38:
1375:, where he was involved in the band. Thomson became proficient at playing jazz solos on French horn with the Poly High School band. His high school band director was Perry Alton Sandifer (1910–2009), a trombonist, saxophonist, and clarinetist who, outside of school, performed in dance orchestras – one led by him bearing his name. Thomson graduated from
1567:
1555:
1398:
Schwarz; a homemaker). He had two siblings: Jack C. Thomson (born 1912) and Aline
Thomson (born 1918). William Ennis Thomson married Elizabeth Anne Everett on September 11, 1948; together, they had four children: Carol Anne, Mark William, Laurie Elizabeth, and John Everett. His wife Elizabeth died on
1318:, who, in the 1940s, owned a nightclub in downtown San Diego where he kept a small band going. Thomson was not permitted to enter the club during performances (he was too young); but he listened to the band playing his arrangements over the radio. Arnheim paid Thomson $ 15 for each arrangement.
304:
where he rapidly built another major school of music; Bain, essentially pioneered a new post-war large-scale model for higher music education by creating and integrating two comprehensive music schools within full liberal arts universities (North Texas, during Bain's era, was a large teachers
1281:(bestowed upon two alumni from the College each year). According to the UNT Composition Department, the award for Dr. Thomson was particularly deserved because he is continuing a broad (interdisciplinary) and prolific career in music that spans beyond that of a composer.
1368:. Don's sister, Eileen, played piano. The local postman, Mr. Snow, played baritone horn. A member of the Crystal Springs Ramblers, Kenneth Pitts, played violin. Thomson read the baritone part from the Broadman Hymnal, transposing it for horn.
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300:, who, as dean of the School of Music, collaborated with Gene Hall to create the country's first jazz degree program in his final year and Gene Hall's first year (1947) before moving on to
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1338:, hoping to stave off his interest in the piano that his sister was studying ("boys didn't play piano"). And from that age, Thomson's mother began driving him to
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285:: Bachelor of Music (composition), 1948, and a Master of Music (composition) 1949. He also earned a PhD in Music Theory and Philosophy in 1952 from
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289:, Bloomington. While at North Texas, Thomson was a member of the inaugural Laboratory Dance Band (1946–47) – the forerunner of the
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1357:, about four blocks from the Thomson family. The Gillis family attended Poly Baptist church, where the Thomson family were members.
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1346:. When Thomson was eight, Don recommended that – since the highest paid member of any symphony in this country (after the
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20:
293:– during the launch year of the first college degree in jazz offered in the world. At North Texas, he crossed paths with:
1252:
497:, William B. Christ, Richard Peter Delone (1928–1984), Vernon Lee Kliewer, Lewis Eugene Rowell (1933–), William Ennis Thomson,
487:, William B. Christ, Richard Peter Delone (1928–1984), Vernon Lee Kliewer, Lewis Eugene Rowell (1933–), William Ennis Thomson,
240:
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311:, also a member of the first Lab Band at North Texas, who, later became a pioneering dean at a major music school, the
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1518:, Cambridge, England (1984) (Earlier editions published as Who's Who in Music and Musicians' International Directory)
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252:
1130:
Review of "The New
Handbook of Research on Music Teaching" and Learning by Richard Colwell & Carol Richardson
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1458:, USS Lexington (CV-16), pg 41, March 18, 1946, "WWII U.S. Navy Aircraft Carrier Muster Rolls, 1939–1949"
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Advanced
