728:" is about admitting to mistakes or engaging in morally wrong behavior. Ness explains: "I don't know this for sure, but I may have been one of the first rock 'n' rollers to just say, 'at certain times in my life I was an asshole.' This job comes a big ego, 'Hey man, I am who I am. Take it, that's just what I do. I'm Mike Ness. Take it or leave it.' It's so easy to pull that card, but it's a lot harder to look inward and just go, 'You know what? You're right. I was wrong.' " "Down on the World Again" is "about having the worst day", according to Ness. He says it is inspired by his painful childhood and how it made him an angry person. He considers it useful to use that anger for songwriting but considers it unhealthy to use anger in one's daily life. He says: "I was fighting the world, but I didn't even really have a reason." "When the Angels Sing" is about the death of Ness' grandmother and how being single intensified the grief. Ness' grandmother died in December 1993. Ness said about "When the Angels Sing": "My feelings came out more in that song than what I felt in the actual funeral." "Gotta Know the Rules" is about rules and laws in life and the consequences of disobeying it. Ness elaborated:
736:"Crown of Thorns" is about repeating the same mistakes in life, expecting different results. Ness elaborated: "I knew I wasn't going to find love where I was looking. At some point there's an aspect of self care that has to come into play, otherwise it's never going to change." "Pleasure Seeker" is about struggling to make a decision because a decision feels good but one considers it morally wrong. "Down Here With the Rest of Us" is about the level playing field. Ness said: "It's a level playing field no matter who you are. We're still going to go through pain in life. I think it was kind of a snub at people who think they're above that. It's like no, we're all in this mess together, bro. No one gets out alive."
719:, the lyrical content on the album are instead personal or introspective. The lyrics often deal with looking back at the past and making changes or improvements in one's life. Ness' struggles in life with drugs, alcohol, and jail inspired the lyrics of the album. Ness says "Dear Lover", despite the song title, was not necessarily written after a heartbreak. "I already felt like that. I didn't even need to get my heart broke to feel that way. What I was doing wasn't working. It was almost like saying goodbye to that life because it really wasn't bringing me happiness. It's something everyone goes through and I kind of wanted to paint a picture, an accurate picture, of that." "Don't Drag Me Down" is about
494:. Ness said he "don't like hardly anybody" who was making music during the 1990s. He then said: "I don't want to listen to this stuff. I want to listen to the real thing. It's very hard for me to get inspired by contemporary music." Ness said that 1970s punk rock "was also the only music at the time accurately portraying how I felt inside." Expressing his opinion of the way music was during the 1990s, Ness said: "Our intention is to bring back the soul and emotion of that first wave of punk in the late '70s, which I feel is sorely lacking today". He then said: "Punk has become a formula now. It's basically
732:"Like, how you treat people. I was just learning about the melody at that point in my life and how important that is, and vulnerability. A lot of people just aren't in touch with this kind of stuff. Their job and their car and their career define them and they run on that, especially if they're in a business that's competitive or something. It's cutthroat, and you don't take time to look at this kind of stuff. Our egos are so powerful, but I feel like the ego is the one thing that humans could do without."
957:, however, called the album a "conscious attempt to cash in on the alternative 'revolution" of the early '90s" and expressed mixed feelings towards the band's musical direction, stating, "Underneath the layers of glossy hard rock production, the band still hold fast to some of their punk roots, but too often they sound like a heavy hard rock band. Of course, that commercial sheen is intentional – it's the only way they could appeal to the legions of
1033:"50 Greatest Punk Albums Ever". Some Social Distortion fans were upset when the first single "I Was Wrong" was played on rock radio because they believed punk rock should not be corporate or mainstream. Nonetheless, punk rock fans eventually moved on from this in the early 2000s. Social Distortion continued to be regarded as an important punk band by punk rock fans and the band continued to receive respect and support from punk rock fans.
1080:(1992), given that the two previous albums were released before 1994, the year punk rock became mainstream, and given that many more radio stations in the mid-1990s were starting to frequently play punk rock music. Social Distortion planned to tour both inside and outside the United States, given that the band began to attract people outside the United States instead of solely Americans. Social Distortion performed at
29:
451:
874:
824:
791:
786:
912:
907:
902:
897:
892:
869:
864:
859:
854:
819:
814:
809:
781:
776:
771:
406:. When recording started in the late spring of 1995, Beinhorn decided that drummer Randy Carr was not providing the studio sound Beinhorn sought. Ness trusted the producer enough to agree to the decision. A session player, Deen Castronovo, participated in the recording. After he participated, he stopped playing for Social Distortion and drummer
378:
put them out." Social
Distortion wrote 25 songs for a new album because the band wanted to write an album "that would stand out", according to Ness. "We wanted to make 'The Record'," he explained. He claims there's a few songs on each Social Distortion album that he hated "because we just did 'em, and settled for it and didn't challenge it."
534:. Ness said "I don't want this to be just another Social D record. I want it to be the Social D record." Ness said: "The last thing I wanted to write was a cute alternative record," he says. "This album is about going back to the genuine emotion and rock basics that fueled the first wave of punk." Social Distortion's 1983 debut studio album
723:
and how Ness witnessed it when touring in the United States and seeing it at punk rock concerts, leading to him engaging in physical fights. "Untitled" is about Ness becoming sober and a few older men helped him with it. One of them was a very close friend of his but that friend died. Ness lost four
652:
and classic punk rock, writing that "Social
Distortion returned to its hardcore roots". Ness said of the album's musical style: "What's really ironic about this record is that it probably has more similarities to our first album, from 1983, than any of them. And that was purely unconscious. A lot of
385:
that most of the songs would not work. Ness says: "He saw something inside that needed to come out, and we weren't quite achieving it. We went back in and did more writing. We ended up keeping two of those twelve songs." Initially, Ness was upset but the two "gained a mutual respect for each other."
377:
said the band "needed a break." Social
Distortion then had to be involved in some court battles to retrieve some of the band's early recordings. The recording were not in the band's possession and the recordings were unavailable to the public, too. The band "had to retrieve them, package them up and
697:"I was 10 years into my recovery from drugs and alcohol and certain things were becoming clear to me, like maybe drugs and alcohol were just a small part of the problem. It was just the beginning of a little self-awareness. I didn't like what I was seeing....It was a lot of the evaluating things."
