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201:, in Latin), which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions today, from its headquarters in the Secession Building. In its current form, the Secession exhibition gallery is independently led and managed by artists.
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246:("Sacred Spring"). Bahr wrote, "Our art is not a combat of modern artists against those of the past, but the promotion of the arts against the peddlers who pose as artists and who have a commercial interest in not letting art bloom. The choice between commerce and art is the issue at stake in our Secession. It is not a debate over aesthetics, but a confrontation between two different spiritual states."
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tiles were another important element of the Vienna
Secession style. They were used to decorate both building facades and interiors. Otto Wagner used them to decorate the Majolika House, where they served both as decoration and for a practical purpose; the facade could be efficiently cleaned with the
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and others familiar to the
Viennese public. With the help of a network of art dealers such as Paul Cassirer, Durand-Ruel and Bernheim-Jeune and the support of the delegate of the Vienna Secession in Paris François-Rupert Carabin works by Bonnard, Degas, Denis, Manet, Monet, Morisot, Pissarro, Renoir,
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The first architectural project of the
Secession was the creation of an exhibit space which would introduce international artists and art movements to Vienna. The architect was Joseph Maria Olbrich, a student of Otto Wagner; and his domed gallery building, with a sculptural frieze over the entrance,
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and he worked for the company from 1895 to 1905, including a brief stint as Art
Director. Solon introduced designs influenced by the Vienna Secession, and a range in earthenware made from about 1901 to 1916 was branded as "Secessionist Ware". It was made mostly using industrial techniques that kept
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in 1904 that sparked differences in the
Secession. This failed exhibition led to fierce opposition within the association. An important division soon emerged inside the Secession between those who wished to give precedence to the painters and the traditional fine arts, and others, including Klimt,
249:
In the beginning, the
Secession had fifty members, and at its first gathering elected the painter Gustav Klimt as its president. Other founding or early members included the architect Josef Hoffmann, the designer Koloman Moser, the designer and architect Joseph Maria Olbrich, and the painters Max
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and others. The architect Otto Wagner joined the group shortly after it was founded. The goals stated at the founding included establishing contact and an exchange of ideas with artists outside
Austria, disputing artistic nationalism, renewing the decorative arts; creating a "total art", that
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Later in the movement, in 1902, the architect Otto Wagner designed chairs using modern materials, including aluminum, combined with wood, to match the architecture of his
Austrian Postal Savings Bank building. In 1905 Josef Hoffmann produced an adjustable-backed chair which reflected the more
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in
Brussels, had a tower of stacked cubic forms, minimum ornament on the facade, and an interior of right angles and geometric designs. The only Art Nouveau elements were the murals by Gustav Klimt. The Palais Stoclet best illustrated Hoffmann's transition from Art Nouveau toward modernism.
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In 1945, following the War, Hoffmann rejoined the Vienna
Secession, the artistic movement from which he, Klimt and Wagner had dramatically quit in 1905. He was elected President of the Secession from 1948 to 1950. The Secession continues to function today, holding regular exhibitions in the
56:
1296:. The extract from the painting features three figures: a knight in armor representing Armed Strength, one woman in the background symbolizing Ambition and holding up a wreath of victory, and a second woman representing Sympathy with lowered head and clasped hands.
1905:
Kolja Kramer: Carabin & Die Wiener Secession - Die Rolle des Delegierten im Beziehungsnetz der Wiener Secession bei der Ankunft des französischen Impressionismus und der französischen Avantgarde in Wien um 1900, Verlag BoD, Norderstedt 2024, 404 pages. ISBN
809:
905:
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Kolja Kramer: Carabin & Die Wiener Secession - Die Rolle des Delegierten im Beziehungsnetz der Wiener Secession bei der Ankunft des französischen Impressionismus und der französischen Avantgarde in Wien um 1900, Verlag BoD, Norderstedt 2024, p.
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The Secession continued to function after the departure of Klimt, Hoffmann, Wagner and their supporters, giving regular exhibitions in the Secession building, but they lacked the originality and excitement of the earlier period. The designer
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was in important artist in this domain, working closely with Otto Wagner and other architects. He designed the windows for the Austrian Postal Savings Bank, one of the landmarks of the Vienna Secession style, and also for the
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Secession architects often designed furniture to accompany their architectural projects, along with carpets, lamps, wallpaper, and even bathroom fixtures and even towels. The furniture presented by the Secession at the 1900
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Along with painters and sculptors, several prominent architects were associated with the Vienna Secession, most notably Joseph Maria Olbrich, Otto Wagner and Josef Hoffmann. In 1897-98 Olbrich designed the
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628:(1903–1906, extended at 1910–12), had straight lines and geometric forms, a striking use of new materials, such reinforced concrete and aluminum, and a minimum of decoration on the facade or inside.