Placement in Music Test Committee (1975–79); served as music panel member and examiner for the
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String
Quartet (1949) (partial fulfillment of a thesis for a Master in Music in Composition at the
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foundation of music, insight for which is found in his 2006 article, "Pitch Frames as
Melodic
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Informal
Comments on the Development of Aural Perception in a Comprehensive Music Program
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Growing up, Thomson played French horn in Poly
Baptist Church "orchestra", directed by
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901:
Review of Mary Lou
Serafine's "Music as Cognition: the Development of Thought in Sound"
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259:(1976–80); taught and composed works for wind band, orchestra, chorus (accompanied and
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167:(May 24, 1927 – May 17, 2019) was an American music educator at the collegiate level,
19:
This article is about the music theorist & music school dean. For other uses, see
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662:, paper presented at the Music Teachers National Convention, Cincinnati (April, 1969)
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714:, paper presented at the MENC Pre-Conference Workshop Session, Chicago (March, 1970)
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Introduction to Music as
Structure – Composition. Elements and techniques of music
534:, paper given at the conference on Curriculum and Supervision in Music Education,
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1302:, California. Then he joined the Navy Band (as jazz trumpet soloist) aboard the
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265:); and various chamber music media. Thomson also served in the Armed Forces:
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Music as
Organic Evolution: Schoenberg's Mythic Springboard Into the Future
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to the marriage of William Tell Thomson (a builder) and Ruby F. Thomson (
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146:
1516:
International Who's Who in Music and Musicians' Directory, 10th edition
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951:
Review of Michael Friedman's "Ear-Training for Twentieth-Century Music"
345:, his second, in 1944), for 3 readers, chorus, piano (or band) (1956) †
341:
in 1943, posthumously published in 1944; and posthumously awarded the
220:(1961–69) (Professor of Music Theory; Chair Music Theory Department);
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William Ennis Thomson (aka Billy, while growing up) was born 1927 in
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924:
747:
The Core Commitment in Theory and Literature for Tomorrow's Musician
305:
college, but emerged in the late 1950s as a liberal arts university)
912:
The Anatomy of Flawed Success: Comprehensive Musicianship Revisited
846:
Schoenberg's Error (Studies in the Criticism and Theory of Music)
508:
941:"The Harmonic Root: A Fragile Marriage of Concept and Percept",
434:
377:, Contemporary Music Project for Creativity in Music Education)
1314:. While at Camp Elliott, Thomson did freelance arranging for
1055:, 38, 1–5 (under the pseudonym Ennis Williams) (November 1998)
618:, by William E. Thomson and Richard Peter Delone (1928–1984),
131:
1034:"Response to Michael Buchler's review of Tonality in Music",
454:, then a student in the drama wing of Fine Arts at Sul Ross.
179:, University of Southern California from 1980 to 1992. His
581:
Introduction to Music Reading: Concepts & Applications
1154:"From Sounds to Music: the Contextualizations of Pitch",
1077:
Response to Murray Dineen's Review of "Tonality in Music"
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was chairman); fellow and policy committee member of the
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from 1945 to 1946. He was a musician in a Navy Band at
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Music History and Music Theory Courses in the University
