349:
opened to the public as the
PurcellâCutts House in September 1990. Their restorative work centered on preventing further deterioration of the roof of the house, stabilizing the main roof and straightening the cantilever of the projecting first-story eaves. Restorers also worked to return surfaces to their original color, re-tinting exterior stucco, and preserving, restoring, or repainting interior stencil friezes as necessary. Wood trims were refinished and waxed, and the mural by Charles Livingston Bull was cleaned. The art glass windows were repaired and cleaned. The landscaping, including the reflecting pool and fountain, were recreated to match historic photographs. Based on historic evidence, the MIA reproduced furniture for the house including a reproduction of the Hanna suite for the dining room. As a part of the house's bequest, mementos of the Cutts family also remain. Public tours are held the second weekend of each month.
62:
288:
a high ceiling, increasing available space for the repeated pairs of art glass windows that comprise the walls of the front of the living room, while the dining area behind, set a half-story above, has a low ceiling. The pointed prow separating the dining and living areas creates a small nook, reserved as Edna
Purcell's writing area. The effect of the main level's design is to maintain intimacy within the larger space, not rendering adjacent spaces automatically visible in main areas of the house, while preserving unity between rooms and the openness of the entire floor.
229:, purchased the Edna S. Purcell house. Cutts and his wife, Edna Browning Stokes (1875â1976), lived in the house with their son, Anson B. Cutts Jr. (1905â1985). Though he left the house to attend Yale and pursue his career, Anson Jr. returned to the house in 1962 to aid his widowed mother when her health was failing. He continued to live there after her death in 1976. In 1985, Cutts bequeathed the house to the Minneapolis Society of Fine Arts, parent organization of the Minneapolis Institute of Art. It now is part of the museum's collection.
280:
259:
7-foot projection of the roof at the front (east) side of the house, emphasize the building's horizontality while also regulating heat and light at its entrance. A front wall of art glass windows connects the dwelling's interior to the garden, with bands of windows on the upper story adding to the sense of horizontality. Wooden piers and trim were all given âjin-di-sugiâ treatment, a wood-aging technique based on traditional
Japanese techniques using the application of chemicals or burning to artificially age wood.
1358:
263:
301:
1369:
317:
247:
255:
home's front garden, created in collaboration with landscape architect Harry
Franklin Baker, including a reflecting pool with water plants and small fountain, and native plants and trees. The back porch overlooked the Lake of the Isles, where the Purcells could enjoy a secluded natural haven in the center of Minneapolis, in concordance with Prairie School ideals.
325:
living room windows; a desk in the writing nook; and a combined bed, writing desk, bookcase, and storage area in the children's room, which
Purcell designed after the Pullman-style bed of a train's sleeping car. Purcell brought furniture from his previous home for use in the dining space, and folding chairs were stored in the dining area for impromptu visitors.
222:
Purcell family moved into the house at
Christmas, 1913. In 1916, a decline in commissions induced Purcell to take a position as advertising manager at Alexander Brothers Leather and Belting Company in Philadelphia. By 1918, his family had all moved to Philadelphia, and the house on Lake Place was put up for sale.
