Knowledge (XXG)

William A. Huntley

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that group was formed in November 1870. Between 1868 and 1870 he was reported to have opened a music-teaching academy in Providence in which he gave banjo socials once a week, his "first attempt at edging the banjo into high society." However, he was not listed in the Providence, Rhode Island city directory from 1866 to 1869. He re-appeared in the Providence city directory in 1870 both as William A. Penno, music teacher, and William A. Huntley, musician.
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Dr. George W. Huntley, the courteous and energetic Business Agent for the Whitmore & Clark Minstrels for some years past, is to be the General Agent for that Company for the coming season... with W. A. Huntley...the bouquet vocalist and composer, who returned not long since from an extensive trip
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Inasmuch as Mr. J. D. Hopkins, who signs himself business manager of Campbell and Huntley's Minstrels to a card that appeared in the columns of this paper dated Nov. 19th, has sought to injure the reputation of Charles Austin...Mr. Austin assures me that when the party was organized, it was under the
1910:
E. Prescott Hardy is busily engaged in making up his Whitmore & Clark Minstrel party for the coming season, and will have the strongest aggregation of talent ever on the road. In addition to "Billy" Huntley, the great banjo player spoken of elsewhere, he is engaging other men as strong in their
1888:
Wm. A. Huntley, banjoist, vocalist and composer, who has been with Haverly's Mastodon Minstrels in England until recently, joins the New Mastodon Minstrels, under Mr. Haverly's proprietorship, in Memphis, Tenn., Dec. 30. During his foreign tour he was the recipient of many complements gained by his
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in London, and led the group's big banjo act in which twelve performers appeared at one time. He gave a first performance at Her Majesty's Theatre on July 31, 1880 and remained three months. During this period, Huntley had the honor of appearing before the Royal Family. Afterward, he played in the
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William A. Huntley began receiving his mail as a performer independent of Campbell and Huntley's Minstrels in February 1871. He and George (later "Dr. Geo. W.") Huntley continued to associate repeatedly into the 1880s. George Huntley became a successful manager and agent (organizing shows in towns
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Huntley took to the idea of a refined image for the banjo, and modified an idea used by J. H. Haverly and other large minstrel performance companies. Some of their advertising posters showed them marching in solidarity, in formal dress and in white face. However, their performers would perform in
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Newspaper accounts in 1870 may be the earliest record of his music career. In October 1870, he became business partners with Charles Austin, John D. Hopkins and George W. Huntley to form Campbell, Huntley and Austin's minstrels, sharing profits. They became Campbell and Huntley's Minstrels in the
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published generalized timelines of his activities. The two give different years for his work with Mead's Euterpean Minstrels. He was reported by Le Roy Rice to have joined the Campbell and Huntley Minstrels in 1865, and to have played with them for several years. However, news clippings indicate
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to describe his music. The phrase today means a style of playing the banjo bare fingered, picking out the notes with two fingers and a thumb. For Huntley, the term spoke of quality and he used it throughout the 1870s. Huntley became associated with Samuel Swaim Stewart, a banjo centered
224:. Huntley spent his working life performing and teaching in the off season. He performed throughout the United States and toured Europe as a part of several different minstrel groups. A highlight of his performing career was to play before the Prince and Princess of Wales, about 1880 at 554: 1816: 1804:
in Europe, where he appeared with Haverley's Mastodon Ministrels, making a decided hit. He appeared before a number of the crowned heads in his banjo specialities, and also lead the great act in which 12 banjo players appeared upon the stage at one time.
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entrepreneur, and former blackface performer, who was trying to move the banjo toward greater respectability. Huntley was featured regularly in the S. S. Stewart Banjo and Guitar Journal, starting 1883, and Stewart published some of his music.
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Jerry Cohan Wrote This. It's pretty close to 40 years ago that George M. Cohan's "daddy" wrote this song for Harper and Stansill, the famous one-legged song and dance team, both since deceased. It was called "The Girl That Took My
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LOC are scores preserved at the Library of Congress. LSMC are scores preserved at the Lester M. Levy Sheet Music Collection. BERK are scores at the California Sheet Music Project at the Berkley Libtary.
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Mr. Billy Huntley, the great banjoist and composer, in his wonderful specialties, having closed a successful engagement at the Howard Athenaeum, Boston, is now engaged with the Lauri Pantomime Troupe...
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An 1884 news article made it likely he was performing without stage makeup. The reviewer said, "Mr. Wm. A. Huntley is the only banjo artist in the country that has ever made a success in white face."
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traditions. Playing his 5-string banjo before crowds that came to number in the low thousands, he sang in a high tenor and played his banjo bare fingered, picking the strings in a style today named "
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The minstrelsy show-business of the 1860s, when Huntley was breaking into his career, meant performing in blackface. However Huntley also engaged with performing groups that labeled themselves
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principal cities of England and in Paris. He left Europe later in 1880 and arrived in Memphis, Tennessee on December 30, to fill out his contract with Mr. Haverly's "New Mastodon Minstrels."
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Last Name: HUNTLEY First Name: WILLIAM A born: WILLIAM A PENNO HE IS A COMPOSER Cemetery Name: LOCUST GROVE CEMETERY Birth Year: 1843 Death Day: 26 Death Month: MAR Death Year: 1929
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midst of a November and December fallout between Austin and Hopkins in the newspapers. Originally planned to be together for four weeks, the group was still intact in January 1871.
437:. It is not completely certain whether Rice meant his performances used white facepaint in the tradition of pantomime clowns, or if Huntley performed without any makeup at all. 359:"Will A. Huntley gave a pleasing musical setting to a number of my songs, which met with favor in several cases and here, I recall another incident. He opened an engagement at 3445: 3430: 422:
theatres. Pastor used the term "vaudeville" in place of "variety" in early 1876, hoping to draw a potential audience from female and family-based shopping traffic
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I want it discreetly understood that I was a full PARTNER, supposed to share equally with G. W. Huntley, Billy Huntley, and J. D. Hopkins, alias J. D. Campbell...
