409:
526:
742:
38:
417:
2246:
755:
163:
707:
209:
45:
424:
486:
474:
170:
498:
as the interval between the eighth and ninth harmonics. The minor tone may be derived from the harmonic series as the interval between the ninth and tenth harmonics. The 10:9 minor tone arises in the C
845:" is the 9:8 ratio that corresponds to the tone, is the 3:2 ratio that is associated with the musical fifth, and is the 4:3 ratio associated with the musical fourth. It is common to translate
384:
514:
Notice that in these tuning systems, a third kind of whole tone, even wider than the major tone, exists. This interval of two semitones, with ratio 256:225, is simply called the
831:
249:
The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major.
273:, a major second is the interval between two keys separated by one key, counting white and black keys alike. On a guitar string, it is the interval separated by two
612:) are rarely used with a different meaning. Namely, they are used to indicate the two distinct kinds of whole tone, more commonly and more appropriately called
1967:
1187:
991:
960:
229:
for more details). For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are
1310:
1229:
1166:
1136:
1103:
1093:
887:
872:
1249:
950:
802:
meaning "one eighth"; so it means "one eighth in addition". For example, the natural numbers are 8 and 9 in this relation (
574:
1759:
1739:
408:
245:
are notated on adjacent staff positions as well, but consist of a different number of semitones (zero, one, and three).
1025:
1865:
1871:
905:
860:
1654:
347:
2273:
2268:
593:) all major seconds have the same size, so there cannot be a distinction between a greater and a lesser tone.
2278:
2249:
1987:
1926:
1303:
503:
between D & E and G & A, and is "a sharper dissonance" than 9:8. The 9:8 major tone arises in the C
495:
2047:
1230:"A Manual of Harmony for Use in Music-schools and Seminaries and for Self ... – Oscar Paul – Google Books"
783:
2042:
1853:
2229:
1982:
1889:
1883:
1469:
915:
807:
760:
590:
586:
582:
570:
566:
562:
558:
554:
550:
482:, and it is an approximation thereof in other tuning systems, while the minor tone is the 10:9 ratio
340:
336:
66:
2012:
1877:
1859:
2125:
1562:
1296:
773:
578:
355:
2067:
2007:
1568:
1544:
1532:
1513:
1327:
1183:
1162:
1132:
1099:
987:
956:
883:
868:
672:(3 semitones) differ by one semitone. Thus, to avoid ambiguity, it is preferable to call them
525:
519:
234:
141:
358:
saw it reimagined as a consonance. It is common in many different musical systems, including
2137:
1962:
1907:
1901:
1895:
1799:
1699:
1672:
1579:
1556:
1538:
1483:
1477:
1319:
920:
900:
791:
634:
515:
375:
300:
270:
242:
230:
218:
31:
2105:
1829:
1617:
1507:
1501:
1489:
1432:
1395:
842:, the Pythagoreans hated the number 17 because it separates the 16 from its Epogdoon 18.
440:
323:: 9:8 (about 203.9 cents) and 10:9 (about 182.4 cents). The largest (9:8) ones are called
320:
316:
226:
183:
151:
124:
1004:
955:(First published as a Norton paperback. ed.). New York: W. W. Norton. p. 163.