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in the center of Vienna, Joseph Maria Olbrich was his collaborator for this project. The style of these buildings marked a transition toward more geometric forms, and the beginnings of modernism.
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Hoffmann, Wagner, Moser and others who favored equal treatment for the decorative arts. This dispute came to a head in 1905 when Miethke Gallery's artistic consultant (and a painter himself),
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because of its decor of gilded stucco medallions by Wagner's student and frequent collaborator, Koloman Moser. The most ornate earlier decoration was removed but later restored.
183:. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the
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Another notable figure in Secession glass art was Johann Loetz Witwe, who made a striking series of iridescent vases which won a gold medal at the 1900 Paris Exposition.
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it relatively cheap, and was aimed at a broad market. The range concentrated on items bought singly or in pairs, such as jugs or vases, rather than full table services.
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as a fine-arts society with the goal of reforming the applied arts (arts and crafts). In 1907, Wiener Werkstätte and Hoffmann personally became founding members of
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1932:
O'Connor, Anne-Marie (2012). The Lady in Gold, The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer, Alfred A. Knopf, New York,
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unified painting, architecture, and the decorative arts; and, in particular, opposing the domination of the official Vienna Academy of the Arts, the Vienna
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1224:(Young Poland), that was also inclusive of other than Art Nouveau artistic styles and encompassed a broader approach to art, literature, and lifestyle.
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in the center of Vienna, became the symbol of the movement. It was the first dedicated gallery of contemporary art in the city. This helped make the
564:. Josef Hoffmann became the principal designer of exhibitions at the Secession House. The dome and stylized facade became a symbol of the movement.
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The Vienna Secession was founded on 3 April 1897 by artist Gustav Klimt, designer Koloman Moser, architects Josef Hoffmann and Joseph Maria Olbrich,
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The work of Josef Hoffmann also showed a gradual transition away from floral designs and curving lines. His best-known building, the
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1937:
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During this period, Otto Wagner also built extraordinarily stylized stations for the new Vienna urban transport system, the
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Arnanson, Harvard H. "History of Modern Art". Ed. Daniel Wheeler. 3rd ed. Englewood Cliffs, NJ: Prentice Hall, Inc, 1986.
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575:, and others, under the direction of architect Otto Wagner, decorated two apartment buildings Wagner designed; the
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Otto Wagner, Armchair of beechwood, aluminum, and cane under the upholstery (1905–06) (Montreal Museum of Fine Arts)
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587:, or colorful fired clay tiles in floral designs. The Art Nouveau ornaments of its facade was done by his student
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movement that was founded in 1892. The goals of the new movement in Vienna were expressed by the literary critic
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Sisley, Toulouse-Lautrec, Valloton, Vuillard etc. were presented in the Vienna Secession between 1899 and 1903.
167:, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including
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to display the art of Klimt and the members of the group, and also by foreign artists, including Max Klinger,
1876:"Architecture in Austria in the 20th and 21st Centuries". Ed. Gudrun Hausegger. Basel, SW: Birkhauser, 2006.
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After the founding of the Wiener Werkstätte, it was above all the organisation of the world exhibition in
1250:. Leon Solon was hired by Mintons after his work was published in the hugely influential design magazine
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2007:
Topp, Leslie. "Architecture and truth in fin-de-siecle vienna". Cambridge, UK: Cambridge UP, 2004.
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The Secession movement was selected as the theme for an Austrian commemorative coin: the 100 euro
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339:(Klimt group), which also included Moll and Otto Wagner, among other important Austrian artists.
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2008:
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Sekler, Eduard F. "Josef Hoffmann The Architectural Work". Princeton, NJ: Princeton UP, 1985.
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Vienna Secession influenced not only movements but also particular architects, e.g. Russian
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mounted around it. The Klimt frieze has been restored and can be seen in the gallery today.