498:
with louder guitars," he said. "A lot of passion has been lost as it's become more marketable. The masses have decided that punk rock is safe, but we were doing this music when it was unpopular." Ness believed that punk rock was no longer countercultural or dangerous in the 1990s. "Punk was more
343:. "When the Angels Sing" lacked chart success compared to "I Was Wrong". Social Distortion planned to tour both inside and outside the United States, given that the band began to attract people outside the United States instead of solely attracting Americans. Social Distortion also performed at
434:. As a result, Beinhorn solely used analog and vintage equipment in the studio. Ness claimed that during the cutting of the guitar tracks, he used a '68 Gold Top reissue with P-90 pickups, a few SG reissues and a Silvertone through various Fenders, Marshalls and Soldanos. Ness said: "Me and
685:
it and just throw it in there. songs that mean a lot to me, I've already been listening to them for so long and I just one day go, 'I'm going to start playing this.' Me and the band work it out. I want to show everyone how it influenced me so it becomes my own version of
2673:
307:. The album has more introspective and personal lyrics about topics like grief, regret, looking back to the past, and making changes or improvements in one's life. The lyrics were inspired by Ness' past, which involved drugs, alcohol, and jail.
636:
wrote: "The album is reminiscent of the primary punk bands influences: The
Ramones, The Clash and the late '70s and early '80s punk sound. The album veers far from the alternative trend, which seems to sneak its way into newer punk rock."
266:, the band toured until the end of 1993 and needed a break. After dealing with court battles over early recordings and attempting to retrieve them, package them up, and release them, Social Distortion wrote many songs to plan a new album.
1006:
praised the album and wrote: "You just can't go wrong with Social D. they've got everything you could ask for in a punk-rock band. They are inventive, individual, and very talented. Go out right now and get album." Jon
Pareles of
1143:
chart, remaining on there for 19 weeks. "When the Angels Sing" also had a music video and was released to radio. The song, however, did not have much success on rock radio and peaked at relatively low positions on the
442:
sound," said Ness. "Something with a bottom end that would hit you right in the chest." Ness claims that Social
Distortion "used all analog equipment until the very last moment", which he considered similar to 1970s
967:
in 1992." Chris Moran of
Punknews.org praised the album and wrote: "with its passionate lyrics, laced with heavy undertones; this is unquestionable a milestone in the legacy of Social Distortion." Tom Sinclair of
507:, you made a decision that you would have a confrontation that day." Ness said "there's just things going on today that just would never have been allowed" in the early years of punk rock, and he said that
2198:
314:
were mixed-to-positive, with the musical style and lyrical content being praised by some critics and criticized by other critics. The album experienced moderate success and peaked at number 27 on the
630:
wrote: "If Ness wanted this record to demonstrate that unique quality that puts Social
Distortion above and beyond current "alternative" music, he has succeeded." Marci Von Savoy of
974:
wrote: "After more than a decade of hard playing and harder living, Southern
California's Social Distortion have made their first truly transcendent album." Roberto Gonzalez of the
560:
and believes the album shows Social
Distortion going back to the band's roots, but still considers the album an evolution because Ness "had to dig really deep", citing songs like "
277:
in general. He wanted to make a new album that would be considered Social Distortion's best album and wanted to bring back the characteristics and emotions of 1970s punk rock.
2660:
1722:
1070:
has sold 277,000 copies in the United States, making it Social Distortion's third best-selling album. Ness was confident that the album would have more success than
2208:
3225:
2810:
3141:
3042:
171:
2410:
3120:
2162:
986:
wrote: "the band's musical and emotional values are timeless. Like a fist in the face, White Light White Heat White Trash is simple and effective."
3106:
3024:
624:
wrote that Social Distortion "made a conscious attempt to cash in on the alternative 'revolution' of the early '90s." Nonetheless, Dan McGarry of
1062:, selling 30,000 in its first week of release in the United States. The album sold steady weekly sales of 10,000 to 12,000 copies. According to
3184:
1973:
3099:
28:
3134:
1231:
725:
561:
330:
206:
980:
wrote: "The album is exhausting. Almost every song kicks with an amazing intensity that will have you immediately hooked." Ira Robbins of
3155:
1000:
a mixed to negative review and wrote: Ness's newfound nasal-flattened attempts at balladic sensitivity are embarrassing". Sam Dillon of
564:" and "When the Angels Sing" as examples of this. He says those two songs "deal with sin and redemption, inner conflict, good and bad."
1127:
The song "I Was Wrong" was released to radio and had a music video created, too. The song had success on rock radio and was played on
3210:
3127:
3017:
2960:
2252:
1076:
963:
369:
262:
153:
2974:
2939:
536:
303:
2894:
2803:
1416:
511:, for example, was hated by punk rock musicians and fans during punk rock's early years. He then criticized grunge bands like
2311:
715:
are more personal than lyrics on previous Social Distortion albums. Although a couple of songs are more political or about
3179:
2981:
2235:
883:
3220:
3085:
3060:
2654:
1850:
2683:
1089:
356:
681:
it and do it like we were playing it so well. We had evolved as a band so much, I felt like I wanted to revisit it,
2889:
2796:
2531:
1941:
321:, selling 30,000 copies in its first week of release in the United States. Selling 10,000 to 12,000 copies weekly,
2695:
2999:
2953:
2027:
1071:
500:
2052:
2737:
2367:
1542:
373:
in 1992, Social Distortion went touring and they toured until the end of 1993. The band's guitarist and singer
1910:
1879:
1139:
chart, peaking at number 4 and remaining on the chart for 22 weeks. The song also peaked at number 12 on the
653:
those emotions resurfaced. Or I just got in touch with them. I don't think they ever go away." Ness believes
2699:
2023:
1788:
1502:
954:
617:
386:
Ness decided the two "were on the right track" and saw the situation as an exciting challenge. The title to
2172:
1762:"Digging to Climb : Mike Ness of O.C.'s Social Distortion Delves Deep and Comes Up With 'White Light'"
2503:
1140:
402:
2476:
2445:
1761:
426:, joined Social Distortion. The album was recorded from August 1995 to June 1996 in Bearsville Studio in
3148:
3067:
2617:
2589:
2559:
2711:
1817:
2104:
3215:
2719:
2167:
1105:
970:
833:
1970:
3113:
2240:
1727:
516:
483:
427:
69:
3189:
2372:
1855:
1580:
1146:
1136:
1009:
632:
545:
397:
335:
3162:
2902:
2852:
2819:
2508:
2481:
2450:
2275:
2248:
2244:
2134:
1792:
1766:
1063:
549:
508:
430:. "Going back to basics" was considered the philosophy that underlay the recording process of
411:
326:
245:
140:
41:
2912:
2838:
2536:
2415:
1946:
1441:
1101:
1081:
1039:
976:
459:
382:
344:
257:
133:
530:
Social Distortion wanted to go back to its late 1970s and early 1980s punk rock roots with
466:
Ness was disappointed with the state of music that existed during the 1990s. When he wrote
2316:
2280:
2230:
2139:
1977:
1915:
1884:
1447:
1422:
1132:
1002:
933:
921:
800:
626:
512:
491:
128:
1135:
chart and remained on the chart for 13 weeks. The song had a lot of chart success on the
381:
Social Distortion wrote a dozen songs in 1994 for a new album, but were told by producer
2907:
2678:
1672:
1486:
1428:
1361:
1347:
1113:
1093:
670:
666:
657:
was featuring both Social Distortion moving forward and reverting to the band's roots.
