38:
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305:. The performance absolutely enthralled him and he decided that night that he wanted to pursue a career conducting operas. While attempting to find work in the field of opera he took a position as the pianist for the orchestra of the National Theatre in Montreal. In the summer of 1911 he was hired by Henri Delcellier as the rehearsal pianist with the
667:, which included a summer concert series by the MSO in addition to featuring other Canadian ensembles and musicians. The festival continued annually long after Pelletier's departure from the MSO in 1941. He notably returned to conduct the festival's last performance before it was disestablished at the
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had put together a large report on music education that was sponsored by the Quebec government. The report closely examined music education in Europe as well as in Canada and plans were soon formed to establish a network of state-subsidized school which would be modeled after
European conservatories,
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families of
Montreal in establishing a new orchestra in his native city. He initially rejected the offer, still having a somewhat critical attitude towards the state of the arts in Canada. However, he was later persuaded by his father, who reminded him of the support of the Quebec government earlier
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as a rehearsal pianist for the company's French opera productions, a position he maintained until 1922 when he was promoted to assistant conductor at the Met. Between 1917 and 1924 he also frequently played the piano for the Met's Sunday Night
Concert Series, and he also portrayed the minor role of
341:
In
October 1916, Pelletier and his wife arrived in Paris, France in the midst of World War I and the outbreak of a major flu epidemic. Undaunted, the couple remained until circumstances related to the war forced them to leave at the end of June 1917. Although only in France for roughly nine months,
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was appointed the company's new general manager in 1950. Bampton stated in a 1989 interview that, "Both of us got the feeling that we wouldn't be happy with the new regime." This change considerably freed up
Pelletier's schedule and enabled him to accept at offer to become artistic director of the
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The experience of losing his job with the MOC made
Pelletier question his potential career opportunities in Canada and he decided that he needed to find a way to go to Europe. Lack of finances prevented him from pursuing this course of action, and he continued his studies in his native city with
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Pelletier and
Champagne, who was appointed the conservatoire's assistant director, were largely responsible for recruiting a highly impressive international staff of teachers. The CMQM opened its doors in January 1943 with its first round of courses which were held at the
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518:. He was also the driving force behind establishing the 'Metropolitan Opera Auditions of the Air' competition (precursor to the Metropolitan National Council Auditions) in 1936. His final and 462nd performance at the Met was on 15 May 1950 conducting
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983:"Obituaries: Veteran soprano Rose Bampton, a link to the Gatti-Casazza era at the Met, dies at ninety-nine; COC general director Richard Bradshaw; composer Tikhon Khrennikov; bass Nicola Zaccaria; sopranos Teresa Stich-Randall and Jeanne Beauvais"
190:(CMADQ), an organization which has established and oversees nine different schools of higher education in music and theatre in Quebec, was established in 1942. From 1943 through 1961 he served as the director of the CMADQ and its first school the
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in his life, to have pride in his country and do what he could in service to it. He accordingly returned to
Montreal and began putting together what would eventually become the Montreal Symphony Orchestra (MSO).
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187:
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264:, Pelletier was the son of a baker who in his spare time performed actively as an amateur musician and conducted a community concert band. At the age of 8 he began to study music with
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During the 1940s, Pelletier made several opera recordings at the request of the
National Committee for Music Appreciation in New York with artists from the Metropolitan Opera. These
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on numerous occasions when he himself was unavailable. After divorcing his first wife (with whom he had two sons: Camille and François), he married Met soprano
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in New York City that began with his appointment as a rehearsal accompanist in 1917; ultimately working there as one of the company's conductors in mainly the
309:(MOC), remaining there until the company went bankrupt in 1913. While working for the company he married his first wife Berthe Jeannotte, the sister of tenor
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competition which he lost in 1914 but won in 1915. This competition win led to the Quebec government giving him a grant to pursue studies in Europe.
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instruments and at the age of 12 he began playing the drums with the St-Pierre-ApĂ´tre parish temperance band in concerts at a local movie theatre.
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In 1983, the
Wilfrid Pelletier Foundation was established, an organization which annually awards grants to holders of the premier prix of the
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744:. He assumed the post in June 1951, remaining there for the next 15 years. During that time he also conducted the Children's Concerts of the
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from assistant to regular conductor at the Met, a position he maintained through 1950. His first performance in this title was conducting
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Pelletier was one of the most influential music educators in Canada during the 20th century. It was largely through his efforts that the
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153:, serving as the orchestra's first artistic director and conductor from 1935 to 1941. He had a long and fruitful partnership with the
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among others. The recordings were originally released by the World's Greatest Operas label, and many of them were later reissued by
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who introduced them to important people in the musical social circles of the city. These connections led to his being hired at the
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In 1958, a boulevard in Ville d'Anjou, Montreal was named after him. Along the road is also a primary school which bears his name.
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in 1925. That relationship also ended in divorce some years later. He later married a former voice student of Mario's, opera star
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Pelletier retired from performance in the early 1970s and thereafter lived with his wife in New York City. He died in
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on the Met stage between 1924 and 1926. During these early years with the Met he developed a lasting friendship with
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While working at the Met in the early 1930s, Pelletier was approached by Canadian industrialist and philanthropist
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in 1961 after 18 years on the job. He also served as the first director of the CMDAQ's second school, the
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who gave him singing lessons and worked with him in learning the French operatic repertoire on the piano.
