoolie
Document
Rounder
Columbia
blues
whistler
Dallas
El Paso, Texas
juke joints
United States Army
ragtime
stride
recordings
Columbia Records
records
Decca Records
RPM Records
Kent
clubs
Arhoolie Records
festivals
American Folk Blues Festival
Earl Hooker
Magic Sam
Stuttgart
lyrics

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