2085:
2079:
2073:
1845:
1372:
718:
625:
621:
464:
444:
436:
351:
332:
254:
222:
114:
1071:
1050:
2262:
2209:
2058:
1977:
1972:
1918:
1779:
1719:
1605:
1593:
1458:
1421:
1378:
724:
447:, in which major seconds occur in two different sizes, the wider of them is called a
363:
262:
71:
741:
2224:
2181:
2176:
2037:
1683:
1440:
910:
397:
359:
293:
238:
186:
134:
533:
Some equal temperaments also produce major seconds of two different sizes, called
1126:
2186:
2017:
1452:
1446:
1415:
1409:
669:
665:
504:
500:
416:
258:
37:
754:
463:. The difference in size between a major tone and a minor tone is equal to one
2219:
2113:
1611:
1524:
278:
266:
162:
2119:
1623:
1029:
1005:"Whole step – Definition and More from the Free Merriam-Webster Dictionary"
17:
1095:
The
Complete Idiot's Guide to Music Theory – Michael Miller – Google Books
253:
The major second is the interval that occurs between the first and second
2151:
1599:
1347:
839:
645:
508:
507:
between C & D, F & G, and A & B. This 9:8 interval was named
393:
371:
202:
104:
2157:
2145:
2131:
1550:
1495:
1270:
664:
number of semitones. They both span 2 semitones, while, for example, a
367:
596:
In any system where there is only one size of major second, the terms
299:
Intervals composed of two semitones, such as the major second and the
2214:
2191:
2099:
2093:
1384:
1366:
1128:
Music Theory For
Dummies – Michael Pilhofer, Holly Day – Google Books
952:
How equal temperament ruined harmony : (and why you should care)
730:
688:
681:
290:
706:
1587:
753:
524:
415:
407:
161:
36:
412:
Origin of large and small seconds and thirds in harmonic series.
274:
1292:
335:(81:80, or about 21.5 cents). Some equal temperaments, such as
1202:
Royal
Society (Great Britain) (1880, digitized Feb 26, 2008).
346:
The major second was historically considered one of the most
1288:
1180:
Lou
Harrison: Selected keyboard and chamber music, 1937–1994
1026:"Oxford Dictionaries – Dictionary, Thesaurus, & Grammar"
529:
Comparison, in cents, of intervals at or near a major second
882:. Translated by Frank Cole Babbitt. Kessinger Publishing.
794:
with the ratio 9 to 8. The word is composed of the prefix
511:(meaning 'one eighth in addition') by the Pythagoreans.
343:, also distinguish between a greater and a lesser tone.
1072:"Whole tone | Define Whole tone at Dictionary.com"
1051:"Whole step | Define Whole step at Dictionary.com"
812:
1204:
Proceedings of the Royal
Society of London, Volume 30
810:
628:
are more often and more appropriately referred to as
319:, major seconds can occur in at least two different
2200:
2167:
2056:
2026:
1996:
1953:
1944:
1917:
1844:
1827:
1669:
1652:
1641:
1578:
1523:
1468:
1431:
1394:
1359:
1341:
1326:
331:or lesser tones. Their size differs by exactly one
150:
140:
133:
123:
113:
103:
98:
90:
82:
77:
65:
825:
400:sharper than C, and then by both tones together.
327:or greater tones, the smallest (10:9) are called
30:"Whole tones" redirects here. For the scale, see
296:, as opposed to larger intervals called skips.
247:
1271:"Proclus : Commentary on Plato's Timaeus"
1198:
1196:
1304:
386:Listen to a major second in equal temperament
8:
1125:Pilhofer, Michael; Day, Holly (2011-02-25).
982:Benward, Bruce & Saker, Marilyn (2003).
865:The Science of Harmonics in Classical Greece
60:
1028:. Askoxford.com. 2015-02-11. Archived from
2245:
1950:
1841:
1666:
1649:
1356:
1338:
1311:
1297:
1289:
1250:"Plutarch • Isis and Osiris (Part 3 of 5)"
1157:Leta E. Miller, Fredric Lieberman (2006).
520:Five-limit tuning § Size of intervals
328:
324:
811:
809:
494:. The major tone may be derived from the
944:
942:
940:
938:
936:
1214:
1212:
932:
396:is followed by D, which is a tone 200
59:
984:Music: In Theory and Practice, Vol. I
7:
652:Unlike almost all uses of the terms
470:The major tone is the 9:8 interval
370:, among others. It occurs in both
712:Diagram showing relations between
549:). For instance, this is true for
25:
2244:
740:
705:
41:Step: major second (major tone)
826:{\displaystyle {\tfrac {1}{8}}}
867:. Cambridge University Press.