524:
479:
407:
352:
329:, making it Social Distortion's third best-selling album. The album's two singles are "
189:
2733:
3204:
2876:
2845:
2564:
2203:
1991:
1624:
1586:
1514:
1498:
1410:
1117:
1056:
992:
982:
845:
649:
589:
585:
581:
435:
419:
415:
315:
298:
286:
282:
82:
2105:"Mike Ness Looks Back at Social Distortion's 'White Light, White Heat, White Trash'"
3092:
2946:
2922:
2917:
2646:
1822:
1431:– drums (credited as band member at the time of release, did not play on the album)
1351:
716:
662:
520:
504:
423:
253:
118:
105:
273:
was disappointed with the way music was during the 1990s, including punk rock and
588:-inspired style of previous Social Distortion albums by instead featuring a pure
2884:
2865:
2734:"Offiziellecharts.de – Social Distortion – White Light, White Heat, White Trash"
1357:
1121:
1097:
958:
605:
541:
495:
77:
325:
sold 277,000 copies in the United States as of December 31, 1998, according to
2860:
2271:
987:
450:
444:
392:
274:
2396:
333:" and "When the Angels Sing". "I Was Wrong" experienced chart success on the
2831:
2108:
1404:
1160:
1085:
1020:
lyrics, claiming it had a lot of clichés, but praised the album's melodies.
613:
523:
with a pierced nose and short hair." Ness made an exception for grunge band
487:
475:
374:
270:
249:
241:
113:
2233:(2004). "Social Distortion". In Brackett, Nathan; Hoard, Christian (eds.).
2772:
2751:
293:
influences than the three previous Social Distortion albums, and instead,
2130:
2031:
1942:"Album Review - Social Distortion - White Light, White Heat, White Trash"
1109:
1026:
950:
763:
621:
348:
2345:
1651:
1630:
1607:
2056:
1980:. YaleHerald.com. September 27, 1996. Retrieved on February 25, 2007.
720:
638:
604:
described both the album and Social Distortion's music as a whole as
471:
2788:
449:
290:
36:
2792:
1880:"After 15 Years, Social Distortion Keeps the Punk Spirit Alive"
961:
alternative fans who appeared since Social Distortion released
1128:
462:
has become so marketable that a lot of it has become imagery."
340:
677:"We had recorded that song so long ago and I just wanted to
2618:"Social Distortion Chart History (Mainstream Rock Airplay)"
474:, Ness was inspired by the style of 1970s punk bands like
2053:"White Light White Heat White Trash by Social Distortion"
2028:"White Light White Heat White Trash – Social Distortion"
2590:"Social Distortion Chart History (Alternative Airplay)"
2276:"Social Distortion: White Light White Heat White Trash"
2199:"Social Distortion: White Light White Heat White Trash"
260:. After the release of Social Distortion's 1992 album
2477:"It's Harvest Time for Korn and Other Local Products"
1037:
was included in lists of the best albums of 1996 by
724:
other friends and all of this inspired "Untitled". "
3172:
3077:
3052:
3034:
3009:
2991:
2931:
1179:
1168:
470:, he was "reacting against" 1990s music. Rejecting
188:
139:
127:
104:
88:
76:
64:
56:
48:
35:
21:
2612:
2610:
2446:"Will the Flash of 'White Light' Burn Steadily?"
2696:"Official Rock & Metal Albums Chart Top 40"
2659:: CS1 maint: others in cite AV media (notes) (
2560:"Social Distortion Chart History (Radio Songs)"
2399:. RockList.net. Retrieved on February 25, 2007.
2192:
2190:
1992:"Mike Ness on politics, new album, and touring"
1851:"Social Distortion amuse with punk rock antics"
730:
695:
675:
2346:"Review: White Light, White Heat, White Trash"
2305:
2303:
1904:
1902:
1716:
1714:
1712:
1710:
1708:
1706:
1704:
1047:Commercial performance, touring, and promotion
851:
768:
2804:
2584:
2582:
1911:"Social Distortion keeps its youthful appeal"
1811:
1809:
339:charts, playing frequently on rock radio and
8:
2773:"Visions – Popular Music Best-Of-Lists List"
2099:
2097:
2095:
2093:
889:
806:
648:musical style as a musical style resembling
503:in 1979, if you walked down the street in a
2397:"The Kerrang! 50 Greatest Punk Albums Ever"
2091:
2089:
2087:
2085:
2083:
2081:
2079:
2077:
2075:
2073:
2018:
2016:
2014:
2012:
2811:
2797:
2789:
2470:
2468:
2392:
2390:
1845:
1843:
1841:
1527:
1470:
743:
297:is a stylistic return to the band's 1980s
27:
18:
16:1996 studio album by Social Distortion
1935:
1933:
1755:
1753:
1751:
1749:
1747:
1745:
2532:"Northampton Gets Mighty, Mighty Warped"
2439:
2437:
2435:
2433:
2411:"Social Distortion Tunes Out the Static"
1558:
1407:– vocals, guitars, art direction, mixing
1165:
2266:
2264:
1971:"New distortion from Social Distortion"
1700:
1369:
665:and the hidden track is a cover of the
580:shows the band taking a break from the
269:Social Distortion guitarist and singer
2652:
2409:Violanti, Anthony (February 3, 1997).
2320:. Vol. 44, no. 12. p. 6
1966:
1964:
1940:Gonzalez, Roberto (October 24, 1996).
1789:"White Light, White Heat, White Trash"
1131:. The song peaked at number 54 on the
499:dangerous back then," he recalls. "In
240:is the fifth studio album by American
2645:(CD liner notes). Social Distortion.
2339:
2337:
2335:
1656:The Most Important Albums of the 90s
1370:
749:
248:, released on September 17, 1996, by
194:White Light, White Heat, White Trash
7:
3000:Story of My Life...And Other Stories
2968:White Light, White Heat, White Trash
2643:White Light, White Heat, White Trash
2163:"White Light White Heat White Trash"
1591:500 CDs You Must Own Before You Die
1425:– drums (uncredited session drummer)
1390:White Light, White Heat, White Trash
1068:White Light, White Heat, White Trash
1053:White Light, White Heat, White Trash
1035:White Light, White Heat, White Trash
1022:White Light, White Heat, White Trash
1015:White Light, White Heat, White Trash
998:White Light, White Heat, White Trash
947:White Light, White Heat, White Trash
713:White Light, White Heat, White Trash
704:White Light, White Heat, White Trash
702:Ness on the lyrical inspiration for
659:White Light, White Heat, White Trash
655:White Light, White Heat, White Trash
643:White Light, White Heat, White Trash
610:White Light, White Heat, White Trash
578:White Light, White Heat, White Trash
554:White Light, White Heat, White Trash
532:White Light, White Heat, White Trash
468:White Light, White Heat, White Trash
432:White Light, White Heat, White Trash
388:White Light, White Heat, White Trash
323:White Light, White Heat, White Trash
312:White Light, White Heat, White Trash
295:White Light, White Heat, White Trash
279:White Light, White Heat, White Trash
237:White Light, White Heat, White Trash
163:White Light, White Heat, White Trash
22:White Light, White Heat, White Trash
3226:Albums produced by Michael Beinhorn
2752:"Die 500 besten Alben aller Zeiten"
1723:"Social Distortion: Loud and Clear"
853:
770:
2712:"Social Distortion Chart History (
2366:Pareles, Jon (November 29, 1996).
