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437:, which Washington may have heard read by its writer at an informal gathering of the Mosaic Club, where he was living at the time. The painter also worked at a studio on East Leigh Street. During his time in the Confederate capital Washington was described as "reticent" and "of nervous temperament", yet he still was part of the "best Richmond Society".
556:
Smith had hoped to make
Washington a full-time member of the Institute's faculty as chairman of the Division of Fine Arts, but the position was not forthcoming due to a lack of funds; the artist was not named to the post until June 1869. Full funding had still not been received a year later, and
231:; his place of birth has been proven by census records of the era. The boy was born with a congenital deformity of his left foot, and walked with a limp his whole life despite attempts to repair it; he also suffered greatly from numerous childhood ailments. John Washington secured a job with the
277:
was in his second year at the
Academy in DĂĽsseldorf when Washington arrived, and it has been speculated on the basis of style that the two may have worked together in some capacity, possibly going on trips along with Leutze, who traveled frequently. In any event, Washington's style is closer to
564:
Washington returned to
Lexington in October 1870 in the hopes that his position might be resolved, but he died suddenly on December 1 of that year. He was the first member of the Institute's faculty to die in office, and was greatly mourned across the campus. Washington was interred in the
488:, Washington managed to achieve a great deal. He was commissioned by the Institute's Superintendent, Francis H. Smith, to paint posthumous portraits of alumni and faculty who had died in battle during the Civil War. Among the subjects he so commemorated were:
549:. Washington was also active in promoting the Institute's cultural life; he founded an art gallery on campus, for which he secured funding from William Wilson Corcoran, and taught fine arts to those students who desired such instruction. Among his pupils was
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and descriptions from their colleagues to complete their likenesses. Many of
Washington's portraits are still on display in Preston Library on the VMI campus. Also in the Institute's collections are a number of
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in
Lexington; classes at the Institute were suspended as a mark of honor until after his burial, and a battalion of cadets escorted the coffin to the grave during the funeral.
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Most of
Washington's surviving paintings are held at the Virginia Military Institute, but a few have made their way into various museum collections, including those of the
380:; conflicting reports exist as to their size, quantity and location, though at least one sketch survives. Washington would remain in the District of Columbia until 1861.
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Johnson's than to that of his teacher, although the exact nature of their relationship remains unclear. While in
Germany Washington began his career as a
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Upon his return to the
District, Washington became deeply involved in the local artistic community; he entered work in the first exhibition of the
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239:, and his family moved to that town in 1834. The younger Washington began his own career at the Patent Office, working there for some years as a
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to appoint him a dispatch bearer in Europe to provide him with funds for the journey. The
Secretary agreed, and Washington began his duties at
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over it when one of
Washington's superiors, William Langdon, praised it; soon the Commissioner of the Patent Office took note, and brought
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and another lady. What became of the picture is unknown, although it was recorded as having been still in place as late as October 1856.
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for the duration of the war, however, and it was during this time that he created two of his most important paintings,
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during his time in Washington, working with the elder painter between 1851 and 1852. He also pursued further study in
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of mountain and battle scenes, some of which he would later translate into finished canvases. Ill health kept him in
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in colored crayon on the wall of a basement room in the building. The office messenger saw it and was preparing to
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Washington left Lexington for the District of Columbia, in search of portrait commissions. Soon he traveled to
223:, the child of John Perrin Washington and Hannah Fairfax Whiting, and was a descendant of Warner Washington, a
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Returning to the District in 1854, Washington remained there until 1861. He had some success as a painter of
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Washington's middle name is given differently in various sources. According to most, such as the
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to the gallery. The artist had not known any of these men personally, and thus had to rely on
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Washington served as a staff officer for brief stretches during the war, under the command of
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Romantic Spirits: Nineteenth Century Paintings of the South from the Johnson Collection
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upon landing there on May 16, 1853. He continued to Germany and began studies under
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433:. The former, depicting an incident in the war, was based on a popular poem by
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The Reverend Dr. Morgan Administering the Sacrament of Baptism in Grace Church
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and fortifications, drawings from which he would later produce paintings.
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were also popular, and some may still be found in various collections.
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732:"William D. Washington, Artist & VMI Faculty Member, 1869–1870"
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there from 1866 until 1869 and submitting a number of works to the
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464:. In July 1869, Washington was offered a teaching post at the
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368:, who would later appoint him a member of the Council of the
372:. His studio was located at 486 12th St., NW, above that of
480:
Posthumous portrait of J.E.B. Stuart painted by Washington
870:"History of the United States Patent Office, Chapter 24"
671:"William D. Washington, Artist. Obituary, December 1870"
528:
He also contributed a portrait of the then-still-living
910:
Artists in Virginia before 1900: an annotated checklist
847:"William D. Washington — Fine Art Dealers Association"
172:(October 7, 1833 – December 1, 1870) was an American
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893:Jackson Entering the City of Winchester, Virginia
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603:Jackson Entering the City of Winchester, Virginia
941:"A Guide to Portraits in VMI' s Preston Library"
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19:For other people named William Washington, see
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1574:People of Virginia in the American Civil War
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757:The Artists of Washington, D.C., 1796–1996
644:The Artists of Washington, D.C., 1796–1996
597:, is still hanging there today. Prints of
304:, where it met with less glowing reviews.