1:
680:(see also greater and lesser
575:twelve-tone equal temperament
281:, it is the interval between
233:on adjacent staff positions.
1206:, p.531. Harvard University.
1178:Leta E. Miller, ed. (1988).
201:) is a second spanning two
1866:septimal chromatic semitone
660:, these intervals span the
2295:
1872:septimal diatonic semitone
1660:(Numbers in brackets refer
1228:Paul, Oscar (2010-05-25).
1074:. Dictionary.reference.com
1053:. Dictionary.reference.com
906:List of meantone intervals
798:- meaning "on top of" and
787:
518:(for further details, see
221:encompassing two adjacent
29:
2242:
1662:to fractional semitones.)
1655:24-tone equal temperament
986:, p.52. Seventh Edition.
142:12-Tone equal temperament
1092:Miller, Michael (2005).
949:Duffin, Ross W. (2008).
764:showing Pythagoras with
687:Two major tones equal a
2250:List of pitch intervals
1988:Subminor and supermajor
1927:minor diatonic semitone
1837:refer to pitch ratios.)
1252:. Penelope.uchicago.edu
193:(sometimes also called
2048:Undecimal quarter tone
827:
769:
530:
432:
413:
251:
179:
86:whole tone, whole step
54:
2043:Septimal quarter tone
1854:septimal quarter tone
1007:. Merriam-webster.com
828:
757:
528:
467:(about 21.51 cents).
419:
411:
404:Major and minor tones
289:. It is considered a
165:
40:
2230:Incomposite interval
1983:Pythagorean interval
1835:(Numbers in brackets
1343:(Numbers in brackets
916:Pythagorean interval
808:
758:Detail of Raphael's
583:meantone temperament
2013:Pythagorean apotome
1860:septimal third tone
1218:Paul, Oscar (1885)
1032:on October 31, 2007
455:, and the narrower
62:
2126:Septimal semicomma
823:
821:
776:music theory, the
770:
668:(4 semitones) and
579:Pythagorean tuning
531:
433:
420:Lesser tone on D.
414:
356:20th-century music
303:, are also called
180:
166:Minor tone (10:9)
55:
2256:
2255:
2238:
2237:
2068:Pythagorean comma
2008:Pythagorean limma
1940:
1939:
1936:
1935:
1902:supermajor fourth
1878:supermajor second
1823:
1822:
1637:
1636:
1633:
1632:
1345:are the number of
1188:978-0-89579-414-7
992:978-0-07-294262-0
962:978-0-393-33420-3
878:Plutarch (2005).
820:
635:augmented unisons
620:(d3). Similarly,
573:. Conversely, in
366:and music of the
350:intervals of the
277:. In moveable-do
243:augmented seconds
217:). A second is a
160:
159:
16:(Redirected from
2286:
2248:
2247:
2138:Septimal kleisma
1951:
1908:subminor seventh
1890:supermajor third
1842:
1830:Just intonations
1815:
1814:
1810:
1807:
1795:
1794:
1790:
1787:
1775:
1774:
1770:
1767:
1755:
1754:
1750:
1747:
1735:
1734:
1730:
1727:
1715:
1714:
1710:
1707:
1695:
1694:
1690:
1667:
1650:
1357:
1339:
1313:
1306:
1299:
1290:
1283:
1282:
1280:
1278:
1273:. Philpapers.org
1267:
1261:
1260:
1258:
1257:
1246:
1240:
1239:
1237:
1236:
1225:
1219:
1216:
1207:
1200:
1191:
1176:
1170:
1155:
1149:
1148:
1146:
1145:
1122:
1116:
1115:
1113:
1112:
1089:
1083:
1082:
1080:
1079:
1068:
1062:
1061:
1059:
1058:
1047:
1041:
1040:
1038:
1037:
1022:
1016:
1015:
1013:
1012:
1001:
995:
980:
974:
973:
971:
969:
946:
921:Whole tone scale
901:Diminished third
834:
832:
830:
829:
824:
822:
813:
789:
761:School of Athens
744:
709:
618:diminished third
516:diminished third
493:
492:
491:
489:
481:
480:
479:
477:
431:
430:
429:
427:
391:
390:
389:
387:
354:, although much
321:frequency ratios
301:diminished third
271:musical keyboard
219:musical interval
216:
215:
214:
212:
177:
176:
175:
173:
63:
57:Musical interval
52:
51:
50:
48:
32:Whole tone scale
27:Musical interval
21:
2294:
2293:
2289:
2288:
2287:
2285:
2284:
2283:
2274:Seconds (music)
2269:Major intervals
2259:
2258:
2257:
2252:
2234:
2196:
2163:
2106:Septimal diesis
2052:
2022:
1992:
1946:
1932:
1913:
1836:
1833:
1819:
1812:
1808:
1805:
1803:
1792:
1788:
1785:
1783:
1772:
1768:
1765:
1763:
1752:
1748:
1745:
1743:
1732:
1728:
1725:
1723:
1712:
1708:
1705:
1703:
1692:
1688:
1687:
1677:
1676:
1675:
1671:
1661:
1658:
1645:
1643:
1629:
1574:
1519:
1464:
1427:
1390:
1351:
1346:
1344:
1334:
1332:
1329:
1322:
1317:
1287:
1286:
1276:
1274:
1269:
1268:
1264:
1255:
1253:
1248:
1247:
1243:
1234:
1232:
1227:
1226:
1222:
1217:
1210:
1201:
1194:
1177:
1173:
1156:
1152:
1143:
1141:
1139:
1124:
1123:
1119:
1110:
1108:
1106:
1091:
1090:
1086:
1077:
1075:
1070:
1069:
1065:
1056:
1054:
1049:
1048:
1044:
1035:
1033:
1024:
1023:
1019:
1010:
1008:
1003:
1002:
998:
981:
977:
967:
965:
963:
948:
947:
934:
929:
897:
857:
855:Further reading
806:
805:
803:
752:
751:
750:
749:
748:
745:
736:
735:
734:
710:
699:
626:minor semitones
622:major semitones
496:harmonic series
487:
485:
484:
483:
475:
473:
472:
471:
441:just intonation
425:
423:
422:
421:
406:
385:
383:
382:
381:
317:just intonation
227:Interval number
223:staff positions
210:
208:
207:
206:
171:
169:
168:
167:
152:Just intonation
58:
46:
44:
43:
42:
35:
28:
23:
22:
15:
12:
11:
5:
2292:
2290:
2282:
2281:
2279:Units of level
2276:
2271:
2261:
2260:
2254:
2253:
2243:
2240:
2239:
2236:
2235:
2233:
2232:
2227:
2222:
2217:
2212:
2206:
2204:
2198:
2197:
2195:
2194:
2189:
2184:
2179:
2173:
2171:
2165:
2164:
2162:
2161:
2155:
2149:
2142:
2141:
2135:
2129:
2123:
2117:
2110:
2109:
2103:
2100:Greater diesis
2097:
2090:
2089:
2086:Septimal comma
2083:
2080:Holdrian comma
2077:
2074:Syntonic comma
2071:
2064:
2062:
2054:
2053:
2051:
2050:
2045:
2040:
2034:
2032:
2024:
2023:
2021:
2020:
2015:
2010:
2004:
2002:
1994:
1993:
1991:
1990:
1985:
1980:
1975:
1970:
1965:
1959:
1957:
1948:
1942:
1941:
1938:
1937:
1934:
1933:
1931:
1930:
1923:
1921:
1915:
1914:
1912:
1911:
1905:
1899:
1896:subminor fifth
1893:
1887:
1884:subminor third
1881:
1875:
1869:
1863:
1857:
1850:
1848:
1839:
1825:
1824:
1821:
1820:
1818:
1817:
1797:
1777:
1757:
1737:
1717:
1697:
1680:
1678:
1670:
1664:
1647:
1639:
1638:
1635:
1634:
1631:
1630:
1628:
1627:
1621:
1615:
1609:
1603:
1597:
1591:
1584:
1582:
1576:
1575:
1573:
1572:
1566:
1560:
1554:
1548:
1542:
1536:
1529:
1527:
1521:
1520:
1518:
1517:
1511:
1505:
1499:
1493:
1487:
1481:
1474:
1472:
1466:
1465:
1463:
1462:
1456:
1450:
1444:
1437:
1435:
1429:
1428:
1426:
1425:
1419:
1413:
1407:
1400:
1398:
1392:
1391:
1389:
1388:
1382:
1376:
1370:
1363:
1361:
1354:
1336:
1324:
1323:
1318:
1316:
1315:
1308:
1301:
1293:
1285:
1284:
1262:
1241:
1220:
1208:
1192:
1171:
1150:
1137:
1117:
1104:
1084:
1063:
1042:
1017:
996:
975:
961:
931:
930:
928:
925:
924:
923:
918:
913:
908:
903:
896:
893:
892:
891:
876:
861:Barker, Andrew
856:
853:
819:
816:
746:
739:
738:
737:
711:
704:
703:
702:
701:
700:
698:
693:
465:syntonic comma
445:5-limit tuning
437:tuning systems
405:
402:
352:diatonic scale
333:syntonic comma
158:
157:
154:
148:
147:
144:
138:
137:
131:
130:
127:
121:
120:
117:
115:Interval class
111:
110:
107:
101:
100:
96:
95:
92:
88:
87:
84:
80:
79:
75:
74:
69:
56:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2291:
2280:
2277:
2275:
2272:
2270:
2267:
2266:
2264:
2251:
2241:
2231:
2228:
2226:
2223:
2221:
2218:
2216:
2213:
2211:
2208:
2207:
2205:
2203:
2199:
2193:
2190:
2188:
2185:
2183:
2180:
2178:
2175:
2174:
2172:
2170:
2166:
2159:
2156:
2153:
2150:
2147:
2144:
2143:
2139:
2136:
2133:
2130:
2127:
2124:
2121:
2118:
2115:
2112:
2111:
2107:
2104:
2101:
2098:
2095:
2094:Lesser diesis
2092:
2091:
2087:
2084:
2081:
2078:
2075:
2072:
2069:
2066:
2065:
2063:
2061:
2060:
2055:
2049:
2046:
2044:
2041:
2039:
2036:
2035:
2033:
2031:
2030:
2029:Quarter tones
2025:
2019:
2016:
2014:
2011:
2009:
2006:
2005:
2003:
2001:
2000:
1995:
1989:
1986:
1984:
1981:
1979:
1978:Pseudo-octave
1976:
1974:
1971:
1969:
1966:
1964:
1961:
1960:
1958:
1956:
1952:
1949:
1943:
1928:
1925:
1924:
1922:
1920:
1916:
1909:
1906:
1903:
1900:
1897:
1894:
1891:
1888:
1885:
1882:
1879:
1876:
1873:
1870:
1867:
1864:
1861:
1858:
1855:
1852:
1851:
1849:
1847:
1843:
1840:
1838:
1832:
1831:
1826:
1801:
1798:
1781:
1778:
1761:
1758:
1741:
1738:
1721:
1718:
1701:
1698:
1685:
1682:
1681:
1679:
1674:
1668:
1665:
1663:
1657:
1656:
1651:
1648:
1640:
1625:
1622:
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885:
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873:9780521879514
870:
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851:as 'tone' ."
