639:
603:
347:
615:
591:
507:
651:
555:
567:
519:
543:
579:
495:
308:
531:
475:
627:
1138:
273:
that group was formed in
November 1870. Between 1868 and 1870 he was reported to have opened a music-teaching academy in Providence in which he gave banjo socials once a week, his "first attempt at edging the banjo into high society." However, he was not listed in the Providence, Rhode Island city directory from 1866 to 1869. He re-appeared in the Providence city directory in 1870 both as William A. Penno, music teacher, and William A. Huntley, musician.
31:
638:
602:
1803:
Dr. George W. Huntley, the courteous and energetic
Business Agent for the Whitmore & Clark Minstrels for some years past, is to be the General Agent for that Company for the coming season... with W. A. Huntley...the bouquet vocalist and composer, who returned not long since from an extensive trip
1693:
Inasmuch as Mr. J. D. Hopkins, who signs himself business manager of
Campbell and Huntley's Minstrels to a card that appeared in the columns of this paper dated Nov. 19th, has sought to injure the reputation of Charles Austin...Mr. Austin assures me that when the party was organized, it was under the
1910:
E. Prescott Hardy is busily engaged in making up his
Whitmore & Clark Minstrel party for the coming season, and will have the strongest aggregation of talent ever on the road. In addition to "Billy" Huntley, the great banjo player spoken of elsewhere, he is engaging other men as strong in their
1888:
Wm. A. Huntley, banjoist, vocalist and composer, who has been with
Haverly's Mastodon Minstrels in England until recently, joins the New Mastodon Minstrels, under Mr. Haverly's proprietorship, in Memphis, Tenn., Dec. 30. During his foreign tour he was the recipient of many complements gained by his
319:
in London, and led the group's big banjo act in which twelve performers appeared at one time. He gave a first performance at Her
Majesty's Theatre on July 31, 1880 and remained three months. During this period, Huntley had the honor of appearing before the Royal Family. Afterward, he played in the
280:
William A. Huntley began receiving his mail as a performer independent of
Campbell and Huntley's Minstrels in February 1871. He and George (later "Dr. Geo. W.") Huntley continued to associate repeatedly into the 1880s. George Huntley became a successful manager and agent (organizing shows in towns
451:
Huntley took to the idea of a refined image for the banjo, and modified an idea used by J. H. Haverly and other large minstrel performance companies. Some of their advertising posters showed them marching in solidarity, in formal dress and in white face. However, their performers would perform in
276:
Newspaper accounts in 1870 may be the earliest record of his music career. In
October 1870, he became business partners with Charles Austin, John D. Hopkins and George W. Huntley to form Campbell, Huntley and Austin's minstrels, sharing profits. They became Campbell and Huntley's Minstrels in the
272:
published generalized timelines of his activities. The two give different years for his work with Mead's
Euterpean Minstrels. He was reported by Le Roy Rice to have joined the Campbell and Huntley Minstrels in 1865, and to have played with them for several years. However, news clippings indicate
614:
447:
to describe his music. The phrase today means a style of playing the banjo bare fingered, picking out the notes with two fingers and a thumb. For
Huntley, the term spoke of quality and he used it throughout the 1870s. Huntley became associated with Samuel Swaim Stewart, a banjo centered
224:. Huntley spent his working life performing and teaching in the off season. He performed throughout the United States and toured Europe as a part of several different minstrel groups. A highlight of his performing career was to play before the Prince and Princess of Wales, about 1880 at
554:
1816:
1804:
in Europe, where he appeared with Haverley's Mastodon Ministrels, making a decided hit. He appeared before a number of the crowned heads in his banjo specialities, and also lead the great act in which 12 banjo players appeared upon the stage at one time.
506:
448:
entrepreneur, and former blackface performer, who was trying to move the banjo toward greater respectability. Huntley was featured regularly in the S. S. Stewart Banjo and Guitar Journal, starting 1883, and Stewart published some of his music.
1706:
1727:
2061:
Jerry Cohan Wrote This. It's pretty close to 40 years ago that George M. Cohan's "daddy" wrote this song for Harper and Stansill, the famous one-legged song and dance team, both since deceased. It was called "The Girl That Took My
590:
566:
650:
518:
1837:
1642:
474:
346:
1663:
1621:
1600:
371:—swallow tails and all—and make the stage, with things thrown, look like a delicatessen shop. 'Don't you care. I'll sweep up,' said Huntley. It was a hot night and over a thousand of the audience were in
689:
LOC are scores preserved at the Library of Congress. LSMC are scores preserved at the Lester M. Levy Sheet Music Collection. BERK are scores at the California Sheet Music Project at the Berkley Libtary.
1846:
Mr. Billy Huntley, the great banjoist and composer, in his wonderful specialties, having closed a successful engagement at the Howard Athenaeum, Boston, is now engaged with the Lauri Pantomime Troupe...
1684:
440:
An 1884 news article made it likely he was performing without stage makeup. The reviewer said, "Mr. Wm. A. Huntley is the only banjo artist in the country that has ever made a success in white face."
494:
216:
traditions. Playing his 5-string banjo before crowds that came to number in the low thousands, he sang in a high tenor and played his banjo bare fingered, picking the strings in a style today named "
1879:
530:
578:
542:
396:
The minstrelsy show-business of the 1860s, when Huntley was breaking into his career, meant performing in blackface. However Huntley also engaged with performing groups that labeled themselves
320:
principal cities of England and in Paris. He left Europe later in 1880 and arrived in Memphis, Tennessee on December 30, to fill out his contract with Mr. Haverly's "New Mastodon Minstrels."
626:
1484:
Last Name: HUNTLEY First Name: WILLIAM A born: WILLIAM A PENNO HE IS A COMPOSER Cemetery Name: LOCUST GROVE CEMETERY Birth Year: 1843 Death Day: 26 Death Month: MAR Death Year: 1929
277:
midst of a November and December fallout between Austin and Hopkins in the newspapers. Originally planned to be together for four weeks, the group was still intact in January 1871.
437:. It is not completely certain whether Rice meant his performances used white facepaint in the tradition of pantomime clowns, or if Huntley performed without any makeup at all.
359:"Will A. Huntley gave a pleasing musical setting to a number of my songs, which met with favor in several cases and here, I recall another incident. He opened an engagement at
3445:
3430:
422:
theatres. Pastor used the term "vaudeville" in place of "variety" in early 1876, hoping to draw a potential audience from female and family-based shopping traffic
1609:
I want it discreetly understood that I was a full PARTNER, supposed to share equally with G. W. Huntley, Billy Huntley, and J. D. Hopkins, alias J. D. Campbell...
3460:
2607:
1694:
name of Campbell, Huntley and Austin's Minstrels...and that Mr. Hopkins...ordered a new stock of printing under the name Campbell and Huntley's Minstrels...
2701:
281:
ahead of the arrival of the minstrels), working with the Huntley Minstrels, the Martinetti-Ravel Pantomime Company and Whitmore and Clark's Minstrels.
3404:
307:
383:
imitating the pretty song and twitter of birds at twilight. That brought out an applause that sprained the roof. I was there and heard the sprain."
232:
stage makeup. He focused on building respectability for the banjo, through teaching, composition, and performance recitals. He was featured in the
463:
From 1887 to 1893, he also performed at concerts organized by Fairbanks and Cole, high-end banjo manufacturers in competition with S. S. Stewart.
1630:...the four partners, viz., G. W. Huntley, Billy Huntley, Austin and myself...John D. Hopkins, Business Manager, Campbell and Huntley's Minstrels
316:
176:
1528:
3264:
1651:
Charles Austin states that he has severed his connection with Huntley and Austin's Minstrels, and has joined Whitmore and Clarke's Company.
