Knowledge (XXG)

William de Brailes

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90: 19: 142:(it has incorrectly been claimed to be the earliest anywhere, and the prototype of the form), the type of book that was to become the leading vehicle for illumination in the late Middle Ages. It was probably created for an unknown laywoman whose generic "portrait" is shown four times. It has been suggested she was from 82: 109:
and secular texts, and may also have been a scribe. He is associated with a distinctive style, but other artists also worked in this manner, and distinguishing his hand from theirs is difficult. The style is characterised by energetic gesticulating figures, though with a limited range of facial
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often contain different scenes in separate roundels. Most of his manuscripts have a page size similar to that of a standard modern paperback, and reflect the trend towards the personal ownership of books by well off but not extravagant members of both clergy and
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near Oxford, and possibly called Suzanna. Signed twice by "W. de Brail", adding once "q. me depeint" ("who painted me"). Despite its small size of 150 x 123 mm, it contains a large number of historiated initials and full page miniatures introducing
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A series of small leaves (135 x 98 mm) illuminated on one or both sides with full-page miniatures, probably from a psalter (perhaps a psalter now in Stockholm which has a major historiated initial by de Brailes), with twenty four now in the
215:, Cambridge – the workshop's "most elaborate surviving example of Bible illustration", with 79 illuminated, mostly historiated, initials from which the decoration typically extends down the page. 245 x 175 mm. 174:
Psalter", at 350 x 250 mm, the "largest and most elaborate extant work from the de Brailes workshop", and relatively late in date, this work belongs to the category of luxury psalters, with an illuminated
73:, the only other English illuminator of the period about whom we have significant personal information, most English illumination seems to have been done in commercial workshops run by laymen. 89: 230:
as Ricketts C:1 (1 leaf), Ricketts III:25 (1 leaf), and Ricketts III: 53 (12 leaves). Other leaves from this same manuscript are dispersed in private collections in England.
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Folio 43r from the De Brailes Hours (British Library Add MS 49999) showing a signed self-portrait by "W de Brailes who painted me" (left margin).
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A Bible whose surviving fragments are dispersed among several collections: the chief surviving portion (155 folios) is Lewis Ms E 29 in the
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A Survey of Manuscripts Illuminated in the British Isles, Volume 4: Early Gothic Manuscripts, Part 1 1190–1250
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A compilation of 24 leaves of Bible illuminations by de Brailes (Ms. W.106) on The Walters Art Museum site
30: 222:, 182 x 113 mm, with many historiated initials. Fourteen leaves from this manuscript are now in the 94: 53:, where various members of the book trade lived. He was married, to Celena, but evidently also held 190:
extant, from a series of full-page illuminations on the Old and New Testaments (215 x 143 mm).
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Bible with some Masses (British Library, Harley MS. 2813) – recently attributed, for a
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and abundant decoration throughout, although there is no cycle of full-page miniatures.
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to the mature Gothic style, where decorative borders run round the whole page. Larger
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Peter Kidd, "A Franciscan Bible Illuminated in the Style of William de Brailes".
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Leaf from a psalter (MS 330.iii), lower right roundel, next to angel. Fitzwilliam
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Medievalia Et Humanistica: Studies in Medieval & Renaissance Culture review
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The de Brailes Hours: Shaping the Book of Hours in Thirteenth-century Oxford
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expression, and a concern for narrative. Ornamental bars stretch out from
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The principal works attributed to Brailes and his workshop include:
38: 37:, Warwickshire. He signed two manuscripts, and apparently worked in 81: 65:. This was not unusual: by this date, and with the exception of the 197:
patron, 183 x 133 mm, with two remaining historiated initials.
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to the top or sides of the text, a feature in transition from the
88: 80: 17: 204:, Oxford. A small (167 x 116 mm) Bible, probably made for a 41:, where he is documented from 1238 to 1252, owning property in 387:
Marking the Hours: English People and Their Prayers, 1240–1570
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Marking the Hours: English People and Their Prayers, 1240–1570
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Page, probably from a psalter (Ms W.106, f. 11v), showing the
