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William Terriss

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360: 527: 595: 133: 539: 575:, and he and Terriss were seen to argue the next night in Terriss's dressing room in the Adelphi Theatre. On the day of the murder Prince asked for money at the Fund's office, but was told that his request could not be considered that day. He then apparently crossed the street and waited for Terriss, concealed in a doorway near the Adelphi's stage door. 568:, in which Prince had a minor role, Terriss took offence to something that Prince said about him and had Prince dismissed. Terriss, however, sent small sums of money to Prince via the Actors' Benevolent Fund, and continued to try to find him acting work. By the end of 1897, Prince was destitute and desperate for work, but he had become unemployable. 22: 222:
and other unsuccessful ventures, he returned to England, working briefly in a hospital where his brother was a surgeon, and then as an apprentice engineer. Having enjoyed amateur theatricals, he decided to try the stage, adopting the stage-name William Terriss. His first appearance on stage was at
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Over the next few years he established his acting career. His handsome presence, fine voice, friendly demeanour and gallant bearing made him one of Britain's most popular actors. Because of his swashbuckling style, he became famous in hero parts and was known as "Breezy Bill". In 1873, at the
465:), which ran for 513 performances. The pair established themselves as romantic leads together and presumably became lovers. In 1887 Terriss and Millward were engaged at the Adelphi in its melodramas, with Terriss in the hero parts, beginning with Frank Beresford in 469:(1887). He excited the audience at the Adelphi in both passionate love scenes and in fighting scenes. For the next half dozen years, he rejoined Irving at the Lyceum, where his most acclaimed roles included the title role in 564:. Terriss had helped the struggling younger actor to find work in various productions that he had a hand in. However, Prince had, over the years, increasingly abused alcohol and become mentally unstable. During the run of 273:, among other plays. His wanderlust again compelled him to take his young family to America, this time Kentucky, to breed horses. Again failing to find financial success, Terriss returned to London in 1873. 180:. Carr later wrote of Terriss's school days that "if he gained but little learning, he at any rate acquired a perfect mastery in the art of tree-climbing". Terriss then studied at Windermere College and 667:
reported that a ghost has been seen many times at the Covent Garden tube station, identified from a photograph as Terriss, though sightings have lessened over the years. A 2008 documentary,
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seafront in his memory. It still stands there with a memorial plaque. There is also a plaque on the wall by the stage door of the Adelphi Theatre recording his murder. The Terriss Theatre in
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and travelled with the Lyceum company on its 1883–1884 American tour. Terriss and Irving became close friends. Terriss also became close with his neighbour,
617:, built in 1899, was named after him. It became the Rotherhithe Hippodrome in 1907 but was demolished in 1955; the site is now the Rotherhithe Free Church. 1272: 59:
and tried several professions abroad and at home. Adopting the stage name William Terriss, he made his first stage appearance in 1868 and was first in the
1312: 643: 633: 253:, where he tried his hand at sheep-farming and other rustic jobs. In 1871 Terriss returned to London with his wife and baby. He had successes at the 1277: 1103: 1307: 184:, without taking a degree. He loved the adventurous, outdoor life. He married Isabel Lewis (stage name Amy Fellowes) in 1870 and had a daughter, 1234: 1322: 1287: 303:, among others. He continued to play in various London theatres in the mid-1870s such roles as Julian Peveril in a successful adaptation of 1282: 437: 359: 1213: 1198: 955: 579: 453:
In December 1885 Terriss met 24-year-old Jessie Millward, with whom he starred as David Kingsley in the extraordinarily successful
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In 1894 Terriss rejoined the Adelphi, earning even greater fame in melodrama. In 1895, he had a great critical success in
423: 442: 544: 675:, mentions a recent sighting of Terriss at Covent Garden Underground station, which was built after Terriss's death. 656: 121: 1170: 672: 254: 817: 578:
The murder became a sensation in the London press. At the trial Prince was found guilty but insane and sent to
514: 236: 189: 64: 41: 582:, where he died in 1937. His relatively mild sentence was met with anger by the theatrical community, and Sir 283: 518:
called Terriss "one of the greatest and next to Henry Irving undoubtedly the most popular actor in England".
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A portrait of Terriss hangs in the stairwell of Denville Hall, the home for retired Actors and Actresses in
428: 396: 379: 329: 86: 1100: 777:, A & C Black, 1920–2008, online edn, Oxford University Press, December 2007, accessed 8 January 2012 561: 406: 181: 113: 287:, which was a long-running success. He then returned to Drury Lane, playing in such roles as Romeo in 1267: 1262: 278: 161: 433: 305: 165: 526: 664: 572: 770: 594: 1164: 426:, for example, as Romeo to her Juliet, in a long run. He was Don Pedro in the long 1882 run of 203:, who became an actor and later a well known film director. His aunt and uncle were the writer 1209: 1194: 951: 945: 621: 606: 599: 586:
was later quoted as saying that "Terriss was an actor, so his murderer will not be executed."