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included in a number of her recitals. He was married three times in his life, notably to opera singers
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As a pianist, Pelletier was active during the 1920s and 1930s as one half of a piano duo with partner
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as Turiddu. That same year he was appointed Artistic Director of the Sunday Night Concert series.
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In July 1917, the Pelletiers arrived in New York City where they were befriended by conductor
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The MSO gave its first concert under the name Les Concerts Symphoniques in January 1935 at
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repertoire from 1929 to 1950. From 1951 to 1966, he was the principal conductor of the
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In 1965, the music school of the Sisters of Ste-Anne in Montreal was named after him.
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209:. The two made a number of recordings together that were made under the direction of
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From 1919 to 1922, Pelletier was the rehearsal pianist and assistant conductor for
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1021:(Toronto: Clarke, Irwin & Co., 1957), p. -100, ill. with sketched ports.
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Pelletier and his wife both decided to leave the Metropolitan Opera when
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236:. As a composer, he produced only a small body of work, most notably
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In 1978, he was awarded an Honorary Doctor of Music degree from the
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In 1959, he was awarded an Honorary Doctor of Music degree from the
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In 1953, he was awarded an Honorary Doctor of Music degree from the
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In 1952, he was awarded an Honorary Doctor of Music degree from the
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Academic staff of the Conservatoire de musique du Québec à Montréal
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Academic staff of the Conservatoire de musique du Québec à Québec
687:(CMQM), in 1943. During the late 1930s and early 1940s, Canadian
659:. On 16 November 1935, the orchestra performed the first of many
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In 1968, he was awarded an Honorary Doctor of Music degree from
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In 1966, he was awarded an Honorary Doctor of Music degree from
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In 1960, he was awarded an Honorary Doctor of Music degree from
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In 1910, at the age of 14, Pelletier had his first exposure to
555:(78-rpm albums) were abridged versions of popular operas like
31:
972:
at Encyclopedia of Music in Canada, accessdate 21 August 2019
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The Orchestre Symphonique de Québec and later life and career
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which allocated a $ 30,000 budget to form the conservatoire.
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up through 1914. His older brother Albert taught him to play
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Canadian Companions of the Order of St Michael and St George
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Pelletier's time there was well spent under the tutelage of
877:
made a bronze bust of Pelletier which is on display at the
109:(left) and Wilfrid Pelletier (right) at the opening of the
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AVTrust.ca - Wilfrid Pelletier, MasterWorks recipient 2002
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The Conservatoire de musique et d'art dramatique du Québec
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starring. He went on to conduct the house premieres of
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Music Directors of the Orchestre Symphonique de Québec
681:
Conservatoire de musique et d'art dramatique du Québec
188:
Conservatoire de musique et d'art dramatique du Québec
715:. Pelletier was succeeded in the role of director by
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Studying and working in Europe and the United States
27:
Canadian musician and arts administrator (1896–1982)
165:. He was also a featured conductor for a number of
133:(20 June 1896 – 9 April 1982) was a Canadian
1360:Persons of National Historic Significance (Canada)
884:In 2002, he became a MasterWorks honouree for the
788:Companion of the Order of St Michael and St George
679:Pelletier was appointed the first director of the
329:(piano). His teachers encouraged him to enter the
1013:McCready, Louise G. "Wilfrid Pelletier", in her
183:and the Montreal Symphony Orchestra and chorus.
59:but its sources remain unclear because it lacks
763:, were published ten years prior to his death.
