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William Anthony (bookbinder)

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moved with his wife, Bernadette and their three children to Chicago. However, by the time the Anthony's arrived in Chicago, George Baer had recovered and resumed his duties as “head of the department”, and William Anthony was given the position of “head of the Art Department” which permitted him to work occasionally on binding books until George Baer's retirement in 1970. By 1973 it became clear that the Cuneo Press could no longer support the luxury of its fine binding department so Anthony began his transition to private practice, first via a partnership with an established Chicago bookbinder, Elisabeth Kner, followed in 1980 by his own company, Anthony and Associates. During this time, William Anthony was busy promoting the art and craft of bookbinding in the Chicago area and became a founding member of the Chicago Hand Bookbinders which remained a vital force until 2009, well past Anthony's time. In 1984, William Anthony was appointed University Conservator at the University of Iowa library, a position he held until his death in 1989. During his five years at Iowa he was active in establishing the conservation department as well as setting up a world class bookbinding studio. Among the many students who studied with Anthony are: William Minter, Mary Lynn Ritzenthaler,
282: 381: 273: 309: 318: 291: 345: 300: 237: 199: 354: 372: 327: 264: 363: 336: 255: 31: 246: 130:(November 9, 1926 – February 8, 1989) was an Irish/American bookbinder and book conservator, who specialized in fine leather bindings with inlays and gold tooling. He is known for his bold designs, fine craftsmanship, as well as a mentor for numerous bookbinders and conservators who studied with him. 163:
specializing in the printing of various magazines. In addition, John F. Cuneo's love for books led him to create a small fine bookbinding department that was used to help promote the printing department operation. At the time that Cuneo met William Anthony in England, the master binder in charge of
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was seriously ill with hepatitis, and it was not clear if, or when Baer would return to work. Cuneo was so impressed with Anthony's leather bindings, that he offered him the job in Cuneo Press's fine binding department. Anthony, attracted by this “head of department” position, accepted the job and
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As is the case with most fine bookbinders, work that produces an income is not necessarily of the most artistic type. However, William Anthony seamlessly managed to combine his business activities, much of which was in book or document restoration with fine bindings through which he expressed his
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The selected books bound by William Anthony are arranged in chronological order of their binding, dating from 1956 to 1985. Most can be found in the Special Collections of the University of Iowa Library, while others are held by private individuals.
142:, Ireland. At the age of 17, he began a seven-year apprenticeship at a book binding company that also employed his father. After a further period of training in Dublin, Anthony became Journeyman bookbinder and studied at the 146:
in London. While working for a variety of bookbinding firms, Anthony developed his skill in fine leather bindings which qualified him for induction into the Guild of Contemporary Bookbinders (now Designers Bookbinders
151:). In 1963 while the 37 year old Anthony exhibited some of his books at a Guild exposition, he met a visitor from the US, John F. Cuneo, owner of Chicago's Cuneo Press, and avid fan of fine books. 182:
artistic visions. William Anthony was one of the last bookbinders who was thoroughly trained from a young age in the art of bookbinding through year-long apprenticeships and journeymen status.
555: 173:, David Brock, Mark Esser, Lawrence Yerkes. One of his last apprentices, Annie Tremmel Wilcox wrote a book about her experience under Anthony's tutelage. 503: 478: 143: 281: 380: 402: 272: 308: 317: 550: 545: 540: 170: 290: 58: 344: 299: 236: 499: 474: 76: 353: 165: 198: 534: 371: 326: 263: 519:
Verheyen, Peter D. (February 2006). ". Book review: William Anthony Fine Binder".
