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transcends beyond "experience" is followed by references to "the anguish of the marrow"(l.13) and the uncontrollable “fever of the bone” (l.16) that are too corporeal for mundane experience. The second section begins with a description of a modern
Russian woman Grishkin whose “friendly bust/ Gives promise of pneumatic bliss”(l.19-20). In the following two stanzas, Grishkin is compared to the “Brazilian jaguar” which “does not in its arboreal gloom/ distil so rank a feline smell/ As Grishkin in a drawing room.”(l.26-28) In the concluding stanza, the narrator said that even her charm is the subject of philosophy. Nevertheless “our lot crawls between dry ribs/ To keep our metaphysics warm.”(l.31-32).
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in particular. Both
Webster and Donne are praised by the narrator, the former for seeing the “skull beneath the skin”(l.2), the latter for not seeking any “substitute for sense/ To seize and clutch and penetrate;/Expert beyond experience,..”(l.10-12). The apparent oxymoron of a "sense" that
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The poem was developed in two sections; each contains four stanzas and each stanza contains four lines. The first section where Eliot paid homage to his great
Jacobean masters in whom he found the unified sensibility is a kind of "versified critique" of Jacobean writers,
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Critical
Companion to T.S. Eliot: a Literary Reference to His Life and Work
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and first collected in June 1919 in a volume entitled
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139:. New York: Infobase Publishing. p. 488.
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189:An omnibus collection of T. S. Eliot's poetry
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641:T. S. Eliot Prize (Truman State University)
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283:Preludes
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538:(1941)
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