850:
849:
843:
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838:According to
836:
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784:Ancient Greek
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630:minor seconds
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364:Turkish music
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125:Just interval
122:
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81:
76:
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72:minor seventh
70:
68:
64:
49:
39:
33:
19:
2201:
2168:
2154:(0.72 cents)
2148:(1.95 cents)
2128:(13.8 cents)
2122:(10.1 cents)
2116:(19.5 cents)
2108:(35.7 cents)
2102:(62.6 cents)
2096:(41.1 cents)
2088:(27.3 cents)
2082:(22.6 cents)
2076:(21.5 cents)
2070:(23.5 cents)
2057:
2038:Quarter tone
2028:
2027:
1998:
1997:
1954:
1919:Higher-limit
1834:
1828:
1740:major fourth
1684:quarter tone
1659:
1653:
1403:
1342:
1275:. Retrieved
1265:
1254:. Retrieved
1244:
1233:. Retrieved
1223:
1203:
1179:
1174:
1159:Lou Harrison
1158:
1153:
1142:. Retrieved
1127:
1120:
1109:. Retrieved
1094:
1087:
1076:. Retrieved
1066:
1055:. Retrieved
1045:
1034:. Retrieved
1030:the original
1020:
1009:. Retrieved
999:
983:
978:
966:. Retrieved
951:
911:Minor second
879:
864:
847:
846:
844:
837:
799:
795:
778:
777:
771:
765:
759:
729:
723:
717:
713:
695:
686:
677:
674:greater tone
673:
661:
657:
653:
651:
643:
639:
633:
629:
617:
614:major second
613:
609:
605:
601:
597:
595:
546:
542:
539:lesser tones
538:
534:
532:
513:
469:
460:
456:
453:greater tone
452:
448:
434:
380:
360:Arabic music
345:
312:
308:
304:
298:
286:
282:
252:
248:
198:
194:
191:major second
190:
187:music theory
181:
91:Abbreviation
61:major second
2187:Millioctave
2169:Measurement
2160:(0.4 cents)
2140:(7.7 cents)
2134:(8.1 cents)
2018:Major limma
1760:minor fifth
1277:25 February
1182:, p.xliii.
774:Pythagorean
747:Translation
719:diatessaron
678:lesser tone
670:minor third
666:major third
602:lesser tone
585:(including
547:minor tones
505:major scale
501:major scale
461:lesser tone
329:minor tones
325:major tones
313:whole steps
309:whole tones
259:major scale
129:9:8 or 10:9
83:Other names
18:Whole tones
2263:Categories
2220:Semiditone
2114:Diaschisma
1929:(17-limit)
1620:(22 or 23)
1618:fourteenth
1614:(20 or 21)
1612:thirteenth
1608:(18 or 19)
1602:(17 or 18)
1596:(15 or 16)
1590:(13 or 14)
1525:Diminished
1352:interval.)
1333:(post-Bach
1256:2015-02-25
1235:2015-02-25
1144:2015-02-25
1111:2015-02-25
1078:2015-02-25
1057:2015-02-25
1036:2015-02-25
1011:2015-02-25
927:References
644:chromatic
610:minor tone
457:minor tone
449:major tone
443:, such as
376:pentatonic
267:supertonic
235:Diminished
199:whole step
195:whole tone
156:204 or 182
2182:Centitone
2120:Semicomma
1999:Semitones
1963:Microtone
1947:intervals
1624:fifteenth
1470:Augmented
1348:semitones
1320:Intervals
790:) is the
646:semitones
638:(A1), or
632:(m2) and
616:(M2) and
348:dissonant
203:semitones
105:Semitones
2152:Breedsma
1600:eleventh
1580:Compound
1335:Western)
1330:semitone
1161:, p.72.
895:See also
863:(2007).
848:epogdoos
840:Plutarch
792:interval
788:ἐπόγδοον
779:epogdoon
768:diagram
766:epogdoon
731:diapason
725:diapente
714:epogdoon
696:Epogdoon
640:diatonic
509:epogdoon
394:middle C
392:. Here,
378:scales.
