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William Sweeney (composer)

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66: 136: 25: 95: 794: 789: 774: 666: 38: 734: 744: 739: 303: 779: 784: 164: 144: 754: 729: 218: 372:, and in their contour; he modifies instruments' tone-colours through alternative fingerings. He has a strong regard for the music of 190: 749: 255: 237: 117: 52: 197: 759: 44: 204: 291: 395:
His Sonata for cello and piano (2010) won the 2011 British Composer Award in the "Instrumental Solo or Duo" category.
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techniques and sometimes combining the two idioms. He has been influenced by
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Reid-Baxter, James. 'William Sweeney and the Voice of the People'.
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from the article and its talk page, especially if potentially
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Concerto Grosso, for 9 clarinets, strings and timpani, 1990
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His work is strongly influenced by traditional Scottish
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poetry, and Indian and Arab traditions in his use of
87:but its sources remain unclear because it lacks 310:from 1970 to 1973, where his teachers included 693:Morris, Francis J. 'Sweeney, William (John)', 8: 667:Winners of the 2011 British Composer Awards 392:and other techniques of varied repetition. 53:Learn how and when to remove these messages 532:Sonata for viola, marimba and claves, 1985 167:about living persons that is unsourced or 322:instruments, and then composition at the 304:Royal Scottish Academy of Music and Drama 256:Learn how and when to remove this message 238:Learn how and when to remove this message 118:Learn how and when to remove this message 529:Trio for clarinet, viola and piano, 1982 659: 715:Scottish music centre: William Sweeney 489:The Lost Mountain (A-bheinn Air Chall) 326:. An early influence was the European 412:, opera in 3 acts, 1997; libretto by 345:; in particular, he has utilised the 7: 795:21st-century Scottish male musicians 790:20th-century Scottish male musicians 775:Alumni of the Royal Academy of Music 697:, ed. L. Macy (Accessed 2007-06-07), 516:, for saxophone and orchestra, 1989 14: 735:Scottish male classical composers 682:Mackay, Neil. 'William Sweeney's 647:All That Came in That One Coracle 598:Tantallon! These Lands, This Wall 548:The Ballad of the Cat and the Ram 34:This article has multiple issues. 745:21st-century classical composers 740:20th-century classical composers 629:A Drunk Man Looks at the Thistle 544:Sonata for cello and piano, 2010 134: 64: 23: 780:20th-century Scottish musicians 541:String Quartet No. 3, 2004–2007 510:, for cello and orchestra, 1981 187:"William Sweeney" composer 42:or discuss these issues on the 785:20th-century British composers 338:composition in the mid-1970s. 306:from 1967 to 1970, and at the 1: 755:British male opera composers 730:Scottish classical composers 617:The Heights of Macchu Picchu 473:, for string orchestra, 1991 292:Knightswood Secondary School 145:biography of a living person 637:(The Woods of Raasay), 1993 271:(born 5 January 1950) is a 172:must be removed immediately 811: 750:Scottish opera composers 456:Air, Strathspey and Reel 334:, though he returned to 73:This article includes a 635:An Coilltean Ratharsair 102:more precise citations. 760:Musicians from Glasgow 611:3 Poems from Sangschaw 550:, for violin and piano 318:. He went on to teach 308:Royal Academy of Music 159:Please help by adding 491:, for wind band, 1996 471:A Set for the Kingdom 332:Karlheinz Stockhausen 324:University of Glasgow 526:String Quartet, 1981 368:, as in traditional 269:William John Sweeney 165:Contentious material 641:Seeking Wise Salmon 316:Harrison Birtwistle 695:Grove Music Online 477:October Landscapes 414:Aonghas MacNeacail 356:-singing, and the 75:list of references 585:Airc an dualchais 561:Salm an Fhearainn 294:. He studied the 266: 265: 258: 248: 247: 240: 222: 148:needs additional 128: 127: 120: 57: 16:Scottish composer 802: 670: 664: 483:Birth/Procession 465:St. Blane's Hill 360:form; he