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440:At the end of the war Washington fled to
411:; while on duty he completed a number of
691:"Inspiration for "The Burial of Latané""
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633:; other sources, however, such as the
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322:Pennsylvania Academy of the Fine Arts
215:, Washington was in reality born in
180:. He is most famous for his painting
7:
1554:People from Loudoun County, Virginia
1569:Virginia Military Institute faculty
961:"Morris Museum of Art: Explore Art"
1564:American people of English descent
1544:19th-century American male artists
1328:John Thornton Augustine Washington
370:National Gallery and School of Art
211:Long thought to have been born in
14:
810:Estill Curtis Pennington (2012).
300:. The painting was also shown in
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914:. University Press of Virginia.
384:American Civil War and aftermath
331:Washington Crossing the Delaware
292:Commencement of the Huguenot War
1226:Lawrence Washington (1718–1752)
1189:Lawrence Washington (1659–1698)
1140:Lawrence Washington (1602–1652)
1061:"The Confederate Memorial Hall"
816:. Cane Ridge Publishing House.
259:, who urged Secretary of State
257:Robert Mercer Taliaferro Hunter
186:, which became a symbol of the
1594:Painters from Washington, D.C.
1539:19th-century American painters
639:William De Hartburn Washington
396:, and offered his services to
1:
1307:Lawrence Augustine Washington
1036:"Town Of Warrenton, Virginia"
906:Raleigh Lewis Wright (1983).
585:; in addition, a portrait of
188:Lost Cause of the Confederacy
1408:Washington family residences
1369:Benjamin Franklin Washington
1292:William Augustine Washington
649:William Dickerson Washington
631:William Dickinson Washington
583:Virginia Museum of Fine Arts
545:he completed after poems by
297:Daily National Intelligencer
170:William Dickinson Washington
30:William Dickinson Washington
589:, which he painted for the
472:Virginia Military Institute
466:Virginia Military Institute
243:. He studied painting with
196:Virginia Military Institute
190:in the years following the
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1241:Elizabeth Washington Lewis
754:Virgil E. McMahan (1995).
605:is currently owned by the
454:National Academy of Design
362:Washington Art Association
326:National Academy of Design
18:
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1359:Lawrence Berry Washington
1312:George William Washington
1302:George Steptoe Washington
1251:John Augustine Washington
1146:
760:. Artists of Washington.
484:During his short time in
392:, Washington traveled to
388:With the outbreak of the
347:Secretary of the Interior
269:Friedrich Wilhelm Schadow
233:United States Post Office
35:
1579:19th-century war artists
1343:Peter Grayson Washington
1333:George Corbin Washington
1231:Augustine Washington Jr.
641:. Virgil E. McMahan, in
66:Loudoun County, Virginia
366:William Wilson Corcoran
320:, and exhibited at the
213:Clarke County, Virginia
1584:Painters from Virginia
1549:American male painters
481:
1473:Mary Washington House
1374:William D. Washington
1338:Bushrod C. Washington
1271:Bailey Washington Jr.
1089:Encyclopedia Virginia
986:"Lady Clara de Clare"
647:, provides a name of
559:Hot Springs, Virginia
551:Richard Norris Brooke
547:Alfred, Lord Tennyson
493:George S. Patton, Sr.
479:
428:Entering the City of
52:William D. Washington
42:William D. Washington
1589:American war artists
1395:W. Selden Washington
1205:Augustine Washington
1085:The Burial of Latané
967:on November 25, 2010
635:Morris Museum of Art
599:The Burial of Latané
579:Morris Museum of Art
435:John Reuben Thompson
430:Winchester, Virginia
421:The Burial of Latané
284:Entrance to a Castle
282:with pieces such as
183:The Burial of Latané
150:The Burial of Latané
1508:Washington Old Hall
637:, give his name as
595:Warrenton, Virginia
125:; Academy of Arts,
103:Lexington, Virginia
1379:Eugenia Washington
1321:Seventh generation
1297:Bushrod Washington
1266:William Washington
1256:Charles Washington
567:Oak Grove Cemetery
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394:Richmond, Virginia
390:American Civil War
253:James Murray Mason
192:American Civil War
99:Oak Grove Cemetery
21:William Washington
1559:Washington family
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1493:Rising Sun Tavern
1352:Eighth generation
1246:Samuel Washington
1236:George Washington
1210:Bailey Washington
1198:Fourth generation
1166:Second generation
1159:Washington family
1126:Washington family
921:978-0-8139-0998-1
823:978-0-615-56265-0
767:978-0-9649101-0-2
518:Joseph W. Latimer
508:Stonewall Jackson
374:Charles Bird King
351:Robert McClelland
318:history paintings
229:George Washington
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1388:Tenth generation
1364:Lewis Washington
1285:Sixth generation
1261:Henry Washington
1219:Fifth generation
1182:Third generation
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1038:. Archived from
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1011:"The Last Touch"
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498:Waller T. Patton
237:Washington, D.C.
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503:Robert E. Rodes
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245:Emmanuel Leutze
219:in neighboring
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288:The Student
241:draughtsman
207:Early years
162:Romanticism
109:Nationality
1523:Categories
1498:River Farm
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1433:Cedar Lawn
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202:Biography
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1020:14 April
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581:and the
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