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which visually lifts clothes designed for everyday use. Similarly, murals which were created by Siem in the same period reference the large-scale wall paintings by the German artist Blinky
Palermo. Instead of composing a monochrome painting as Palermo would have done, Siem paints a marble imitation stone, as one would in a theater set. These wall works were placed in the public space such staircases, office halls, or cafés and remained there without being marked as a work of art, in some cases for years. Siem's 'hat works', on the other hand, are wearable objects which are not discernable as artworks apart from their uniqueness. In fact, Siem's textile works were only exhibited as art objects some years later, in the gallery Chantal Crousel in Paris in 1995.
198:- suggests fashion or lifestyle objects, but the group of works itself resembles the collection of a cultural-historical museum. The 'clothes' are hard, like armor, and the 'hairstyles' (made of stone) are not actually possible to wear or even carry unassisted. The 'trolleys' are heavy wooden models similar to ones that might be found in an agricultural museum. The 'shawls' are thick tapestries made of felt. Hence the understanding of the female role is subverted and rehashed in the form of 'superficial' feminine objects ever which present themselves as increasingly absurd.
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replica furniture has been painted brand new. They seem strange to the viewer, despite being lifted from a familiar cultural-historical background. This commentary on political and sociological framework raises the question of what can be considered strictly 'foreign' within the public sphere and what can be considered culturally one's own.
247:. In pre-and post-war room furnishings and furniture, large fabric sculptures are placed as actors in surreal domestic scenes. Anxiety, vision and comedy are central elements of the main installation, which consists of an "Africa collection" made up of household items obsessively occupying the entire room.
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The fourth group of works (1995-1997) consists of an installation which creates the appearance of a huge room. A group of life-size dolls, figurines and wooden objects appear comically small, like toys, in the center of an oversize carpet. The dolls reference classical
European doll forms as well as
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Wiebke Siem developed the series 'Rustic
Furniture' during her first residency in the UK. All objects are 1:1 copies of existing German farm furniture of the 18th and 19th centuries in various private and public European collections. The objects create a sense of alienation due to the fact that the
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The majority of Siem's early work made use of the preceding German artistic generation as source material by consistently quoting and borrowing aesthetic elements albeit in a satirizing and ironic manner. Over the course of her career, Siem has also drawn from a wide variety of ethnographic sources
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Her work includes installations, sculptures, textiles and fashion objects which consistently reference art, fashion and design of the 20th century. In combining traditional handicrafts such as fashion and textiles with masculine-dominated ones such as fine arts and object design, Siem questions the
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From 1989 to 1997, Siem created four groups of works which occupy a central place in her oeuvre. The first group of works, created from 1989 to 1993, is composed of dresses, hats, bags, and shoes. As in her previous works, the artist's objects blur the line between art and fashion since it is both
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by means of the designation "objects for use", a term which
Walther himself used in describing some of his wearable fabric sculptures. Using eye-catching patterns partly offset on the surface of the dress, as if the parts had been carelessly sewn together, Siem creates a sense of formal alienation
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With the sculptures that have been created since 2010, Wiebke Siem freed her practice from the intricately crafted sculptures that have characterized her work for decades. She began to assemble her sculptures from simple household objects before working on them to give them a uniform surface. As
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Siem developed her first artworks in the form of dresses, murals and hats during and after her studies in
Hamburg between 1983 and 1988. In these works, Siem makes use of 'traditional' female domains such as sewing and fashion to satirize and critically evaluate the influences of the influential
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The mask costumes (2000/2001), mostly created during Siem's second stay in
England, refer to objects of non-European cultures in preserved European museum collections, such as mask costumes of the African or the Pacific region. The carved masks, however, also make clear references to European
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role of the creator by insisting on the role of the woman not just as maker but also as author. Her works, often sewed or carved, are intensively labour-based and often deal with themes of domesticity and the elaborate function which women perform in the social sphere.
263:(at the K20 – Collection Nordrhein-Westfalen in Düsseldorf) Siem invited the visitors to assemble and hang household appliances into new figures, effectively creating new artwork out of common domestic tools by means of audience participation.
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disembodied sculptures they are not unlike skeletons and hang like puppets from the ceiling. As with many of Siem's works, the sculptures also express themes of alienation - the transformation of something familiar into something foreign.
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in 2014 as "one of the most innovative and original artists who has never compromised in their art and whose sculptures have a tremendous aura and presence because they mix the familiar and the unfamiliar, the known and the unknown".
69:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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possible to wear them and consider them under objective aesthetic terms. As potential prototypes, they are normally exhibited in the style of a merchandise presentation one would find in a fashion store.
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in
Hamburg. Siem herself was appointed Visiting Professor from 2000-2001 and Professor of Sculpture from 2002 to 2008. During this time Siem was also a member of the Deutscher Künstlerbund.
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the artist has reproduced her own face in seven different facial expressions in reference to the 18th century German-Austrian sculptor Franz Xaver
Messerschmidt. The group
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ironically performs the formal canon of modernist sculptures in papier-mâché (visually referencing figures such as Hans Arp and Henry Moore) in 42 individual examples.
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is made up of six large furry outfits resembling traditional costumes of folk characters from the Alpine regions of
Germany, Switzerland, and Austria. In the group
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including puppets, traditional furniture design, and
European folk costumes as well as elements of anthropology and sociology The artist lives and works in Berlin.
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Between 2005 and 2009, Siem worked on a group of larger installations that were shown in 2009 at the Neues Museum Nürnberg under the exhibition title
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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McKee, Francis; Aberdeen Art Gallery; Centre for Contemporary Arts (Glasgow, Scotland); Ormeau Baths Gallery (1998), "Wiebke Siem",
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modernism. (Modigliani, Schlemmer). Siem points out that the art of non-European space is a resource of European modernity.
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Content in this edit is translated from the existing German Knowledge article at ]; see its history for attribution.
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The objects of the second group of works (1991-1994) are more ambivalent. The terms used to describe the objects -
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artistic generation which preceded her. For example, her 'clothes-works' of the early 1980s are an answer to the
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1115:, Texts from Wiebke Siem and Ulrich Loock; Catalogue to the exhibition. Hrsg.: Kunsthalle Bern, Schweiz, 1997
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134:(born 1954 in Kiel) is a German mixed media artist of German and Polish heritage, winner of the prestigious
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1104:, Text from Wiebke Siem and Annelie Pohlen; Brochure to the exhibition. Hrsg.: Bonner Kunstverein 1996.
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Herzogenrath, Wulf, Penelope Curtis, Michael Scuffil, and Wiebke Siem Goslar: Mönchehaus-Museum, 2014.
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1089:, Texts from Wiebke Siem and Adelbert von Chamisso; Catalogue to the exhibition in Portikus. Hrsg.:
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1121:, Text from Peter Herbstreuth; Brochure to exhibition in Künstlerhaus Bethanien, Berlin, 1997
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Similarly, the third group of works (1993-1997) is also reminiscent of a museum collection.
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867:, Altes Museum, Berlin, Castello di Rivoli, Torino, Italy and other international locations
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Weltreise, Kunst aus Deutschland unterwegs, Werke aus dem Kunstbestand des Ifa1949 – heute
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383:, Installation in the stairhous of the Kunsthalle within the framework of the exhibition
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Söke Dinkla, Bettina Ruhrberg, and Michael Krajewski. Duisburg: Lehmbruck Museum, 2015.
1159:, Text von Jens Asthoff; Catalogue to the exhibition. Hrsg.: Johnen Galerie, Berlin 2007
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1171:. Hrsg.: Melitta Kliege and Angelika Nollert, Verlag für Moderne Kunst Nürnberg, 2013
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1627:""Objects that we can only marvel at" Wiebke Siem awarded the Goslar Kaiser Ring"
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950:, Un regard sur l'Art en Allemagne 1992, Museé d'Art Moderne de la Ville de Paris
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2013 Scholarship of the Internationalen Kunstlerhauses Villa Concordia, Bamberg
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753:, Villa Merkel, Esslingen, Städtisches Museum Abteiberg, Mönchengladbach
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1069:, Texts from Wiebke Siem and Jean Paul; Catalogue to the exhibition in
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to the source of your translation. A model attribution edit summary is
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2001/2002 Scholarship of the Berliner Senatsverwaltung for Culture at
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Wiebke Siem: Kunsthalle Bern, Castello di Rivara, Wiebke Siem, 1997,
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the sculptures and theater costumes of the Dadaist Oskar Schlemmer.
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Just what is it, that makes today's home so different, so appealing
1178:. Köln: Siemens Kulturprigramm, Museum Für Angewandte Kunst, 2001.