2344:Moran, Chris (December 17, 2002).
2161:Sinclair, Tom (October 18, 1996).
1990:Steininger, Alex (November 2003).
1909:Ikenberg, Tamara (July 24, 1997).
1878:Morse, Steve (November 29, 1996).
1721:Jenkins, Mark (February 7, 1997).
949:were generally mixed to positive.
363:Background, writing, and recording
14:
3018:Mainliner: Wreckage from the Past
2961:Somewhere Between Heaven and Hell
2368:"Thumping Punk Back To Its Roots"
2310:Dillon, Sam (November 21, 1996).
2236:The New Rolling Stone Album Guide
2024:Erlewine, Stephen Thomas Erlewine
1332:"Down Here (With the Rest of Us)"
1077:Somewhere Between Heaven and Hell
964:Somewhere Between Heaven and Hell
891:
808:
390:was a reference to the 1949 film
370:Somewhere Between Heaven and Hell
263:Somewhere Between Heaven and Hell
154:Mainliner: Wreckage From the Past
2475:Boehm, Mike (October 25, 1996).
2197:Robbins, Ira (October 3, 1996).
1635:The 500 Best Albums of All Time
1051:Released on September 17, 1996,
910:
905:
900:
895:
890:
872:
867:
862:
857:
852:
822:
817:
812:
807:
789:
784:
779:
774:
769:
568:Musical style and lyrical themes
410:, former drummer for bands like
2444:Boehm, Mike (October 2, 1996).
1818:"Social Distortion White Power"
1760:Boehm, Mike (October 2, 1996).
1690:(*) designates unordered lists.
1456:Giulio Costanzo – art direction
1462:John Travis – engineer, mixing
1169:
505:leather jacket and spiked hair
458:) believed in the 1990s that "
1:
2982:Hard Times and Nursery Rhymes
1677:50 Greatest Punk Albums Ever
1453:Jolie Clemens – art direction
884:The Rolling Stone Album Guide
592:style bearing resemblance to
556:to be a "regression back to"
527:, saying he "believed them".
2674:"Top RPM Albums: Issue 9927"
1816:Grad, David (January 1997).
1682:
1661:
1640:
1617:
1596:
1547:
1521:
1507:
1492:
1084:along with other bands like
1072:the band's self-titled album
256:. The album was produced by
2975:Sex, Love and Rock 'n' Roll
2684:Library and Archives Canada
1090:the Mighty Mighty Bosstones
1066:, as of December 31, 1998,
1055:peaked at number 27 on the
1024:was ranked at number 41 on
540:was inspired by bands like
519:, describing them as "just
357:the Mighty Mighty Bosstones
3242:
2740:. Retrieved 28 June 2023.
2724:. Retrieved 28 June 2023.
2702:. Retrieved 28 June 2023.
2686:. Retrieved 28 June 2023.
1499:UK Rock & Metal Albums
1159:All lyrics are written by
2826:
1540:
1533:
1530:
1512:
1497:
1483:
1476:
1473:
1459:George Marino – mastering
1342:
1328:
1314:
1300:
1286:
1272:
1262:"Down on the World Again"
1258:
1244:
1226:
1212:
1198:
1184:
1176:
1173:
757:
754:
301:-era such as their debut
229:
199:
184:
147:
26:
3211:Social Distortion albums
2738:GfK Entertainment Charts
2312:"The Chanticleer CD Bin"
1043:and other publications.
945:Reviews and ratings for
438:really wanted to get an
2700:Official Charts Company
1484:Canada Top Albums/CDs (
955:Stephen Thomas Erlewine
618:Stephen Thomas Erlewine
60:August 1995 – June 1996
2940:Mommy's Little Monster
2133:(September 20, 1996).
1290:"Gotta Know the Rules"
1276:"When the Angels Sing"
1141:Mainstream Rock Tracks
734:
699:
688:
594:Mommy's Little Monster
558:Mommy's Little Monster
537:Mommy's Little Monster
463:
403:White Light/White Heat
347:along with bands like
304:Mommy's Little Monster
218:"When the Angels Sing"
3086:Another State of Mind
3068:Live in Orange County
3061:Another State of Mind
453:
367:After the release of
2241:Simon & Schuster
2211:on December 21, 2007
2168:Entertainment Weekly
2111:. September 14, 2016
1248:"Through These Eyes"
1202:"Don't Drag Me Down"
1163:, except where noted
1106:the Suicide Machines
971:Entertainment Weekly
834:Entertainment Weekly
745:Professional ratings
3221:Epic Records albums
2655:cite AV media notes
2512:. December 31, 1998
2175:on January 15, 2018
1859:. December 13, 1996
1728:The Washington Post
746:
517:Stone Temple Pilots
428:Woodstock, New York
70:Woodstock, New York
68:Bearsville Studio,
3010:Compilation albums
2373:The New York Times
2135:"Straight-up Rock"
1976:2007-08-11 at the
1856:The Daily Universe
1543:Offizielle Top 100
1137:Modern Rock Tracks
1010:The New York Times
744:
740:Critical reception
633:The Daily Universe
552:. Ness considered
546:the Rolling Stones
464:
398:Velvet Underground
52:September 17, 1996
3198:
3197:
3163:Machine Gun Blues
3142:Reach for the Sky
2954:Social Distortion
2853:David Hidalgo Jr.
