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142:(it has incorrectly been claimed to be the earliest anywhere, and the prototype of the form), the type of book that was to become the leading vehicle for illumination in the late Middle Ages. It was probably created for an unknown laywoman whose generic "portrait" is shown four times. It has been suggested she was from
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and secular texts, and may also have been a scribe. He is associated with a distinctive style, but other artists also worked in this manner, and distinguishing his hand from theirs is difficult. The style is characterised by energetic gesticulating figures, though with a limited range of facial
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often contain different scenes in separate roundels. Most of his manuscripts have a page size similar to that of a standard modern paperback, and reflect the trend towards the personal ownership of books by well off but not extravagant members of both clergy and
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near Oxford, and possibly called
Suzanna. Signed twice by "W. de Brail", adding once "q. me depeint" ("who painted me"). Despite its small size of 150 x 123 mm, it contains a large number of historiated initials and full page miniatures introducing
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A series of small leaves (135 x 98 mm) illuminated on one or both sides with full-page miniatures, probably from a psalter (perhaps a psalter now in
Stockholm which has a major historiated initial by de Brailes), with twenty four now in the
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Psalter", at 350 x 250 mm, the "largest and most elaborate extant work from the de
Brailes workshop", and relatively late in date, this work belongs to the category of luxury psalters, with an illuminated
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as
Ricketts C:1 (1 leaf), Ricketts III:25 (1 leaf), and Ricketts III: 53 (12 leaves). Other leaves from this same manuscript are dispersed in private collections in England.
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Folio 43r from the De
Brailes Hours (British Library Add MS 49999) showing a signed self-portrait by "W de Brailes who painted me" (left margin).
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A Bible whose surviving fragments are dispersed among several collections: the chief surviving portion (155 folios) is Lewis Ms E 29 in the
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A Survey of
Manuscripts Illuminated in the British Isles, Volume 4: Early Gothic Manuscripts, Part 1 1190–1250
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408:
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A compilation of 24 leaves of Bible illuminations by de
Brailes (Ms. W.106) on The Walters Art Museum site
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222:, 182 x 113 mm, with many historiated initials. Fourteen leaves from this manuscript are now in the
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53:, where various members of the book trade lived. He was married, to Celena, but evidently also held
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extant, from a series of full-page illuminations on the Old and New
Testaments (215 x 143 mm).
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Bible with some Masses (British
Library, Harley MS. 2813) – recently attributed, for a
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and abundant decoration throughout, although there is no cycle of full-page miniatures.
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to the mature Gothic style, where decorative borders run round the whole page. Larger
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Peter Kidd, "A Franciscan Bible
Illuminated in the Style of William de Brailes".
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Leaf from a psalter (MS 330.iii), lower right roundel, next to angel. Fitzwilliam
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Medievalia Et Humanistica: Studies in Medieval & Renaissance Culture review
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The de Brailes Hours: Shaping the Book of Hours in Thirteenth-century Oxford
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expression, and a concern for narrative. Ornamental bars stretch out from
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The principal works attributed to Brailes and his workshop include:
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65:. This was not unusual: by this date, and with the exception of the
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patron, 183 x 133 mm, with two remaining historiated initials.
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to the top or sides of the text, a feature in transition from the
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Marking the Hours: English People and Their Prayers, 1240–1570
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Marking the Hours: English People and Their Prayers, 1240–1570
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Page, probably from a psalter (Ms W.106, f. 11v), showing the
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Bodleian: Bible by or in the style of de Brailes; 72 images
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Miniatures from a Psalter, consisting of six leaves in the
138:(Add MS 49999) is the earliest surviving separate English
29:(active c. 1230 – c. 1260) was an English Early Gothic
49:, roughly on the site now occupied by the chapel of
409:images from the facsimile "Oxford Bible Pictures"
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277:Medieval Illuminators and their Methods of Work
475:. The Bodleian has another Bible in the style.
413:Four images by Brailes from the Paris portion
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497:. Libwww.library.phila.gov. 5 December 2010
564:Digital facsimile of the De Brailes Hours
370:At least one older Italian book of hours
366:By Claire Donovan – see further reading
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101:William de Brailes illuminated Bibles,
85:Typical page from a small Brailes Bible
47:University Church of St Mary the Virgin
593:People from Stratford-on-Avon District
372:was recently rediscovered (see page 6)
562:British Library Digitised manuscripts
543:, 1991, University of Toronto Press,
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522:, Harvey Miller Ltd, London, 1982,
471:Morgan, No 69,MS. Lat. bib. e. 7,
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434:Page from Fitzwilliam (2nd down)
200:Bible with some Masses, in the
551:(for online review, see notes)
495:"Free Library of Philadelphia"
347:, 2006 Yale University Press,
134:The "De Brailes Hours" in the
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588:13th-century English artists
220:Free Library of Philadelphia
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213:Gonville and Caius College
61:show him with a clerical
583:Manuscript illuminators
457:British Library Journal
279:; p.25, Yale UP, 1992,
95:Crossing of the Red Sea
290:see below for another.
161:Wildenstein Collection
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31:manuscript illuminator
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33:, presumably born in
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439:18 July 2013 at the
275:Jonathan Alexander;
112:historiated initials
57:, as at least three
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598:People from Oxford
228:Indiana University
184:Fitzwilliam Museum
153:Walters Art Museum
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27:William de Brailes
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97:(Exodus 14:26:30)
51:All Souls College
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539:Claire Donovan.
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55:minor orders
43:Catte Street
26:
25:
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383:Eamon Duffy
341:Eamon Duffy
172:New College
77:Manuscripts
577:Categories
513:References
195:Franciscan
120:miniatures
211:Bible in
206:Dominican
157:Baltimore
147:sections.
67:St Albans
45:near the
437:Archived
177:calendar
103:psalters
501:13 June
459:, 2007
208:patron.
63:tonsure
35:Brailes
547:
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389:, 2006
356:online
351:
283:
167:Paris.
39:Oxford
235:Notes
170:"The
125:laity
69:monk
545:ISBN
524:ISBN
503:2012
349:ISBN
281:ISBN
105:, a
226:at
579::
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295:^
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127:.
505:.
443:,
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