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240:(1600–1638) was, like her siblings, born in Cologne and died in Utrecht. She specialized in landscapes until her marriage to the minor artist Frederick van Bevervoorden in 1634, after which she essentially stopped engraving, even though her husband died in 1636. The business presumably involved shipping drawings, engraved printing plates, and printed copies around Europe between the various cities involved.
68:, though mostly at a more mundane commercial level. Most of their engravings were portraits, book title-pages, and the like, with relatively few grander narrative subjects. As with the other dynasties, their style is very similar, and hard to tell apart in the absence of a signature or date, or evidence of location. Many of the family members produced their own designs, and have left drawings.
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Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramq formam accuratissime delineatae et secundum quatuor anni tempora divisae exhibentur incredibili labore ac diligentia Crisp. Passaei junioris delineatae ac suum in ordinem redactae (Floral Garden in which are
Exhibited
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Images of Rather Rare and Less Common
Flowers, in Living and True Form, Delineated Very Accurately and Divided According to the Four Seasons of the Year, Exhibited by the Unbelievable Labour and Diligence of Crispus Passaeus the Younger, Delineated and Brought Back into their Own Order)
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world, where very productive workshops produced work for publishers with excellent distribution networks throughout Europe. In the guild year 1584-1585 he became a member of
Antwerp's artists'
137:, by about 1612. Here he created engravings for the English and other markets. He died in Utrecht in 1637 and was buried on 6 March 1637. His works include a famous rendition of the English
216:(ca. 1598 – ca. 1637), the least productive of the siblings, took over from his brother in England, probably after working in France, and died in London, perhaps of
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With all family members, the "van" comes and goes in contemporary references. The given are the most common in modern references. See Getty for lists of variants.
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as royal engraver and designer of medals in 1624, where he remained until his death. He is best remembered for his early London print of
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and Simon in
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Four of
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374:, Buck Woodard, nps.gov, accessed July 2009. The original English caption (at the bottom of the image) reads
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alias virginia converted and baptized in the
Christian faith, and wife to the wor. M. Joh Rolfe ."
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He principally worked as a reproductive artist after designs by
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in 1624, and his wife
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in 1589, but again was forced to leave in 1611. He set up in business in
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After the three deaths in the period 1637–38 only
Crispijn II in the
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392:"1616 engraving of Pocahontas by Simon van de Passe also John Sith"
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British Museum online biographical details – see external link.
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A Study of
Virginia Indians and Jamestown: The First Century
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and founder of a dynasty of engravers comparable to the
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is considered by Hind the finest work of the dynasty.
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online database has 1838 items by or after the family
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scattered many artists across Northern Europe. As an
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Medieval and Renaissance Drama in England, Volume 16
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76:Crispijn van de Passe I was born in Arnemuiden in
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144:The family's prints are well represented in most
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109:, Crispijn van de Passe I, 1605.
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394:. Virginia Historical Society
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104:Portraits of 8 of the 13
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322:Association with Plantin
259:, mostly by Crispijn II.
601:Dutch botanical artists
405:"Ætatis suæ 21 A. 1616"
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357:Crispiijn van de Passe
237:Magdalena van de Passe
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42:Crispijn van de Passe
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559:at Wikimedia Commons
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32:The Fall of Phaëthon
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208:Antoine de Pluvinel
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518:Getty Foundation,
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139:Gunpowder Plotters
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106:Gunpowder Plotters
72:Crispijn the Elder
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576:Another biography
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497:References
398:2008-12-28
338:2012-03-20
309:Mayor, 417
224:church in
188:Pocahontas
184:Copenhagen
167:Pocahontas
123:Anabaptist
50:Arnemuiden
48:(c. 1564,
440:at artnet
417:Grove art
204:Amsterdam
222:Huguenot
190:(1616).
66:Sadelers
64:and the
58:engraver
46:de Passe
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570:Spamula
297:at the
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127:Aachen
270:Notes
200:Paris
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