1672:
I the undersigned, caution managers against one Charles Austin...J. D. Hopkins, Business Manager, Campbell and Huntley's Minstrels
3435:
300:, and afterwards rejoined the Martinetti Troupe. In 1874 he became co-partner with George W. Huntley again, in the management of
331:. The two men opened a banjo teaching-studio in Providence and performed together, Lee on the 6-string banjo and Huntley on the
252:
Huntley first performed onstage in a play in Providence at the age of six. He played the part of "little Tom Bruce" in the play
3440:
293:
1580:
644:
1891. Advertisement in Sydney, Australia, for banjo classes using materials by S S Stewart, John H Lee and William A Huntley.
1300:. Arranged for Cornet by Thomas A. Becket. Published by W F Shaw. Galveston, Tex. : Thos. Goggan & Bro., 1884.
1137:
30:
324:
264:
Two biographies written during his lifetime are vague about the start of his musical career from 1865 to 1869; authors
3383:
2031:
1459:
289:
1794:
288:
in Boston, performing as a solo banjoist and making his first "whiteface" appearance on stage. William joined the
3105:
3083:
1974:
1559:
360:
560:
May 1876. Summer Theatre Comique, Washington D.C. Huntley would use the banjo-swinging act in the 1880s as well.
258:. His first minstrel engagement was in 1860 or 1862 with Mead's Euterpean Minstrels at New London, Connecticut.
2013:
1995:
1328:
1283:
620:
February 1888. Banjo Concert, Boston. William A. Huntley accompanied by his brother Charles H. Huntley (Penno).
241:
95:
78:
3400:
429:
Huntley had been experimenting with a different image from the early 1870s. He was characterized by minstrel
297:
225:
404:
groups. He performed his solo act in variety shows, where he had more control over how he presented himself.
301:
1901:
1825:...At the Howard, variety is the order of the day. The new attractions here are...Billy Huntley, banjoist...
1748:
363:. He was an artistic banjo player and a sweet tenor singer. At first, the manager told him he was afraid a
236:'s catalog (showing that art-banjo promoter Stewart recognized his talent) and began to play the company's
1351:
485:
328:
228:
in London. He moved away from minstrel shows by the 1880s, and "took pride" that he could perform without
185:
1858:
1388:
1347:
710:
3093:. Vol. 3, no. 1. Philadelphia, Pennsylvania: S. S. Stewart Company. December 1884. p. 9.
2682:
1984:. Vol. 2, no. 12. Philadelphia, Pennsylvania: S. S. Stewart Company. Oct–Nov 1884. p. 1.
311:
Advertisement for Haverly's Mastodon Minstrels in London 1880. Huntley was one of the 12 banjo experts.
2757:
1397:
Margaret Keyes; Joseph Ford; William A Huntley; Columbia Stellar Quartette. New York : Columbia,
3455:
3450:
1069:
706:
269:
233:
1376:
1964:
Armond Fields, Tony Pastor, Father of Vaudeville (Jefferson, NC: McFarland & Co., 2007), p. 84.
388:
3410:
1569:. Vol. 2, no. 1. Philadelphia, Pennsylvania: S. S. Stewart Company. May 1883. p. 1.
375:
or the like. But the kids and the 'gods' were nice and recalled Huntley twice . Then he gave them
2711:
2617:
2052:
1924:"Songs of other days, their author Arthur Wells French is now the Bard of Monroe and still at it"
1475:
1361:
1246:
722:
694:
368:
265:
1923:
1770:
379:, "When the birds nave gone to sleep." The instrumentation and voicing carries with it a flute
3327:
1524:
430:
254:
608:
February 1885. Advertisement for music by Huntley in S. S. Stewart's Bacon and Guitar Journal
261:
He worked as a clerk in Providence, recorded in the state census and city directory in 1865.
1867:
Last time, Haverly's Minstrels were white men, corked to the requisite shade of blackness...
1332:
1324:
698:
391:, songwriter for "When the birds have gone to sleep", for which Huntley composed music,
372:
285:
418:
sensibilities and spending power when he began to feature "polite" variety programs in his
3415:
2723:
2629:
1380:
702:
423:
3025:
2927:
3365:
2833:
2663:
1757:
MARTINETTI-RAVEL BALLET AND PANTOMIME TROUPE OF FRENCH ARTISTS...GEO. W. HUNTLEY, Agent
1370:. William A Huntley; Clarence Whitehill; Arthur W French. Camden, N.J. : Victor,
1336:
3424:
1282:. Words by Arthur W. French, music by William A. Huntley, transcription for piano by
419:
209:
173:
2890:
338:
Lee left for California in June 1887, while Huntley continued to teach and perform.
1585:
415:
221:
106:
350:
William A. Huntley, from S. S. Stewart's Banjo and Guitar Journal, Oct.—Nov. 1884.
304:, and performed in the principal theaters of the country for the next four years.
1523:. Mankato, Minnesota: Minnesota Heritage Publishing. pp. 152–154, 229–230.
1384:
512:
April 1872. Martinetti Ravel Ballet and Pantomime Troupe of French Artists, 1872
481:
452:
blackface, still formally dressed. Huntley would show up as himself, dressed in
411:
332:
237:
1275:, schottische. Music by William A. Huntley, arranged for piano by J. S. Knight.
408:
397:
213:
3331:
1941:
572:
December 1877. Advertisement for concert at Tony Pastors, December 31, 1877.
453:
401:
380:
229:
2360:
2170:
2493:
3346:
3321:
3303:
3282:
3245:
3226:
3207:
3188:
3167:
3148:
3129:
3063:
3044:
3006:
2987:
2968:
2949:
2909:
2871:
2852:
2814:
2795:
2776:
2738:
2644:
2588:
2569:
2550:
2531:
2512:
2474:
2455:
2436:
2417:
2398:
2379:
2341:
2322:
2303:
2284:
2265:
2246:
2227:
2208:
2189:
2151:
2132:
2113:
2094:
2075:
1323:
Huntley's compositions were recorded by artists between 1898 and 1926 on
208:, was a composer, music teacher, and vocal and instrumental performer in
240:. In 1888 he performed before a crowd of 2,000 people in his hometown,
524:
April 1873. Advertisement for McKee and Rogers Vaudeville Combination.
2664:"Take Me Back To Home and Mother. Song and Chorus. Box 135, Item 057"
457:
426:
by barring liquor in his theatres and bawdy material from his shows.
364:
1364:; Arthur W French; William A Huntley. Camden, N.J. : Victrola,
1136:
345:
306:
217:
125:
675:, Philadelphia: The W. F. Shaw Co., Wm. H. Keyser & Co., 1887
2032:"Complete School Of Harmony for the Banjo (Huntley, William A.)"
407:
Huntley performed at Tony Pastor's. Starting in the mid-1860s,
693:
He composed many song with lyrics by other musicians including
315:
Huntley was especially engaged to play banjo for the blackface
220:." His published compositions include banjo instrumentals and
2834:"I'm Going Home to Clo. Song & Chorus. Box 025, Item 052"
1581:"Rhode Island, State Censuses, 1865-1935 for William A Penno"
1141:
1883. Sweet Pretty Waltz. Shows published banjo compositions.
1121:. Words by Ernest Hardenstein, music by William A. Huntley.
480:
S. S. Stewart advertisement, William A. Huntley (left) with
3416:
Hymntime; Huntley had compositions that made the hymn books.
1100:. Words by Samuel N. Mitchell, music by William A. Huntley.
1086:. Words by Samuel N. Mitchell, music by William A. Huntley.
1061:. Words by Samuel N. Mitchell, music by William A. Huntley.
1054:. Words by Samuel N. Mitchell, music by William A. Huntley.
1040:. Words by William S. Austin , music by William A. Huntley.
1026:. Words by Samuel N. Mitchell, music by William A. Huntley.
991:. Words by Samuel N. Mitchell, music by William A. Huntley.
921:. Words by Samuel N. Mitchell, music by William A. Huntley.
907:. Words by Samuel N. Mitchell, music by William A. Huntley.
893:. Words by Samuel N. Mitchell, music by William A. Huntley.
886:. Words by Samuel N. Mitchell, music by William A. Huntley.
879:. Words by Samuel N. Mitchell, music by William A. Huntley.
872:. Words by Samuel N. Mitchell, music by William A. Huntley.