555:
208:(1975–80) (Chair of Music and Albert Ziegle Professor);
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970:
905:
Bulletin of the Council for Research in Music Education
515:
The Hawaii Music Curriculum Project: The Project Design
1440:"Ford Foundation Announces Fellowship Award Winners",
873:, translated by William Ennis Thomson, Everett Books,
1543:
1510:
American Society of Composers, Authors and Publishers
1467:
Star Telegram 2009 Obituary: "Perry Alton Sandifer",
1143:"On the tones of painting and the colors of music",
495:
Workbooks I and II, Materials and Structure of Music
1200:Metamusic Versus the Sound of Music: a Critique of
1192:, paper given at College Music Society Convention,
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Emergent Dissonance and the Resolution of a Paradox
507:, Wadsworth Publishing Co. (1966), Second Edition,
138:
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28:
485:Materials and Structure of Music, Vols. I & II
1623:University of North Texas College of Music alumni
727:"Styles analysis: or the perils of pigeonholes",
640:Teaching Musical Concepts in Ensemble Performance
1506:The ASCAP Biographical Dictionary, Third edition
1205:, foreword by David Butler, Professor Emeritus,
548:Television station, Bloomington (September 1964)
175:, former Music School Dean and professor at the
767:New Challenges for the Independent Music School
1186:at TAIX restaurant, Los Angeles (May 20, 2006)
812:"Functional Ambiguity in Musical Structures",
1326:In his younger days, Thomson learned to play
1263:1992 – Outstanding Academic Book, (for
919:, Vol. 1, No. 3, pp. 20–28 (Autumn 1990)
8:
1163:"Response to David Temperley's Commentary",
1096:Those Strange Bedfellows, Politics and Music
630:The Problem of Music Analysis and Universals
409:Desert Seasons, Spring, Summer, Fall, Winter
365:Desert Seasons, Spring, Summer, Fall, Winter
1110:Deductions Concerning Inductions of Tonalty
470:"A Clarification of the Tonality Concept",
1279:University of North Texas College of Music
706:Report from Ojinaga: the 1968 AIM Festival
446:† The principal reader for the premier at
329:University of North Texas College of Music
216:(Fynette Hill Kulas Professor) (1969–72);
212:(Director of Graduate Studies) (1972–75);
36:
25:
1236:1948 – 1st Place, Young Composers,
552:Music Analysis as a Search for Universals
183:interest in research centered around the
92:Mount Olivet Cemetery (Fort Worth, Texas)
1693:21st-century American conductors (music)
1688:20th-century American conductors (music)
1361:was very much involved in music at TCU.
1277:2009 – Alumni Appreciation Award,
1257:1975 – Outstanding Teacher Award,
1251:1971 – Outstanding Teacher Award,
821:"Review of Counterpoint in the Style of
761:National Association of Schools of Music
743:50th anniversary party (October 4, 1970)
1663:Case Western Reserve University faculty
1550:
1418:
753:, College Music Society, X (Fall, 1970)
683:General Music: A Comprehensive Approach
1522:Who's Who in American Music: Classical
1172:"Pitch Frames as Melodic Archetypes",
718:Music Rides a Wave of Reform in Hawaii
501:(1965), 2nd ed. (1973), 3rd ed. (1981)
491:(1965), 2nd ed. (1973), 3rd ed. (1981)
1405:, on May 17, 2019, and was buried at
1217:Serialist Claims Versus Sonic Reality
542:The World of Sound and How We Hear It
348:Concerto for Clarinet and Orchestra,
251:; served as a key participant in the
7:
1703:21st-century American male musicians
1698:20th-century American male musicians
1653:USC Thornton School of Music faculty
1648:State University of New York faculty
1425:"Music, Dance, News: Appointments",
1342:(TCU) on Saturdays for lessons with
1294:(S2c; Service No. 358 74 10) in the
204:Thomson has served the faculties of
150:Former School of Music Dean –
1145:Bulletin of Psychology and the Arts
313:University of Miami School of Music
1238:National Federation of Music Clubs
1149:American Psychological Association
772:"Education for the Professional",
218:Indiana University School of Music
14:
1673:Sul Ross State University faculty
1598:American male classical composers
281:. He earned two degrees from the
232:composer in residence (1960–61).