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Exhibition catalogues of the Vienna Secession in the digital library of Belvedere, Vienna
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613:, which also became the symbols of the Secession style. The most famous of these is the
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was particularly praised, and won international attention for its creators, including
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1577:"The list of Vienna Secession members – "Ver Sacrum" magazine, vol. 1 (1898), p. 28"
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803:, of maple, fruitwood, ebony and brass (c. 1900) (Los Angeles County Museum of Art)
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The 14th Secession exhibition in 1902, designed by Josef Hoffmann and dedicated to
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1490:"Recent Scholarship on Vienna's "Golden Age," Gustav Klimt, and Egon Schiele"
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as a venue for expositions of the group. Their official magazine was called
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1836:"The Democratic Dish: Mintons Secessionist Ware – the Minton Archive"
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Danuta Batorska, "Zofia Stryjeńska: Princess of Polish Painting", in
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Art Nouveau is called after Vienna Secession in languages of former
2079:
227:, and official art salons, with its traditional orientation toward
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became a member of the Secession in 1938. Under the regime of the
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Altar mosaics of Church of St. Leopold by Bruno Mayer (1903-1907)
242:
in the first issue of the new journal begun by the group, called
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1964:"Gustav Klimt: Painting and the Crisis of the Liberal Ego" in
1825:, vol. 19 (Autumn, 1998–Winter, 1999), pp. 24–29 (esp. 24–25).
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in 1898–1899. The building at Linke Wienzeile 40 is known as
1286:
in Vienna. The reverse side features a small portion of the
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windows, played a significant part in the Vienna Secession.
867:
Wagner, Otto, Portable table made for Wagner's villa (1904)
2024:
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Floral design by Alois Ludwig on the facade of one of the
620:
Wagner's later buildings built after 1899, including the
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or Majolica House. Its facade is entirely covered with
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The Vienna Secession in a video-portrait by CastYourArt
1218:. Vienna Secession also influenced the Polish movement
1311:
Artists of Vienna Secession not mentioned above are:
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the Secession building was destroyed as a symbol of
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1418:Some artists from other cities and countries, like
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1794:sfn error: no target: CITEREFSarnitzHoffmann2018 (
1242:ceramics, many designed by Marc-Louis Solon's son
1001:Loetz Phänomen 2/484 'Medici' in Maron glass (10")
278:, was especially famous. A statue of Beethoven by
1150:Palace of Art, also known as "Secession", of the
942:, the most notable of Vienna Secession churches.
433:Poster for the 14th Secession Exhibit (1902), by
1785:
1588:
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2025:Association of Visual Artists Vienna Secession
1449:Facing the Modern: The Portrait in Vienna 1900
1231:who created his own unique style on its base.
847:Cabinet made for the offices of the newspaper
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969:Iridescent vases by Johann Loetz Witwe (1900)
360:, but was faithfully reconstructed following
8:
1675:
1673:
1434:from Paris were made corresponding members.
567:A group of artists including Koloman Moser,
158:
32:
1282:On the obverse side there is a view of the
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2080:
1966:Fin-de-Siècle Vienna: Politics and Culture
1699:sfn error: no target: CITEREFSarnitz2016 (
160:Vereinigung Bildender Künstler Österreichs
31:
2035:iKlimt.com, Life and Work of Gustav Klimt
1684:(in Italian). Milan: Rizzoli. p. 86.
883:(1902) (Los Angeles County Museum of Art)
296:In 1899, Olbrich left Vienna to join the
163:) is an art movement, closely related to
2045:Josef Hoffmann Biografie at WOKA (de/en)
311:In 1903, Hoffmann and Moser founded the
29:Group of Austrian artists and architects
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1694:
1480:
1238:in England made major contributions to
1062:
1027:
947:
777:
775:geometric forms of the late Secession.
638:
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2303:European artist groups and collectives
2293:Austrian artist groups and collectives
2030:Graphic design of the Vienna Secession
1555:
1553:
1551:
1152:Kraków Society of Friends of Fine Arts
75:(1897–1898); Bottom: Excerpts of the
7:
1525:
1523:
1109:St. Charles Borromeo Cemetery Church
983:St. Charles Borromeo Cemetery Church
940:St. Charles Borromeo Cemetery Church
1095:for XIV Secession exhibition (1902)
1165:Secessionist ware vases by Mintons
282:stood at the center, with Klimt's
25:
957:Vase by Johann Loetz Witwe (1900)
787:Armchair by Otto Wagner (1898–99)
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304:citizenship and did not work in
262:to attend the first Exposition.