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from the late 1880s, among other roles. In 1897, he was stabbed to death by a deranged actor,
929: 481:(1893). In 1889–90, and again in 1893–94, Terriss and Millward toured in the US with Irving. 1219: 740: 493: 289: 270: 250: 232: 185: 177: 81:
and quickly established himself as one of Britain's most popular actors. In 1880, he joined
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through the stage door in Maiden Lane to prepare for the evening's performance of
1148: 1088: 638: 614: 560:, 50-year-old Terriss was stabbed to death by a deranged and disgruntled actor, 334: 324: 200: 49: 791:
Some eminent Victorians: personal recollections in the world of art and letters
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William Terriss and Richard Prince: Two Characters in an Adelphi Melodrama
36:, was an English actor, known for his swashbuckling hero roles, such as 384: 571:
On 13 December 1897 Prince was forcibly ejected from the foyer of the
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Terriss was the third and youngest son of George Herbert Lewin, a
131: 20: 1224:(Westminster: Archibald Constable, 1898). OCLC Number: 253652912 120:, where he was appearing. Terriss's ghost is supposed to haunt 1247: 440:
to much acclaim, including the title characters in Romeo and
382:, playing such parts as Cassio in Irving's hit production of 1193:(London: Harrap Ltd., A Futura Book, 1986), pp. 1–71. 235:
role was the small part of Lord Cloudrays in a revival of
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to enthusiastic notices. In 1895 he acted there opposite
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Article referring to the Adelphi melodramas and Terriss
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in 1871. In the same year he had major successes in
1248:great great granddaughter with Theatrical archive 771:"Terriss, William (William Charles James Lewin)" 609:, London. A lifeboat house was built in 1898 on 345:, in the late 1870s, he was Captain Absolute in 55:Athletic as a child, Terriss briefly joined the 32:(20 February 1847 – 16 December 1897), born as 1208:(1987; London: Society for Theatre Research) 944:De Young, Jim, John Miller and Nathan Silver. 631:A fictionalised version of Terriss's murder, 319:. In 1878 he had a hit as Squire Thornhill in 309:and the title role in the stage adaptation of 1091:, Brompton Cemetery, accessed 11 January 2012 8: 739:(online ed.). Oxford University Press. 552:On 16 December 1897, as he was entering the 450:that followed, he again earned high praise. 590:Memorials and references in popular culture 1030: 1028: 655:Legend has it that Terriss's ghost haunts 1134:The Further Adventures of Sherlock Holmes 644:The Further Adventures of Sherlock Holmes 293:, and was popular as Captain Molyneux in 281:, he appeared as Doricourt in the comedy 1173:, at 43:45 of the video, 5 November 2008 1121:, Geograph.org, accessed 20 January 2017 940: 938: 811: 809: 807: 805: 803: 801: 799: 593: 436:. Terriss performed many roles opposite 192:, often appearing with her husband, the 736:Oxford Dictionary of National Biography 683: 1298:People educated at Bruce Castle School 1051: 1049: 925: 923: 733:Foulkes, Richard. "Terriss, William". 728: 726: 724: 722: 720: 718: 716: 446:. In the highly successful revival of 766: 764: 762: 714: 712: 710: 708: 706: 704: 702: 700: 698: 696: 188:, who became a well known actress in 7: 996:"Obituary, Mr. Robert Courtneidge", 793:(Duckworth & Co., 1908), pp. 3-4 199:. He also had two sons, William and 341:. Among other roles, especially in 1273:1897 murders in the United Kingdom 1221:The Life of William Terriss, Actor 89:, appearing in Shakespeare plays. 