1618:21st-century classical composers
1613:20th-century classical composers
1608:American male conductors (music)
1565:
1553:
1492:, July 18, 2019 – via legacy.com
956:Journal of Music Theory Pedagogy
850:University of Pennsylvania Press
708:, Notes From Eastman (June 1970)
606:New Math, New Science, New Music
224:Scholar in Residence (1967–68);
1683:20th-century American composers
1678:21st-century American composers
1431:, p. Q 71, col. 3, June 8, 1980
1310:as it sailed from San Diego to
1253:Case Western Reserve University
636:Source Book III, 152–160 (1967)
569:'s Contribution to Music Theory
517:, (book) College of Education,
423:, for clarinet and piano (1967)
255:(1963–75); Board member of the
241:National Endowment for the Arts
214:Case Western Reserve University
1138:University of California Press
1120:University of California Press
1005:James ("Jimmy") Andrew Rushing
927:"Review of William Thomson's '
459:Publications and presentations
16:American conductor (1927–2019)
1:
1668:University of Hawaiʻi faculty
1658:University of Arizona faculty
1628:Jacobs School of Music alumni
1147:, 4, 24–27, published by the
1118:, Vol. 19, pp. 127–138,
788:"Review of 'Sonic Design' by
505:Introduction to Music Reading
1603:American classical composers
1273:American Library Association
1045:: A Reminiscence In Memoriam
741:Cleveland Institute of Music
616:Introduction to Ear Training
1540:, Wilmette, Illinois (1989)
1534:, 22nd edition, 1989–1990,
1353:The Gillis family lived in
1242:Sonata for Violin and Piano
1222:Empirical Musicology Review
1213:, Lewiston, New York (2010)
1174:Empirical Musicology Review
1166:Empirical Musicology Review
1140:, 20, No. 3, 341–350 (2003)
1073:, 38, 17–32 (November 1998)
978:American National Biography
405:, for women's chorus (1964)
198:Empirical Musicology Review
155:Professor Emeritus –
1719:
1633:Indiana University faculty
1340:Texas Christian University
1248:(1915–1995) of North Texas
884:in Music: a General Theory
774:Dictionary of Modern Music
595:'s "A History of Melody",
253:Contemporary Music Project
18:
1180:Music in Colonial America
869:Consonance and Dissonance
759:, paper presented at the
739:, paper presented at the
554:, paper presented at the
448:Sul Ross State University
417:, for mixed chorus (1965)
283:University of North Texas
226:Sul Ross State University
35:
1638:American music educators
1489:Fort Worth Star-Telegram
1470:Fort Worth Star-Telegram
1246:George Ellers Morey, PhD
995:Vincent Anthony Guaraldi
689:Innovative Series (1974)
532:The Total Theory Program
373:, for orchestra (1961) (
177:Thornton School of Music
1446:, p. E8, April 17, 1960
1377:Polytechnic High School
1373:Polytechnic High School
1038:, XIII (September 1997)
982:Oxford University Press
973:, 33/34, 191–211 (1993)
832:Journal of Music Theory
799:Journal of Music Theory
782:Encyclopædia Britannica
763:meeting (November 1971)
730:Journal of Music Theory
722:Music Educators Journal
644:Music Educators Journal
610:Music Educators Journal
574:Journal of Music Theory
1169:, I, 3, 182–184 (2006)
1160:, 21.3, 431–456 (2004)
835:, 31.2, 345–353 (1987)
733:, 14.2, 191–208 (1970)
695:, Prentice-Hall, 1978.
650:Advanced Music Reading
544:, TV presentation for
355:Clarinet Sonata (1958)
1643:Texas classical music
1532:Who's Who in the West
1407:Mount Olivet Cemetery
1259:University of Arizona
1240:for the composition,
1207:Ohio State University
1104:College Music Society
1082:Music Theory Spectrum
1071:College Music Society
1053:College Music Society
1029:College Music Society
1000:Milton "Mezz" Mezzrow
971:College Music Society
959:, VII, 129–146 (1993)
737:Paris in the Twenties
556:College Music Society
465:1950 PhD dissertation
433:), vocal quartet for
339:Stephen Vincent Benét
210:University of Arizona
165:William Ennis Thomson
30:William Ennis Thomson
1290:Thomson served as a
1190:Fractured Musicology
1124:Berkeley, California
1031:, 36, 114–137 (1996)
976:Biographies for the
907:, 8–28 (Winter 1990)
654:Wadsworth Publishing
620:Wadsworth Publishing
585:Wadsworth Publishing
519:University of Hawaii
291:One O'Clock Lab Band
277:Thomson was born in
273:Collegiate education
257:Buffalo Philharmonic
222:University of Hawaii
42:William E. Thomson,
1403:Ventura, California
1355:Polytechnic Heights
1244:– student of
818:, I, 3, 3–27 (1983)
693:Music For Listeners
624:Belmont, California
439:Ann Arbor, Michigan
337:(text completed by
324:Viola Sonata (1948)
81:Ventura, California
1265:Schoenberg's Error
1211:Edwin Mellen Press
1194:San Antonio, Texas
1184:Jamestowne Society