234:The movement took its name from
55:
44:
2071:"This Kiss to the Whole World"
1983:(in French). Cologne: Taschen.
1594:"The Vienna Secession Movement"
1488:Heller, Reinhold (March 1977).
624:(1902–1907) and especially the
2308:1897 establishments in Austria
2073:Klimt and the Vienna Secession
2055:Arts and Crafts in Vienna 1900
1887:Fahr-Becker, Gabriele (2015).
1:
92:
2238:Austrian Postal Savings Bank
1279:minted on 10 November 2004.
1277:Secession commemorative coin
1234:From the mid-1890s onwards,
727:Austrian Postal Savings Bank
695:at Linke Wienzeile 38 (1898)
626:Austrian Postal Savings Bank
615:Karlsplatz Stadtbahn Station
1891:(in French). H.F. Ullmann.
1723:Schacherl, Lillian (1993).
1682:The Complete Works of Klimt
1299:On the obverse side of the
514:Woman in a Yellow Dress by
455:(1902), inspired by dancer
2344:
1951:, Wiener Secession, Wien.
1713:Sarnitz (2018) pages 46–48
1301:Austrian 50 euro-cent coin
765:Paris Universal Exposition
292:Split within the Secession
185:Secession exhibitions hall
1762:Pioneers of Modern Design
1626:"Secession (Institution)"
1284:Secession exhibition hall
1076:by Arthur Strasser (1899)
821:Darmstadt Artists' Colony
669:Linke Wienzeile Buildings
577:Linke Wienzeile Buildings
558:Charles Rennie Mackintosh
377:Painting and Graphic Arts
298:Darmstadt Artists' Colony
155:Union of Austrian Artists
37:
2125:Josef Maria Auchentaller
2060:Senses: Vienna Secession
1979:Sarnitz, August (2018).
1912:Vienne - des Années 1900
1910:Metzger, Rainer (2018).
1727:. Prestel. p. 124.
1680:Dobai, Johannes (1978).
981:Stained glass window of
913:Model 670 "Sitzmaschine"
500:Josef Maria Auchentaller
394:#12 (1899) p. 8 by
2298:19th-century art groups
1968:. Vintage Books, 1981.
1943:Kathrin Romberg (ed.):
1808:Fahr-Becker, Gabriele,
1652:"Galerie H. O. Miethke"
1307:Other Secession artists
899:(1903) (Leopold Museum)
752:in Brussels (1905-1911)
598:. The other building,
300:. In 1900, he obtained
1914:(in French). Cologne:
1382:Teresa Feoderovna Ries
1272:
1229:Illarion Ivanov-Schitz
1202:
1194:
1186:
1178:
1166:
1158:
1037:Altar wall mosaics of
911:Adjustable-back chair
494:Advertising poster of
159:
150:
71:in Vienna designed by
2165:Maximilian Liebenwein
1764:, Penguin Books, 1960
1725:Vienna. Prestel guide
1469:Art Nouveau glass art
1464:Art Nouveau in Poland
1342:Maximilian Liebenwein
1268:
1164:
1149:
1039:Church of St. Leopold
708:Church of St. Leopold
622:Church of St. Leopold
604:House with medallions
476:Maximilian Liebenwein
268:French Impressionists
2180:Joseph Maria Olbrich
1451:– the exhibition in
1407:Stanisław Wyspiański
1377:Kazimierz Pochwalski
1357:Emilie Mediz-Pelikan
1025:use of fire hoses.
929:Glass, particularly
817:Joseph Maria Olbrich
801:Joseph Maria Olbrich
653:Joseph Maria Olbrich
276:Ludwig van Beethoven
189:Joseph Maria Olbrich
153:; also known as the
120:Joseph Maria Olbrich
73:Joseph Maria Olbrich
2135:Adolf Michael Boehm
1823:Woman's Art Journal
1630:geschichtewiki.wien
1327:Adolf Michael Boehm
1041:by Leopold Forstner
34:
2323:Artist-run centres
2244:Kirche am Steinhof
2216:Secession Building
2190:Othmar Schimkowitz
2050:Wiener Werkstaette
1760:Nikolaus Pevsner,
1516:– via JSTOR.