2820:Social Distortion
2509:Los Angeles Times
2482:Los Angeles Times
2451:Los Angeles Times
1996:In Music We Trust
1793:Social Distortion
1767:Los Angeles Times
1691:
1687:
1686:
1552:
1551:
1526:
1525:
1399:Social Distortion
1380:
1379:
1318:"Pleasure Seeker"
1304:"Crown of Thorns"
1064:Nielsen SoundScan
943:
942:
602:In Music We Trust
460:alternative music
327:Nielsen SoundScan
246:Social Distortion
233:
232:
180:
179:
141:Social Distortion
42:Social Distortion
3233:
3173:Related articles
3121:Story of My Life
3043:Live at the Roxy
2913:Charlie Quintana
2839:Jonny Wickersham
2813:
2806:
2799:
2790:
2783:
2782:
2780:
2779:
2768:
2762:
2761:
2759:
2758:
2747:
2741:
2731:
2725:
2709:
2703:
2693:
2687:
2671:
2665:
2664:
2658:
2650:
2639:
2633:
2632:
2630:
2628:
2614:
2605:
2604:
2602:
2600:
2586:
2577:
2576:
2574:
2572:
2556:
2550:
2549:
2547:
2545:
2537:Hartford Courant
2528:
2522:
2521:
2519:
2517:
2500:
2494:
2493:
2491:
2489:
2472:
2463:
2462:
2460:
2458:
2441:
2428:
2427:
2425:
2423:
2416:The Buffalo News
2406:
2400:
2394:
2385:
2384:
2382:
2380:
2363:
2357:
2356:
2354:
2352:
2341:
2330:
2329:
2327:
2325:
2307:
2298:
2297:
2295:
2293:
2274:(October 1996).
2268:
2259:
2258:
2239:(4th ed.).
2231:Considine, J. D.
2227:
2221:
2220:
2218:
2216:
2207:. Archived from
2194:
2185:
2184:
2182:
2180:
2171:. Archived from
2158:
2152:
2151:
2149:
2147:
2127:
2121:
2120:
2118:
2116:
2101:
2068:
2067:
2065:
2063:
2049:
2043:
2042:
2040:
2038:
2020:
2007:
2006:
2004:
2002:
1987:
1981:
1968:
1959:
1958:
1956:
1954:
1947:Hartford Courant
1937:
1928:
1927:
1925:
1923:
1906:
1897:
1896:
1894:
1892:
1875:
1869:
1868:
1866:
1864:
1847:
1836:
1835:
1833:
1831:
1813:
1804:
1803:
1801:
1799:
1785:
1779:
1778:
1776:
1774:
1757:
1740:
1739:
1737:
1735:
1718:
1689:
1559:
1528:
1471:
1442:Michael Beinhorn
1394:
1373:
1171:
1166:
1082:Warped Tour 1997
1040:The Buffalo News
1032:
1019:
977:Hartford Courant
915:
914:
913:
909:
908:
904:
903:
899:
898:
894:
893:
877:
876:
875:
871:
870:
866:
865:
861:
860:
856:
855:
827:
826:
825:
821:
820:
816:
815:
811:
810:
794:
793:
792:
788:
787:
783:
782:
778:
777:
773:
772:
747:
707:
684:
680:
647:
441:
383:Michael Beinhorn
345:Warped Tour 1997
258:Michael Beinhorn
222:
219:
213:
210:
172:Live at the Roxy
149:
148:
134:Michael Beinhorn
100:
99:
95:
31:
19:
3241:
3240:
3236:
3235:
3234:
3232:
3231:
3230:
3201:
3200:
3199:
3194:
3168:
3073:
3053:Videos and DVDs
3048:
3030:
3005:
2987:
2927:
2822:
2817:
2787:
2786:
2777:
2775:
2770:
2769:
2765:
2756:
2754:
2750:Rolling Stone.
2749:
2748:
2744:
2732:
2728:
2710:
2706:
2694:
2690:
2672:
2668:
2651:
2641:
2640:
2636:
2626:
2624:
2616:
2615:
2608:
2598:
2596:
2588:
2587:
2580:
2570:
2568:
2558:
2557:
2553:
2543:
2541:
2540:. July 24, 1997
2530:
2529:
2525:
2515:
2513:
2502:
2501:
2497:
2487:
2485:
2474:
2473:
2466:
2456:
2454:
2443:
2442:
2431:
2421:
2419:
2408:
2407:
2403:
2395:
2388:
2378:
2376:
2365:
2364:
2360:
2350:
2348:
2343:
2342:
2333:
2323:
2321:
2317:The Chanticleer
2309:
2308:
2301:
2291:
2289:
2270:
2269:
2262:
2255:
2229:
2228:
2224:
2214:
2212:
2196:
2195:
2188:
2178:
2176:
2160:
2159:
2155:
2145:
2143:
2140:Chicago Tribune
2129:
2128:
2124:
2114:
2112:
2103:
2102:
2071:
2061:
2059:
2051:
2050:
2046:
2036:
2034:
2022:
2021:
2010:
2000:
1998:
1989:
1988:
1984:
1978:Wayback Machine
1969:
1962:
1952:
1950:
1939:
1938:
1931:
1921:
1919:
1916:Chicago Tribune
1908:
1907:
1900:
1890:
1888:
1885:Chicago Tribune
1877:
1876:
1872:
1862:
1860:
1849:
1848:
1839:
1829:
1827:
1815:
1814:
1807:
1797:
1795:
1787:
1786:
1782:
1772:
1770:
1759:
1758:
1743:
1733:
1731:
1720:
1719:
1702:
1697:
1612:Top 300 Albums
1557:
1541:German Albums (
1535:
1478:
1469:
1450:– illustrations
1448:Kalynn Campbell
1423:Deen Castronovo
1392:
1386:
1381:
1371:
1156:
1133:Hot 100 Airplay
1049:
1030:
1017:
1003:The Chanticleer
934:The Chanticleer
911:
906:
901:
896:
873:
868:
863:
858:
823:
818:
813:
801:Chicago Tribune
790:
785:
780:
775:
742:
709:
701:
693:
682:
678:
645:
627:The Yale Herald
575:
570:
513:Alice in Chains
492:Johnny Thunders
439:
365:
281:includes fewer
225:
220:
217:
216:
211:
204:
203:
175:
166:
157:
123:
97:
93:
92:
44:
17:
12:
11:
5:
3239:
3237:
3229:
3228:
3223:
3218:
3213:
3203:
3202:
3196:
3195:
3193:
3192:
3187:
3182:
3176:
3174:
3170:
3169:
3167:
3166:
3159:
3152:
3149:Death or Glory
3145:
3138:
3131:
3124:
3117:
3110:
3107:Ball and Chain
3103:
3096:
3089:
3081:
3079:
3075:
3074:
3072:
3071:
3064:
3056:
3054:
3050:
3049:
3047:
3046:
3038:
3036:
3032:
3031:
3029:
3028:
3021:
3013:
3011:
3007:
3006:
3004:
3003:
2995:
2993:
2992:Extended plays
2989:
2988:
2986:
2985:
2978:
2971:
2964:
2957:
2950:
2943:
2935:
2933:
2929:
2928:
2926:
2925:
2920:
2915:
2910:
2908:Chuck Biscuits
2905:
2900:
2897:
2892:
2887:
2882:
2881:John Stevenson
2879:
2874:
2871:
2868:
2863:
2857:
2856:
2849:
2842:
2835:
2827:
2824:
2823:
2818:
2816:
2815:
2808:
2801:
2793:
2785:
2784:
2763:
2742:
2726:
2704:
2688:
2666:
2634:
2606:
2578:
2551:
2523:
2495:
2464:
2429:
2401:
2386:
2358:
2331:
2299:
2260:
2253:
2222:
2186:
2153:
2122:
2069:
2044:
2008:
1982:
1960:
1929:
1898:
1870:
1837:
1805:
1780:
1741:
1699:
1698:
1696:
1693:
1685:
1684:
1681:
1678:
1675:
1673:United Kingdom
1670:
1664:
1663:
1660:
1657:
1654:
1649:
1643:
1642:
1639:
1636:
1633:
1628:
1620:
1619:
1616:
1613:
1610:
1605:
1599:
1598:
1595:
1592:
1589:
1584:
1576:
1575:
1572:
1569:
1566:
1563:
1556:
1553:
1550:
1549:
1546:
1538:
1537:
1532:
1524:
1523:
1520:
1510:
1509:
1506:
1495:
1494:
1491:
1481:
1480:
1475:
1468:
1465:
1464:
1463:
1460:
1457:
1454:
1451:
1445:
1438:
1437:
1433:
1432:
1429:Chuck Biscuits
1426:
1420:
1414:
1408:
1401:
1400:
1385:
1382:
1378:
1377:
1374:
1368:
1367:
1364:
1362:Keith Richards
1355:
1348:Under My Thumb
1344:
1340:
1339:
1336:
1333:
1330:
1326:
1325:
1322:
1319:
1316:
1312:
1311:
1308:
1305:
1302:
1298:
1297:
1294:
1291:
1288:
1284:
1283:
1280:
1277:
1274:
1270:
1269:
1266:
1263:
1260:
1256:
1255:
1252:
1249:
1246:
1242:
1241:
1238:
1235:
1228:
1224:
1223:
1220:
1217:
1214:
1210:
1209:
1206:
1203:
1200:
1196:
1195:
1192:
1189:
1186:
1182:
1181:
1178:
1175:
1172:
1157:
1155:
1152:
1114:Less Than Jake
1094:Sick of It All
1048:
1045:
941:
940:
937:
929:
928:
925:
917:
916:
887:
879:
878:
849:
841:
840:
837:
829:
828:
804:
796:
795:
766:
760:
759:
756:
752:
751:
741:
738:
711:The lyrics on
694:
692:
691:Lyrical themes
689:
673:". Ness said:
671:Under My Thumb
667:Rolling Stones
574:
571:
569:
566:
480:New York Dolls
408:Chuck Biscuits
364:
361:
353:Less Than Jake
231:
230:
227:
226:
224:
223:
221:Released: 1997
214:
212:Released: 1996
200:
197:
196:
186:
185:
182:
181:
178:
177:
168:
159:
145:
144:
137:
136:
131:
125:
124:
122:
121:
116:
110:
108:
102:
101:
90:
86:
85:
80:
74:
73:
66:
62:
61:
58:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
3238:
3227:
3224:
3222:
3219:
3217:
3214:
3212:
3209:
3208:
3206:
3191:
3188:
3186:
3183:
3181:
3178:
3177:
3175:
3171:
3164:
3160:
3157:
3153:
3150:
3146:
3143:
3139:
3136:
3132:
3129:
3125:
3122:
3118:
3115:
3111:
3108:
3104:
3101:
3097:
3094:
3090:
3087:
3083:
3082:
3080:
3076:
3070:
3069:
3065:
3063:
3062:
3058:
3057:
3055:
3051:
3045:
3044:
3040:
3039:
3037:
3033:
3027:
3026:
3025:Greatest Hits
3022:
3020:
3019:
3015:
3014:
3012:
3008:
3002:
3001:
2997:
2996:
2994:
2990:
2984:
2983:
2979:
2977:
2976:
2972:
2970:
2969:
2965:
2963:
2962:
2958:
2956:
2955:
2951:
2949:
2948:
2944:
2942:
2941:
2937:
2936:
2934:
2932:Studio albums
2930:
2924:
2921:
2919:
2916:
2914:
2911:
2909:
2906:
2904:
2901:
2898:
2896:
2893:
2891:
2890:Derek O'Brien
2888:
2886:
2883:
2880:
2878:
2877:Dennis Danell
2875:
2872:
2869:
2867:
2864:
2862:
2859:
2858:
2855:
2854:
2850:
2848:
2847:
2846:Brent Harding
2843:
2841:
2840:
2836:
2834:
2833:
2829:
2828:
2825:
2821:
2814:
2809:
2807:
2802:
2800:
2795:
2794:
2791:
2774:
2767:
2764:
2753:
2746:
2743:
2739:
2736:(in German).
2735:
2730:
2727:
2723:
2722:
2717:
2715:
2708:
2705:
2701:
2697:
2692:
2689:
2685:
2681:
2680:
2675:
2670:
2667:
2662:
2656:
2648:
2644:
2638:
2635:
2623:
2619:
2613:
2611:
2607:
2595:
2591:
2585:
2583:
2579:
2567:
2566:
2561:
2555:
2552:
2539:
2538:
2533:
2527:
2524:
2511:
2510:
2505:
2504:"Scoring Big"
2499:
2496:
2484:
2483:
2478:
2471:
2469:
2465:
2453:
2452:
2447:
2440:
2438:
2436:
2434:
2430:
2418:
2417:
2412:
2405:
2402:
2398:
2393:
2391:
2387:
2375:
2374:
2369:
2362:
2359:
2347:
2340:
2338:
2336:
2332:
2319:
2318:
2313:
2306:
2304:
2300:
2287:
2283:
2282:
2277:
2273:
2267:
2265:
2261:
2256:
2254:0-7432-0169-8
2250:
2246:
2242:
2238:
2237:
2232:
2226:
2223:
2210:
2206:
2205:
2204:Rolling Stone
2200:
2193:
2191:
2187:
2174:
2170:
2169:
2164:
2157:
2154:
2142:
2141:
2136:
2132:
2126:
2123:
2110:
2106:
2100:
2098:
2096:
2094:
2092:
2090:
2088:
2086:
2084:
2082:
2080:
2078:
2076:
2074:
2070:
2058:
2054:
2048:
2045:
2033:
2029:
2025:
2019:
2017:
2015:
2013:
2009:
1997:
1993:
1986:
1983:
1979:
1975:
1972:
1967:
1965:
1961:
1949:
1948:
1943:
1936:
1934:
1930:
1918:
1917:
1912:
1905:
1903:
1899:
1887:
1886:
1881:
1874:
1871:
1858:
1857:
1852:
1846:
1844:
1842:
1838:
1825:
1824:
1819:
1812:
1810:
1806:
1794:
1790:
1784:
1781:
1769:
1768:
1763:
1756:
1754:
1752:
1750:
1748:
1746:
1742:
1730:
1729:
1724:
1717:
1715:
1713:
1711:
1709:
1707:
1705:
1701:
1694:
1692:
1679:
1676:
1674:
1671:
1669:
1666:
1665:
1658:
1655:
1653:
1650:
1648:
1645:
1644:
1637:
1634:
1632:
1629:
1627:
1626:
1625:Rolling Stone
1622:
1621:
1614:
1611:
1609:
1606:
1604:
1601:
1600:
1593:
1590:
1588:
1585:
1583:
1582:
1578:
1577:
1573:
1570:
1567:
1564:
1561:
1560:
1554:
1544:
1539:
1531:Chart (2021)
1529:
1519:
1517:
1511:
1504:
1500:
1496:
1489:
1488:
1482:
1474:Chart (1996)
1472:
1466:
1461:
1458:
1455:
1452:
1449:
1446:
1443:
1440:
1439:
1435:
1434:
1430:
1427:
1424:
1421:
1419:– bass guitar
1418:
1415:
1412:
1411:Dennis Danell
1409:
1406:
1403:
1402:
1398:
1397:
1396:
1395:liner notes.
