78:
207:
of the original ... where are the strings? Now, as far as the performance goes, let me make an educated guess: the instrumental players are all professionals; the choir has a core of quasi-professionals, but they've boosted numbers with ring-ins from the services. They are under-rehearsed ... this is
281:
per Tony1, this is definitely not a high EV piece, the sound is also very wavy and distorted, I hear some clanging as well. It is definitely not well-rehearsed with the presence of longer than usual notes, occasional squeaking and otherwise inaudible sections especially in the signature movements
263:
For once I agree with Tony1. This is an arrangement and without the strings it sounds like... well, a brass band doing orchestral music. I think this severely limits its EV and cannot be "our best work" or illustrate the music fairly.
47:
208:
easy homophonic music to perform, but they haven't got it. First thing I'd do with them is to get them to hum it, phrase by phrase, then get them to sing it on the same syllable (even "la-la ..."). It's a pity.
303:. I think we should generally avoid selecting band arrangements of orchestral works as Featured Sounds. By the way, who is the arranger, and how do we know the arrangement is in the public domain?
48:
50:
51:
347:
203:—The second chord is out of tune, and so are a lot of the other chords sung by the choir. The instrumental ensemble is fine, but surely it's playing an
49:
96:
17:
226:
I have added an audio file because for the reader on a slow connection the 10.3MB audio is a much better option than a 68.37MB video.--
236:
178:
124:
95:
240:
182:
37:
333:
312:
295:
273:
269:
253:
221:
195:
153:
133:
57:
308:
285:
157:
141:
65:
232:
174:
87:
265:
304:
244:
227:
186:
169:
321:
Clear consensus against promotion, due to the lack of activity I've performed this close. —
216:
248:
190:
341:
149:
61:
94:
324:
209:
111:
76:
123:
This is an extremely famous composition ant it meets all
8:
146:Articles in which this recording appears
109:
7:
348:Knowledge featured sound nominations
18:Knowledge:Featured sound candidates
24:
125:Knowledge:Featured sound criteria
110:Problems playing this file? See
92:
45:
1:
364:
313:15:22, 25 June 2011 (UTC)
296:04:26, 11 June 2011 (UTC)
282:which is disappointing. —
274:09:56, 10 June 2011 (UTC)
254:07:58, 10 June 2011 (UTC)
222:07:43, 10 June 2011 (UTC)
196:07:34, 10 June 2011 (UTC)
334:11:50, 6 July 2011 (UTC)
154:Pyotr Ilyich Tchaikovsky
134:Pyotr Ilyich Tchaikovsky
58:Pyotr Ilyich Tchaikovsky
158:United States Army Band
142:United States Army Band
66:United States Army Band
81:
80:
266:Ben (Major Bloodnok)
102:audio only version
82:
252:
194:
97:
64:performed by the
52:
355:
332:
327:
294:
230:
219:
214:
172:
99:
98:
79:
54:
53:
363:
362:
358:
357:
356:
354:
353:
352:
338:
337:
325:
322:
283:
217:
210:
117:
116:
106:
105:
104:
103:
100:
93:
90:
88:"1812 Overture"
83:
77:
72:
71:
70:
69:
68:
55:
46:
43:
41:- 1812 Overture
31:
22:
21:
20:
12:
11:
5:
361:
359:
351:
350:
340:
339:
316:
315:
298:
276:
258:
257:
256:
198:
161:
160:
147:
144:
139:
136:
131:
128:
121:
108:
107:
101:
91:
86:
85:
84:
75:
74:
73:
56:
44:
36:
35:
34:
33:
32:
30:
25:
23:
15:
14:
13:
10:
9:
6:
4:
3:
2:
360:
349:
346:
345:
343:
336:
335:
330:
328:
320:
314:
310:
306:
305:ReverendWayne
302:
299:
297:
292:
288:
287:
280:
277:
275:
271:
267:
262:
259:
255:
250:
246:
242:
238:
234:
229:
225:
224:
223:
220:
215:
213:
206:
202:
199:
197:
192:
188:
184:
180:
176:
171:
167:
164:Nominate and
163:
162:
159:
155:
151:
150:1812 Overture
148:
145:
143:
140:
137:
135:
132:
129:
126:
122:
119:
118:
115:
113:
89:
67:
63:
62:1812 Overture
59:
42:
40:
29:
28:1812 Overture
26:
19:
323:
319:Not promoted
318:
317:
300:
290:
284:
278:
260:
228:TonyTheTiger
211:
204:
200:
170:TonyTheTiger
165:
38:
27:
261:Oppose both
205:arrangement
130:Composed by
245:WP:CHICAGO
187:WP:CHICAGO
112:media help
342:Category
329:• 9:50pm
249:WP:FOUR
191:WP:FOUR
166:support
138:Creator
301:Oppose
291:2:26pm
279:Oppose
218:(talk)
201:Oppose
120:Reason
326:James
286:James
16:<
309:talk
270:talk
212:Tony
39:1880
241:BIO
183:BIO
60:'s
344::
311:)
289:•
272:)
251:)
193:)
168:.
156:,
152:,
331:•
307:(
293:•
268:(
247:/
243:/
239:/
237:C
235:/
233:T
231:(
189:/
185:/
181:/
179:C
177:/
175:T
173:(
127:.
114:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.