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Conroy, Tom (1990). "Teaching Genealogies of American Hand Bookbinders".
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Minter, William (1989). "Tribute to and Remembrances of Bill Anthony".
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Degree of mastery: A journey Through Book Arts Apprenticeship
209: 117: 109: 99: 91: 83: 65: 40: 21: 159:The Cuneo Press was a major publishing company in 426: 424: 8: 29: 18: 498:. Iowa City, Iowa: University of Iowa. 394: 232: 229:Selected Books bound by William Anthony 417:– via cool.culturalheritage.org. 149:http://www.designerbookbinders.org.uk/ 7: 556:Irish emigrants to the United States 14: 164:the fine bookbinding department, 521:Guild of Book Workers Newsletter 379: 370: 361: 352: 343: 334: 325: 316: 307: 298: 289: 280: 271: 262: 253: 244: 235: 197: 473:. New York, NY: Penguin Books. 469:Wilcox, Annie Tremmel (1999). 103:Cuneo Press, Chicago 1964-1972 1: 452:Guild of Book Workers Journal 433:Guild of Book Workers Journal 403:"William Anthony, 1926–1989" 177:William Anthony as an artist 138:William Anthony was born in 105:University of Iowa 1984-1989 496:William Anthony Fine Binder 155:Career in the United States 572: 35:William Anthony late 1980s 494:Yerkes, Lawrence (2005). 144:Camberwell College of Art 28: 134:Early life and training 206:This section is empty. 171:Pamela Spitzmueller 16:American bookbinder 59:Waterford, Ireland 226: 225: 125: 124: 95:Master Bookbinder 563: 525: 524: 516: 510: 509: 491: 485: 484: 466: 460: 459: 458:(1 and 2): 1–64. 447: 441: 440: 428: 419: 418: 416: 414: 399: 383: 374: 365: 356: 347: 338: 329: 320: 311: 302: 293: 284: 275: 266: 257: 248: 239: 221: 218: 208:You can help by 201: 194: 72: 54: 52: 33: 19: 571: 570: 566: 565: 564: 562: 561: 560: 531: 530: 529: 528: 518: 517: 513: 506: 493: 492: 488: 481: 468: 467: 463: 449: 448: 444: 430: 429: 422: 412: 410: 407:Abby Newsletter 401: 400: 396: 391: 384: 375: 366: 357: 348: 339: 330: 321: 312: 303: 294: 285: 276: 267: 258: 249: 240: 231: 222: 216: 213: 192: 179: 157: 136: 128:William Anthony 104: 79: 77:Iowa City, Iowa 74: 70: 69:2 February 1989 61: 56: 55:9 November 1926 50: 48: 47: 46: 45:William Anthony 36: 24: 23:William Anthony 17: 12: 11: 5: 569: 567: 559: 558: 553: 548: 543: 533: 532: 527: 526: 511: 504: 486: 479: 461: 442: 420: 393: 392: 390: 387: 386: 385: 378: 376: 369: 367: 360: 358: 351: 349: 342: 340: 333: 331: 324: 322: 315: 313: 306: 304: 297: 295: 288: 286: 279: 277: 270: 268: 261: 259: 252: 250: 243: 241: 234: 230: 227: 224: 223: 204: 202: 191: 188: 178: 175: 166:George A. Baer 156: 153: 135: 132: 123: 122: 119: 115: 114: 111: 107: 106: 101: 97: 96: 93: 89: 88: 85: 81: 80: 75: 73:(aged 62) 67: 63: 62: 57: 44: 42: 38: 37: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 568: 557: 554: 552: 549: 547: 544: 542: 539: 538: 536: 522: 515: 512: 507: 505:0-87414-150-8 501: 497: 490: 487: 482: 480:0-14-029193-8 476: 472: 465: 462: 457: 453: 446: 443: 438: 434: 427: 425: 421: 413:September 30, 408: 404: 398: 395: 388: 382: 377: 373: 368: 364: 359: 355: 350: 346: 341: 337: 332: 328: 323: 319: 314: 310: 305: 301: 296: 292: 287: 283: 278: 274: 269: 265: 260: 256: 251: 247: 242: 238: 233: 228: 220: 211: 207: 203: 200: 196: 195: 189: 187: 183: 176: 174: 172: 167: 162: 154: 152: 150: 145: 141: 133: 131: 129: 120: 116: 112: 108: 102: 98: 94: 90: 86: 82: 78: 68: 64: 60: 43: 39: 32: 27: 20: 520: 514: 495: 489: 470: 464: 455: 451: 445: 436: 432: 411:. Retrieved 406: 397: 217:January 2021 214: 210:adding to it 205: 184: 180: 158: 137: 127: 126: 71:(1989-02-02) 551:Bookbinders 546:1989 deaths 541:1926 births 190:Exhibitions 100:Employer(s) 84:Nationality 535:Categories 409:. May 1989 389:References 113:Bernadette 92:Occupation 51:1926-11-09 439:(1): 1–5. 140:Waterford 118:Children 87:American 161:Chicago 502:  477:  110:Spouse 500:ISBN 475:ISBN 415:2020 66:Died 41:Born 212:. 537:: 456:28 454:. 437:27 435:. 423:^ 405:. 523:. 508:. 483:. 219:) 215:( 121:4 53:) 49:(

Index


Waterford, Ireland
Iowa City, Iowa
Waterford
Camberwell College of Art
http://www.designerbookbinders.org.uk/
Chicago
George A. Baer
Pamela Spitzmueller

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"William Anthony, 1926–1989"

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