372:diatonic
265:and the
2158:Ragisma
2146:Schisma
2132:Kleisma
1968:5-limit
1874:(15:14)
1868:(21:20)
1862:(28:27)
1856:(36:35)
1846:7-limit
1811:⁄
1800:seventh
1791:⁄
1771:⁄
1751:⁄
1731:⁄
1711:⁄
1691:⁄
1673:Neutral
1646:systems
1606:twelfth
1563:seventh
1514:seventh
1459:seventh
1422:seventh
1360:Perfect
1328:Twelve-
968:28 June
880:Moralia
598:greater
535:greater
368:Balkans
291:melodic
279:solfège
269:. On a
255:degrees
231:notated
184:Western
67:Inverse
2215:Ditone
2202:Others
2192:Savart
2059:Commas
1955:Groups
1904:(10:7)
1700:second
1644:tuning
1569:octave
1545:fourth
1533:second
1496:fourth
1484:second
1478:unison
1441:second
1404:second
1385:octave
1373:fourth
1367:unison
1350:in the
1186:
1165:
1135:
1102:
990:
959:
886:
871:
800:ogdoon
728:, and
689:ditone
682:diesis
581:, and
569:, and
439:using
261:, the
2225:Secor
1973:Comma
1945:Other
1910:(7:4)
1898:(7:5)
1892:(9:7)
1886:(7:6)
1880:(8:7)
1780:sixth
1720:third
1642:Other
1594:tenth
1588:ninth
1557:sixth
1551:fifth
1539:third
1508:sixth
1502:fifth
1490:third
1453:sixth
1447:third
1433:Minor
1416:sixth
1410:third
1396:Major
1379:fifth
833:×8)=9
658:minor
654:major
606:major
591:31-ET
587:19-ET
571:72-ET
567:53-ET
563:41-ET
559:34-ET
555:22-ET
551:15-ET
543:major
398:cents
341:22-ET
337:15-ET
315:. In
311:, or
305:tones
275:frets
263:tonic
257:of a
239:minor
225:(see
197:or a
135:Cents
2210:Wolf
2177:Cent
1626:(24)
1571:(11)
1516:(12)
1510:(10)
1461:(10)
1424:(11)
1387:(12)
1279:2015
1184:ISBN
1163:ISBN
1133:ISBN
1100:ISBN
988:ISBN
970:2017
957:ISBN
884:ISBN
869:ISBN
676:and
662:same
656:and
642:and
624:and
608:and
604:(or
600:and
589:and
545:and
541:(or
537:and
488:play
476:play
459:or,
426:Play
374:and
339:and
294:step
285:and
241:and
211:Play
189:, a
172:Play
99:Size
78:Name
47:Play
1565:(9)
1559:(7)
1553:(6)
1547:(4)
1541:(2)
1535:(0)
1504:(8)
1498:(6)
1492:(5)
1486:(3)
1480:(1)
1455:(8)
1449:(3)
1443:(1)
1418:(9)
1412:(4)
1406:(2)
1381:(7)
1375:(5)
1369:(0)
835:).
804:8+(
796:epi
772:In
684:).
522:).
451:or
435:In
182:In
146:200
2265::
1804:10
1211:^
1195:^
1131:.
1098:.
935:^
786::
722:,
716:,
691:.
649:.
577:,
565:,
561:,
557:,
553:,
362:,
307:,
287:re
283:do
237:,
94:M2
1816:)
1813:2
1809:1
1806:+
1802:(
1796:)
1793:2
1789:1
1786:+
1784:8
1782:(
1776:)
1773:2
1769:1
1766:+
1764:6
1762:(
1756:)
1753:2
1749:1
1746:+
1744:5
1742:(
1736:)
1733:2
1729:1
1726:+
1724:3
1722:(
1716:)
1713:2
1709:1
1706:+
1704:1
1702:(
1696:)
1693:2
1689:1
1686:(
1312:e
1305:t
1298:v
1281:.
1259:.
1238:.
1190:.
1169:.
1147:.
1114:.
1081:.
1060:.
1039:.
1014:.
994:.
972:.
890:.
875:.
818:8
815:1
782:(
205:(
178:.
119:2
109:2
53:.
34:.
20:)
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