454:On 28 February 1929, Pelletier was promoted by
213:. He also made a number of solo recordings and
169:recordings, including an acclaimed reading of
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845:In 1967, he was appointed a Companion of the
192:Conservatoire de musique du Québec à Montréal
111:Conservatoire de musique du Québec à Montréal
8:
721:Conservatoire de musique du Québec à Québec
647:to collaborate with him and the BĂ©ique and
196:Conservatoire de musique du Québec à Québec
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1038:, authors Denise MĂ©nard, Marc Samson, 2014
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240:(published in Boston, 1923) which soprano
149:. He was instrumental in establishing the
991:. Vol. 72, no. 5. November 2007
886:Audio-Visual Preservation Trust of Canada
268:, the wife of clarinetist and bandmaster
224:from the operas of French composers like
90:Learn how and when to remove this message
1370:20th-century Canadian conductors (music)
205:, the half-brother of Broadway composer
1058:Conducting for Kirsten Flagstad in 1938
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748:from 1952 to 1957 and the tours of the
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661:Matinées symphoniques pour la jeunesse
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384:, who later hired him to conduct his
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1385:20th-century Canadian male musicians
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685:Conservatoire de musique de Montréal
354:(composition), and most importantly
611:. In 1938 he appeared on camera in
220:in the early 1920s, playing mostly
970:Conservatoire de musique du Québec
868:Conservatoire de musique du Québec
750:National Youth Orchestra of Canada
621:as he conducted Norwegian soprano
25:
1335:Companions of the Order of Canada
407:where he worked under conductors
1330:Canadian male conductors (music)
1325:Canadian male classical pianists
1072:Dictionary of Canadian Biography
36:
1375:20th-century classical pianists
1036:Encyclopedia of Music in Canada
939:Encyclopedia of Music in Canada
742:Orchestre Symphonique de Québec
639:The Montreal Symphony Orchestra
625:in Brunhilde's Battle Cry from
468:on the following 29 March with
303:His Majesty's Theatre, Montreal
256:Early life and career in Canada
163:Orchestre Symphonique de Québec
1380:20th-century Canadian pianists
701:Legislative Assembly of Quebec
118:Joseph Louis Wilfrid Pelletier
1:
1048:, author Hélène Plouffe, 2015
120:(sometimes spelled Wilfred),
786:In 1946, he was appointed a
723:, from 1944 until 1946 when
1320:Canadian classical pianists
1109:Montreal Symphony Orchestra
956:Metropolitan Opera Archives
941:, accessdate 21 August 2019
772:In 1936, he was awarded an
321:(harmony and composition),
151:Montreal Symphony Orchestra
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683:and its first school, the
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1156:Rafael FrĂĽhbeck de Burgos
1115:
1046:The Canadian Encyclopedia
812:New York College of Music
618:The Big Broadcast of 1938
1365:Pupils of Isidor Philipp
1350:Canadian music educators
272:, who taught him piano,
45:This article includes a
1355:Musicians from Montreal
1107:Music directors of the
840:Salle Wilfrid-Pelletier
761:Une symphonie inachevée
540:as Méphistophélès, and
403:'s touring company the
238:In the Dark, in the Dew
74:more precise citations.
781:Université de Montréal
759:in 1982. His memoirs,
713:Saint Catherine Street
697:Conservatoire de Paris
607:and Parade Records on
386:NBC Symphony Orchestra
348:Marcel Samuel-Rousseau
311:Albert Clerk-Jeannotte
307:Montreal Opera Company
114:
802:University of Alberta
746:New York Philharmonic
709:Saint-Sulpice Library
505:Il matrimonio segreto
370:Boleslao Lazinski in
105:
861:Université du Québec
456:Giulio Gatti-Casazza
440:Cavalleria rusticana
405:Scotti Opera Company
875:Arto Tchakmaktchian
757:Wayne, Pennsylvania
532:in the title role,
530:Giuseppe Di Stefano
465:The King's Henchman
431:San Francisco Opera
352:Charles-Marie Widor
291:, a performance of
179:featuring baritone
1019:Canadian Portraits
873:In 1984, sculptor
665:Montreal Festivals
553:gramophone records
427:Memphis, Tennessee
425:on 21 May 1920 in
367:Metropolitan Opera
155:Metropolitan Opera
147:arts administrator
115:
47:list of references
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1270:Simon Streatfeild
1246:Wilfrid Pelletier
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1150:Franz-Paul Decker
1120:Wilfrid Pelletier
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1042:Wilfrid Pelletier
1032:Wilfrid Pelletier
935:Wilfrid Pelletier
854:McGill University
829:Ottawa University
695:particularly the
500:Domenico Cimarosa
490:Johann Strauss II
356:Camille Bellaigue
323:Alfred La Liberté
100:
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18:Wilfred Pelletier
16:(Redirected from
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1252:Françoys Bernier
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795:Université Laval
779:degree from the
692:Claude Champagne
671:in August 1965.
623:Kirsten Flagstad
615:'s feature film
588:Madama Butterfly
478:Lawrence Tibbett
447:as Santuzza and
445:Carmela Ponselle
382:Arturo Toscanini
372:Umberto Giordano
327:Rodolphe Mathieu
222:piano reductions
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107:Claude Champagne
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482:Benjamin Godard
474:Florence Easton
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293:Ambroise Thomas
270:François Héraly
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520:Charles Gounod
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181:Mack Harrell
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66:Please help
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1315:1982 deaths
1310:1896 births
1284:(1998-2011)
1278:(1991-1998)
1272:(1983-1991)
1266:(1976-1983)
1260:(1968-1975)
1254:(1966-1968)
1248:(1951-1966)
1242:(1942-1951)
1236:(1924-1942)
1230:(1902-1924)
1168:Kent Nagano
1144:Zubin Mehta
737:Rudolf Bing
632:Die WalkĂĽre
600:La traviata
582:I Pagliacci
350:(harmony),
218:piano rolls
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1304:Categories
1282:Yoav Talmi
988:Opera News
893:References
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484:'s ballet
282:percussion
266:Ida HĂ©raly
167:RCA Victor
613:Paramount
594:Rigoletto
564:La Bohème
396:in 1937.
346:(piano),
135:conductor
774:Honorary
689:composer
546:Valentin
262:Montreal
260:Born in
143:composer
113:in 1943.
1063:YouTube
995:22 June
767:Honours
443:, with
278:solfège
176:Requiem
139:pianist
68:improve
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570:Carmen
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476:, and
377:Fedora
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