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name of Campbell, Huntley and Austin's Minstrels...and that Mr. Hopkins...ordered a new stock of printing under the name Campbell and Huntley's Minstrels...
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ahead of the arrival of the minstrels), working with the Huntley Minstrels, the Martinetti-Ravel Pantomime Company and Whitmore and Clark's Minstrels.
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imitating the pretty song and twitter of birds at twilight. That brought out an applause that sprained the roof. I was there and heard the sprain."
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stage makeup. He focused on building respectability for the banjo, through teaching, composition, and performance recitals. He was featured in the
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From 1887 to 1893, he also performed at concerts organized by Fairbanks and Cole, high-end banjo manufacturers in competition with S. S. Stewart.
1630:...the four partners, viz., G. W. Huntley, Billy Huntley, Austin and myself...John D. Hopkins, Business Manager, Campbell and Huntley's Minstrels 316: 176: 1528: 3264: 1651:
Charles Austin states that he has severed his connection with Huntley and Austin's Minstrels, and has joined Whitmore and Clarke's Company.
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I the undersigned, caution managers against one Charles Austin...J. D. Hopkins, Business Manager, Campbell and Huntley's Minstrels
3435: 300:, and afterwards rejoined the Martinetti Troupe. In 1874 he became co-partner with George W. Huntley again, in the management of 331:. The two men opened a banjo teaching-studio in Providence and performed together, Lee on the 6-string banjo and Huntley on the 252:
Huntley first performed onstage in a play in Providence at the age of six. He played the part of "little Tom Bruce" in the play
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1891. Advertisement in Sydney, Australia, for banjo classes using materials by S S Stewart, John H Lee and William A Huntley.
1300:. Arranged for Cornet by Thomas A. Becket. Published by W F Shaw. Galveston, Tex. : Thos. Goggan & Bro., 1884. 1137: 30: 324: 264:
Two biographies written during his lifetime are vague about the start of his musical career from 1865 to 1869; authors
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in Boston, performing as a solo banjoist and making his first "whiteface" appearance on stage. William joined the
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May 1876. Summer Theatre Comique, Washington D.C. Huntley would use the banjo-swinging act in the 1880s as well.
258:. His first minstrel engagement was in 1860 or 1862 with Mead's Euterpean Minstrels at New London, Connecticut. 2013: 1995: 1328: 1283: 620:
February 1888. Banjo Concert, Boston. William A. Huntley accompanied by his brother Charles H. Huntley (Penno).
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Huntley had been experimenting with a different image from the early 1870s. He was characterized by minstrel
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groups. He performed his solo act in variety shows, where he had more control over how he presented himself.
301: 1901: 1825:...At the Howard, variety is the order of the day. The new attractions here are...Billy Huntley, banjoist... 1748: 363:. He was an artistic banjo player and a sweet tenor singer. At first, the manager told him he was afraid a 236:'s catalog (showing that art-banjo promoter Stewart recognized his talent) and began to play the company's 1351: 485: 328: 228:
in London. He moved away from minstrel shows by the 1880s, and "took pride" that he could perform without
185: 1858: 1388: 1347: 710: 3093:. Vol. 3, no. 1. Philadelphia, Pennsylvania: S. S. Stewart Company. December 1884. p. 9. 2682: 1984:. Vol. 2, no. 12. Philadelphia, Pennsylvania: S. S. Stewart Company. Oct–Nov 1884. p. 1. 311:
Advertisement for Haverly's Mastodon Minstrels in London 1880. Huntley was one of the 12 banjo experts.
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Margaret Keyes; Joseph Ford; William A Huntley; Columbia Stellar Quartette. New York : Columbia,
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Armond Fields, Tony Pastor, Father of Vaudeville (Jefferson, NC: McFarland & Co., 2007), p. 84.
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or the like. But the kids and the 'gods' were nice and recalled Huntley twice . Then he gave them
2711: 2617: 2052: 1924:"Songs of other days, their author Arthur Wells French is now the Bard of Monroe and still at it" 1475: 1361: 1246: 722: 694: 368: 265: 1923: 1770: 379:, "When the birds nave gone to sleep." The instrumentation and voicing carries with it a flute 3327: 1524: 430: 254: 608:
February 1885. Advertisement for music by Huntley in S. S. Stewart's Bacon and Guitar Journal
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He worked as a clerk in Providence, recorded in the state census and city directory in 1865.
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Last time, Haverly's Minstrels were white men, corked to the requisite shade of blackness...
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sensibilities and spending power when he began to feature "polite" variety programs in his
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MARTINETTI-RAVEL BALLET AND PANTOMIME TROUPE OF FRENCH ARTISTS...GEO. W. HUNTLEY, Agent
1370:. William A Huntley; Clarence Whitehill; Arthur W French. Camden, N.J. : Victor, 1336: 3424: 1282:. Words by Arthur W. French, music by William A. Huntley, transcription for piano by 419: 209: 173: 2890: 338:
Lee left for California in June 1887, while Huntley continued to teach and perform.
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William A. Huntley, from S. S. Stewart's Banjo and Guitar Journal, Oct.—Nov. 1884.
304:, and performed in the principal theaters of the country for the next four years. 1523:. Mankato, Minnesota: Minnesota Heritage Publishing. pp. 152–154, 229–230. 1384: 512:
April 1872. Martinetti Ravel Ballet and Pantomime Troupe of French Artists, 1872
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blackface, still formally dressed. Huntley would show up as himself, dressed in
411: 332: 237: 1275:, schottische. Music by William A. Huntley, arranged for piano by J. S. Knight. 408: 397: 213: 3331: 1941: 572:
December 1877. Advertisement for concert at Tony Pastors, December 31, 1877.
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Huntley's compositions were recorded by artists between 1898 and 1926 on
208:, was a composer, music teacher, and vocal and instrumental performer in 240:. In 1888 he performed before a crowd of 2,000 people in his hometown, 524:
April 1873. Advertisement for McKee and Rogers Vaudeville Combination.
2664:"Take Me Back To Home and Mother. Song and Chorus. Box 135, Item 057" 457: 426:
by barring liquor in his theatres and bawdy material from his shows.