944:, Centre Corégraphique Nationale de Franche-Comté, Belfort, France
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Just what is it that makes today's homes so different so appealing
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The house in the woods : five contemporary German sculptors
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1705:"Doppelausstellung bei Esther Schipper: Festhalten am Diffusen"
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654:, Städtische Galerie Ravensburg, Städtische Galerie Wolfsburg
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Sculptures by Wiebke Siem and Ann Veronica Janssens, Galerie
1247:"Kunstpreis für Wiebke Siem: Der Teppichklopfer als Fetisch"
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Exhibition for the Künstlerhaus Bethanien, Art Forum, Berlin
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Künstlersammler: Mona Hatoum, Arturo Herrera, Karin Sander
1679:"Wiebke Siem "Biestiges aus deutscher (Kunst)Geschichte""
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1994 Scholarship for visual art, Stiftung Kunstfonds Bonn
1143:, Text from Kay Campbell; Brochure to the exhibition in
454:, Ständige Sammlung, Neues Museum in Nürnberg, Nuremberg
415:, Ständige Sammlung, Neues Museum in Nürnberg, Nuremberg
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Of Bits: Pieces and the Whole, Works from 1999 to 2014.
1601:"Kaiserring 2014 an Berlinerin Wiebke Siem überreicht"
1579:. Lehmbruck Museum Duisburg,Mönchehaus Museum Goslar.
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Anna, Susanne, Markus Heinzelmann, and Oliver Zybok.
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Review, Wiebke Siem, Johnen Gallery, Frieze Magazine
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Addressing the Century, 100 Years of Art and Fashion
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Zeigen, Eine Audiotour durch Berlin von Karin Sander
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Frith Street Gallery, London (mit Massimo Bartolini)
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K20 - Kunstsammlung Nordrhein-Westfalen (im Lanir),
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1996/1997 Residency, Künstlerhaus Bethanien, Berlin
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2011 Publication Grant, Kunstfonds Foundation, Bonn
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a machine-translated version of the German article.
1445:"Reviews. Cologne: Wiebke Siem, Johnen + Schöttle"
1360:"Members since 1903 of the Deutscher Künstlerbund"
1218:Artist's Biography, Esther Schipper Gallery Berlin
769:, Center for Contemporary Arts, Glasgow, Scotland
1472:"Künstlerin Wiebke Siem: Eine Wurst zum Fliegen"
1387:Wiebke Siem: Kunsthalle Bern, Castello di Rivara
778:Ormeau Baths Gallery, Belfast, Northern Ireland
320:Alfried Krupp von Bohlen and Halbach Foundation
261:Der Traum der Dinge - The Dream of Things
718:, Musee d`Art Moderne de Saint Etienne, France
87:accompanying your translation by providing an
49:Click for important translation instructions.
36:expand this article with text translated from
1147:. Hrsg.: Spike Island, Bristol, England, 2000
930:, Institut für Auslandsbeziehungen, Stuttgart
885:, Le Nouveau Musee Villeurbanne, Lyon, France
836:, Musee Departemental de Rochechouard, France
331:1990 Visual arts grant, Kulturbehörde Hamburg
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724:, Galerie Brigitte Trotha, Frankfurt am Main
830:, The Bowes Museum, Barnard Castle, England
468:, The Henry Moore Institute, Leeds, England
602:, ZKM, Museum für Moderne Kunst, Karlsruhe
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1157:Niema tego zlego coby na dobre nie wyszlo
999:Selected sculptures in public collections
1703:Meixner, Christiane (13 December 2017).
985:Württembergischer Kunstverein, Stuttgart
722:Anyone could be anyone else in most ways
424:Niema tego złego coby na dobry nie wyzło
1730:"Künstlerin Wiebke Siem: Kunst kleidet"
1470:Wiensowski, Ingeborg (11 August 2009).
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1245:Wiensowski, Ingeborg (7 October 2014).
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751:Zoom, a view on German contemporary Art
747:, Museum Schloss Morsbroich, Leverkusen
160:From 1979 to 1984, Siem studied at the
894:Suture – Phantasmen der Vollkommenheit
546:Galerie Johnen & Schöttle, Cologne
532:Galerie Johnen & Schöttle, Cologne
513:Galerie Johnen & Schöttle, Cologne
479:Galerie Johnen & Schöttle, Cologne
448:Galerie Lindig in Paludetto, Nuremberg
409:, Neues Museum in Nürnberg, Nuremberg
196:clothes, hairstyles, shawls, trolleys
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1302:. Verlag für moderne Kunst Nürnberg.
690:Museum für Angewandte Kunst, Cologne
677:, Galerie Johnen + Schöttle, Cologne
298:1999/2000 Sculpture Fellowship, The
239:The Counterfeiter ("Die Fälscherin")
1389:(German ed.). Die Kunsthalle.