1176:, 1.2, 1–18 (2006)
947:, 10, No. 4 (1993)
779:"Sound: Musical",
757:Basic Musicianship
612:, 53, (March 1967)
546:Indiana University
536:Indiana University
472:Indiana University
427:Praise ye the Lord
421:Fantasia and Dance
411:, for mixed chorus
309:William F. Lee III
302:Indiana University
287:Indiana University
128:Indiana University
1537:Marquis Who's Who
1528:, New York (1983)
1512:, New York (1966)
1474:February 17, 2009
1456:Report of Changes
1443:Los Angeles Times
1428:Los Angeles Times
1371:Thomson attended
1231:Honors and awards
925:Graham H. Phipps'
785:, 15th Ed. (1974)
450:in the 1950s was
361:, for band (1961)
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59:Fort Worth, Texas
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1401:Thomson died in
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1286:Military service
1157:Music Perception
1134:Music Perception
1115:Music Perception
944:Music Perception
886:, Everett Books
815:Music Perception
776:, 197–200 (1974)
367:for mixed chorus
243:(1971–75, while
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1572:Classical music
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1500:Further reading
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1182:, talk for the
1043:Wilfred C. Bain
1015:George Wettling
827:Thomas Benjamin
724:, 56 (May 1970)
601:(December 1966)
593:Bence Szabolcsi
562:(December 1965)
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371:Transformations
321:
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249:Ford Foundation
235:He chaired the
230:Ford Foundation
228:(1951–60), and
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106:Alma mater
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1399:July 16, 2011.
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888:San Marino, CA
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875:San Marino, CA
864:Theodore Lipps
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1260:
1256:
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1234:
1230:
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1198:
1195:
1191:
1188:
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1175:
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1159:
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1128:
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1111:
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1097:
1094:
1093:
1092:
1091:
1084:
1083:
1078:
1075:
1072:
1068:
1064:
1063:and the Modes
1062:
1057:
1054:
1050:
1046:
1044:
1040:
1037:
1033:
1030:
1027:
1023:
1020:
1019:
1016:
1013:
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1010:Elmer Snowden
1008:
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1003:
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983:
979:
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949:
946:
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938:
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932:
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926:
921:
918:
917:The Quarterly
914:
913:
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902:
899:
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897:
896:
889:
885:
883:
879:
876:
872:
870:
865:
862:
860:(August 1991)
859:
858:0-8122-3088-4
855:
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847:
844:
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841:
834:
833:
828:
824:
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811:
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795:
791:
787:
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694:
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621:
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587:(1966) (1981)
586:
582:
579:
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547:
543:
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537:
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529:
528:
527:
520:
516:
513:
510:
509:Everett Books
506:
503:
500:
499:Prentice-Hall
496:
493:
490:
489:Prentice-Hall
486:
483:
482:
481:
480:
473:
469:
468:
467:
466:
458:
453:
449:
445:
444:
440:
436:
432:
428:
425:
422:
419:
416:
415:The Two Marys
413:
410:
407:
404:
401:
400:
396:
393:
390:
387:
384:
381:
380:
376:
372:
369:
366:
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354:
352:(Oct 7, 1955)
351:
350:Alpine, Texas
347:
344:
340:
336:
333:
330:
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323:
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207:
202:
201:, 1.2, 1–18.