364: 1364:; Arthur W French; William A Huntley. Camden, N.J. : Victrola, 1136: 345: 306: 217: 125: 675:, Philadelphia: The W. F. Shaw Co., Wm. H. Keyser & Co., 1887 2032:"Complete School Of Harmony for the Banjo (Huntley, William A.)" 407:
Huntley performed at Tony Pastor's. Starting in the mid-1860s,
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He composed many song with lyrics by other musicians including
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Huntley was especially engaged to play banjo for the blackface
220:." His published compositions include banjo instrumentals and 2834:"I'm Going Home to Clo. Song & Chorus. Box 025, Item 052" 1581:"Rhode Island, State Censuses, 1865-1935 for William A Penno" 1141:
1883. Sweet Pretty Waltz. Shows published banjo compositions.
1121:. Words by Ernest Hardenstein, music by William A. Huntley. 480:
S. S. Stewart advertisement, William A. Huntley (left) with
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Hymntime; Huntley had compositions that made the hymn books.
1100:. Words by Samuel N. Mitchell, music by William A. Huntley. 1086:. Words by Samuel N. Mitchell, music by William A. Huntley. 1061:. Words by Samuel N. Mitchell, music by William A. Huntley. 1054:. Words by Samuel N. Mitchell, music by William A. Huntley. 1040:. Words by William S. Austin , music by William A. Huntley. 1026:. Words by Samuel N. Mitchell, music by William A. Huntley. 991:. Words by Samuel N. Mitchell, music by William A. Huntley. 921:. Words by Samuel N. Mitchell, music by William A. Huntley. 907:. Words by Samuel N. Mitchell, music by William A. Huntley. 893:. Words by Samuel N. Mitchell, music by William A. Huntley. 886:. Words by Samuel N. Mitchell, music by William A. Huntley. 879:. Words by Samuel N. Mitchell, music by William A. Huntley. 872:. Words by Samuel N. Mitchell, music by William A. Huntley. 865:. Words by Samuel N. Mitchell, music by William A. Huntley. 851:. Words by Samuel N. Mitchell, music by William A. Huntley. 844:. Words by Samuel N. Mitchell, music by William A. Huntley. 837:. Words by Samuel N. Mitchell, music by William A. Huntley. 830:. Words by Samuel N. Mitchell, music by William A. Huntley. 823:. Words by Samuel N. Mitchell, music by William A. Huntley. 816:. Words by Samuel N. Mitchell, music by William A. Huntley. 809:. Words by Samuel N. Mitchell, music by William A. Huntley. 802:. Words by Samuel N. Mitchell, music by William A. Huntley. 774:. Words by Samuel N. Mitchell, music by William A. Huntley. 767:. Words by Samuel N. Mitchell, music by William A. Huntley. 656:
February 1893. 10th Annual Grand Star Banjo Concert, Boston
3366:"Some Day I'll Wander Back Again. Song. Box 149, Item 106" 795:. Words by Arthur W. French, music by William A. Huntley. 788:. Words by Arthur W. French, music by William A. Huntley. 632:
December 1891. Review of banjo concert, Haywood Hall, 1891
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October 1873. Advertisement for Huntley's Minstrels, 1873.
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from December 1871-July 1872. In early 1873 he joined the
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The Banjo Entertainers: Roots to Ragtime, A Banjo History
1093:. Words by Arthur W. French, music by William A. Huntley. 1005:. Words by Arthur W. French, music by William A. Huntley. 970:. Words by Arthur W. French, music by William A. Huntley. 963:. Words by Arthur W. French, music by William A. Huntley. 949:. Words by Arthur W. French, music by William A Huntley. 781:. Words by Arthur W. French, music by William A. Huntley. 1865:. Newcastle upon Tyne, England. 29 Jul 1881. p. 2. 1391:; William A Huntley. Camden, N.J. : Victor Record, 1307:. Arranged for cornet and piano by Thomas A. Becket, Jr. 1107:. Words by Arthur W. French, music by William A Huntley. 977:. Words by Arthur W. French, music by William A Huntley. 760:. Words by Sam N. Mitchell, music by William A. Huntley. 753:. Words by Sam N. Mitchell, music by William A. Huntley. 739:. Words by Sam N. Mitchell, music by William A. Huntley. 732:. Words by Sam N. Mitchell, music by William A. Huntley. 584:
February 1878. Grand Central Theatre, Philadelphia, 1878
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October 1871, Billy Huntley joins Lauri Pantomime Troupe
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c. Oct 1870 – Jan. 1871 Campbell and Huntley's Minstrels
1464:. New York City: Kenny Publishing Company. p. 160. 284:
By September, Huntley was performing on his own at the
3271:|quote=Music by W. A. Huntley Arranged by J. S. Knight 1755:. Charleston, South Carolina. 16 Apr 1872. p. 2. 746:
Words by Sam N. Mitchell, music by William A. Huntley.