865:. Words by Samuel N. Mitchell, music by William A. Huntley.
851:. Words by Samuel N. Mitchell, music by William A. Huntley.
844:. Words by Samuel N. Mitchell, music by William A. Huntley.
837:. Words by Samuel N. Mitchell, music by William A. Huntley.
830:. Words by Samuel N. Mitchell, music by William A. Huntley.
823:. Words by Samuel N. Mitchell, music by William A. Huntley.
816:. Words by Samuel N. Mitchell, music by William A. Huntley.
809:. Words by Samuel N. Mitchell, music by William A. Huntley.
802:. Words by Samuel N. Mitchell, music by William A. Huntley.
774:. Words by Samuel N. Mitchell, music by William A. Huntley.
767:. Words by Samuel N. Mitchell, music by William A. Huntley.
656:
February 1893. 10th Annual Grand Star Banjo Concert, Boston
3366:"Some Day I'll Wander Back Again. Song. Box 149, Item 106"
795:. Words by Arthur W. French, music by William A. Huntley.
788:. Words by Arthur W. French, music by William A. Huntley.
632:
December 1891. Review of banjo concert, Haywood Hall, 1891
536:
October 1873. Advertisement for Huntley's Minstrels, 1873.
296:
from December 1871-July 1872. In early 1873 he joined the
1521:
The Banjo Entertainers: Roots to Ragtime, A Banjo History
1093:. Words by Arthur W. French, music by William A. Huntley.
1005:. Words by Arthur W. French, music by William A. Huntley.
970:. Words by Arthur W. French, music by William A. Huntley.
963:. Words by Arthur W. French, music by William A. Huntley.
949:. Words by Arthur W. French, music by William A Huntley.
781:. Words by Arthur W. French, music by William A. Huntley.
1865:. Newcastle upon Tyne, England. 29 Jul 1881. p. 2.
1391:; William A Huntley. Camden, N.J. : Victor Record,
1307:. Arranged for cornet and piano by Thomas A. Becket, Jr.
1107:. Words by Arthur W. French, music by William A Huntley.
977:. Words by Arthur W. French, music by William A Huntley.
760:. Words by Sam N. Mitchell, music by William A. Huntley.
753:. Words by Sam N. Mitchell, music by William A. Huntley.
739:. Words by Sam N. Mitchell, music by William A. Huntley.
732:. Words by Sam N. Mitchell, music by William A. Huntley.
584:
February 1878. Grand Central Theatre, Philadelphia, 1878
500:
October 1871, Billy Huntley joins Lauri Pantomime Troupe
151:
c. Oct 1870 – Jan. 1871 Campbell and Huntley's Minstrels
1464:. New York City: Kenny Publishing Company. p. 160.
284:
By September, Huntley was performing on his own at the
3271:|quote=Music by W. A. Huntley Arranged by J. S. Knight
1755:. Charleston, South Carolina. 16 Apr 1872. p. 2.
746:
Words by Sam N. Mitchell, music by William A. Huntley.
2059:. Pittsburgh, Pennsylvania. 23 Jan 1914. p. 24.
935:. Words by Jerry Cohen, music by William A. Huntley.
858:. Words by Jerry Cohan, music by William A. Huntley.
456:, to perform that way even in rough places like the
1374:
When the twilight comes to kiss the rose good night
160:
1871–1874 Martinetti French Ravel Pantomime Company
142:
132:
121:
113:
102:
85:
65:
48:
43:
21:
16:American composer, music teacher, and banjo player
3411:William A. Huntley--William A. Penno, Jr. burial
1930:. Bridgeport, Connecticut. 2 Oct 1911. p. 8.
1461:Monarchs of minstrelsy, from "Daddy" Rice to Date
1354:. New York : E. Berliner's Gramophone, 1898.
548:August 1875. Metropolitan Theatre, New York, 1875
2494:"Oh just you wait and see (Huntley, William A.)"
2020:. Boston, Massachusetts. 5 Feb 1893. p. 11.
2002:. Boston, Massachusetts. 6 Feb 1887. p. 10.
1777:. Meriden, Connecticut. 16 Oct 1873. p. 3.
2758:"Hush, My Little Darling (Huntley, William A.)"
1908:. Montpelier, Vermont. 21 Sep 1881. p. 2.
1801:. Montpelier, Vermont. 21 Sep 1881. p. 2.
1482:. Rhode Island Historical Cemetery Commission.
1265:
1146:Fireman's March, arranged by William A. Huntley
357:
355:Description of a William A. Huntley performance
1779:Huntley's Minstrels...Dr GEO W HUNTLEY Manager
367:audience would not stand for his appearing in
35:William A. Huntly, from his 1883 sheet music,
3045:"She's as pretty as the roses in the morning"
8:
2285:"Close the door softly, for mother's asleep"
443:Huntley was among the first to use the term
190:1884–1893 independent performances, teaching
169:1874–1880 solo performances variety theaters
1514:
1512:
1126:She's as pretty as the roses in the morning
2651:. Providence, Rhode Island: Cory Brothers.
2177:. Providence, Rhode Island: Cory Brothers.
1510:
1508:
1506:
1504:
1502:
1500:
1498:
1496:
1494:
1492:
1072:(1844-1919), music by William A. Huntley.
800:Close the door softly, for mother's asleep
596:1883/1884. Whitmore and Clark's Minstrels.
342:Blackface vs. whiteface, a change of image
29:
18:
3405:International Music Score Library Project
1554:
1552:
1550:
1548:
1546:
1544:
1542:
1540:
1266:Huntley's works arranged by other artists
1012:. Words and music by William A. Huntley.
323:From 1881 to 1884 Huntley performed with
294:Martinetti French Ravel Pantomime Company
3091:S. S. Stewart's Banjo and Guitar Journal
2047:
2045:
1982:S. S. Stewart's Banjo and Guitar Journal
1789:
1787:
1567:S. S. Stewart's Banjo and Guitar Journal
1128:. Words and music by William A. Huntley.
673:Complete School of Harmony for the Banjo
433:as having been successful performing in
181:1881–1884 Whitmore and Clark's Minstrels
3446:Musicians from Providence, Rhode Island
2418:"Neath the rose leaves on the hillside"
1928:The Bridgeport Times and Evening Farmer
1453:
1451:
1449:
1447:
1445:
1443:
1441:
1439:
1437:
1435:
1433:
1431:
1407:
1293:. Transcribed for piano by Adam Geibel.
470:
3431:American classic-fingerstyle banjoists
2719:
2709:
2625:
2615:
1429:
1427:
1425:
1423:
1421:
1419:
1417:
1415:
1413:
1411:
1346:. William A Huntley; Arthur W French;
1319:Compositions recorded by other artists
327:, and later formed a partnership with
2739:"Must we leave the old home, mother?"
849:Neath the rose leaves on the hillside
204:(1843–1929), known by his stage name
7:
3461:19th-century American male musicians
3104:Huntley, William A. (October 1884).
2950:"When the song bird says good night"
701:(1846-1919), Jerry Cohan (father of
154:1871 solo performances for two weeks
3062:Huntley, William A. (August 1883).
2969:"When the birds have gone to sleep"
2872:"The angels are calling me, Mother"
2323:"Down the vale where Lillie sleeps"
2120:. New York: Oliver Ditson & Co.
975:Must we leave the old home, mother?
317:Haverly's United Mastodon Minstrels
157:1871 Lauri English Pantomime Troupe
2891:"They are calling me to join them"
2101:. New York: C. H. Ditson & Co.
1314:, fantasia for piano. Adam Geibel.
1236:Musical score, piano instrumentals
1203:. Composed by William A. Huntley.
1133:Musical score, banjo instrumentals
1084:When the song bird says good night
870:Where have the dear children gone?
758:Our sweet little rosebud has flown
737:Down the meadow, 'neath the clover
248:Career, minstrelsy to parlor music
14:
3401:Free scores by William A. Huntley
3347:"Some Day I'll Wander Back Again"
3304:"Some Day I'll Wander Back Again"
3283:"Take me back to home and mother"
3007:"Little one, whisper you love me"
2956:. Boston: Oliver Ditson & Co.