1392:Wacław Szymanowski
1273:
1270:The Secession coin
1246:and his colleague
1167:
1159:
895:Inlaid Armoire by
693:Othmar Schimkowitz
691:and sculptures by
649:Secession Building
600:Linke Wienzeile 38
569:Othmar Schimkowitz
550:Secession Building
419:Secession Building
317:Deutscher Werkbund
69:Secession Building
2275:
2274:
2267:Wiener Werkstätte
2130:Wilhelm Bernatzik
2013:978-0-521-82275-6
2003:978-0-691-06572-4
1990:978-3-8365-6432-8
1974:978-0-394-74478-0
1962:Schorske, Carl E.
1945:Maurizio Cattelan
1925:978-3-8365-6704-6
1898:978-3-8480-0857-5
1882:978-3-7643-7694-9
1872:978-0-8478-0616-4
1858:978-0-13-390360-7
1751:(2016), pp. 33–35
1747:Sarnitz, August,
1734:978-3-7913-1236-1
1656:austria-forum.org
1402:Leon Wyczółkowski
1372:Maximilian Pirner
1317:Teodor Axentowicz
771:and Emilio Zago.
313:Wiener Werkstätte
220:Wilhelm Bernatzik
143:
142:
16:(Redirected from
2335:
2288:Vienna Secession
2231:Beethoven Frieze
2140:Leopold Forstner
2111:Vienna Secession
2104:
2097:
2090:
2081:
1994:
1949:Francesco Bonami
1929:
1906:9-783758-373862.
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1535:Vienna Secession
1527:
1518:
1517:
1494:The Art Bulletin
1485:
1453:National Gallery
1387:Jan Stanisławski
1347:Jacek Malczewski
1337:Wlastimil Hofman
1322:Renate Bertlmann
1289:Beethoven Frieze
1131:
1119:
1104:
1085:
1072:The monument to
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987:Leopold Forstner
978:
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935:Leopold Forstner
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704:
684:
664:
645:
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527:
511:
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470:Illustration to
467:
445:
430:
411:Beethoven Frieze
406:
387:
368:Secession Hall.
285:Beethoven Frieze
236:Munich Secession
162:
151:Wiener Secession
147:Vienna Secession
97:
96: 1897–1914
94:
77:Beethoven Frieze
59:
48:
35:
33:Vienna Secession
21:
18:Wiener Secession
2343:
2342:
2338:
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2336:
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2332:
2278:
2277:
2276:
2271:
2255:
2204:
2160:Maximilian Lenz
2113:
2108:
2021:
1991:
1978:
1926:
1909:
1899:
1886:
1849:
1844:
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1596:. The Art Story
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1529:
1528:
1521:
1506:10.2307/3049602
1487:
1486:
1482:
1477:
1455:, London, 2013,
1444:Secession (art)
1440:
1416:
1352:Julius Mayreder
1309:
1263:
1156:Kraków Old Town
1144:
1137:
1125:
1120:
1111:
1105:
1096:
1089:Beethoven torso
1086:
1077:
1070:
1061:
1054:
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1018:
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824:
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743:
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724:
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687:A medallion by
685:
676:
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591:
545:
538:
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519:
512:
503:
492:
483:
478:, published in
468:
459:
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437:
431:
422:
409:Section of the
407:
398:
388:
379:
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345:
294:
212:
207:
95:
84:
65:
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51:
50:
49:
30:
23:
22:
15:
12:
11:
5:
2341:
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2331:
2330:
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2305:
2300:
2295:
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2280:
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2257:
2256:
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2250:Stoclet Palace
2247:
2241:
2235:
2227:
2219:
2212:
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2206:
2205:
2203:
2202:
2197:
2192:
2187:
2182:
2177:
2172:
2167:
2162:
2157:
2152:
2147:
2145:Josef Hoffmann
2142:
2137:
2132:
2127:
2121:
2119:
2115:
2114:
2109:
2107:
2106:
2099:
2092:
2084:
2078:
2077:
2068:
2062:
2057:
2052:
2047:
2042:
2037:
2032:
2027:
2020:
2019:External links
2017:
2016:
2015:
2005:
1995:
1989:
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1930:
1924:
1907:
1903:
1897:
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1786:Sarnitz &
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1500:(1): 111–118.