2059:. Pittsburgh, Pennsylvania. 23 Jan 1914. p. 24. 935:. Words by Jerry Cohen, music by William A. Huntley. 858:. Words by Jerry Cohan, music by William A. Huntley. 456:, to perform that way even in rough places like the 1374:
When the twilight comes to kiss the rose good night
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1871–1874 Martinetti French Ravel Pantomime Company
142: 132: 121: 113: 102: 85: 65: 48: 43: 21: 16:American composer, music teacher, and banjo player 3411:William A. Huntley--William A. Penno, Jr. burial 1930:. Bridgeport, Connecticut. 2 Oct 1911. p. 8. 1461:Monarchs of minstrelsy, from "Daddy" Rice to Date 1354:. New York : E. Berliner's Gramophone, 1898. 548:August 1875. Metropolitan Theatre, New York, 1875 2494:"Oh just you wait and see (Huntley, William A.)" 2020:. Boston, Massachusetts. 5 Feb 1893. p. 11. 2002:. Boston, Massachusetts. 6 Feb 1887. p. 10. 1777:. Meriden, Connecticut. 16 Oct 1873. p. 3. 2758:"Hush, My Little Darling (Huntley, William A.)" 1908:. Montpelier, Vermont. 21 Sep 1881. p. 2. 1801:. Montpelier, Vermont. 21 Sep 1881. p. 2. 1482:. Rhode Island Historical Cemetery Commission. 1265: 1146:Fireman's March, arranged by William A. Huntley 357: 355:Description of a William A. Huntley performance 1779:Huntley's Minstrels...Dr GEO W HUNTLEY Manager 367:audience would not stand for his appearing in 35:William A. Huntly, from his 1883 sheet music, 3045:"She's as pretty as the roses in the morning" 8: 2285:"Close the door softly, for mother's asleep" 443:Huntley was among the first to use the term 190:1884–1893 independent performances, teaching 169:1874–1880 solo performances variety theaters 1514: 1512: 1126:She's as pretty as the roses in the morning 2651:. Providence, Rhode Island: Cory Brothers. 2177:. Providence, Rhode Island: Cory Brothers. 1510: 1508: 1506: 1504: 1502: 1500: 1498: 1496: 1494: 1492: 1072:(1844-1919), music by William A. Huntley. 800:Close the door softly, for mother's asleep 596:1883/1884. Whitmore and Clark's Minstrels. 342:Blackface vs. whiteface, a change of image 29: 18: 3405:International Music Score Library Project 1554: 1552: 1550: 1548: 1546: 1544: 1542: 1540: 1266:Huntley's works arranged by other artists 1012:. Words and music by William A. Huntley. 323:From 1881 to 1884 Huntley performed with 294:Martinetti French Ravel Pantomime Company 3091:S. S. Stewart's Banjo and Guitar Journal 2047: 2045: 1982:S. S. Stewart's Banjo and Guitar Journal 1789: 1787: 1567:S. S. Stewart's Banjo and Guitar Journal 1128:. Words and music by William A. Huntley. 673:Complete School of Harmony for the Banjo 433:as having been successful performing in 181:1881–1884 Whitmore and Clark's Minstrels 3446:Musicians from Providence, Rhode Island 2418:"Neath the rose leaves on the hillside" 1928:The Bridgeport Times and Evening Farmer 1453: 1451: 1449: 1447: 1445: 1443: 1441: 1439: 1437: 1435: 1433: 1431: 1407: 1293:. Transcribed for piano by Adam Geibel. 470: 3431:American classic-fingerstyle banjoists 2719: 2709: 2625: 2615: 1429: 1427: 1425: 1423: 1421: 1419: 1417: 1415: 1413: 1411: 1346:. William A Huntley; Arthur W French; 1319:Compositions recorded by other artists 327:, and later formed a partnership with 2739:"Must we leave the old home, mother?" 849:Neath the rose leaves on the hillside 204:(1843–1929), known by his stage name 7: 3461:19th-century American male musicians 3104:Huntley, William A. (October 1884). 2950:"When the song bird says good night" 701:(1846-1919), Jerry Cohan (father of 154:1871 solo performances for two weeks 3062:Huntley, William A. (August 1883). 2969:"When the birds have gone to sleep" 2872:"The angels are calling me, Mother" 2323:"Down the vale where Lillie sleeps" 2120:. New York: Oliver Ditson & Co. 975:Must we leave the old home, mother? 317:Haverly's United Mastodon Minstrels 157:1871 Lauri English Pantomime Troupe 2891:"They are calling me to join them" 2101:. New York: C. H. Ditson & Co. 1314:, fantasia for piano. Adam Geibel. 1236:Musical score, piano instrumentals 1203:. Composed by William A. Huntley. 1133:Musical score, banjo instrumentals 1084:When the song bird says good night 870:Where have the dear children gone? 758:Our sweet little rosebud has flown 737:Down the meadow, 'neath the clover 248:Career, minstrelsy to parlor music 14: 3401:Free scores by William A. Huntley 3347:"Some Day I'll Wander Back Again" 3304:"Some Day I'll Wander Back Again" 3283:"Take me back to home and mother" 3007:"Little one, whisper you love me" 2956:. Boston: Oliver Ditson & Co. 2897:. Boston: G. D. Russell & Co. 2878:. Boston: G. D. Russell & Co. 2777:"Black eyed Binie's gone to rest" 2645:"Take me back to home and mother" 2557:. Cleveland: Brainard & Sons. 2538:. Philadelphia: Lee & Walker. 