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159:(1752–1821), the engraver of the "Seats of the Nobility and Gentry in Great Britain and Wales". After the termination of his apprenticeship he obtained employment upon the plates for Brewer's "Beauties of England and Wales", and then undertook the publication of "The Thames" which was completed in 1811, and for which he engraved almost all the plates after
170:, which he produced between 1814 and 1826, conjointly with his brother, George Cooke, and for which he executed no less than twenty-two plates, besides many vignettes. He also engraved after Turner "The Source of the Tamar" and "Plymouth", and in 1819 five plates of "Views in Sussex" which were published with explanatory notices by
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202:'s "Rome and its surrounding Scenery" 1840, and other works. He likewise published "A new Picture of the Isle of Wight" 1812, and "Twenty-four select Views in Italy" 1833.
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He was an engraver of considerable ability, and excelled especially in marine views, but the works which he published did not meet with much success. He died at
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His most important work was the "Picturesque Views on the
Southern Coast of England", chiefly from drawings by
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246:. Vol. 12. London: Smith, Elder & Co. p. 102.
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209:of heart disease, on 2 August 1855, aged 77.
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135:(1778 – 2 August 1855), was an English
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151:in 1778. He was the elder brother of
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155:(1781–1834), and became a pupil of
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292:English book publishers (people)
243:Dictionary of National Biography
36:relies largely or entirely on a
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198:'s "Coast Scenery" 1836,
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238:"Cooke, William Bernard"
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261:W B Cooke's engravings
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133:William Bernard Cooke
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273:, Greenwich, London)
194:'s "Pompeii", 1827,
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