1093:, Portikus, Frankfurt am Main, 1994
1052:Lother Schirmer Collection, München
918:, Steirischer Herbst, Graz, Austria
916:Bad zur Sonne – 100 Umkleidekabinen
910:Villa Pams – Le Jardin des Senteurs
873:, Castello di Rivara, Torino, Italy
396:Wiebke Siem im Atelier Karin Sander
1827:21st-century women textile artists
1802:20th-century women textile artists
782:Kunst und Papier auf dem Laufsteg,
703:, Aktionsforum Praterinsel, Munich
369:Wilhelm Lehmbruck Museum, Duisburg
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1817:21st-century German women artists
1767:20th-century German women artists
1549:Hinrichsen, Jens (6 April 2013).
1443:Messler, Norbert (October 1993).
1139:Juliana Engberg and Wiebke Siem:
741:, Forum der Südwest LB, Stuttgart
490:Castello di Rivara, Torino, Italy
360:Wiebke Siem – Der Traum der Dinge
1087:Kleider, Frisuren, Tücher, Wagen
924:, Galerie Chantal Crousel, Paris
842:, Künstlerhaus Bethanien, Berlin
686:Un-wearable Fashion as Sculpture
671:, Galerie der Stadt Sindelfingen
543:, Hotel Krone, Gais, Switzerland
221:Rustic Furniture ("Bauernmöbel")
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1522:Sterngast, Tal (May 21, 2013).
1049:Rudolf Bossi Collection, Zürich
824:, Barbara Gross Galerie, Munich
230:Costume Masks ("Maskenkostüme")
1772:German women fashion designers
1067:Kleider, Hüte, Taschen, Schuhe
1025:FRAC Franche-Comté, Frankreich
994:Galerie Jürgen Becker, Hamburg
938:Kunstraum neue Kunst, Hannover
560:Kunstraum Neue Kunst, Hannover
521:Gallery Chantal Crousel, Paris
499:Künstlerhaus Bethanien, Berlin
476:Spike Island, Bristol, England
97:You may also add the template
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1822:21st-century German sculptors
1777:20th-century German sculptors
1300:Of Bits: Pieces and the Whole
1113:Wiebke Siem – Kunsthalle Bern
1073:. Hrsg.: Jean-Baptiste Joly,
966:, Hotel Carlton Palace, Paris
906:, Galerie des Archives, Paris
697:, Galerie M+R. Fricke, Berlin
675:We are Stardust we are golden
660:, Temporäre Kunsthalle Berlin
398:, Studio Karin Sander, Berlin
99:{{Translated|de|Wiebke Siem}}
1842:21st-century women sculptors
1837:20th-century women sculptors
1832:21st-century textile artists
1807:20th-century textile artists
1176:Untragbar: Mode Als Skulptur
1141:A new Project by Wiebke Siem
1035:Landesbank Baden-Württemberg
596:, New Arts Centre, Salisbury
310:Cité internationale des arts
1787:German contemporary artists
1762:German installation artists
975:Hamburger Arbeitsstipendien
529:Portikus, Frankfurt am Main
259:In the studio installation
177:works of the German artist
1858:
739:Triennale der Kleinplastik
641:Konversationsstücke Akt II
632:, Kunsthalle Koidl, Berlin
510:, Bonner Kunstverein, Bonn
61:Machine translation, like
1075:Akademie Schloss Solitude
1040:IFA Collection, Stuttgart
695:Through the Looking Glass
555:Akademie Schloss Solitude
326:Akademie Schloss Solitude
38:the corresponding article
16:German mixed media artist
1044:Deutsche Bank Collection
773:Dundee Contemporary Arts
643:, Johnen Galerie, Berlin
426:, Johnen Galerie, Berlin
318:1994 Publication grant,
1677:Posca, Claudia (2015).
1498:"Humour and Alienation"
1496:Weidemann, Christiane.
1412:"Portrait: Wiebke Siem"
1031:FRAC d´Alsace, Selestat
1010:Staatsgalerie Stuttgart
871:Giovani Artisti Tedesci
865:Staatsgalerie Stuttgart
716:Staatsgalerie Stuttgart
437:, Galerie der Moderne,
377:Johnen Galerie, Berlin.
308:1995/1996 Scholarship,
162:University of Fine Arts
108:For more guidance, see
1812:German textile artists
1782:German women sculptors
1364:Deutscher Künstlerbund
1318:Esther Schipper Berlin
898:Salzburger Kunstverein
811:Guggenheim Museum Soho
767:The House in the Woods
609:Salzburger Kunstverein
300:Henry Moore Foundation
128:
1633:. Deutsche Bank. 2014
1575:Siem, Wiebke (2013).