2519:. Boston: G. D. Russell & Co. 2481:. Boston: G. D. Russell & Co. 2462:. Boston: G. D. Russell & Co. 2443:. Boston: G. D. Russell & Co. 2424:. Cleveland: Brainard & Sons. 2405:. Boston: Oliver Ditson & Co. 2386:. Boston: Oliver Ditson & Co. 2367:. Boston: Oliver Ditson & Co. 2348:. Boston: G. D. Russell & Co. 2310:. Boston: G. D. Russell & Co. 2291:. Boston: G. D. Russell & Co. 2272:. Boston: Oliver Ditson & Co. 2253:. Cleveland: Brainard & Sons. 2234:. Boston: Oliver Ditson & Co. 2215:. Boston: Oliver Ditson & Co. 2196:. Boston: White, Smith and Perry. 2158:. Boston: Oliver Ditson & Co. 1886:. New York City. 1 January 1881. 1091:When the birds have gone to sleep 1052:The angels are calling me, Mother 814:Down the vale where Lillie sleeps 117:performer music teacher, composer 3372:. New York: W. F. Shaw & Co. 2988:"Come and meet me, Rosa darling" 2853:"Your pocket book's your friend" 2796:"Waiting a letter from overseas" 2551:"Mother and I have been waiting" 2532:"When the purple lilacs blossom" 2304:"Down beside the crimson meadow" 2190:"When the moon is rising, Allie" 1859:"From our London correspondents" 1622:"Reply to Charlie Austin's Card" 1059:They are calling me to join them 649: 637: 625: 613: 601: 589: 577: 565: 553: 541: 529: 517: 505: 493: 473: 3026:"Say but that tender word, Yes" 2910:"Raise me, Jesus, to thy bosom" 2764:. Philadelphia: Lee and Walker. 2703:Some Day I'll Wander Back Again 2513:"We met by chance, sweet Jenny" 2329:. Philadelphia: Lee and Walker. 1368:Take me back to home and mother 1358:Some day I'll wander back again 1312:Some Day I'll Wander Back Again 1305:Some Day I'll Wander Back Again 1291:Some Day I'll Wander Back Again 1280:Take me back to home and mother 1152:Some Day I'll Wander Back Again 1105:Little one, whisper you love me 1003:Black eyed Binie's gone to rest 968:Some Day I'll Wander Back Again 961:Take me back to home and mother 163:1873 Rogers and McKee Minstrels 148:1860 Mead's Euterpean Minstrels 3269:. G. D. Russell & Company. 2609:Bye and bye you will forget me 2570:"Our Willie died this morning" 2380:"Mamma, come sing me to sleep" 1395:Will you love me when I'm old? 1344:Bye and bye you will forget me 1098:Come and meet me, Rosa darling 1038:Your pocket book's your friend 1010:Waiting a letter from overseas 947:Bye and bye you will forget me 905:Mother and I have been waiting 891:When the purple lilacs blossom 807:Down beside the crimson meadow 765:When the moon is rising, Allie 725:, music by William A. Huntley. 685:Musical score, voice and piano 325:Whitmore and Clark's Minstrels 290:Lauri English Pantomime Troupe 37:Little one whisper you love me 1: 3115:. S. S. Stewart. p. 17. 2228:"Bring the absent back to me" 2209:"Bring the absent back to me" 2114:"Bring the absent back to me" 2095:"Come sing to me Addie again" 1119:Say but that tender word, Yes 1066:Raise me, Jesus, to thy bosom 884:We met by chance, sweet Jenny 109:, classic-banjo instrumentals 3364:Huntley, William A. (1906). 3345:Huntley, William A. (1885). 3302:Huntley, William A. (1883). 3281:Huntley, William A. (1880). 3244:Huntley, William A. (1883). 3225:Huntley, William A. (1883). 3206:Huntley, William A. (1872). 3189:"Whistling Wind Schottische" 3187:Huntley, William A. (1884). 3166:Huntley, William A. (1885). 3147:Huntley, William A. (1884). 3128:Huntley, William A. (1884). 3043:Huntley, William A. (1885). 3024:Huntley, William A. (1885). 3005:Huntley, William A. (1883). 2986:Huntley, William A. (1880). 2975:. Cincinnati: F. W. Helmick. 2967:Huntley, William A. (1878). 2948:Huntley, William A. (1872). 2908:Huntley, William A. (1885). 2889:Huntley, William A. (1871). 2870:Huntley, William A. (1871). 2851:Huntley, William A. (1878). 2832:Huntley, William A. (1879). 2813:Huntley, William A. (1879). 2794:Huntley, William A. (1883). 2775:Huntley, William A. (1878). 2756:Huntley, William A. (1874). 2737:Huntley, William A. (1883). 2700:Huntley, William A. (1879). 2681:Huntley, William A. (1879). 2662:Huntley, William A. (1875). 2643:Huntley, William A. (1875). 2606:Huntley, William A. (1880). 2595:. Cincinnati: F. W. Helmick. 2587:Huntley, William A. (1878). 2568:Huntley, William A. (1878). 2549:Huntley, William A. (1872). 2530:Huntley, William A. (1875). 2511:Huntley, William A. (1874). 2500:. Milwaukee: H. N. Hempsted. 2492:Huntley, William A. (1874). 2473:Huntley, William A. (1873). 2454:Huntley, William A. (1873). 2435:Huntley, William A. (1873). 2416:Huntley, William A. (1873). 2397:Huntley, William A. (1873). 2378:Huntley, William A. (1873). 2359:Huntley, William A. (1873). 2340:Huntley, William A. (1873). 