2897:. Boston: G. D. Russell & Co.
2878:. Boston: G. D. Russell & Co.
2777:"Black eyed Binie's gone to rest"
2645:"Take me back to home and mother"
2557:. Cleveland: Brainard & Sons.
2538:. Philadelphia: Lee & Walker.
2519:. Boston: G. D. Russell & Co.
2481:. Boston: G. D. Russell & Co.
2462:. Boston: G. D. Russell & Co.
2443:. Boston: G. D. Russell & Co.
2424:. Cleveland: Brainard & Sons.
2405:. Boston: Oliver Ditson & Co.
2386:. Boston: Oliver Ditson & Co.
2367:. Boston: Oliver Ditson & Co.
2348:. Boston: G. D. Russell & Co.
2310:. Boston: G. D. Russell & Co.
2291:. Boston: G. D. Russell & Co.
2272:. Boston: Oliver Ditson & Co.
2253:. Cleveland: Brainard & Sons.
2234:. Boston: Oliver Ditson & Co.
2215:. Boston: Oliver Ditson & Co.
2196:. Boston: White, Smith and Perry.
2158:. Boston: Oliver Ditson & Co.
1886:. New York City. 1 January 1881.
1091:When the birds have gone to sleep
1052:The angels are calling me, Mother
814:Down the vale where Lillie sleeps
117:performer music teacher, composer
3372:. New York: W. F. Shaw & Co.
2988:"Come and meet me, Rosa darling"
2853:"Your pocket book's your friend"
2796:"Waiting a letter from overseas"
2551:"Mother and I have been waiting"
2532:"When the purple lilacs blossom"
2304:"Down beside the crimson meadow"
2190:"When the moon is rising, Allie"
1859:"From our London correspondents"
1622:"Reply to Charlie Austin's Card"
1059:They are calling me to join them
649:
637:
625:
613:
601:
589:
577:
565:
553:
541:
529:
517:
505:
493:
473:
3026:"Say but that tender word, Yes"
2910:"Raise me, Jesus, to thy bosom"
2764:. Philadelphia: Lee and Walker.
2703:Some Day I'll Wander Back Again
2513:"We met by chance, sweet Jenny"
2329:. Philadelphia: Lee and Walker.
1368:Take me back to home and mother
1358:Some day I'll wander back again
1312:Some Day I'll Wander Back Again
1305:Some Day I'll Wander Back Again
1291:Some Day I'll Wander Back Again
1280:Take me back to home and mother
1152:Some Day I'll Wander Back Again
1105:Little one, whisper you love me
1003:Black eyed Binie's gone to rest
968:Some Day I'll Wander Back Again
961:Take me back to home and mother
163:1873 Rogers and McKee Minstrels
148:1860 Mead's Euterpean Minstrels
3269:. G. D. Russell & Company.
2609:Bye and bye you will forget me
2570:"Our Willie died this morning"
2380:"Mamma, come sing me to sleep"
1395:Will you love me when I'm old?
1344:Bye and bye you will forget me
1098:Come and meet me, Rosa darling
1038:Your pocket book's your friend
1010:Waiting a letter from overseas
947:Bye and bye you will forget me
905:Mother and I have been waiting
891:When the purple lilacs blossom
807:Down beside the crimson meadow
765:When the moon is rising, Allie
725:, music by William A. Huntley.
685:Musical score, voice and piano
325:Whitmore and Clark's Minstrels
290:Lauri English Pantomime Troupe
37:Little one whisper you love me
1:
3115:. S. S. Stewart. p. 17.
2228:"Bring the absent back to me"
2209:"Bring the absent back to me"
2114:"Bring the absent back to me"
2095:"Come sing to me Addie again"
1119:Say but that tender word, Yes
1066:Raise me, Jesus, to thy bosom
884:We met by chance, sweet Jenny
109:, classic-banjo instrumentals
3364:Huntley, William A. (1906).
3345:Huntley, William A. (1885).
3302:Huntley, William A. (1883).
3281:Huntley, William A. (1880).
3244:Huntley, William A. (1883).
3225:Huntley, William A. (1883).
3206:Huntley, William A. (1872).
3189:"Whistling Wind Schottische"
3187:Huntley, William A. (1884).
3166:Huntley, William A. (1885).
3147:Huntley, William A. (1884).
3128:Huntley, William A. (1884).
3043:Huntley, William A. (1885).
3024:Huntley, William A. (1885).
3005:Huntley, William A. (1883).
2986:Huntley, William A. (1880).
2975:. Cincinnati: F. W. Helmick.
2967:Huntley, William A. (1878).
2948:Huntley, William A. (1872).
2908:Huntley, William A. (1885).
2889:Huntley, William A. (1871).
2870:Huntley, William A. (1871).
2851:Huntley, William A. (1878).
2832:Huntley, William A. (1879).
2813:Huntley, William A. (1879).
2794:Huntley, William A. (1883).
2775:Huntley, William A. (1878).
2756:Huntley, William A. (1874).
2737:Huntley, William A. (1883).
2700:Huntley, William A. (1879).
2681:Huntley, William A. (1879).
2662:Huntley, William A. (1875).
2643:Huntley, William A. (1875).
2606:Huntley, William A. (1880).
2595:. Cincinnati: F. W. Helmick.
2587:Huntley, William A. (1878).
2568:Huntley, William A. (1878).
2549:Huntley, William A. (1872).
2530:Huntley, William A. (1875).
2511:Huntley, William A. (1874).
2500:. Milwaukee: H. N. Hempsted.
2492:Huntley, William A. (1874).
2473:Huntley, William A. (1873).
2454:Huntley, William A. (1873).
2435:Huntley, William A. (1873).
2416:Huntley, William A. (1873).
2397:Huntley, William A. (1873).
2378:Huntley, William A. (1873).
2359:Huntley, William A. (1873).
2340:Huntley, William A. (1873).
2321:Huntley, William A. (1873).
2302:Huntley, William A. (1873).
2283:Huntley, William A. (1873).
2264:Huntley, William A. (1872).
2247:"Kiss me, love, before I go"
2245:Huntley, William A. (1872).
2226:Huntley, William A. (1872).
2207:Huntley, William A. (1872).
2188:Huntley, William A. (1871).
2169:Huntley, William A. (1871).
2150:Huntley, William A. (1871).
2131:Huntley, William A. (1871).
2112:Huntley, William A. (1871).
2093:Huntley, William A. (1871).
2074:Huntley, William A. (1871).
1942:"vaudeville | entertainment"
1863:The Newcastle Weekly Courant
1775:The Meriden Daily Republican
1519:Schreyer, Lowell H. (2007).
1458:Rice, Edward Le Roy (1911).
919:Our Willie died this morning
835:Mamma, come sing me to sleep
3323:Take me back home to mother
3214:. G. D.Russell and Company.
2437:"The girl that took my eye"
2342:"Just try it once for luck"
2171:"Oh Nixie, that's too thin"
2152:"Oh Nixie, that's too thin"
1298:Take me back home to mother
1155:Huntley's Favorite Hornpipe
772:Bring the absent back to me
730:Come sing to me Addie again
3477:
3370:levysheetmusic.mse.jhu.edu
3246:"Our Brigade, Grand March"
2838:levysheetmusic.mse.jhu.edu
2668:levysheetmusic.mse.jhu.edu
2361:"Let me kiss him ere I go"
1889:clever banjo performances.
1715:...Campbell and Huntley...
1339:labels. Examples include:
1229:Whistling Wind Schottische
786:Kiss me, love, before I go
3334:– via worldcat.org.
3266:The Girl That Took My Eye
3168:"Rocky Point Schottische"
3064:"Rocky Point Schottische"
2936:George Birdseye 1844–1919
2589:"Just to please the boys"
2266:"Under the silvery stars"
2139:. New York: J. L. Peters.
2082:. New York: J. L. Peters.