1385:Siem, Wiebke (1997).
1298:Siem, Wiebke (2013).
1028:FRAC Dole, Frankreich
1015:Neues Museum Nürnberg
958:Galerie Jennifer Flay
733:Kunstmuseum Wolfsburg
701:Blondies and Brownies
126:
110:Knowledge:Translation
81:copyright attribution
1339:"Artist's Biography"
1314:"Artist's Biography"
1005:Hamburger Kunsthalle
541:Museum Robert Walser
387:, Kunsthalle zu Kiel
295:Studio Trust, London
267:Bursaries and awards
211:Untitled (42 Stones)
179:Franz Erhard Walther
1416:Artist Kunstmagazin
1366:. November 20, 2018
977:, Halle K3, Hamburg
912:, Collioure, France
850:Biennale di Firenze
786:Deutsche Guggenheim
345:The Maximum Minimum
286:Edwin Scharff Prize
274:Goslarer Kaiserring
186:The Four Workgroups
136:Goslarer Kaiserring
1410:Messler, Norbert.
1169:Arbeiten 1983–2013
981:Rund um die Kuppel
942:Le Témoin Oculiste
846:Il tempo e la Moda
840:Linien und Zeichen
712:Solitude im Museum
439:Kunsthalle Hamburg
324:1991 Scholarship,
302:, Bristol, England
207:Untitled (7 Masks)
203:Untitled (6 Masks)
129:
89:interlanguage link
1607:. 11 October 2014
1586:978-3-86206-448-9
1551:"Tanz der Formen"
1285:978-1-873331-21-7
1077:, Stuttgart, 1991
573:Group exhibitions
568:Westwerk, Hamburg
385:Gute Gesellschaft
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34:You can help
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1738:. Retrieved
1733:
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1708:
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1682:
1672:
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1656:
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1630:
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1609:. Retrieved
1604:
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1558:. Retrieved
1554:
1544:
1534:November 30,
1532:. Retrieved
1527:
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1507:November 27,
1505:. Retrieved
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1370:November 20,
1368:. Retrieved
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1344:November 27,
1342:. Retrieved
1333:
1323:November 27,
1321:. Retrieved
1317:
1308:
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1254:. Retrieved
1250:
1198:Wiebke Siem.
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1145:Spike Island
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1091:Kasper König
1086:
1080:
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1057:Publications
1022:, Frankreich
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85:edit summary
76:
43:
35:
1797:1954 births
1734:Zeit Online
1577:Wiebke Siem
1102:Wiebke Siem
1037:, Stuttgart
964:Chambre 763
807:Art/Fashion
557:, Stuttgart
328:, Stuttgart
132:Wiebke Siem
127:Wiebke Siem
1756:Categories
1740:1 December
1714:1 December
1688:1 December
1683:Kunstforum
1637:1 December
1611:1 December
1560:1 December
1481:1 December
1455:1 December
1425:1 December
1256:1 December
1229:References
1119:Turmzimmer
900:, Salzburg
813:, New York
775:, Scotland
745:Global Fun
611:, Salzburg
466:Collection
413:Werkgruppe
883:Aperto 95
822:Bodyscape
735:, Germany
288:, Hamburg
156:Education
103:talk page
40:in German
1449:Artforum
879:, Bochum
798:, London
788:, Berlin
585:, Berlin
430:2004/05
79:provide
1662:20 June
1278:, CCA,
960:, Paris
852:, Italy
381:Geister
312:, Paris
293:Delfina
175:textile
101:to the
83:in the
42:.
1631:ArtMag
1583:
1528:Frieze
1393:
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1204:
1128:
928:Expose
143:Career
1451:: 109
1193:2015
1182:2014
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577:2017
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503:1996
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444:2002
419:2007
402:2009
391:2011
373:2013
365:2014
354:2016
340:2023
284:2002
272:2014
63:DeepL
1742:2018
1716:2018
1690:2018
1664:2023
1639:2018
1613:2018
1581:ISBN
1562:2018
1536:2018
1530:(10)
1509:2018
1483:2018
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1427:2018
1391:ISBN
1372:2018
1346:2018
1325:2018
1280:ISBN
1258:2018
1202:ISBN
1126:ISBN
168:Work
77:must
75:You
56:View
65:or
1758::
1732:.
1707:.
1681:.
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1629:.
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1447:.
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