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Bodleian: Bible by or in the style of de Brailes; 72 images
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Miniatures from a Psalter, consisting of six leaves in the
138:(Add MS 49999) is the earliest surviving separate English 29:(active c. 1230 – c. 1260) was an English Early Gothic 49:, roughly on the site now occupied by the chapel of 409:images from the facsimile "Oxford Bible Pictures" 298: 296: 277:Medieval Illuminators and their Methods of Work 475:. The Bodleian has another Bible in the style. 413:Four images by Brailes from the Paris portion 8: 497:. Libwww.library.phila.gov. 5 December 2010 564:Digital facsimile of the De Brailes Hours 370:At least one older Italian book of hours 366:By Claire Donovan – see further reading 239: 101:William de Brailes illuminated Bibles, 85:Typical page from a small Brailes Bible 47:University Church of St Mary the Virgin 593:People from Stratford-on-Avon District 372:was recently rediscovered (see page 6) 562:British Library Digitised manuscripts 543:, 1991, University of Toronto Press, 7: 522:, Harvey Miller Ltd, London, 1982, 471:Morgan, No 69,MS. Lat. bib. e. 7, 14: 434:Page from Fitzwilliam (2nd down) 200:Bible with some Masses, in the 551:(for online review, see notes) 495:"Free Library of Philadelphia" 347:, 2006 Yale University Press, 134:The "De Brailes Hours" in the 1: 588:13th-century English artists 220:Free Library of Philadelphia 614: 213:Gonville and Caius College 61:show him with a clerical 583:Manuscript illuminators 457:British Library Journal 279:; p.25, Yale UP, 1992, 95:Crossing of the Red Sea 290:see below for another. 161:Wildenstein Collection 98: 86: 31:manuscript illuminator 23: 92: 84: 33:, presumably born in 21: 439:18 July 2013 at the 275:Jonathan Alexander; 112:historiated initials 57:, as at least three 159:, and seven in the 598:People from Oxford 228:Indiana University 184:Fitzwilliam Museum 153:Walters Art Museum 99: 87: 27:William de Brailes 24: 97:(Exodus 14:26:30) 51:All Souls College 605: 539:Claire Donovan. 507: 506: 504: 502: 491: 485: 482: 476: 469: 463: 453: 447: 432:Morgan, no. 72. 430: 424: 421: 415: 407:Morgan, no. 71. 405: 399: 396: 390: 380: 374: 364: 358: 338: 332: 320:Morgan, no. 73. 318: 312: 309: 303: 300: 291: 273: 267: 264: 258: 244: 202:Bodleian Library 116:Romanesque style 613: 612: 608: 607: 606: 604: 603: 602: 573: 572: 558: 536: 534:Further reading 515: 510: 500: 498: 493: 492: 488: 483: 479: 470: 466: 454: 450: 441:Wayback Machine 431: 427: 422: 418: 406: 402: 397: 393: 381: 377: 365: 361: 339: 335: 322:British Library 319: 315: 310: 306: 301: 294: 274: 270: 265: 261: 248:British Library 246:Morgan, no 73. 245: 241: 237: 186:and one in the 165:Musée Marmottan 136:British Library 79: 12: 11: 5: 611: 609: 601: 600: 595: 590: 585: 575: 574: 571: 570: 565: 557: 556:External links 554: 553: 552: 535: 532: 531: 530: 518:Nigel Morgan, 514: 511: 509: 508: 486: 484:Morgan, no. 70 477: 464: 461:online version 448: 445:Morgan Library 425: 423:Morgan, no. 74 416: 400: 398:Morgan, no. 68 391: 375: 359: 333: 330:Penitent David 313: 304: 292: 268: 259: 256:Penitent David 238: 236: 233: 232: 231: 216: 209: 198: 191: 188:Morgan Library 180: 168: 148: 78: 75: 59:self-portraits 13: 10: 9: 6: 4: 3: 2: 610: 599: 596: 594: 591: 589: 586: 584: 581: 580: 578: 568: 566: 563: 560: 559: 555: 550: 549:0-8020-5951-1 546: 542: 538: 537: 533: 529: 528:0-19-921026-8 525: 521: 517: 516: 512: 496: 490: 487: 481: 478: 474: 468: 465: 462: 458: 452: 449: 446: 442: 438: 435: 429: 426: 420: 417: 414: 410: 404: 401: 395: 392: 388: 384: 379: 376: 373: 369: 363: 360: 357: 354: 353:0-300-11714-0 350: 346: 342: 337: 334: 331: 327: 326:another image 323: 317: 314: 308: 305: 302:Morgan, p. 30 299: 297: 293: 289: 286: 285:0-300-05689-3 282: 278: 272: 269: 263: 260: 257: 253: 252:another image 249: 243: 240: 234: 229: 225: 224:Lilly Library 221: 217: 214: 210: 207: 203: 199: 196: 192: 189: 185: 181: 178: 173: 169: 166: 162: 158: 154: 149: 145: 144:North Hinksey 141: 140:Book of hours 137: 133: 132: 131: 128: 126: 121: 117: 113: 108: 107:Book of hours 104: 96: 91: 83: 76: 74: 72: 71:Matthew Paris 68: 64: 60: 56: 52: 48: 44: 40: 36: 32: 28: 20: 16: 540: 519: 499:. Retrieved 489: 480: 467: 456: 451: 428: 419: 403: 394: 386: 378: 362: 344: 336: 316: 311:183 x 113 mm 307: 276: 271: 266:Morgan, p.30 262: 242: 129: 100: 55:minor orders 43:Catte Street 26: 25: 15: 383:Eamon Duffy 341:Eamon Duffy 172:New College 77:Manuscripts 577:Categories 513:References 195:Franciscan 120:miniatures 211:Bible in 206:Dominican 157:Baltimore 147:sections. 67:St Albans 45:near the 437:Archived 177:calendar 103:psalters 501:13 June 459:, 2007 208:patron. 63:tonsure 35:Brailes 547:  526:  389:, 2006 356:online 351:  283:  167:Paris. 39:Oxford 235:Notes 170:"The 125:laity 69:monk 545:ISBN 524:ISBN 503:2012 349:ISBN 281:ISBN 105:, a 226:at 579:: 411:, 385:, 343:, 328:, 324:, 295:^ 254:, 250:, 163:, 155:, 127:. 505:. 443:,

Index


manuscript illuminator
Brailes
Oxford
Catte Street
University Church of St Mary the Virgin
All Souls College
minor orders
self-portraits
tonsure
St Albans
Matthew Paris


Crossing of the Red Sea
psalters
Book of hours
historiated initials
Romanesque style
miniatures
laity
British Library
Book of hours
North Hinksey
Walters Art Museum
Baltimore
Wildenstein Collection
Musée Marmottan
New College
calendar

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