271:
and Gold,â in reference to
Purcell's grandparents, the Grays, to the colors of the firm's progressive architecture, and to the funds supporting Purcell's architectural practice and house. Two art glass windows flanking the entryway door contain a written message for neighbors and callers: âPeek-a-Boo.â
254:
Purcell and
Elmslie set the house thirty feet behind the front property line, conserving a sense of privacy for its inhabitants and allowing them to look over their neighborsâ gardens to their north and south, rather than through their windows. Likewise, the Purcells and the neighbors could enjoy the
344:
In 1961 letter, Purcell expressed his gratitude to Edna Cutts for opening her home to students and voiced the desire to have a share in any attempts to restore the house or make it public. Purcell also sketched out a scheme for expanding the space around the house and setting up a trust fund for the
324:
Purcell and
Elmslie designed select pieces of furniture for the house, including a small, triangular-backed chair, dubbed a âsurprise pointâ chair by William Purcell, for use in Edna's writing nook. Several noteworthy built-in furnishings include a combined bench and radiator cover beneath the front
291:
The second floor is accessed by a stairway on the north side, and includes a small hallway opening to a guest bedroom with sink, a bathroom, and the family bedroom space. The latter is a singular suite which could be divided by a built-in folding screen wall, separating it into children's and master
287:
Though open-plan, the first-level interior of the
PurcellâCutts House features individual room areas by virtue of alterations in floor level and breadth of floor space, while the tented ceiling maintains the same height throughout. The ground floor living room area at the front of the house features
217:
William Purcell and his wife, Edna, conceived plans for a permanent home in 1911, while they were residing in an apartment building on Humboldt Avenue in Minneapolis. Having adopted their son James that year, they needed a new space for their daily needs that also accommodated their increased social
213:
collaborated on the house, designed for a narrow, 50- by 150-foot city lot near Lake of the Isles in Minneapolis, Minnesota; construction costs totaled $ 14,500. While George Feick Jr., appears as a partner on the project, he was not involved in the house's design and left the partnership that year.
270:
The exterior features ornamentation created by George Elmslie, including bands of red and blue stenciled square motifs and sawn wood elements. These include playful symbols of Purcell's family life: for example, a sawn wood beam-end decoration above the side gate that includes the motto, âGray Days
242:
The Edna S. Purcell house, or the âLittle Joker,â as Elmslie nicknamed it, is known for its innovative arrangement of space. Occupying a deep, narrow lot, the plan of the house was organized on a single axis, open from one end to the other, evoking spaciousness within the relatively small interior.
221:
The house was built at 2328 Lake Place, near the residence that Purcell and Feick had built for William Purcell's mother, Catherine Gray, on Lake of the Isles Parkway in 1907. With financial assistance from William Purcell's father, Charles A. Purcell, the firm was able to realize the project. The
348:
Though Purcell's plans did not come to fruition in his lifetime, Anson Cutts Jr.âs bequest of the house, along with funds for its restoration, led to a 3-year-long undertaking (lasting from 1987 to 1990) by the Minneapolis Institute of Arts with the firm of MacDonald & Mack Architects. It was
309:
feature graceful geometric patterns of clear glass, highlighted with subtle colors, which vary slightly from window to window. In the first floor living room space, these patterns echo in art glass doors of the bookcase, built into the prow. Above the mantel-less fireplace, a mural by illustrator
258:
The structure of the house is steel-reinforced, with a buff-colored stucco exterior, built on a concrete foundation. Its overall design and decoration emphasizes a clean, modern aesthetic while serving practical functions and staying in harmony with natural surroundings. Overhanging eaves, with a
308:
Throughout the house's interior, painted Elmslie-designed stencils repeat along the upper border of walls, with designs differing from room to room. Curtains were originally painted to match the roomsâ respective stencils, or were embroidered with other designs. Windows throughout the house also
328:
Several technological innovations were incorporated into the house's design, including a state-of-the-art heating and cooling system, as well as a central vacuum system. The Purcell home had a telephone nook, an electric call system for the maid, and a spring-loaded pocket door to the kitchen,
838:âWhere Other People Live: Describing briefly the Attractive home of a Minneapolis architect, William Gray Purcell, President of the Minnesota chapter of A.I.A., who designed his own home to express a real and useful idea in planning for the convenience and beauty of home life.â
341:. The Cutts family had avoided changing the house substantially, except for adding a garage in the 1920s and later filling the reflecting pool in the front garden. The kitchen and bathroom remained nearly untouched, and are rare original service areas in a home of this age.
345:
building. He imagined reproducing the Purcell and Elmslie dining suite designed for Mrs. William H. Hanna of Chicago. The suite is now in the collection of the Minneapolis Institute of Art, renting the space to young couples at low rates, and allowing regular public entry.