1391:
1388:Adapted from
1383:
1375:
1372:Total length:
1365:
1363:
1359:
1356:
1353:
1349:
1345:
1341:
1337:
1334:
1331:
1327:
1323:
1320:
1317:
1313:
1309:
1306:
1303:
1299:
1295:
1292:
1289:
1285:
1281:
1278:
1275:
1271:
1267:
1264:
1261:
1257:
1253:
1250:
1247:
1243:
1239:
1236:
1233:
1229:
1225:
1221:
1218:
1215:
1211:
1207:
1204:
1201:
1197:
1193:
1190:
1187:
1183:
1167:
1164:
1162:
1154:Track listing
1153:
1151:
1149:
1148:
1142:
1138:
1134:
1130:
1125:
1123:
1119:
1118:Reel Big Fish
1115:
1111:
1107:
1103:
1099:
1095:
1091:
1087:
1083:
1079:
1078:
1073:
1069:
1065:
1061:
1059:
1054:
1046:
1044:
1042:
1041:
1036:
1029:
1028:
1023:
1016:
1012:
1011:
1005:
1004:
999:
995:
994:
989:
985:
984:
983:Rolling Stone
979:
978:
973:
972:
966:
965:
960:
956:
952:
948:
938:
936:
935:
931:
930:
926:
924:
923:
919:
918:
888:
886:
885:
881:
880:
850:
848:
847:
846:Rolling Stone
843:
842:
838:
836:
835:
831:
830:
805:
803:
802:
798:
797:
767:
765:
762:
761:
753:
750:Review scores
748:
739:
737:
733:
729:
727:
722:
718:
717:social issues
714:
708:
705:
698:
690:
687:
674:
672:
668:
664:
660:
656:
651:
650:hardcore punk
644:
640:
635:
634:
629:
628:
623:
619:
615:
611:
608:. Describing
607:
603:
600:compilation.
599:
595:
591:
590:hardcore punk
587:
583:
582:rock and roll
579:
573:Musical style
572:
567:
565:
563:
559:
555:
551:
547:
543:
539:
538:
533:
528:
526:
522:
518:
514:
510:
506:
502:
501:Orange County
497:
493:
489:
485:
481:
477:
473:
469:
461:
457:
452:
448:
446:
437:
436:Dennis Danell
433:
429:
425:
421:
417:
413:
409:
405:
404:
399:
395:
394:
389:
384:
379:
376:
372:
371:
362:
360:
358:
354:
350:
346:
342:
338:
337:
332:
328:
324:
320:
318:
313:
308:
306:
305:
300:
299:hardcore punk
296:
292:
288:
284:
283:rock and roll
280:
276:
272:
267:
265:
264:
259:
255:
251:
247:
243:
239:
238:
228:
215:
208:
202:
201:
198:
195:
191:
187:
183:
174:
173:
169:
165:
164:
160:
156:
155:
151:
150:
146:
142:
138:
135:
132:
130:
126:
120:
117:
115:
112:
111:
109:
107:
103:
91:
87:
84:
83:Hardcore punk
81:
79:
75:
71:
67:
63:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
3185:Band members
3114:Ring of Fire
3100:Let It Be Me
3093:Prison Bound
3066:
3059:
3041:
3023:
3016:
2998:
2980:
2973:
2967:
2966:
2959:
2952:
2947:Prison Bound
2945:
2938:
2923:Atom Willard
2918:Matt Freeman
2873:Mark Garrett
2851:
2844:
2837:
2830:
2776:. Retrieved
2766:
2755:. Retrieved
2745:
2729:
2720:
2713:
2707:
2691:
2677:
2669:
2647:Epic Records
2642:
2637:
2625:. Retrieved
2621:
2597:. Retrieved
2593:
2569:. Retrieved
2563:
2554:
2542:. Retrieved
2535:
2526:
2514:. Retrieved
2507:
2498:
2486:. Retrieved
2480:
2457:February 14,
2455:. Retrieved
2449:
2420:. Retrieved
2414:
2404:
2377:. Retrieved
2371:
2361:
2351:February 25,
2349:. Retrieved
2322:. Retrieved
2315:
2290:. Retrieved
2285:
2279:
2234:
2225:
2213:. Retrieved
2209:the original
2202:
2177:. Retrieved
2173:the original
2166:
2156:
2144:. Retrieved
2138:
2125:
2113:. Retrieved
2060:. Retrieved
2047:
2035:. Retrieved
1999:. Retrieved
1995:
1985:
1951:. Retrieved
1945:
1920:. Retrieved
1914:
1889:. Retrieved
1883:
1873:
1861:. Retrieved
1854:
1828:. Retrieved
1826:. p. 19
1823:Guitar World
1821:
1796:. Retrieved
1783:
1771:. Retrieved
1765:
1732:. Retrieved
1726:
1688:
1667:
1646:
1623:
1602:
1579:
1562:Publication
1515:
1485:
1389:
1387:
1352:hidden track
1188:"Dear Lover"
1158:
1145:
1126:
1075:
1067:
1057:
1052:
1050:
1038:
1034:
1025:
1021:
1014:
1008:
1001:
997:
991:
981:
975:
969:
962:
946:
944:
932:
920:
882:
844:
832:
799:
735:
731:
712:
710:
703:
700:
696:
676:
663:hidden track
658:
654:
642:
631:
625:
609:
601:
597:
593:
577:
576:
557:
553:
535:
531:
529:
521:Led Zeppelin
484:Generation X
467:
465:
455:
440:in-your-face
431:
424:Circle Jerks
401:
391:
387:
380:
368:
366:
334:
322:
316:
311:
310:Reviews for
309:
302:
294:
278:
268:
261:
254:Epic Records
236:
235:
234:
193:
170:
162:
161:
152:
37:Studio album
3216:1996 albums
3190:Adolescents
3180:Discography
3135:I Was Wrong
3035:Live albums
2903:Chris Reece
2895:John Maurer
2885:Brent Liles
2866:Casey Royer
2292:January 15,
2272:Eddy, Chuck
2243:. pp.