14: 1101:City of Westminster green plaques 932:, Actors' Benevolent Fund website 659:and the Adelphi Theatre. A 2005 580:Broadmoor Criminal Lunatic Asylum 1313:19th-century English male actors 542:Terriss's murder as depicted in 1278:Alumni of Jesus College, Oxford 223:the Prince of Wales Theatre in 136:Terriss as Squire Thornhill in 1308:People murdered in Westminster 624:, England. The home is run by 1: 663:documentary on ghosts on the 1323:Deaths by stabbing in London 1288:Burials at Brompton Cemetery 753:UK public library membership 626:The Actors' Charitable Trust 92:In 1885, he met 24-year-old 930:"Murder of William Terriss" 637:, was broadcast in 2002 on 545:The Illustrated Police News 172:, where he was a friend of 154:William Charles James Lewin 152:Friend. His birth name was 116:, at the stage door of the 34:William Charles James Lewin 1344: 1089:List of cemetery residents 815:"The Terriss Tragedy", in 657:Covent Garden tube station 475:(1892) and as Henry II in 218:, and as a tea-planter in 214:After brief stints in the 160:, London, and educated at 122:Covent Garden tube station 96:, with whom he starred in 1283:English male stage actors 1166:Ghosts on the Underground 1119:"Rotherhithe Free Church" 669:Ghosts on the Underground 255:Theatre Royal, Drury Lane 247:Prince of Wales's Theatre 124:and the Adelphi Theatre. 16:English actor (1847–1897) 1235:Information about Archer 1058:, 17 December 1897, p. 3 818:New York Dramatic Mirror 515:New York Dramatic Mirror 190:Edwardian musical comedy 42:Edwardian musical comedy 25:William Terriss, c. 1880 1328:1890s murders in London 1303:Male actors from London 840:London Evening Standard 634:The Star of the Adelphi 496:. This was followed by 1293:English murder victims 1070:, 9 January 1898, p.16 1011:Smythe, pp. 98 and 112 908:, 26 April 1884, p. 21 745:10.1093/ref:odnb/27144 602: 549: 535: 467:The Bells of Haslemere 429:Much Ado About Nothing 397:The Merchant of Venice 371: 330:The Vicar of Wakefield 227:in 1868 as Chouser in 141: 48:and the film director 26: 1002:, 8 April 1939, p. 14 917:Smythe, pp. 74 and 79 605:Terriss is buried in 597: 562:Richard Archer Prince 541: 529: 443:Pygmalion and Galatea 402:The Belle's Stratagem 362: 284:The Belle's Stratagem 182:Jesus College, Oxford 135: 128:Life and early career 114:Richard Archer Prince 24: 1106:16 July 2012 at the 947:London Theatre Walks 486:Swordsman's Daughter 245:in 1870, at the old 148:, and his wife Mary 1185:Goodman, Jonathan. 1171:The History Channel 1130:Prepolec, Charles. 673:The History Channel 598:Terriss's grave in 434:George Bernard Shaw 323:, an adaptation by 306:Peveril of the Peak 166:Bruce Castle School 1218:Smythe, Arthur J. 1155:, 25 October 2005] 1149:"City of the Dead" 1068:The New York Times 1056:The New York Times 906:The New York Times 842:, 22 December 1887 821:, 21 December 1897 665:London Underground 603: 573:Vaudeville Theatre 566:The Harbour Lights 550: 536: 500:, inspired by the 455:The Harbour Lights 378:'s company at the 374:In 1880 he joined 372: 369:The Harbour Lights 207:and the historian 142: 98:The Harbour Lights 85:'s company at the 27: 1241:Final Performance 1204:Rowell, George. 