2321:Huntley, William A. (1873). 2302:Huntley, William A. (1873). 2283:Huntley, William A. (1873). 2264:Huntley, William A. (1872). 2247:"Kiss me, love, before I go" 2245:Huntley, William A. (1872). 2226:Huntley, William A. (1872). 2207:Huntley, William A. (1872). 2188:Huntley, William A. (1871). 2169:Huntley, William A. (1871). 2150:Huntley, William A. (1871). 2131:Huntley, William A. (1871). 2112:Huntley, William A. (1871). 2093:Huntley, William A. (1871). 2074:Huntley, William A. (1871). 1942:"vaudeville | entertainment" 1863:The Newcastle Weekly Courant 1775:The Meriden Daily Republican 1519:Schreyer, Lowell H. (2007). 1458:Rice, Edward Le Roy (1911). 919:Our Willie died this morning 835:Mamma, come sing me to sleep 3323:Take me back home to mother 3214:. G. D.Russell and Company. 2437:"The girl that took my eye" 2342:"Just try it once for luck" 2171:"Oh Nixie, that's too thin" 2152:"Oh Nixie, that's too thin" 1298:Take me back home to mother 1155:Huntley's Favorite Hornpipe 772:Bring the absent back to me 730:Come sing to me Addie again 3477: 3370:levysheetmusic.mse.jhu.edu 3246:"Our Brigade, Grand March" 2838:levysheetmusic.mse.jhu.edu 2668:levysheetmusic.mse.jhu.edu 2361:"Let me kiss him ere I go" 1889:clever banjo performances. 1715:...Campbell and Huntley... 1339:labels. Examples include: 1229:Whistling Wind Schottische 786:Kiss me, love, before I go 3334:– via worldcat.org. 3266:The Girl That Took My Eye 3168:"Rocky Point Schottische" 3064:"Rocky Point Schottische" 2936:George Birdseye 1844–1919 2589:"Just to please the boys" 2266:"Under the silvery stars" 2139:. New York: J. L. Peters. 2082:. New York: J. L. Peters. 1753:The Charleston Daily News 1273:The Girl That Took My Eye 856:The girl that took my eye 821:Just try it once for luck 751:Oh Nixie, that's too thin 28: 3227:"Flirtation Schottische" 2683:"I'll Wander Back Again" 2053:"Jerry Cohan wrote this" 1685:"Card To the Profession" 1480:rihistoriccemeteries.org 1284:Francis Florentine Hagen 1260:Our Brigade, Grand March 1164:Queen of the Waves Waltz 877:Oh just you wait and see 828:Let me kiss him ere I go 298:McKee and Rogers Company 292:by October 1871 and the 242:Providence, Rhode Island 166:1874 Huntley's Minstrels 96:Providence, Rhode Island 79:Providence, Rhode Island 3436:American male composers 3106:"Mandoline Schottische" 2815:"I'm going home to Clo" 2706:. F. A. North & Co. 2689:. F. A. North & Co. 2399:"My button hole boquet" 1946:Encyclopædia Britannica 1601:"Charlie Austin's Card" 1222:Rocky Point Schottische 1187:Rocky Point Schottische 1170:Golden Star Schottische 989:Hush, My Little Darling 933:Just to please the boys 793:Under the silvery stars 3441:19th-century composers 3263:Knight, J. S. (1877). 2475:"Under the buttercups" 2456:"Under the buttercups" 2133:"Goodbye, Dear Mother" 1254:Flirtation Schottische 1158:Flirtation Schottische 1142: 779:Down among the daisies 385: 361:Miner's Bowery Theatre 351: 312: 44:Background information 3195:. William A. Huntley. 3155:. William A. Huntley. 3136:. William A. Huntley. 1996:"Preludes and Echoes" 1902:"Personal News Items" 1823:. 23 September 1871. 1795:"Personal News Items" 1728:"Clipper Post Office" 1707:"Clipper Post Office" 1664:"Caution to managers" 1201:Mandoline Schottische 1182:Queen of Beauty Waltz 1179:Wedding Bells Gavotte 1176:Huntley's Grand March 1140: 1024:I'm going home to Clo 842:My button hole boquet 744:Goodbye, dear Mother! 349: 310: 234:S. S. Stewart Company 226:Her Majesty's Theatre 3384:"William A. Huntley" 3130:"Sweet Pretty Waltz" 3084:"William A. Huntley" 2057:The Pittsburgh Press 1975:"William A. Huntley" 1734:. 11 February 1871. 1670:. 19 November 1870. 1649:. 19 November 1870. 1628:. 10 December 1870. 1560:"William A. Huntley" 1245:. Written to honor 1224:for banjo and piano. 1112:Romance and marriage 863:Under the buttercups 270:Samuel Swaim Stewart 3149:"Fascination Waltz" 1838:"Mr. Billy Huntley" 1736:...Billy Huntley... 1713:. 28 January 1871. 1691:. 3 December 1870. 1607:. 3 December 1870. 1389:Frederick J Wheeler 1161:Golden Sunset Waltz 1149:Dream of Love Waltz 389:Arthur Wells French 302:Huntley's Minstrels 2670:. : Cory Brothers. 1880:"Negro Minstrelsy" 1844:. 7 October 1871. 1749:"Academy of Music" 1643:"Negro Minstrelsy" 1362:Clarence Whitehill 1247:Samuel N. Mitchell 1208:Sweet Pretty Waltz 1194:Central Park Polka 1173:Perfection Mazurka 1143: 996:Love at a distance 723:Samuel N. Mitchell 711:Ernest Hardenstein 695:Samuel N. Mitchell 454:full evening dress 369:full evening dress 352: 313: 266:Edward Le Roy Rice 206:William A. Huntley 177:Mastodon Minstrels 56:William A. Huntley 3174:. S. S. Stewart. 3070:. S. S. Stewart. 