varies 261: 254: 243: 236: 232: 229: 223: 221: 180: 161:reliable sources 138: 137: 130: 123: 116: 112: 109: 103: 98:this article by 89:inline citations 68: 67: 60: 49: 27: 26: 19: 810: 809: 805: 804: 803: 801: 800: 799: 720: 719: 711: 679: 674: 673: 665: 661: 656: 607: 594: 557: 523: 504: 422: 406: 401: 382:improvisational 330:, particularly 284: 262: 251: 250: 249: 244: 233: 227: 224: 181: 179: 158: 139: 135: 124: 113: 107: 104: 93: 79:related reading 69: 65: 28: 24: 17: 12: 11: 5: 808: 806: 798: 797: 792: 787: 782: 777: 772: 767: 762: 757: 752: 747: 742: 737: 732: 722: 721: 718: 717: 710: 709:External links 707: 706: 705: 698: 691: 678: 675: 672: 671: 658: 657: 655: 652: 651: 650: 644: 638: 632: 626: 620: 614: 606: 603: 602: 601: 593: 590: 589: 588: 582: 576: 570: 564: 556: 553: 552: 551: 545: 542: 539: 536:Sweeney Astray 533: 530: 527: 522: 519: 518: 517: 511: 503: 500: 499: 498: 495:Sweeney Astray 492: 486: 480: 474: 468: 462: 459: 453: 447: 441: 435: 429: 421: 418: 417: 416: 405: 402: 400: 399:Selected works 397: 290:, he attended 283: 280: 264: 263: 246: 245: 169:poorly sourced 142: 140: 133: 126: 125: 83:external links 72: 70: 63: 58: 32: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 807: 796: 793: 791: 788: 786: 783: 781: 778: 776: 773: 771: 770:Living people 768: 766: 763: 761: 758: 756: 753: 751: 748: 746: 743: 741: 738: 736: 733: 731: 728: 727: 725: 716: 713: 712: 708: 703: 699: 696: 692: 689: 685: 684:an seachnadh' 681: 680: 676: 668: 663: 660: 653: 648: 645: 642: 639: 636: 633: 630: 627: 624: 621: 618: 615: 612: 609: 608: 604: 599: 596: 595: 591: 586: 583: 580: 577: 574: 571: 568: 565: 562: 559: 558: 554: 549: 546: 543: 540: 537: 534: 531: 528: 525: 524: 521:Chamber music 520: 515: 512: 509: 506: 505: 501: 496: 493: 490: 487: 484: 481: 478: 475: 472: 469: 466: 463: 460: 457: 454: 451: 448: 445: 442: 439: 436: 433: 430: 427: 424: 423: 419: 415: 411: 408: 407: 403: 398: 396: 393: 391: 387: 386:ancient Greek 383: 379: 375: 371: 367: 366:ornamentation 363: 359: 355: 352: 348: 344: 339: 337: 333: 329: 325: 321: 317: 313: 309: 305: 301: 297: 293: 289: 281: 279: 277: 274: 270: 260: 257: 242: 239: 231: 220: 217: 213: 210: 206: 203: 199: 196: 192: 189: â€“  188: 184: 183:Find sources: 177: 173: 170: 166: 162: 156: 155: 151: 146: 141: 132: 131: 122: 119: 111: 101: 97: 91: 90: 84: 80: 76: 71: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 701: 687: 683: 662: 646: 640: 634: 628: 622: 616: 610: 597: 584: 578: 572: 567:An Seachnadh 566: 560: 547: 535: 514:An rathad Ăąr 513: 507: 494: 488: 482: 476: 470: 464: 455: 449: 443: 437: 431: 425: 409: 394: 374:Leoš Janáček 358:piobaireachd 347:heterophonic 340: 285: 268: 267: 252: 234: 225: 215: 208: 201: 194: 182: 171: 154:verification 147: 114: 105: 94:Please help 86: 50: 43: 37: 36:Please help 33: 765:1950 births 573:I Will Wait 502:Concertante 450:Seann Orain 438:Sunset Song 328:avant-garde 312:Alan Hacker 300:composition 100:introducing 724:Categories 654:References 592:Multimedia 579:Two Lyrics 420:Orchestral 343:folk music 198:newspapers 39:improve it 623:El Pueblo 508:Ceol-Beag 349:style of 282:Biography 228:July 2020 150:citations 108:July 2020 45:talk page 410:An Turus 390:ostinato 380:, using 364:through 362:melodies 320:woodwind 296:clarinet 286:Born in 276:composer 273:Scottish 176:libelous 677:Sources 432:Glasgow 370:pibroch 302:at the 288:Glasgow 212:scholar 96:improve 649:, 1999 643:, 1994 631:, 1992 625:, 1989 619:, 1988 613:, 1977 600:, 2012 587:, 1998 581:, 1992 575:, 1990 569:, 1988 563:, 1987 555:Choral 497:, 1996 485:, 1993 479:, 1993 467:, 1991 458:, 1990 452:, 1989 446:, 1987 440:, 1986 434:, 1985 428:, 1984 351:Gaelic 214:  207:  200:  193:  185:  702:Tempo 688:Tempo 605:Songs 444:Cumha 426:Maqam 404:Opera 354:psalm 336:tonal 219:JSTOR 205:books 143:This 81:, or 378:jazz 314:and 298:and 191:news 152:for 726:: 686:. 278:. 163:. 85:, 77:, 48:. 259:) 253:( 241:) 235:( 230:) 226:( 216:· 209:· 202:· 195:· 178:. 157:. 121:) 115:( 110:) 106:( 92:. 55:) 51:(

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Scottish
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Glasgow
Knightswood Secondary School
clarinet

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