1034:Smythe, chapter V 966:Smythe, pp. 80–87 896:Smythe, pp. 69–71 887:Smythe, pp. 56–68 878:Smythe, pp. 48–56 860:Smythe, pp. 27–30 851:Smythe, pp. 19–20 751:(Subscription or 622:Northwood, London 607:Brompton Cemetery 600:Brompton Cemetery 312:Nicholas Nickleby 162:Christ's Hospital 156:. He was born in 1335: 1174: 1162: 1156: 1145: 1139: 1128: 1122: 1116: 1110: 1098: 1092: 1086: 1080: 1077: 1071: 1065: 1059: 1053: 1044: 1041: 1035: 1032: 1023: 1018: 1012: 1009: 1003: 994: 988: 982: 976: 973: 967: 964: 958: 942: 933: 927: 918: 915: 909: 903: 897: 894: 888: 885: 879: 876: 870: 867: 861: 858: 852: 849: 843: 837: 831: 828: 822: 813: 794: 784: 778: 768: 757: 756: 748: 730: 691: 688: 494:B. C. Stephenson 420:Romeo and Juliet 418:and Mercutio in 410:, Jack Wyatt in 290:Romeo and Juliet 271:Sir Walter Scott 251:Falkland Islands 233:West End theatre 178:Frederick Selous 46:Ellaline Terriss 1343: 1342: 1338: 1337: 1336: 1334: 1333: 1332: 1253: 1252: 1231: 1182: 1177: 1163: 1159: 1146: 1142: 1129: 1125: 1117: 1113: 1108:Wayback Machine 1099: 1095: 1087: 1083: 1079:Goodman, p. 70. 1078: 1074: 1066: 1062: 1054: 1047: 1042: 1038: 1033: 1026: 1019: 1015: 1010: 1006: 995: 991: 983: 979: 974: 970: 965: 961: 943: 936: 928: 921: 916: 912: 904: 900: 895: 891: 886: 882: 877: 873: 868: 864: 859: 855: 850: 846: 838: 834: 829: 825: 814: 797: 785: 781: 769: 760: 750: 732: 731: 694: 689: 685: 681: 653: 592: 554:Adelphi Theatre 532:Adelphi Theatre 524: 498:One of the Best 365:Jessie Millward 357: 317:Adelphi Theatre 295:Dion Boucicault 229:The Flying Scud 130: 118:Adelphi Theatre 94:Jessie Millward 30:William Terriss 17: 12: 11: 5: 1341: 1339: 1331: 1330: 1325: 1320: 1318:Actor-managers 1315: 1310: 1305: 1300: 1295: 1290: 1285: 1280: 1275: 1270: 1265: 1255: 1254: 1251: 1250: 1245: 1237: 1230: 1229:External links 1227: 1226: 1225: 1216: 1202: 1191:Richard Briers 1189:. Foreword by 1187:Acts of Murder 1181: 1178: 1176: 1175: 1157: 1153:Timeout London 1147:Watts, Peter. 1140: 1123: 1111: 1093: 1081: 1072: 1060: 1045: 1043:Smythe, p. 129 1036: 1024: 1013: 1004: 989: 977: 975:Smythe, pp. 87 968: 959: 934: 919: 910: 898: 889: 880: 871: 862: 853: 844: 832: 823: 795: 787:J. Comyns Carr 779: 758: 692: 682: 680: 677: 671:, produced by 652: 649: 591: 588: 558:Secret Service 530:Plaque at the 523: 520: 510:Secret Service 407:The Lyons Mail 404:, Courriol in 394:, Bassanio in 380:Lyceum Theatre 356: 353: 300:The Shaughraun 279:Strand Theatre 174:J. Comyns Carr 158:St John's Wood 129: 126: 87:Lyceum Theatre 15: 13: 10: 9: 6: 4: 3: 2: 1340: 1329: 1326: 1324: 1321: 1319: 1316: 1314: 1311: 1309: 1306: 1304: 1301: 1299: 1296: 1294: 1291: 1289: 1286: 1284: 1281: 1279: 1276: 1274: 1271: 1269: 1266: 1264: 1261: 1260: 1258: 1249: 1246: 1243: 1242: 1238: 1236: 1233: 1232: 1228: 1223: 1222: 1217: 1215: 1214:0-85430-042-2 1211: 1207: 1203: 1200: 1199:0-7088-3603-8 1196: 1192: 1188: 1184: 1183: 1179: 1172: 1168: 1167: 1161: 1158: 1154: 1150: 1144: 1141: 1137: 1135: 1127: 1124: 1120: 1115: 1112: 1109: 1105: 1102: 1097: 1094: 1090: 1085: 1082: 1076: 1073: 1069: 1064: 1061: 1057: 1052: 1050: 1046: 1040: 1037: 1031: 1029: 1025: 1022: 1017: 1014: 1008: 1005: 1001: 1000: 993: 990: 987: 981: 978: 972: 969: 963: 960: 957: 956:1-55783-516-0 953: 949: 948: 941: 939: 935: 931: 926: 924: 920: 914: 911: 907: 902: 899: 893: 890: 884: 881: 875: 872: 869:Smythe, p. 31 866: 863: 857: 854: 848: 845: 841: 836: 833: 830:Smythe, p. 29 827: 824: 820: 819: 812: 810: 808: 806: 804: 802: 800: 796: 792: 788: 783: 780: 776: 772: 767: 765: 763: 759: 754: 746: 742: 738: 737: 729: 727: 725: 723: 721: 719: 717: 715: 713: 711: 709: 707: 705: 703: 701: 699: 697: 693: 687: 684: 678: 676: 674: 670: 666: 662: 658: 650: 648: 646: 645: 