1247:
376:
The many modern features of the home, including its open plan, flexible room spaces, built-in furniture, and technologically advanced amenities pointed toward the future of home design. Contrasting it with the expensive houses built concurrently by
1342:
1278:
1262:
1252:
381:, the Purcell home's modern considerations accommodated for fewer servants and limited daily issues of maintenance, while giving flexibility for use and daily living, providing for the lifestyle of a young early 20th-century family.
1403:
1337:
1283:
736:
It was published in with an extensive photo spread in Volume 21, Number 1, January 1915 of the Western Architect, now republished in Brooks, ed. Prairie School Architecture: Studies from âThe Western Architect,â
924:
1304:
1206:
1237:
1171:
1136:
1211:
1116:
1076:
901:
1176:
1166:
1161:
1141:
1433:
1257:
1091:
1006:
1126:
1121:
996:
1216:
1181:
1086:
1061:
1201:
1151:
1131:
1106:
1096:
1081:
1071:
1056:
1036:
1011:
1001:
991:
1221:
1196:
1101:
1041:
1021:
1016:
986:
976:
1156:
1111:
1051:
1026:
981:
801:
Gebhard, David. âWilliam Gray Purcell and George Grant Elmslie: Early Progressive Movement in American Architecture from 1900 to 1920, v. 1â2.â Diss. Minneapolis State U, 1957. Print.
313:
depicts Louisiana herons flying before a lake scene. A wood decoration of semicircular design, decorated with art glass and sawed wood decoration, partially frames the painted scene.
1288:
1186:
1066:
1031:
1242:
1191:
1146:
1046:
954:
939:
894:
1423:
970:
1372:
887:
1413:
1362:
529:
Historian H. Allen Brooks would claim that the Edna S. Purcell residence featured the âmost brilliant spatial planning achieved by the firmâ (Brooks, 212).
88:
676:
481:
The firm had also collaborated on the Catherine Gray house with George Elmslie, before he moved to Minneapolis as a partner in 1910 (Olivarez, 26 â 27).
1428:
680:
934:
1408:
373:, would declare the house to be one of the most complete works of architecture by the firm of Purcell and Elmslie, if not the most complete.
337:
William Purcell resumed correspondence with the Cutts family around 1953, when he and George Elmslie were honored with an exhibition at the
910:
402:
194:
48:
1325:
1393:
827:
Progressive Design in the Midwest: The PurcellâCutts House and the Prairie School Collection at the Minneapolis Institute of Arts.
666:
Purcell to Edna Cutts, June 2, 1961, Correspondence file, Job Number 197, William Gray Purcell Papers (cit. Olivarez, et al., 65).
209:
The âEdna Purcell dwelling,â as it was referred to in its original project files, was built in 1913. William Purcell and partner
1418:
811:
Kohls, Ann. âThe Art of Architecture: The PurcellâCutts House, now part of the museumâs collection, is respectfully restored.â
193:
architecture, featuring a long, narrow floor plan that disregards Victorian concepts about room divisions. It was added to the
1398:
292:
bedrooms. The maid's room is accessed off the stair landing, which is surrounded by wraparound wall of art glass windows.
226:
61:
198:
852:
141:
1330:
1309:
700:
Undated sketch with notes, correspondence file, JN 197, William Gray Purcell Papers (cit. Progressive Design 65).
863:
279:
310:
566:
944:
829:
Minneapolis, Minn. : Institute of Arts : Distributed by the University of Minnesota Press, 2000.
357:
The Edna S. Purcell House was known to architects of its time, published and pictured extensively in the
949:
929:
407:
210:
183:
131:
201:
and has been extensively restored. The museum conducts tours on the second weekend of every month.
179:
378:
858:
Unified Vision: The Architecture and Design of the Prairie School (Minneapolis Institute of Art)
338:
869:
759:
Gebhard, 193â194; Brooks, 212 (see reference 11); Purcell, VII-4 (cit. Olivarez, et al., 33).
879:
262:
370:
76:
17:
300:
835:, Northwest Architectural Archives, University of Minnesota Libraries, Minneapolis, MN.