1753:The Charleston Daily News
1273:The Girl That Took My Eye
856:The girl that took my eye
821:Just try it once for luck
751:Oh Nixie, that's too thin
28:
3227:"Flirtation Schottische"
2683:"I'll Wander Back Again"
2053:"Jerry Cohan wrote this"
1685:"Card To the Profession"
1480:rihistoriccemeteries.org
1284:Francis Florentine Hagen
1260:Our Brigade, Grand March
1164:Queen of the Waves Waltz
877:Oh just you wait and see
828:Let me kiss him ere I go
298:McKee and Rogers Company
292:by October 1871 and the
242:Providence, Rhode Island
166:1874 Huntley's Minstrels
96:Providence, Rhode Island
79:Providence, Rhode Island
3436:American male composers
3106:"Mandoline Schottische"
2815:"I'm going home to Clo"
2706:. F. A. North & Co.
2689:. F. A. North & Co.
2399:"My button hole boquet"
1946:Encyclopædia Britannica
1601:"Charlie Austin's Card"
1222:Rocky Point Schottische
1187:Rocky Point Schottische
1170:Golden Star Schottische
989:Hush, My Little Darling
933:Just to please the boys
793:Under the silvery stars
3441:19th-century composers
3263:Knight, J. S. (1877).
2475:"Under the buttercups"
2456:"Under the buttercups"
2133:"Goodbye, Dear Mother"
1254:Flirtation Schottische
1158:Flirtation Schottische
1142:
779:Down among the daisies
385:
361:Miner's Bowery Theatre
351:
312:
44:Background information
3195:. William A. Huntley.
3155:. William A. Huntley.
3136:. William A. Huntley.
1996:"Preludes and Echoes"
1902:"Personal News Items"
1823:. 23 September 1871.
1795:"Personal News Items"
1728:"Clipper Post Office"
1707:"Clipper Post Office"
1664:"Caution to managers"
1201:Mandoline Schottische
1182:Queen of Beauty Waltz
1179:Wedding Bells Gavotte
1176:Huntley's Grand March
1140:
1024:I'm going home to Clo
842:My button hole boquet
744:Goodbye, dear Mother!
349:
310:
234:S. S. Stewart Company
226:Her Majesty's Theatre
3384:"William A. Huntley"
3130:"Sweet Pretty Waltz"
3084:"William A. Huntley"
2057:The Pittsburgh Press
1975:"William A. Huntley"
1734:. 11 February 1871.
1670:. 19 November 1870.
1649:. 19 November 1870.
1628:. 10 December 1870.
1560:"William A. Huntley"
1245:. Written to honor
1224:for banjo and piano.
1112:Romance and marriage
863:Under the buttercups
270:Samuel Swaim Stewart
3149:"Fascination Waltz"
1838:"Mr. Billy Huntley"
1736:...Billy Huntley...
1713:. 28 January 1871.
1691:. 3 December 1870.
1607:. 3 December 1870.
1389:Frederick J Wheeler
1161:Golden Sunset Waltz
1149:Dream of Love Waltz
389:Arthur Wells French
302:Huntley's Minstrels
2670:. : Cory Brothers.
1880:"Negro Minstrelsy"
1844:. 7 October 1871.
1749:"Academy of Music"
1643:"Negro Minstrelsy"
1362:Clarence Whitehill
1247:Samuel N. Mitchell
1208:Sweet Pretty Waltz
1194:Central Park Polka
1173:Perfection Mazurka
1143:
996:Love at a distance
723:Samuel N. Mitchell
711:Ernest Hardenstein
695:Samuel N. Mitchell
454:full evening dress
369:full evening dress
352:
313:
266:Edward Le Roy Rice
206:William A. Huntley
177:Mastodon Minstrels
56:William A. Huntley
3174:. S. S. Stewart.
3070:. S. S. Stewart.
2928:"George Birdseye"
1906:Argus and Patriot
1799:Argus and Patriot
1771:"Coming! Coming!"
1530:978-0-9713168-9-8
1215:Fascination Waltz
940:Goodbye to a love
431:Edward LeRoy Rice
255:Nick of the Woods
196:
195:
128:, piano, vocalist
3468:
3388:
3387:
3380:
3374:
3373:
3361:
3355:
3354:
3342:
3336:
3335:
3318:
3312:
3311:
3299:
3293:
3292:
3278:
3272:
3270:
3260:
3254:
3253:
3241:
3235:
3234:
3222:
3216:
3215:
3208:"Mitchell Waltz"
3203:
3197:
3196:
3184:
3178:
3177:
3163:
3157:
3156:
3144:
3138:
3137:
3125:
3119:
3118:
3110:
3101:
3095:
3094:
3088:
3080:
3074:
3073:
3059:
3053:
3052:
3040:
3034:
3033:
3021:
3015:
3014:
3002:
2996:
2995:
2983:
2977:
2976:
2964:
2958:
2957:
2945:
2939:
2938:
2924:
2918:
2917:
2905:
2899:
2898:
2886:
2880:
2879:
2867:
2861:
2860:
2848:
2842:
2841:
2829:
2823:
2822:
2810:
2804:
2803:
2791:
2785:
2784:
2772:
2766:
2765:
2753:
2747:
2746:
2734:
2728:
2727:
2721:
2717:
2715:
2707:
2697:
2691:
2690:
2678:
2672:
2671:
2659:
2653:
2652:
2640:
2634:
2633:
2627:
2623:
2621:
2613:
2603:
2597:
2596:
2584:
2578:
2577:
2565:
2559:
2558:
2546:
2540:
2539:
2527:
2521:
2520:
2508:
2502:
2501:
2489:
2483:
2482:
2470:
2464:
2463:
2451:
2445:
2444:
2432:
2426:
2425:
2413:
2407:
2406:
2394:
2388:
2387:
2375:
2369:
2368:
2356:
2350:
2349:
2337:
2331:
2330:
2318:
2312:
2311:
2299:
2293:
2292:
2280:
2274:
2273:
2261:
2255:
2254:
2242:
2236:
2235:
2223:
2217:
2216:
2204:
2198:
2197:
2185:
2179:
2178:
2166:
2160:
2159:
2147:
2141:
2140:
2128:
2122:
2121:
2109:
2103:
2102:
2090:
2084:
2083:
2071:
2065:
2064:
2049:
2040:
2039:
2028:
2022:
2021:
2018:The Boston Globe
2010:
2004:
2003:
2000:The Boston Globe
1992:
1986:
1985:
1979:
1971:
1965:
1962:
1956:
1955:
1953:
1952:
1938:
1932:
1931:
1920:
1914:
1913:
1898:
1892:
1891:
1884:New York Clipper
1876:
1870:
1869:
1855:
1849:
1848:
1842:New York Clipper
1834:
1828:
1827:
1821:New York Clipper
1813:
1807:
1806:
1791:
1782:
1781:
1767:
1761:
1759:
1745:
1739:
1738:
1732:New York Clipper
1724:
1718:
1717:
1711:New York Clipper
1703:
1697:
1696:
1689:New York Clipper
1681:
1675:
1674:
1668:New York Clipper
1660:
1654:
1653:
1647:New York Clipper
1639:
1633:
1632:
1626:New York Clipper
1618:
1612:
1611:
1605:New York Clipper
1597:
1591:
1590:
1577:
1571:
1570:
1564:
1556:
1535:
1534:
1516:
1487:
1486:
1476:"Person details"
1472:
1466:
1465:
1455:
1167:Let Her Go Galop
966:1879 IMSLP BERK
699:Arthur W. French
653:
641:
629:
617:
605:
593:
581:
569:
557:
545:
533:
521:
509:
497:
477:
392:
286:Howard Athenaeum
202:William A. Penno
135:
92:
76:November 2, 1843
75:
73:
51:
33:
23:William A. Penno
19:
3476:
3475:
3471:
3470:
3469:
3467:
3466:
3465:
3421:
3420:
3397:
3392:
3391:
3382:
3381:
3377:
3363:
3362:
3358:
3344:
3343:
3339:
3320:
3319:
3315:
3301:
3300:
3296:
3280:
3279:
3275:
3262:
3261:
3257:
3243:
3242:
3238:
3224:
3223:
3219:
3205:
3204:
3200:
3186:
3185:
3181:
3165:
3164:
3160:
3146:
3145:
3141:
3127:
3126:
3122:
3108:
3103:
3102:
3098:
3086:
3082:
3081:
3077:
3061:
3060:
3056:
3042:
3041:
3037:
3023:
3022:
3018:
3004:
3003:
2999:
2985:
2984:
2980:
2966:
2965:
2961:
2947:
2946:
2942:
2926:
2925:
2921:
2907:
2906:
2902:
2888:
2887:
2883:
2869:
2868:
2864:
2850:
2849:
2845:
2831:
2830:
2826:
2812:
2811:
2807:
2793:
2792:
2788:
2774:
2773:
2769:
2755:
2754:
2750:
2736:
2735:
2731:
2718:
2708:
2699:
2698:
2694:
2680:
2679:
2675:
2661:
2660:
2656:
2642:
2641:
2637:
2624:
2614:
2605:
2604:
2600:
2586:
2585:
2581:
2567:
2566:
2562:
2548:
2547:
2543:
2529:
2528:
2524:
2510:
2509:
2505:
2491:
2490:
2486:
2472:
2471:
2467:
2453:
2452:
2448:
2434:
2433:
2429:
2415:
2414:
2410:
2396:
2395:
2391:
2377:
2376:
2372:
2358:
2357:
2353:
2339:
2338:
2334:
2320:
2319:
2315:
2301:
2300:
2296:
2282:
2281:
2277:
2263:
2262:
2258:
2244:
2243:
2239:
2225:
2224:
2220:
2206:
2205:
2201:
2187:
2186:
2182:
2168:
2167:
2163:
2149:
2148:
2144:
2130:
2129:
2125:
2111:
2110:
2106:
2092:
2091:
2087:
2073:
2072:
2068:
2051:
2050:
2043:
2030:
2029:
2025:
2014:"Banjo Concert"
2012:
2011:
2007:
1994:
1993:
1989:
1977:
1973:
1972:
1968:
1963:
1959:
1950:
1948:
1940:
1939:
1935:
1922:
1921:
1917:
1900:
1899:
1895:
1878:
1877:
1873:
1857:
1856:
1852:
1836:
1835:
1831:
1815:
1814:
1810:
1793:
1792:
1785:
1769:
1768:
1764:
1747:
1746:
1742:
1726:
1725:
1721:
1705:
1704:
1700:
1683:
1682:
1678:
1662:
1661:
1657:
1641:
1640:
1636:
1620:
1619:
1615:
1599:
1598:
1594:
1579:
1578:
1574:
1562:
1558:
1557:
1538:
1531:
1518:
1517:
1490:
1474:
1473:
1469:
1457:
1456:
1409:
1404:
1321:
1268:
1238:
1135:
1114:
1079:
1070:George Birdseye
1047:
1045:Religious theme
1033:
1019:
998:
984:
956:
942:
928:
914:
900:
707:George Birdseye
703:George M. Cohan
687:
682:
669:
664:
657:
654:
645:
642:
633:
630:
621:
618:
609:
606:
597:
594:
585:
582:
573:
570:
561:
558:
549:
546:
537:
534:
525:
522:
513:
510:
501:
498:
489:
478:
469:
414:capitalized on
394:
387:
356:
344:
250:
199:
174:J. H. Haverly's
133:
94:
90:
77:
71:
69:
49:
39:
24:
17:
12:
11:
5:
3474:
3472:
3464:
3463:
3458:
3453:
3448:
3443:
3438:
3433:
3423:
3422:
3419:
3418:
3413:
3408:
3396:
3395:External links
3393:
3390:
3389:
3375:
3356:
3337:
3313:
3294:
3289:. W. F. Shaw.
3273:
3255:
3236:
3217:
3198:
3179:
3158:
3139:
3120:
3096:
3075:
3054:
3035:
3016:
2997:
2978:
2959:
2940:
2919:
2900:
2881:
2862:
2843:
2824:
2805:
2786:
2767:
2748:
2729:
2720:|website=
2692:
2673:
2654:
2635:
2626:|website=
2598:
2579:
2560:
2541:
2522:
2503:
2484:
2465:
2446:
2427:
2408:
2389:
2370:
2351:
2332:
2313:
2294:
2275:
2256:
2237:
2218:
2199:
2180:
2161:
2142:
2123:
2104:
2085:
2076:"Addie Alleen"
2066:
2041:
2023:
2005:
1987:
1966:
1957:
1933:
1915:
1893:
1871:
1850:
1829:
1808:
1783:
1762:
1740:
1719:
1698:
1676:
1655:
1634:
1613:
1592:
1572:
1536:
1529:
1488:
1467:
1406:
1405:
1403:
1400:
1399:
1398:
1392:
1377:Robert F Roden
1371:
1365:
1355:
1320:
1317:
1316:
1315:
1308:
1301:
1294:
1287:
1276:
1267:
1264:
1263:
1262:
1256:
1250:
1243:Mitchell Waltz
1237:
1234:
1233:
1232:
1225:
1218:
1211:
1204:
1197:
1190:
1183:
1180:
1177:
1174:
1171:
1168:
1165:
1162:
1159:
1156:
1153:
1150:
1147:
1134:
1131:
1130:
1129:
1122:
1113:
1110:
1109:
1108:
1101:
1094:
1087:
1078:
1075:
1074:
1073:
1062:
1055:
1046:
1043:
1042:
1041:
1032:
1029:
1028:
1027:
1022:1879 LOC LSMC
1018:
1015:
1014:
1013:
1006:
997:
994:
993:
992:
983:
980:
979:
978:
971:
964:
959:1875 LOC LSMC
955:
952:
951:
950:
941:
938:
937:
936:
927:
924:
923:
922:
913:
910:
909:
908:
899:
896:
895:
894:
887:
880:
873:
866:
859:
852:
845:
838:
831:
824:
817:
810:
803:
796:
789:
782:
775:
768:
761:
754:
747:
740:
733:
726:
686:
683:
681:
678:
677:
676:
668:
665:
663:
660:
659:
658:
655:
648:
646:
643:
636:
634:
631:
624:
622:
619:
612:
610:
607:
600:
598:
595:
588:
586:
583:
576:
574:
571:
564:
562:
559:
552:
550:
547:
540:
538:
535:
528:
526:
523:
516:
514:
511:
504:
502:
499:
492:
490:
479:
472:
468:
465:
354:
353:
343:
340:
249:
246:
198:Musical artist
197:
194:
193:
192:
191:
188:
182:
179:
170:
167:
164:
161:
158:
155:
152:
149:
144:
140:
139:
136:
130:
129:
126:5-string banjo
123:
119:
118:
115:
111:
110:
104:
100:
99:
93:(aged 85)
89:March 26, 1929
87:
83:
82:
67:
63:
62:
61:
60:
57:
52:
46:
45:
41:
40:
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
3473:
3462:
3459:
3457:
3454:
3452:
3449:
3447:
3444:
3442:
3439:
3437:
3434:
3432:
3429:
3428:
3426:
3417:
3414:
3412:
3409:
3406:
3402:
3399:
3398:
3394:
3385:
3379:
3376:
3371:
3367:
3360:
3357:
3353:. W. F. Shaw.
3352:
3348:
3341:
3338:
3333:
3329:
3325:
3324:
3317:
3314:
3310:. W. F. Shaw.
3309:
3305:
3298:
3295:
3291:
3288:
3284:
3277:
3274:
3268:
3267:
3259:
3256:
3252:. W. F. Shaw.
3251:
3247:
3240:
3237:
3233:. W. F. Shaw.
3232:
3228:
3221:
3218:
3213:
3209:
3202:
3199:
3194:
3190:
3183:
3180:
3176:
3173:
3169:
3162:
3159:
3154:
3150:
3143:
3140:
3135:
3131:
3124:
3121:
3117:
3114:
3107:
3100:
3097:
3092:
3085:
3079:
3076:
3072:
3069:
3065:
3058:
3055:
3051:. W. F. Shaw.