640: 636: 635: 629: 627: 623: 618: 616: 612: 608: 601: 596: 589: 587: 585: 581: 576: 574: 569: 567: 563: 559: 555: 547: 546: 540: 533: 528: 521: 519: 517: 516: 511: 507: 506:W. S. Gilbert 503: 502:Dreyfus Trial 499: 495: 491: 490:Clement Scott 487: 482: 480: 479: 474: 473: 468: 464: 463:Henry Pettitt 460: 456: 451: 449: 445: 444: 439: 438:Mary Anderson 435: 431: 430: 425: 424:Mary Anderson 421: 417: 413: 409: 408: 403: 400:, Flutter in 399: 398: 393: 392: 388:, Laertes in 387: 386: 381: 377: 370: 366: 361: 354: 352: 350: 349: 344: 340: 339:Hermann Vezin 336: 332: 331: 326: 322: 318: 314: 313: 308: 307: 302: 301: 296: 292: 291: 286: 285: 280: 274: 272: 268: 264: 260: 256: 252: 248: 244: 243: 238: 237:Tom Robertson 234: 230: 226: 221: 217: 216:merchant navy 212: 210: 206: 205:Harriet Lewin 202: 198: 197:Seymour Hicks 195: 194:actor-manager 191: 187: 183: 179: 175: 171: 167: 163: 159: 155: 151: 147: 139: 134: 127: 125: 123: 119: 115: 111: 107: 106:Henry Pettitt 103: 99: 95: 90: 88: 84: 80: 76: 72: 71: 66: 65:Tom Robertson 62: 58: 57:merchant navy 53: 51: 47: 43: 39: 35: 31: 23: 19: 1240: 1220: 1205: 1186: 1165: 1160: 1152: 1143: 1133: 1126: 1114: 1096: 1084: 1075: 1067: 1063: 1055: 1039: 1016: 1007: 997: 992: 985: 980: 971: 962: 946: 913: 905: 901: 892: 883: 874: 865: 856: 847: 839: 835: 826: 816: 790: 782: 774: 734: 690:Smythe, p. 2 686: 668: 654: 642: 632: 630: 619: 604: 584:Henry Irving 577: 570: 565: 557: 551: 543: 513: 509: 497: 485: 483: 476: 470: 466: 454: 452: 447: 441: 427: 419: 415: 412:James Albery 405: 401: 395: 389: 383: 376:Henry Irving 373: 368: 363:Terriss and 346: 333:, alongside 328: 320: 310: 304: 298: 288: 282: 275: 266: 262: 258: 240: 231:. His first 228: 213: 209:George Grote 153: 149: 143: 137: 97: 91: 83:Henry Irving 78: 74: 68: 54: 33: 29: 28: 18: 1268:1897 deaths 1263:1847 births 1136:: Reviewed" 775:Who Was Who 641:as part of 639:BBC Radio 4 615:Rotherhithe 335:Ellen Terry 325:W. G. Wills 265:, based on 50:Tom Terriss 1257:Categories 755:required.) 679:References 611:Eastbourne 534:stage door 472:Henry VIII 459:G. R. Sims 355:Peak years 348:The Rivals 259:Robin Hood 225:Birmingham 110:melodramas 102:G. R. Sims 75:Robin Hood 38:Robin Hood 999:The Times 661:Channel 5 416:Two Roses 343:melodrama 170:Tottenham 146:barrister 1104:Archived 984:Rowell, 186:Ellaline 61:West End 1180:Sources 385:Othello 315:at the 267:Ivanhoe 263:Rebecca 261:and in 242:Society 79:Rebecca 70:Society 1212:  1197:  986:passim 954:  749: 548:(1897) 522:Murder 512:. The 478:Becket 448:Olivia 391:Hamlet 321:Olivia 220:Bengal 140:, 1878 138:Olivia 651:Ghost 257:, in 44:star 1210:ISBN 1195:ISBN 952:ISBN 492:and 461:and 457:(by 337:and 176:and 164:and 104:and 77:and 741:doi 488:by 414:'s 367:in 327:of 297:'s 269:by 239:'s 201:Tom 150:nÊe 100:by 67:'s 63:in 1259:: 1169:, 1151:, 1048:^ 1027:^ 937:^ 922:^ 798:^ 789:, 773:, 761:^ 695:^ 647:. 351:. 211:. 168:, 52:. 1201:. 1132:" 747:. 743::

Index

Terriss, in princely medieval costume with sword, leans against a stone bannister
Robin Hood
Edwardian musical comedy
Ellaline Terriss
Tom Terriss
merchant navy
West End
Tom Robertson
Society
Henry Irving
Lyceum Theatre
Jessie Millward
G. R. Sims
Henry Pettitt
melodramas
Richard Archer Prince
Adelphi Theatre
Covent Garden tube station
Terriss, in 18th-century costume, holding a rifle
barrister
St John's Wood
Christ's Hospital
Bruce Castle School
Tottenham
J. Comyns Carr
Frederick Selous
Jesus College, Oxford
Ellaline
Edwardian musical comedy
actor-manager

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