190:
154:
1387:
366:
832:
316:
1343:
University and college buildings listed on the National Register of Historic Places
246:
853:
The Minneapolis Institute of Art. Explore the Collection: The PurcellâCutts House
556:
For more information on this technique, see Conforti, et al., Minnesota 1900, 69.
424:
103:
90:
361:. It was also published with several photographs in the March 1917 issue of
266:
A stained glass window in the Purcell Cutts House with the words Peek-A-Boo.
857:
225:
In 1919, Anson Bailey Cutts Sr. (1866â1949), a chief rate clerk with the
283:
The open-pan with the living room at a lower level than the dining room.
547:
MacDonald and Mack Partnership, Historic Structures Report, v. 2, 178.
1338:
List of jails and prisons on the National Register of Historic Places
782:
The Prairie School: Frank Lloyd Wright and his Midwest Contemporaries
461:
The Prairie School: Frank Lloyd Wright and his Midwest Contemporaries
596:
594:
789:
Prairie School Architecture: Studies from âThe Western Architect.â
315:
299:
278:
261:
245:
397:
186:
and his family in 1913. It is located in Minneapolis, Minnesota.
66:
The east facade of the Edna S. Purcell (now PurcellâCutts) House.
796:
Minnesota 1900: Art and Life on the Upper Mississippi 1890â1915.
1404:
Houses on the National Register of Historic Places in Minnesota
883:
862:
For more details on interior ornament and furnishings, see the
450:
Gebhard, âWilliam Gray Purcell and George Grant Elmslie,â 191.
218:
activity and showcased the architectural firm's expertise.
644:
642:
567:"Unified Vision > PurcellâCutts Tour > Introduction"
718:
For more details on restoration, see Kronick and Kliment.
365:. Purcell himself, and later architectural scholars like
304:
The fireplace with the mural by Charles Livingston Bull.
516:
514:
818:
Kronick, Richard L. âThe Underachieving Cantilever.â
1434:
National Register of Historic Places in Minneapolis
1318:
1297:
1271:
1230:
963:
940:
History of the National Register of Historic Places
917:
804:Kliment, Stephen A., ed. âAt Home on the Prairie.â
160:
147:
137:
127:
119:
82:
71:
677:"Unified Vision > the Collection > Skylight"
971:List of U.S. National Historic Landmarks by state
798:Newark : University of Delaware Press, 1994.
197:in 1974. It is now part of the collection of the
1363:National Register of Historic Places portal
866:, provided by the Minneapolis Institute of Art.
791:New York: Van Nostrand Reinhold Company, 1983.
895:
784:. Toronto: University of Toronto Press, 1972.
419:
417:
8:
320:The writing nook located on the lower level.
902:
888:
880:
296:Decoration, furniture, innovative features
250:The back porch of the PurcellâCutts House.
60:
27:Historic house in Minnesota, United States
911:U.S. National Register of Historic Places
49:U.S. National Register of Historic Places
1424:Prairie School architecture in Minnesota
329:activated through buttons in the floor.
389:
398:"National Register Information System"
32:
727:Kohls, "The Art of Architecture," 12.
189:The dwelling is a notable example of
7:
403:National Register of Historic Places
195:National Register of Historic Places
1414:Historic house museums in Minnesota
1326:National Historic Preservation Act
806:Architectural Record: Preservation
600:Purcell, Parabiographies for 1913.
233:Architecture, design, and ornament
25:
825:Olivarez, Jennifer Komar, et al.
439:Progressive Design in the Midwest
1429:1913 establishments in Minnesota
1368:
1367:
1356:
833:William Gray Purcell papers, N3
1279:Federated States of Micronesia
925:Architectural style categories
425:"Minneapolis Institute of Art"
178:) was designed by the firm of
149:
1:
1409:Purcell and Elmslie buildings
872:, article from March, 1917,
199:Minneapolis Institute of Art
30:United States historic place
746:âWhere Other People Live,â
1450:
1331:Historic Preservation Fund
1310:American Legation, Morocco
794:Conforti, Michael, et al.
588:Olivarez, et al., 57â59.
508:Olivarez, et al., 63 â 66.