2928:"George Birdseye" 1906:Argus and Patriot 1799:Argus and Patriot 1771:"Coming! Coming!" 1530:978-0-9713168-9-8 1215:Fascination Waltz 940:Goodbye to a love 431:Edward LeRoy Rice 255:Nick of the Woods 196: 195: 128:, piano, vocalist 3468: 3388: 3387: 3380: 3374: 3373: 3361: 3355: 3354: 3342: 3336: 3335: 3318: 3312: 3311: 3299: 3293: 3292: 3278: 3272: 3270: 3260: 3254: 3253: 3241: 3235: 3234: 3222: 3216: 3215: 3208:"Mitchell Waltz" 3203: 3197: 3196: 3184: 3178: 3177: 3163: 3157: 3156: 3144: 3138: 3137: 3125: 3119: 3118: 3110: 3101: 3095: 3094: 3088: 3080: 3074: 3073: 3059: 3053: 3052: 3040: 3034: 3033: 3021: 3015: 3014: 3002: 2996: 2995: 2983: 2977: 2976: 2964: 2958: 2957: 2945: 2939: 2938: 2924: 2918: 2917: 2905: 2899: 2898: 2886: 2880: 2879: 2867: 2861: 2860: 2848: 2842: 2841: 2829: 2823: 2822: 2810: 2804: 2803: 2791: 2785: 2784: 2772: 2766: 2765: 2753: 2747: 2746: 2734: 2728: 2727: 2721: 2717: 2715: 2707: 2697: 2691: 2690: 2678: 2672: 2671: 2659: 2653: 2652: 2640: 2634: 2633: 2627: 2623: 2621: 2613: 2603: 2597: 2596: 2584: 2578: 2577: 2565: 2559: 2558: 2546: 2540: 2539: 2527: 2521: 2520: 2508: 2502: 2501: 2489: 2483: 2482: 2470: 2464: 2463: 2451: 2445: 2444: 2432: 2426: 2425: 2413: 2407: 2406: 2394: 2388: 2387: 2375: 2369: 2368: 2356: 2350: 2349: 2337: 2331: 2330: 2318: 2312: 2311: 2299: 2293: 2292: 2280: 2274: 2273: 2261: 2255: 2254: 2242: 2236: 2235: 2223: 2217: 2216: 2204: 2198: 2197: 2185: 2179: 2178: 2166: 2160: 2159: 2147: 2141: 2140: 2128: 2122: 2121: 2109: 2103: 2102: 2090: 2084: 2083: 2071: 2065: 2064: 2049: 2040: 2039: 2028: 2022: 2021: 2018:The Boston Globe 2010: 2004: 2003: 2000:The Boston Globe 1992: 1986: 1985: 1979: 1971: 1965: 1962: 1956: 1955: 1953: 1952: 1938: 1932: 1931: 1920: 1914: 1913: 1898: 1892: 1891: 1884:New York Clipper 1876: 1870: 1869: 1855: 1849: 1848: 1842:New York Clipper 1834: 1828: 1827: 1821:New York Clipper 1813: 1807: 1806: 1791: 1782: 1781: 1767: 1761: 1759: 1745: 1739: 1738: 1732:New York Clipper 1724: 1718: 1717: 1711:New York Clipper 1703: 1697: 1696: 1689:New York Clipper 1681: 1675: 1674: 1668:New York Clipper 1660: 1654: 1653: 1647:New York Clipper 1639: 1633: 1632: 1626:New York Clipper 1618: 1612: 1611: 1605:New York Clipper 1597: 1591: 1590: 1577: 1571: 1570: 1564: 1556: 1535: 1534: 1516: 1487: 1486: 1476:"Person details" 1472: 1466: 1465: 1455: 1167:Let Her Go Galop 966:1879 IMSLP BERK 699:Arthur W. French 653: 641: 629: 617: 605: 593: 581: 569: 557: 545: 533: 521: 509: 497: 477: 392: 286:Howard Athenaeum 202:William A. Penno 135: 92: 76:November 2, 1843 75: 73: 51: 33: 23:William A. Penno 19: 3476: 3475: 3471: 3470: 3469: 3467: 3466: 3465: 3421: 3420: 3397: 3392: 3391: 3382: 3381: 3377: 3363: 3362: 3358: 3344: 3343: 3339: 3320: 3319: 3315: 3301: 3300: 3296: 3280: 3279: 3275: 3262: 3261: 3257: 3243: 3242: 3238: 3224: 3223: 3219: 3205: 3204: 3200: 3186: 3185: 3181: 3165: 3164: 3160: 3146: 3145: 3141: 3127: 3126: 3122: 3108: 3103: 3102: 3098: 3086: 3082: 3081: 3077: 3061: 3060: 3056: 3042: 3041: 3037: 3023: 3022: 3018: 3004: 3003: 2999: 2985: 2984: 2980: 2966: 2965: 2961: 2947: 2946: 2942: 2926: 2925: 2921: 2907: 2906: 2902: 2888: 2887: 2883: 2869: 2868: 2864: 2850: 2849: 2845: 2831: 2830: 2826: 2812: 2811: 2807: 2793: 2792: 2788: 2774: 2773: 2769: 2755: 2754: 2750: 2736: 2735: 2731: 2718: 2708: 2699: 2698: 2694: 2680: 2679: 2675: 2661: 2660: 2656: 2642: 2641: 2637: 2624: 2614: 2605: 2604: 2600: 2586: 2585: 2581: 2567: 2566: 2562: 2548: 2547: 2543: 2529: 2528: 2524: 2510: 2509: 2505: 2491: 2490: 2486: 2472: 2471: 2467: 2453: 2452: 2448: 2434: 2433: 2429: 2415: 2414: 2410: 2396: 2395: 2391: 2377: 2376: 2372: 2358: 2357: 2353: 2339: 2338: 2334: 2320: 2319: 2315: 2301: 2300: 2296: 2282: 2281: 2277: 2263: 2262: 2258: 2244: 2243: 2239: 2225: 2224: 2220: 2206: 2205: 2201: 2187: 2186: 2182: 2168: 2167: 2163: 2149: 2148: 2144: 2130: 2129: 2125: 2111: 2110: 2106: 2092: 2091: 2087: 2073: 2072: 2068: 2051: 2050: 2043: 2030: 2029: 2025: 2014:"Banjo Concert" 2012: 2011: 2007: 1994: 1993: 1989: 1977: 1973: 1972: 1968: 1963: 1959: 1950: 1948: 1940: 1939: 1935: 1922: 1921: 1917: 1900: 1899: 1895: 1878: 1877: 1873: 1857: 1856: 1852: 1836: 1835: 1831: 1815: 1814: 1810: 1793: 1792: 1785: 1769: 1768: 1764: 1747: 1746: 1742: 1726: 1725: 1721: 1705: 1704: 1700: 1683: 1682: 1678: 1662: 1661: 1657: 1641: 1640: 1636: 1620: 1619: 1615: 1599: 1598: 1594: 1579: 1578: 1574: 1562: 1558: 1557: 1538: 1531: 1518: 1517: 1490: 1474: 1473: 1469: 1457: 1456: 1409: 1404: 1321: 1268: 1238: 1135: 1114: 1079: 1070:George Birdseye 1047: 1045:Religious theme 1033: 1019: 998: 984: 956: 942: 928: 914: 900: 707:George Birdseye 703:George M. Cohan 687: 682: 669: 664: 657: 654: 645: 642: 633: 630: 