2215:January 15,
2179:January 15,
2146:January 15,
2037:January 15,
1417:John Maurer
1358:Mick Jagger
1232:I Was Wrong
1122:Limp Bizkit
1098:Descendents
1074:(1990) and
1013:criticized
959:post-grunge
726:I Was Wrong
661:features a
606:street punk
562:I Was Wrong
542:the Ramones
509:heavy metal
496:Cheap Trick
331:I Was Wrong
207:I Was Wrong
3205:Categories
3156:Far Behind
2899:Bob Stubbs
2870:Tom Corvin
2861:Rikk Agnew
2778:2007-08-08
2757:2007-08-08
1695:References
1444:– producer
1436:Additional
1216:"Untitled"
988:Chuck Eddy
641:described
612:as "heavy
412:Black Flag
393:White Heat
275:rock music
143:chronology
2832:Mike Ness
2771:Visions.
2721:Billboard
2714:Billboard
2622:Billboard
2594:Billboard
2565:Billboard
2131:Kot, Greg
2109:Riot Fest
1603:Rock Hard
1568:Accolade
1555:Accolades
1536:position
1516:Billboard
1479:position
1413:– guitars
1405:Mike Ness
1384:Personnel
1161:Mike Ness
1147:Billboard
1102:Pennywise
1086:Blink-182
1058:Billboard
683:re-record
679:re-record
614:hard rock
598:Mainliner
488:Dead Boys
476:The Clash
375:Mike Ness
336:Billboard
317:Billboard
271:Mike Ness
250:550 Music
242:punk rock
3128:Bad Luck
2288:(7): 132
2032:AllMusic
1974:Archived
1668:Kerrang!
1565:Country
1150:charts.
1110:Lagwagon
1027:Kerrang!
951:AllMusic
764:AllMusic
622:AllMusic
596:and the
456:pictured
422:and the
396:and the
349:Lagwagon
129:Producer
57:Recorded
49:Released
39: by
3078:Singles
2649:. 1996.
2627:May 15,
2599:May 15,
2571:May 15,
2544:May 16,
2516:May 16,
2488:May 15,
2422:May 16,
2379:May 16,
2324:May 15,
2115:May 15,
2062:May 16,
2001:May 15,
1953:May 15,
1922:May 15,
1891:May 15,
1863:May 17,
1830:May 16,
1798:May 15,
1773:May 15,
1734:May 16,
1652:Germany
1647:Visions
1631:Germany
1608:Germany
1581:Blender
586:country
525:Nirvana
287:country
190:Singles
176:(1998)
167:(1996)
158:(1995)
2251:
2245:756–57
2057:iTunes
1467:Charts
1393:'s
1335:
1321:
1307:
1293:
1279:
1265:
1251:
1237:
1219:
1205:
1191:
1180:Length
1177:Lyrics
1120:, and
1031:'s
1018:'s
758:Rating
755:Source
721:racism
686:that."
669:song "
646:'s
639:iTunes
548:, and
490:, and
486:, the
478:, the
472:grunge
454:Ness (
420:D.O.A.
416:Danzig
400:album
355:, and
89:Length
72:, U.S.
65:Studio
2716:200)"
1659:1999
1638:2004
1615:2001
1594:2003
1574:Rank
1571:Year
1376:46:33
1174:Title
996:gave
291:blues
244:band
192:from
106:Label
78:Genre
2661:link
2629:2021
2601:2021
2573:2021
2546:2021
2518:2021
2490:2021
2459:2013
2424:2021
2381:2021
2353:2007
2326:2021
2294:2018
2281:Spin
2249:ISBN
2217:2018
2181:2018
2148:2018
2117:2021
2064:2021
2039:2018
2003:2021
1955:2021
1924:2021
1893:2021
1865:2021
1832:2021
1800:2021
1775:2021
1736:2021
1680:N/A
1641:170
1618:123
1534:Peak
1477:Peak
1366:2:49
1338:4:19
1324:3:33
1310:4:15
1296:3:28
1282:4:15
1268:3:22
1254:3:15
1240:3:58
1222:4:45
1208:3:51
1194:4:43
993:Spin
927:4/10
922:Spin
584:and
515:and
445:rock
289:and
252:and
119:Epic
2679:RPM
1683:41
1662:31
1587:USA
1548:77
1522:27
1518:200
1513:US
1508:28
1503:OCC
1493:67
1487:RPM
1350:" (
1343:12.
1329:11.
1315:10.
1170:No.
1129:MTV
1060:200
990:of
953:'s
939:4/5
620:of
616:",
341:MTV
319:200
114:550
3207::
2718:.
2698:.
2682:.
2676:.
2657:}}
2653:{{
2620:.
2609:^
2592:.
2581:^
2562:.
2534:.
2506:.
2479:.
2467:^
2448:.
2432:^
2413:.
2389:^
2370:.
2334:^
2314:.
2302:^
2286:12
2284:.
2278:.
2263:^
2247:.
2201:.
2189:^
2165:.
2137:.
2107:.
2072:^
2055:.
2030:.
2026:.
2011:^
1994:.
1963:^
1944:.
1932:^
1913:.
1901:^
1882:.
1853:.
1840:^
1820:.
1808:^
1791:.
1764:.
1744:^
1725:.
1703:^
1597:*
1545:)
1505:)
1490:)
1360:,
1301:9.
1287:8.
1273:7.
1259:6.
1245:5.
1227:4.
1213:3.
1199:2.
1185:1.
1124:.
1116:,
1112:,
1108:,
1104:,
1100:,
1096:,
1092:,
1088:,
839:A−
544:,
482:,
447:.
418:,
414:,
359:.
351:,
285:,
98:33
94:46
3165:"
3161:"
3158:"
3154:"
3151:"
3147:"
3144:"
3140:"
3137:"
3133:"
3130:"
3126:"
3123:"
3119:"
3116:"
3112:"
3109:"
3105:"
3102:"
3098:"
3095:"
3091:"
3088:"
3084:"
2812:e
2805:t
2798:v
2781:.
2760:.
2663:)
2631:.
2603:.
2575:.
2548:.
2520:.
2492:.
2461:.
2426:.
2383:.
2355:.
2328:.
2296:.
2257:.
2219:.
2183:.
2150:.
2119:.
2066:.
2041:.
2005:.
1957:.
1926:.
1895:.
1867:.
1834:.
1802:.
1777:.
1738:.
1501:(
1354:)
1346:"
1234:"
1230:"
706:.
550:X
209:"
205:"
96::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