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1456:
1446:
1439:
1436:
1432:Eugène Grasset
1420:Max Liebermann
1415:
1414:
1412:Karl Hagenauer
1409:
1404:
1399:
1397:Wojciech Weiss
1394:
1389:
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1362:Józef Mehoffer
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910:
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746:Stoclet Palace
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633:Stoclet Palace
602:, is known as
562:Arnold Böcklin
554:Eugène Grasset
544:
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486:
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472:The Goose Girl
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423:
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389:
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378:
375:
373:
370:
358:degenerate art
344:
341:
335:(Art Show) or
293:
290:
256:Rudolf von Alt
252:Alphonse Mucha
211:
208:
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140:
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113:
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2196:
2193:
2191:
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2186:
2185:Alfred Roller
2183:
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2178:
2176:
2175:Koloman Moser
2173:
2171:
2168:
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1957:3-900803-87-0
1954:
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1938:0-307-26564-1
1935:
1931:
1927:
1921:
1917:
1913:
1908:
1904:
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1894:
1890:
1889:L'Art Nouveau
1885:
1883:
1879:
1875:
1873:
1869:
1865:
1864:Borsi, Franco
1862:
1859:
1855:
1851:
1850:
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1810:L'Art Nouveau
1805:
1802:
1797:
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1789:
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1757:
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1697:, p. 94.
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1563:, pp. 335–340
1562:
1561:L'Art Nouveau
1559:Fahr-Becker,
1556:
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1428:Auguste Rodin
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1267:
1261:Commemoration
1260:
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1118:
1113:
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1079:
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1063:
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1040:
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1026:
1023:
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1009:
1004:
997:
992:
988:
984:
977:
972:
965:
960:
953:
948:
946:
943:
941:
936:
932:
931:stained glass
924:
918:
914:
907:
902:
898:
897:Koloman Moser
891:
886:
882:
881:Koloman Moser
875:
870:
863:
858:
854:
850:
843:
838:
831:
826:
822:
819:made for the
818:
811:
806:
802:
795:
790:
783:
778:
776:
772:
770:
766:
757:
751:
747:
741:
736:
732:
728:
722:
717:
713:
709:
703:
698:
694:
690:
689:Koloman Moser
683:
678:
674:
670:
663:
658:
654:
650:
644:
639:
637:
634:
629:
627:
623:
618:
616:
612:
607:
605:
601:
595:
590:
586:
582:
578:
574:
570:
565:
563:
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536:
532:
526:
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517:
510:
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501:
497:
490:
485:
481:
477:
473:
466:
461:
458:
454:
453:Koloman Moser
450:
444:
439:
436:
435:Alfred Roller
429:
424:
420:
416:
412:
405:
400:
397:
393:
386:
381:
376:
372:Genres of Art
371:
369:
365:
363:
359:
355:
351:
350:Peter Behrens
342:
340:
338:
334:
330:
325:
320:
318:
314:
309:
307:
303:
299:
291:
289:
287:
286:
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277:
272:
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263:
261:
257:
253:
250:Kurzweil and
247:
245:
241:
237:
232:
230:
226:
221:
217:
209:
204:
202:
200:
199:Sacred Spring
196:
195:
190:
186:
182:
178:
174:
173:Koloman Moser
170:
169:Josef Hoffman
166:
161:
156:
152:
148:
139:
136:
132:
129:
125:
121:
117:
114:
112:Major figures
110:
107:
104:
100:
91:
87:
82:
78:
74:
70:
58:
47:
36:
27:
19:
2318:Austrian art
2229:
2221:
2155:Max Kurzweil
2150:Gustav Klimt
2110:
2072:
1980:
1965:
1944:
1911:
1888:
1847:Bibliography
1830:
1822:
1817:
1809:
1804:
1787:
1781:
1774:Sarnitz 2018
1769:
1761:
1756:
1748:
1743:
1724:
1718:
1709:
1695:Sarnitz 2016
1690:
1681:
1660:. Retrieved
1655:
1646:
1634:. Retrieved
1629:
1620:
1610:
1598:. Retrieved
1560:
1538:. Retrieved
1534:
1497:
1493:
1483:
1417:
1332:Julian Fałat
1310:
1298:
1294:Gustav Klimt
1287:
1281:
1274:
1251:
1233:
1226:
1221:Młoda Polska
1219:
1215:
1209:
1168:
1134:Franz Matsch
1088:
1059:Other genres
1019:
944:
928:
912:
879:Bookcase by
848:
815:Armchair by
773:
761:
630:
619:
608:
603:
599:
589:Alois Ludwig
581:Majolikahaus
580:
573:Jože Plečnik
566:
546:
543:Architecture
535:Gustav Klimt
516:Max Kurzweil
479:
448:
415:Gustav Klimt
366:
362:World War II
346:
336:
332:
321:
310:
295:
283:
273:
264:
260:Franz-Joseph
248:
243:
240:Hermann Bahr
233:
225:Künstlerhaus
224:
216:Max Kurzweil
213:
198:
192:
187:designed by
181:Gustav Klimt
154:
146:
144:
116:Gustav Klimt
89:Years active
81:Gustav Klimt
76:
26:
2328:1897 in art
2313:Art Nouveau
2226:(1898–1903)
2209:Major works
2200:Otto Wagner
2195:Ernst Stöhr
2118:Key members
1981:Otto Wagner
1749:Otto Wagner
1658:(in German)
1632:(in German)
1600:26 February
1540:11 November
1459:Art Nouveau
1240:Art Nouveau
1136:(1911-1914)
1126: [
1093:Max Klinger
1074:Mark Antony
1020:Mosaics of
989:(1908-1911)
853:Otto Wagner
799:Cabinet by
733:(1904-1912)
731:Otto Wagner
714:(1902-1907)
712:Otto Wagner
673:Otto Wagner
592: [
457:Loïe Fuller
396:Ernst Stöhr
390:Vampire in
343:Later years
337:Klimtgruppe
280:Max Klinger
229:Historicism
177:Otto Wagner
165:Art Nouveau
138:Art Nouveau
128:Otto Wagner
2282:Categories
2223:Ver Sacrum
1947:. Text by
1531:"Building"
1475:References
1253:The Studio
1244:Leon Solon
1179:szecesszió
1107:A lamp in
1091:statue by
769:Else Unger
480:Ver Sacrum
392:Ver Sacrum
354:Nazi Party
333:Kunstschau
244:Ver Sacrum
194:Ver Sacrum
134:Influences
2170:Carl Moll
1367:Carl Moll
1210:сецесија,
1175:Hungarian
1142:Influence
1132:clock by
758:Furniture
655:(1897–98)
611:Stadtbahn
537:(1907–08)
329:Carl Moll
324:St. Louis
149:(German:
1788:Hoffmann
1615:176-276.
1438:See also
1216:secesija
1213:Croatian
1123:Ankeruhr
1016:Ceramics
855:, (1902)
849:Die Zeit
585:majolica
531:The Kiss
210:Founding
102:Location
2260:Related
2075:(NYARC)
1916:Taschen
1514:3049602
1236:Mintons
1207:Serbian
1203:secesja
1195:secesia
1022:ceramic
482:in 1902
417:in the
308:again.
306:Austria
302:Hessian
205:History
106:Austria
2252:(1911)
2246:(1907)
2240:(1906)
2234:(1902)
2218:(1898)
2011:
2001:
1987:
1972:
1955:
1936:
1922:
1895:
1880:
1870:
1856:
1812:p. 344
1731:
1662:6 July
1636:6 July
1512:
1424:Berlin
1199:Polish
1191:Slovak
1187:secese
919:(1905)
823:(1900)
675:(1898)
560:, and
518:(1899)
502:(1906)
421:(1902)
83:(1902)
1510:JSTOR
1422:from
1183:Czech
1154:, in
1130:]
925:Glass
596:]
496:Grado
449:Dance
67:Top:
2009:ISBN
1999:ISBN
1985:ISBN
1970:ISBN
1953:ISBN
1934:ISBN
1920:ISBN
1893:ISBN
1878:ISBN
1868:ISBN
1854:ISBN
1796:help
1790:2018
1729:ISBN
1701:help
1664:2023
1638:2023
1602:2018
1542:2023
1430:and
671:by
179:and
145:The
1502:doi
1426:or
1292:by
985:by
915:by
748:by
729:by
710:by
651:by
533:by
498:by
474:by
451:by
413:by
157:or
79:by
2284::
1918:.
1672:^
1654:.
1628:.
1585:^
1568:^
1550:^
1533:.
1522:^
1508:.
1498:59
1496:.
1492:.
1205:,
1201::
1197:,
1193::
1189:,
1185::
1181:,
1177::
1173::
1128:de
851:,
594:de
571:,
556:,
364:.
319:.
231:.
218:,
175:,
171:,
126:,
122:,
118:,
93:c.
2103:e
2096:t
2089:v
1993:.
1940:.
1928:.
1901:.
1860:.
1838:.
1798:)
1737:.
1703:)
1666:.
1640:.
1604:.
1579:.
1544:.
1504::
197:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