621: 618: 609: 606: 597: 594: 585: 582: 573: 570: 561: 558: 549: 546: 537: 534: 525: 522: 513: 510: 501: 498: 489: 478: 469: 414:capitalized on 394: 387: 356: 344: 250: 199: 174:J. H. Haverly's 133: 94: 90: 77: 71: 69: 49: 39: 24: 17: 12: 11: 5: 3474: 3472: 3464: 3463: 3458: 3453: 3448: 3443: 3438: 3433: 3423: 3422: 3419: 3418: 3413: 3408: 3396: 3395:External links 3393: 3390: 3389: 3375: 3356: 3337: 3313: 3294: 3289:. W. F. Shaw. 3273: 3255: 3236: 3217: 3198: 3179: 3158: 3139: 3120: 3096: 3075: 3054: 3035: 3016: 2997: 2978: 2959: 2940: 2919: 2900: 2881: 2862: 2843: 2824: 2805: 2786: 2767: 2748: 2729: 2720:|website= 2692: 2673: 2654: 2635: 2626:|website= 2598: 2579: 2560: 2541: 2522: 2503: 2484: 2465: 2446: 2427: 2408: 2389: 2370: 2351: 2332: 2313: 2294: 2275: 2256: 2237: 2218: 2199: 2180: 2161: 2142: 2123: 2104: 2085: 2076:"Addie Alleen" 2066: 2041: 2023: 2005: 1987: 1966: 1957: 1933: 1915: 1893: 1871: 1850: 1829: 1808: 1783: 1762: 1740: 1719: 1698: 1676: 1655: 1634: 1613: 1592: 1572: 1536: 1529: 1488: 1467: 1406: 1405: 1403: 1400: 1399: 1398: 1392: 1377:Robert F Roden 1371: 1365: 1355: 1320: 1317: 1316: 1315: 1308: 1301: 1294: 1287: 1276: 1267: 1264: 1263: 1262: 1256: 1250: 1243:Mitchell Waltz 1237: 1234: 1233: 1232: 1225: 1218: 1211: 1204: 1197: 1190: 1183: 1180: 1177: 1174: 1171: 1168: 1165: 1162: 1159: 1156: 1153: 1150: 1147: 1134: 1131: 1130: 1129: 1122: 1113: 1110: 1109: 1108: 1101: 1094: 1087: 1078: 1075: 1074: 1073: 1062: 1055: 1046: 1043: 1042: 1041: 1032: 1029: 1028: 1027: 1022:1879 LOC LSMC 1018: 1015: 1014: 1013: 1006: 997: 994: 993: 992: 983: 980: 979: 978: 971: 964: 959:1875 LOC LSMC 955: 952: 951: 950: 941: 938: 937: 936: 927: 924: 923: 922: 913: 910: 909: 908: 899: 896: 895: 894: 887: 880: 873: 866: 859: 852: 845: 838: 831: 824: 817: 810: 803: 796: 789: 782: 775: 768: 761: 754: 747: 740: 733: 726: 686: 683: 681: 678: 677: 676: 668: 665: 663: 660: 659: 658: 655: 648: 646: 643: 636: 634: 631: 624: 622: 619: 612: 610: 607: 600: 598: 595: 588: 586: 583: 576: 574: 571: 564: 562: 559: 552: 550: 547: 540: 538: 535: 528: 526: 523: 516: 514: 511: 504: 502: 499: 492: 490: 479: 472: 468: 465: 354: 353: 343: 340: 249: 246: 198:Musical artist 197: 194: 193: 192: 191: 188: 182: 179: 170: 167: 164: 161: 158: 155: 152: 149: 144: 140: 139: 136: 130: 129: 126:5-string banjo 123: 119: 118: 115: 111: 110: 104: 100: 99: 93:(aged 85) 89:March 26, 1929 87: 83: 82: 67: 63: 62: 61: 60: 57: 52: 46: 45: 41: 40: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 3473: 3462: 3459: 3457: 3454: 3452: 3449: 3447: 3444: 3442: 3439: 3437: 3434: 3432: 3429: 3428: 3426: 3417: 3414: 3412: 3409: 3406: 3402: 3399: 3398: 3394: 3385: 3379: 3376: 3371: 3367: 3360: 3357: 3353:. W. F. Shaw. 3352: 3348: 3341: 3338: 3333: 3329: 3325: 3324: 3317: 3314: 3310:. W. F. Shaw. 3309: 3305: 3298: 3295: 3291: 3288: 3284: 3277: 3274: 3268: 3267: 3259: 3256: 3252:. W. F. Shaw. 3251: 3247: 3240: 3237: 3233:. W. F. Shaw. 3232: 3228: 3221: 3218: 3213: 3209: 3202: 3199: 3194: 3190: 3183: 3180: 3176: 3173: 3169: 3162: 3159: 3154: 3150: 3143: 3140: 3135: 3131: 3124: 3121: 3117: 3114: 3107: 3100: 3097: 3092: 3085: 3079: 3076: 3072: 3069: 3065: 3058: 3055: 3051:. W. F. Shaw. 3050: 3046: 3039: 3036: 3032:. W. F. Shaw. 3031: 3027: 3020: 3017: 3013:. W. F. Shaw. 3012: 3008: 3001: 2998: 2994:. W. F. Shaw. 2993: 2989: 2982: 2979: 2974: 2970: 2963: 2960: 2955: 2951: 2944: 2941: 2937: 2933: 2929: 2923: 2920: 2916:. W. F. Shaw. 2915: 2911: 2904: 2901: 2896: 2892: 2885: 2882: 2877: 2873: 2866: 2863: 2859:. W. F. Shaw. 2858: 2854: 2847: 2844: 2840:. W. F. Shaw. 2839: 2835: 2828: 2825: 2821:. W. F. Shaw. 2820: 2816: 2809: 2806: 2802:. W. F. Shaw. 2801: 2797: 2790: 2787: 2783:. W. F. Shaw. 2782: 2778: 2771: 2768: 2763: 2759: 2752: 2749: 2745:. W. F. Shaw. 2744: 2740: 2733: 2730: 2725: 2713: 2705: 2704: 2696: 2693: 2688: 2684: 2677: 2674: 2669: 2665: 2658: 2655: 2650: 2646: 2639: 2636: 2631: 2619: 2612:. F. W. Shaw. 2611: 2610: 2602: 2599: 2594: 2590: 2583: 2580: 2576:. W. F. 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Index

Portrait of William A. Huntley
Providence, Rhode Island
Providence, Rhode Island
parlor music
5-string banjo
J. H. Haverly's
Mastodon Minstrels
John H. Lee
minstrel
vaudeville
classic banjo
parlor music
Her Majesty's Theatre
blackface
S. S. Stewart Company
banjeaurine
Providence, Rhode Island
Nick of the Woods
Edward Le Roy Rice
Samuel Swaim Stewart
Howard Athenaeum
Lauri English Pantomime Troupe
Martinetti French Ravel Pantomime Company
McKee and Rogers Company
Huntley's Minstrels

Haverly's United Mastodon Minstrels
Whitmore and Clark's Minstrels
John H. Lee
banjeaurine

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