200:
199:
194:
190:
186:
182:
178:
174:
170:
166:
158:
153:
148:
144:
141:
139:Occupation(s)
137:
133:
129:
124:
120:
115:
111:
108:
104:
100:
96:
93:
90:
88:Resting place
86:
82:
68:
64:
60:
54:
50:
45:
39:
34:
27:
22:
1535:
1531:
1526:R. R. Bowker
1521:
1515:
1505:
1487:
1479:
1468:
1463:
1455:
1451:
1441:
1436:
1426:
1421:
1393:
1386:
1370:
1363:
1352:
1325:
1312:Pearl Harbor
1305:
1300:Camp Elliott
1289:
1264:
1241:
1225:, V-2 (2010)
1220:
1216:
1199:
1189:
1179:
1173:
1164:
1155:
1144:
1133:
1129:
1113:
1109:
1099:
1095:
1089:
1088:
1080:
1076:
1066:
1058:
1048:
1041:
1035:
1025:
1021:
990:Paul Desmond
966:
962:
954:
950:
942:
934:
929:Schoenberg's
923:Response to
922:
916:
911:
900:
894:
893:
880:
867:
845:
839:
838:
830:
813:
806:
805:
797:
790:Robert Cogan
780:
773:
766:
756:
750:
746:
736:
728:
721:
717:
711:
705:
699:
698:
692:
682:
672:
666:
665:
659:
649:
643:
639:
629:
615:
609:
605:
600:
590:
580:
577:(April 1965)
572:
565:
558:Conference,
551:
541:
531:
525:
524:
514:
504:
494:
484:
478:
477:
464:
463:
426:
420:
414:
408:
403:Velvet Shoes
402:
370:
364:
359:Permutations
358:
335:Western Star
334:
319:Compositions
298:Wilfred Bain
276:
260:
234:
206:SUNY Buffalo
203:
196:
164:
163:
69:May 17, 2019
55:May 24, 1927
1593:2019 deaths
1588:1927 births
1328:french horn
1316:Gus Arnheim
1106:(Fall 2001)
1085:23.2 (1999)
840:1990s books
794:Pozzi Escot
667:1970s books
538:(July 1964)
479:1960s books
452:Dan Blocker
429:(Text from
269:(1945–46).
245:Nancy Hanks
181:overarching
119:North Texas
110:North Texas
98:Nationality
44:Bloomington
1582:Categories
1413:References
1390:Fort Worth
1366:Don Gillis
1359:Don Gillis
1344:Don Gillis
1322:Growing up
1026:Symposium,
646:(May 1968)
591:Review of
394:Misterioso
279:Fort Worth
262:a cappella
193:Archetypes
189:perceptual
73:2019-05-18
1560:Biography
1379:in 1943.
1306:Lexington
1304:USS
1296:U.S. Navy
1202:Serialism
1100:Symposium
1067:Symposium
1049:Symposium
967:Symposium
823:J.S. Bach
751:Symposium
567:Hindemith
560:Ann Arbor
431:Psalm 117
267:U.S. Navy
185:cognitive
1484:Obituary
882:Tonality
871:in Music
656:, (1969)
388:Nocturne
173:composer
147:Composer
130:–
121:–
112:–
101:American
1546:Portals
1332:trumpet
931:Error'"
397:Scherzo
71: (
1383:Family
1336:cornet
1292:Seaman
1269:Choice
1196:(2006)
1151:(2003)
1126:(2001)
984:(1994)
890:(1999)
877:(1995)
856:
802:(1979)
679:(1971)
626:(1967)
521:(1969)
511:(1990)
474:(1952)
441:(1968)
134:(1952)
125:(1949)
116:(1948)
46:(2008)
1061:Miles
936:Notes
598:Notes
391:March
385:Dance
382:Theme
1330:and
854:ISBN
792:and
634:MENC
435:SATB
375:MENC
187:and
66:Died
52:Born
1395:née
1267:),
1059:On
829:",
796:",
237:ETS
195:",
157:USC
152:USC
132:PhD
1584::
1524:,
1508:,
1486:,
1409:.
1271:,
1219:,
1209:,
1136:,
1132:,
1122:,
1112:,
1102:,
1098:,
1079:,
1069:,
1065:,
1051:,
1047:,
1024:,
980:,
969:,
965:,
953:,
933:,
915:,
903:,
866:,
852:,
848:,
825:,
749:,
720:,
685:,
675:,
652:,
642:,
632:,
622:,
608:,
583:,
571:,
437:,
171:,
123:MM
114:BM
1548::
1472:,
331:)
75:)
23:.
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