3050:
3046:
3039:
3036:
3032:. W. F. Shaw.
3031:
3027:
3020:
3017:
3013:. W. F. Shaw.
3012:
3008:
3001:
2998:
2994:. W. F. Shaw.
2993:
2989:
2982:
2979:
2974:
2970:
2963:
2960:
2955:
2951:
2944:
2941:
2937:
2933:
2929:
2923:
2920:
2916:. W. F. Shaw.
2915:
2911:
2904:
2901:
2896:
2892:
2885:
2882:
2877:
2873:
2866:
2863:
2859:. W. F. Shaw.
2858:
2854:
2847:
2844:
2840:. W. F. Shaw.
2839:
2835:
2828:
2825:
2821:. W. F. Shaw.
2820:
2816:
2809:
2806:
2802:. W. F. Shaw.
2801:
2797:
2790:
2787:
2783:. W. F. Shaw.
2782:
2778:
2771:
2768:
2763:
2759:
2752:
2749:
2745:. W. F. Shaw.
2744:
2740:
2733:
2730:
2725:
2713:
2705:
2704:
2696:
2693:
2688:
2684:
2677:
2674:
2669:
2665:
2658:
2655:
2650:
2646:
2639:
2636:
2631:
2619:
2612:. F. W. Shaw.
2611:
2610:
2602:
2599:
2594:
2590:
2583:
2580:
2576:. W. F. Shaw.
2575:
2571:
2564:
2561:
2556:
2552:
2545:
2542:
2537:
2533:
2526:
2523:
2518:
2514:
2507:
2504:
2499:
2495:
2488:
2485:
2480:
2476:
2469:
2466:
2461:
2457:
2450:
2447:
2442:
2438:
2431:
2428:
2423:
2419:
2412:
2409:
2404:
2400:
2393:
2390:
2385:
2381:
2374:
2371:
2366:
2362:
2355:
2352:
2347:
2343:
2336:
2333:
2328:
2324:
2317:
2314:
2309:
2305:
2298:
2295:
2290:
2286:
2279:
2276:
2271:
2267:
2260:
2257:
2252:
2248:
2241:
2238:
2233:
2229:
2222:
2219:
2214:
2210:
2203:
2200:
2195:
2191:
2184:
2181:
2176:
2172:
2165:
2162:
2157:
2153:
2146:
2143:
2138:
2134:
2127:
2124:
2119:
2115:
2108:
2105:
2100:
2096:
2089:
2086:
2081:
2077:
2070:
2067:
2063:
2058:
2054:
2048:
2046:
2042:
2037:
2033:
2027:
2024:
2019:
2015:
2009:
2006:
2001:
1997:
1991:
1988:
1983:
1976:
1970:
1967:
1961:
1958:
1947:
1943:
1937:
1934:
1929:
1925:
1919:
1916:
1912:
1911:special ties.
1907:
1903:
1897:
1894:
1890:
1885:
1881:
1875:
1872:
1868:
1864:
1860:
1854:
1851:
1847:
1843:
1839:
1833:
1830:
1826:
1822:
1818:
1812:
1809:
1805:
1800:
1796:
1790:
1788:
1784:
1780:
1776:
1772:
1766:
1763:
1758:
1754:
1750:
1744:
1741:
1737:
1733:
1729:
1723:
1720:
1716:
1712:
1708:
1702:
1699:
1695:
1690:
1686:
1680:
1677:
1673:
1669:
1665:
1659:
1656:
1652:
1648:
1644:
1638:
1635:
1631:
1627:
1623:
1617:
1614:
1610:
1606:
1602:
1596:
1593:
1588:
1587:
1582:
1576:
1573:
1568:
1561:
1555:
1553:
1551:
1549:
1547:
1545:
1543:
1541:
1537:
1532:
1526:
1522:
1515:
1513:
1511:
1509:
1507:
1505:
1503:
1501:
1499:
1497:
1495:
1493:
1489:
1485:
1481:
1477:
1471:
1468:
1463:
1462:
1454:
1452:
1450:
1448:
1446:
1444:
1442:
1440:
1438:
1436:
1434:
1432:
1430:
1428:
1426:
1424:
1422:
1420:
1418:
1416:
1414:
1412:
1408:
1401:
1396:
1393:
1390:
1386:
1382:
1378:
1375:
1372:
1369:
1366:
1363:
1359:
1356:
1353:
1352:Roger Harding
1349:
1345:
1342:
1341:
1340:
1338:
1334:
1330:
1326:
1318:
1313:
1309:
1306:
1302:
1299:
1295:
1292:
1288:
1285:
1281:
1277:
1274:
1270:
1269:
1261:
1257:
1255:
1251:
1248:
1244:
1240:
1239:
1235:
1230:
1226:
1223:
1219:
1216:
1212:
1209:
1205:
1202:
1198:
1195:
1191:
1188:
1184:
1181:
1178:
1175:
1172:
1169:
1166:
1163:
1160:
1157:
1154:
1151:
1148:
1145:
1144:
1139:
1132:
1127:
1123:
1120:
1116:
1115:
1111:
1106:
1102:
1099:
1095:
1092:
1088:
1085:
1081:
1080:
1076:
1071:
1067:
1063:
1060:
1056:
1053:
1049:
1048:
1044:
1039:
1035:
1034:
1030:
1025:
1021:
1020:
1016:
1011:
1007:
1004:
1000:
999:
995:
990:
986:
985:
981:
976:
972:
969:
965:
962:
958:
957:
953:
948:
944:
943:
939:
934:
930:
929:
925:
920:
916:
915:
911:
906:
902:
901:
897:
892:
888:
885:
881:
878:
874:
871:
867:
864:
860:
857:
853:
850:
846:
843:
839:
836:
832:
829:
825:
822:
818:
815:
811:
808:
804:
801:
797:
794:
790:
787:
783:
780:
776:
773:
769:
766:
762:
759:
755:
752:
748:
745:
741:
738:
734:
731:
727:
724:
720:
716:
715:
714:
712:
708:
704:
700:
696:
691:
684:
679:
674:
671:
670:
666:
661:
652:
647:
640:
635:
628:
623:
616:
611:
604:
599:
592:
587:
580:
575:
568:
563:
556:
551:
544:
539:
532:
527:
520:
515:
508:
503:
496:
491:
487:
483:
476:
471:
466:
464:
461:
459:
455:
449:
446:
445:classic banjo
441:
438:
436:
432:
427:
425:
421:
420:New York City
417:
413:
410:
405:
403:
399:
393:
390:
384:
382:
378:
374:
370:
366:
362:
348:
341:
339:
336:
334:
330:
326:
321:
318:
309:
305:
303:
299:
295:
291:
287:
282:
278:
274:
271:
267:
262:
259:
257:
256:
247:
245:
243:
239:
235:
231:
227:
223:
219:
218:classic banjo
215:
211:
207:
203:
189:
187:
184:c. 1884–1887
183:
180:
178:
175:
171:
168:
165:
162:
159:
156:
153:
150:
147:
146:
145:
141:
137:
131:
127:
124:
122:Instrument(s)
120:
116:
114:Occupation(s)
112:
108:
105:
101:
97:
88:
84:
80:
68:
64:
59:Billy Huntley
58:
55:
54:
53:
50:Also known as
47:
42:
38:
32:
27:
20:
3378:
3369:
3359:
3350:
3340:
3322:
3316:
3307:
3297:
3290:
3286:
3276:
3265:
3258:
3249:
3239:
3230:
3220:
3211:
3201:
3192:
3182:
3175:
3171:
3161:
3152:
3142:
3133:
3123:
3116:
3112:
3099:
3090:
3078:
3071:
3067:
3057:
3048:
3038:
3029:
3019:
3010:
3000:
2991:
2981:
2972:
2962:
2953:
2943:
2935:
2932:hymntime.com
2931:
2922:
2913:
2903:
2894:
2884:
2875:
2865:
2856:
2846:
2837:
2827:
2818:
2808:
2799:
2789:
2780:
2770:
2761:
2751:
2742:
2732:
2702:
2695:
2686:
2676:
2667:
2657:
2648:
2638:
2608:
2601:
2592:
2582:
2573:
2563:
2554:
2544:
2535:
2525:
2516:
2506:
2497:
2487:
2478:
2468:
2459:
2449:
2440:
2430:
2421:
2411:
2402:
2392:
2383:
2373:
2364:
2354:
2345:
2335:
2326:
2316:
2307:
2297:
2288:
2278:
2269:
2259:
2250:
2240:
2231:
2221:
2212:
2202:
2193:
2183:
2174:
2164:
2155:
2145:
2136:
2126:
2117:
2107:
2098:
2088:
2079:
2069:
2060:
2056:
2035:
2026:
2017:
2008:
1999:
1990:
1981:
1969:
1960:
1949:. Retrieved
1945:
1936:
1927:
1918:
1909:
1905:
1896:
1887:
1883:
1874:
1866:
1862:
1853:
1845:
1841:
1832:
1824:
1820:
1811:
1802:
1798:
1778:
1774:
1765:
1756:
1752:
1743:
1735:
1731:
1722:
1714:
1710:
1701:
1692:
1688:
1679:
1671:
1667:
1658:
1650:
1646:
1637:
1629:
1625:
1616:
1608:
1604:
1595:
1586:Ancestry.com
1584:
1575:
1566:
1520:
1483:
1479:
1470:
1460:
1394:
1373:
1367:
1357:
1343:
1322:
1311:
1304:
1297:
1290:
1279:
1272:
1259:
1253:
1242:
1228:
1221:
1214:
1207:
1200:
1193:
1186:
1125:
1118:
1104:
1097:
1090:
1083:
1065:
1058:
1051:
1037:
1023:
1009:
1002:
988:
974:
967:
960:
946:
932:
918:
904:
890:
883:
876:
869:
862:
855:
848:
841:
834:
827:
820:
813:
806:
799:
792:
785:
778:
771:
764:
757:
750:
743:
736:
729:
719:Addie Alleen
718:
692:
688:
680:Compositions
672:
462:
450:
444:
442:
439:
434:
428:
416:middle class
406:
395:
386:
376:
373:shirt waists
358:
337:
322:
314:
283:
279:
275:
263:
260:
253:
251:
222:parlor music
205:
201:
200:
134:Years active
107:parlor music
91:(1929-03-26)
36:
3456:1929 deaths
3451:1843 births
1385:Elsie Baker
1068:. Words by
987:1874 IMSLP
847:1873 LOC '
721:. Words by
486:John H. Lee
482:banjeaurine
412:Tony Pastor
333:banjeaurine
329:John H. Lee
238:banjeaurine
186:John H. Lee
143:Formerly of
3425:Categories
1951:2017-08-11
1817:"Dramatic"
1402:References
1381:H W Petrie
1348:S H Dudley
1310:1906 LSMC
1017:Minstrelsy
945:1880 BERK
926:Flirtation
898:Alcoholism
409:impresario
398:vaudeville
214:vaudeville
72:1843-11-02
3332:310569206
2762:imslp.org
2722:ignored (
2712:cite book
2687:imslp.org
2628:ignored (
2618:cite book
2036:imslp.org
1303:1885 LOC
1289:1883 LOC
1278:1880 LOC
1241:1872 LOC
1124:1885 LOC
1117:1885 LOC
1103:1883 LOC
1096:1880 LOC
1089:1878 LOC
1064:1885 LOC
1057:1871 LOC
1050:1871 LOC
1036:1878 LOC
1008:1883 LOC
1001:1878 LOC
973:1883 LOC
931:1878 LOC
917:1878 LOC
903:1872 LOC
889:1875 LOC
882:1874 LOC
875:1874 LOC
868:1873 LOC
861:1873 LOC
854:1873 LOC
840:1873 LOC
826:1873 LOC
819:1873 LOC
812:1873 LOC
805:1873 LOC
798:1873 LOC
791:1872 LOC
784:1872 LOC
777:1872 LOC
770:1872 LOC
763:1871 LOC
756:1871 LOC
749:1871 LOC
742:1871 LOC
735:1871 LOC
728:1871 LOC
717:1871 LOC
435:whiteface
402:pantomime
400:and with
381:obbligato
230:blackface
138:1860–1893
1333:Columbia
1325:Berliner
210:minstrel
3407:(IMSLP)
3403:at the
3351:loc.gov
3308:loc.gov
3287:loc.gov
3250:loc.gov
3231:loc.gov
3212:loc.gov
3193:loc.gov
3172:loc.gov
3153:loc.gov
3134:loc.gov
3113:loc.gov
3068:loc.gov
3049:loc.gov
3030:loc.gov
3011:loc.gov
2992:loc.gov
2973:loc.gov
2954:loc.gov
2914:loc.gov
2895:loc.gov
2876:loc.gov
2857:loc.gov
2819:loc.gov
2800:loc.gov
2781:loc.gov
2743:loc.gov
2649:loc.gov
2593:loc.gov
2574:loc.gov
2555:loc.gov
2536:loc.gov
2517:loc.gov
2498:loc.gov
2479:loc.gov
2460:loc.gov
2441:loc.gov
2422:loc.gov
2403:loc.gov
2384:loc.gov
2365:loc.gov
2346:loc.gov
2327:loc.gov
2308:loc.gov
2289:loc.gov
2270:loc.gov
2251:loc.gov
2232:loc.gov
2213:loc.gov
2194:loc.gov
2175:loc.gov
2156:loc.gov
2137:loc.gov
2118:loc.gov
2099:loc.gov
2080:loc.gov
1077:Romance
667:Methods
467:Gallery
3330:
1527:
1337:Edison
1329:Victor
982:Hunger
458:Bowery
424:uptown
365:Bowery
103:Genres
3109:(PDF)
3087:(PDF)
2062:Eye."
1978:(PDF)
1563:(PDF)
1296:1884
1271:1877
1258:1883
1252:1883
1227:1885
1220:1885
1213:1885
1206:1884
1199:1884
1192:1884
1185:1883
1082:1872
1031:Money
912:Death
833:1873
662:Works
172:1880
3328:OCLC
2724:help
2630:help
1760:>
1525:ISBN
1335:and
954:Home
709:and
484:and
268:and
212:and
98:, US
86:Died
81:, US
66:Born
705:),
377:our
3427::
3368:.
3349:.
3326:.
3306:.
3285:.
3248:.
3229:.
3210:.
3191:.
3170:.
3151:.
3132:.
3111:.
3089:.
3066:.
3047:.
3028:.
3009:.
2990:.
2971:.
2952:.
2934:.
2930:.
2912:.
2893:.
2874:.
2855:.
2836:.
2817:.
2798:.
2779:.
2760:.
2741:.
2716::
2714:}}
2710:{{
2685:.
2666:.
2647:.
2622::
2620:}}
2616:{{
2591:.
2572:.
2553:.
2534:.
2515:.
2496:.
2477:.
2458:.
2439:.
2420:.
2401:.
2382:.
2363:.
2344:.
2325:.
2306:.
2287:.
2268:.
2249:.
2230:.
2211:.
2192:.
2173:.
2154:.
2135:.
2116:.
2097:.
2078:.
2055:.
2044:^
2034:.
2016:.
1998:.
1980:.
1944:.
1926:.
1904:.
1882:.
1861:.
1840:.
1819:.
1797:.
1786:^
1773:.
1751:.
1730:.
1709:.
1687:.
1666:.
1645:.
1624:.
1603:.
1583:.
1565:.
1539:^
1491:^
1478:.
1410:^
1387:;
1383:;
1379:;
1360:.
1350:;
1331:,
1327:,
713:.
697:,
460:.
335:.
244:.
3386:.
2726:)
2632:)
2038:.
1954:.
1589:.
1533:.
1286:.
1249:.
1231:.
1217:.
1210:.
1196:.
1189:.
488:.
74:)
70:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.