333:Alteration and restoration
238:Plan and exterior features
180:Purcell, Feick and Elmslie
18:William Gray Purcell House
1351:
1272:Lists by associated state
648:Olivarez, et al., 60â63.
609:Olivarez, et al., 45â46.
148:NRHP reference
104:44.9593361°N 93.3004806°W
59:
55:
46:
39:
35:
1394:Houses completed in 1913
1253:Northern Mariana Islands
864:online tour of the house
499:Olivarez, et al., 32â33.
138:Architectural style
870:Where Other People Live
311:Charles Livingston Bull
109:44.9593361; -93.3004806
1419:Museums in Minneapolis
1248:Minor Outlying Islands
1231:Lists by insular areas
945:Keeper of the Register
808:, March 1991: 144â151.
787:Brooks, H. Allen, ed.
709:Olivarez, et al., 66.
657:Olivarez, et al., 65.
636:Olivarez, et al., 59.
627:Olivarez, et al., 52.
618:Olivarez, et al., 49.
538:Olivarez, et al., 36.
520:Olivarez, et al., 35.
321:
305:
284:
267:
251:
227:Great Northern Railway
1399:Houses in Minneapolis
950:National Park Service
930:Contributing property
490:Olivarez, et al., 33.
472:Olivarez, et al., 32.
408:National Park Service
319:
303:
282:
265:
249:
172:Edna S. Purcell house
132:Purcell & Elmslie
41:Edna S. Purcell house
1305:District of Columbia
842:, March 1917: 21â23.
750:, March 1917: 21â23.
822:, June 1997: 40â45.
176:PurcellâCutts House
100: /
815:, August 1990, 12.
780:Brooks, H. Allen.
579:Brooks, 214 â 216.
437:Olivarez, et al.,
379:Frank Lloyd Wright
322:
306:
285:
268:
252:
174:(now known as the
1381:
1380:
935:Historic district
820:Old House Journal
410:. March 15, 2006.
359:Western Architect
339:Walker Art Center
168:
167:
75:2328 Lake Place,
16:(Redirected from
1441:
1371:
1370:
1361:
1360:
1359:
1284:Marshall Islands
904:
897:
890:
881:
769:
766:
760:
757:
751:
744:
738:
734:
728:
725:
719:
716:
710:
707:
701:
698:
692:
691:
689:
688:
679:. Archived from
673:
667:
664:
658:
655:
649:
646:
637:
634:
628:
625:
619:
616:
610:
607:
601:
598:
589:
586:
580:
577:
571:
570:
563:
557:
554:
548:
545:
539:
536:
530:
527:
521:
518:
509:
506:
500:
497:
491:
488:
482:
479:
473:
470:
464:
457:
451:
448:
442:
435:
429:
428:
421:
412:
411:
394:
164:October 29, 1974
151:
115:
114:
112:
111:
110:
105:
101:
98:
97:
96:
93:
64:
33:
21:
1449:
1448:
1444:
1443:
1442:
1440:
1439:
1438:
1384:
1383:
1382:
1377:
1357:
1355:
1347:
1314:
1293:
1267:
1226:
959:
913:
908:
849:
777:
772:
767:
763:
758:
754:
745:
741:
735:
731:
726:
722:
717:
713:
708:
704:
699:
695:
686:
684:
675:
674:
670:
665:
661:
656:
652:
647:
640:
635:
631:
626:
622:
617:
613:
608:
604:
599:
592:
587:
583:
578:
574:
565:
564:
560:
555:
551:
546:
542:
537:
533:
528:
524:
519:
512:
507:
503:
498:
494:
489:
485:
480:
476:
471:
467:
458:
454:
449:
445:
436:
432:
423:
422:
415:
396:
395:
391:
387:
371:H. Allen Brooks
355:
335:
298:
277:
240:
235:
207:
184:William Purcell
108:
106:
102:
99:
94:
91:
89:
87:
86:
77:Minneapolis, MN
67:
51:
42:
31:
28:
23:
22:
15:
12:
11:
5:
1447:
1445:
1437:
1436:
1431:
1426:
1421:
1416:
1411:
1406:
1401:
1396:
1386:
1385:
1379:
1378:
1376:
1375:
1365:
1352:
1349:
1348:
1346:
1345:
1340:
1335:
1334:
1333:
1322:
1320:
1316:
1315:
1313:
1312:
1307:
1301:
1299:
1295:
1294:
1292:
1291:
1286:
1281:
1275:
1273:
1269:
1268:
1266:
1265:
1263:Virgin Islands
1260:
1255:
1250:
1245:
1240:
1238:American Samoa
1234:
1232:
1228:
1227:
1225:
1224:
1219:
1214:
1209:
1204:
1199:
1194:
1189:
1184:
1179:
1174:
1172:South Carolina
1169:
1164:
1159:
1154:
1149:
1144:
1139:
1137:North Carolina
1134:
1129:
1124:
1119:
1114:
1109:
1104:
1099:
1094:
1089:
1084:
1079:
1074:
1069:
1064:
1059:
1054:
1049:
1044:
1039:
1034:
1029:
1024:
1019:
1014:
1009:
1004:
999:
994:
989:
984:
979:
974:
967:
965:
964:Lists by state
961:
960:
958:
957:
955:Property types
952:
947:
942:
937:
932:
927:
921:
919:
915:
914:
909:
907:
906:
899:
892:
884:
878:
877:
867:
860:
855:
848:
847:External links
845:
844:
843:
840:The Minnesotan
836:
830:
823:
816:
809:
802:
799:
792:
785:
776:
773:
771:
770:
761:
752:
748:The Minnesotan
739:
729:
720:
711:
702:
693:
668:
659:
650:
638:
629:
620:
611:
602:
590:
581:
572:
558:
549:
540:
531:
522:
510:
501:
492:
483:
474:
465:
452:
443:
430:
413:
388:
386:
383:
363:The Minnesotan
354:
351:
334:
331:
297:
294:
276:
273:
239:
236:
234:
231:
211:George Elmslie
206:
203:
191:Prairie School
182:for architect
166:
165:
162:
158:
157:
152:
145:
144:
142:Prairie School
139:
135:
134:
129:
125:
124:
121:
117:
116:
84:
80:
79:
73:
69:
68:
65:
57:
56:
53:
52:
47:
44:
43:
40:
37:
36:
29:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1446:
1435:
1432:
1430:
1427:
1425:
1422:
1420:
1417:
1415:
1412:
1410:
1407:
1405:
1402:
1400:
1397:
1395:
1392:
1391:
1389:
1374:
1366:
1364:
1354:
1353:
1350:
1344:
1341:
1339:
1336:
1332:
1329:
1328:
1327:
1324:
1323:
1321:
1317:
1311:
1308:
1306:
1303:
1302:
1300:
1296:
1290:
1287:
1285:
1282:
1280:
1277:
1276:
1274:
1270:
1264:
1261:
1259:
1256:
1254:
1251:
1249:
1246:
1244:
1241:
1239:
1236:
1235:
1233:
1229:
1223:
1220:
1218:
1215:
1213:
1212:West Virginia
1210:
1208:
1205:
1203:
1200:
1198:
1195:
1193:
1190:
1188:
1185:
1183:
1180:
1178:
1175:
1173:
1170:
1168:
1165:
1163:
1160:
1158:
1155:
1153:
1150:
1148:
1145:
1143:
1140:
1138:
1135:
1133:
1130:
1128:
1125:
1123:
1120:
1118:
1117:New Hampshire
1115:
1113:
1110:
1108:
1105:
1103:
1100:
1098:
1095:
1093:
1090:
1088:
1085:
1083:
1080:
1078:
1077:Massachusetts
1075:
1073:
1070:
1068:
1065:
1063:
1060:
1058:
1055:
1053:
1050:
1048:
1045:
1043:
1040:
1038:
1035:
1033:
1030:
1028:
1025:
1023:
1020:
1018:
1015:
1013:
1010:
1008:
1005:
1003:
1000:
998:
995:
993:
990:
988:
985:
983:
980:
978:
975:
972:
969:
968:
966:
962:
956:
953:
951:
948:
946:
943:
941:
938:
936:
933:
931:
928:
926:
923:
922:
920:
916:
912:
905:
900:
898:
893:
891:
886:
885:
882:
875:
871:
868:
865:
861:
859:
856:
854:
851:
850:
846:
841:
837:
834:
831:
828:
824:
821:
817:
814:
813:Arts Magazine
810:
807:
803:
800:
797:
793:
790:
786:
783:
779:
778:
774:
768:Gebhard, 194.
