38:. No paintings can be attributed securely to him by him, though his name is used as a collective term for a series of altarpieces from late in the fourteenth century, whose main qualities are ardent piety and delicate grace, particularly in the characteristics of the female figures. Their formal aspects, however, remain within the prevailing Gothic style. Images of this kind may be found in museums and various churches in Cologne,
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and recorded in city charters between 1370 and 1390. He is regarded as the foremost artist of the
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Publikationen der
Gesellschaft für Rheinische Geschichtskunde
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30:) was a medieval German painter active in
82:, Bd. 13, Köln, Bonn, Düsseldorf, 1902
54:, and there is a plaque to him in the
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76:Geschichte der Kölner Malerschule
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106:14th-century German painters
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111:German male painters
101:14th-century deaths
96:14th-century births
20:William of Cologne
48:Frankfurt am Main
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68:Ludwig Scheibler
24:Wilhelm von Köln
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72:Carl Aldenhoven
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32:Cologne
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40:Munich
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