765:
762:
756:
753:
749:
743:
740:
733:
730:
724:
721:
715:
712:
706:
703:
697:
694:
683:on 2004-09-06
682:
678:
672:
669:
663:
660:
654:
651:
645:
643:
639:
633:
630:
624:
621:
615:
612:
606:
603:
597:
595:
591:
585:
582:
576:
573:
568:
562:
559:
553:
550:
544:
541:
535:
532:
526:
523:
517:
515:
511:
505:
502:
496:
493:
487:
484:
478:
475:
469:
466:
462:
456:
453:
447:
444:
440:
434:
431:
426:
420:
418:
414:
409:
405:
404:
399:
393:
390:
384:
382:
380:
374:
372:
368:
367:David Gebhard
364:
360:
352:
350:
346:
342:
340:
332:
330:
326:
318:
314:
312:
302:
295:
293:
289:
281:
274:
272:
264:
260:
256:
248:
244:
237:
232:
230:
228:
223:
219:
215:
212:
204:
202:
200:
196:
192:
187:
185:
181:
177:
173:
163:
161:Added to NRHP
159:
156:
153:
146:
143:
140:
136:
133:
130:
126:
122:
118:
113:
92:44°57â˛33.61âłN
85:
81:
78:
74:
70:
63:
58:
54:
50:
45:
38:
34:
19:
1177:South Dakota
1167:Rhode Island
1162:Pennsylvania
1142:North Dakota
873:
839:
826:
819:
812:
805:
795:
788:
781:
775:Bibliography
764:
755:
747:
742:
732:
723:
714:
705:
696:
685:. Retrieved
681:the original
671:
662:
653:
632:
623:
614:
605:
584:
575:
561:
552:
543:
534:
525:
504:
495:
486:
477:
468:
460:
455:
446:
438:
433:
401:
392:
375:
362:
358:
356:
353:Significance
347:
343:
336:
327:
323:
307:
290:
286:
269:
257:
253:
241:
224:
220:
216:
208:
188:
175:
171:
169:
95:93°18â˛1.73âłW
1298:Other areas
1258:Puerto Rico
1092:Mississippi
1007:Connecticut
107: /
83:Coordinates
1388:Categories
1207:Washington
1127:New Mexico
1122:New Jersey
997:California
874:Minnesotan
687:2013-08-15
385:References
1217:Wisconsin
1182:Tennessee
1087:Minnesota
1062:Louisiana
128:Architect
1373:Category
1202:Virginia
1152:Oklahoma
1132:New York
1107:Nebraska
1097:Missouri
1082:Michigan
1072:Maryland
1057:Kentucky
1037:Illinois
1012:Delaware
1002:Colorado
992:Arkansas
876:magazine
459:Brooks,
275:Interior
155:74001024
72:Location
1319:Related
1222:Wyoming
1197:Vermont
1102:Montana
1042:Indiana
1022:Georgia
1017:Florida
987:Arizona
977:Alabama
737:80â129.
205:History
1157:Oregon
1112:Nevada
1052:Kansas
1027:Hawaii
982:Alaska
918:Topics
463:, 219.
1289:Palau
1187:Texas
1067:Maine
1032:Idaho
441:, 35.
120:Built
1243:Guam
1192:Utah
1147:Ohio
1047:Iowa
369:and
170:The
123:1913
150:No.
1390::
641:^
593:^
513:^
416:^
406:.
400:.
973::
903:e
896:t
889:v
690:.
569:.
427:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
